Great Rock Albums of 1983: Big Country- The Crossing
It was the beginning of December in 1983 when MTV finally came into my household. That was because we were offered a really good deal on it, so my mother agreed to it but that’s not important here. What I did discover almost straight away was that while many an act owed their success to MTV, that channel also had the potential to kill an act. In those first few weeks, just about every time we switched on the channel, the video for Big Country’s first big hit, “In a Big Country” would be playing. It got played to the point that whenever it came on, either me or my sister and even my then 12 year old brother would crack the sarcastic comment, “Hey, never seen this one before.” The irony is that when I first heard that song, I thought it was decent enough. I liked Big Country’s Scottish Celtic-folk sound mixed in with a bit of hard rock. It was definitely something I would call new wave. Unfortunately, the over saturation of the song on MTV put me off and as a result, I never got to appreciate how good their debut album, “The Crossing” was.
Another ironic point about this album was that by chance, I saw the video for their second single, “Fields of Fire.” I say by chance because unlike “In a Big Country” they hardly played it and that’s a shame because I preferred “Fields of Fire” to the other one. It is a bit harder. Throughout “The Crossing,” the folk-rock combination weaves its way in, out and around all the tracks. The first three or four tracks edge closer to the more progressive side. There are some very interesting musical arrangements here, especially with the song, “Chance.” Things tend to sound a bit more harder after that, although the track “1000 Stars” does slightly remind of U2. Furthermore, I do like the acoustic folk sound on “The Storm.” But “Harvest Home” is more hard rock for and that is followed by my favourite track, “Lost Patrol.” Another song, I will add to my list of songs that would sound good metalized.
At first, I didn’t know what to think about the closer, “Porrohman.” But once I sat down and really listened to it, I found it to be one of those that absorbs you in and you have no choice but to just enjoy it to its end. A great song to end the album with. One more point I have to make is about the vocals of Stuart Adamson. What makes his vocals good is that they fit right in with the music and that does well here.
Track Listing:
- In a Big Country
- Inwards
- Chance
- 1000 Stars
- The Storm
- Harvest Home
- Lost Patrol
- Close Action
- Fields of Fire
- Porrohman
Stuart Adamson- vocals, guitar, piano, ebow
Bruce Watson- guitar, vocals, ebow, mandolin, sitar
Tony Butler- bass, vocals
Mark Brzezicki- drums, percussion,vocals
Did you know that some people actually consider Big Country to be one hit wonders. I don’t. From what I heard from their later work, they seem to go a bit more harder. Still, they were never one hit wonders. That label kept people like me from hearing how good “The Crossing” actually was.
Next post: Robert Plant- The Principle of Moments
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May 14, 2016 at 12:43 am
I recently played 3 Big Country LPs (The Crossing, Steeltown, and The Seer) and loved them all. Great band, truly excellent records.
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May 14, 2016 at 10:43 am
I’m discovering that now!
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May 15, 2016 at 1:58 pm
Those three came to me free, and what a total score. I saw The Seer in Toronto yesterday on LP for $3.50, so it should be pretty easy and inexpensive to explore them further.
Scott over at https://heavymetaloverload.com is a fan too, if I recall correctly.
Enjoy! From what I’ve heard, I know you will!
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May 15, 2016 at 2:48 pm
That is a bargain. I might be wrong, but I think Big Country records are fairly cheap regardless of where you are in the world!
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May 15, 2016 at 8:25 pm
It does sound like a bargain, since my birthday is in 3 weeks, I’ll put it on my request list.
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May 17, 2016 at 3:34 pm
I’m always thrilled whenever someone shines a light on my favorite band of the last 35 years, Big Country, especially when it’s one of my favorite bloggers. Although they are technically a one-hit wonder in the US (if you’re basing it on the criteria of Top 40 hits), they are so much more vital than that reputation would suggest. This album blew me away the first time I heard it and I’ve never grown tired of it. I’m really glad you enjoy it too, especially “Porrohman,” evidence that they would have made a great prog-rock band had they decided to pursue that direction.
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May 17, 2016 at 8:01 pm
Thanks, I think they would have done well whichever direction they had chosen to take.
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May 18, 2016 at 8:09 pm
Thanks for this post! The Crossing is such a great album – the drumming is first class and the guitar work unique. They managed to create an atmosphere in their music that still resonates every time I put the CD on in the car and crank up the volume – which is a lot!
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May 19, 2016 at 6:56 am
You’re most welcome and thank you for your comments! I never thought of Big Country as travelling music, I’ll have to try that.
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