Great Rock Albums of 1983: Robert Plant- The Principle of Moments
Here is another example why I stopped trusting commercial radio or MTV for all of my music liaisons. In 1983, the two singles from Robert Plant’s “The Principle of Moments” album, “In the Mood” and “Big Log” got a lot of airplay on MTV. If I were to judge this album just on those two songs, I would have thought that Robert Plant had completely abandoned his roots and was making mellow out, commercial songs. I know that even then, Robert wasn’t comfortable when people like me said that his former band, Led Zeppelin, were one of the founding fathers of heavy metal but this album shows that he didn’t totally abandon his beginnings.
“The Principle of Moments” is a long way from the heavy metal sounding delights of Led Zeppelin “II” or “IV.” Nonetheless, it is still a good album with some rock delights for all. When I heard the introduction on the opening song, “Other Arms,” I found myself checking the credits on the album because I was sure that Robert had gotten Jimmy Page to play on it. Obviously, I was dreaming but saying that, Robert Blunt does a magnificent job on the six string all throughout the entire album. Does he site Jimmy as an influence? Don’t know but it might be worth checking out.
Maybe it’s me mellowing in my old age, (I’ll be halfway between 50 and 60 in three weeks), but listening to “In The Mood” again after all these years, I’ve decided it’s not as bad as I thought back then. In fact, there’s a pretty tidy guitar solo from Blunt which has me wondering how I missed something like that back in 1983. I’ll blame the weed. Another really good standout track is “Wreckless Love” which is possibly the hardest rock tune on the album. However, other songs like “Messin’ With the Mekon” and “Horizontal Departure” come fairly close. “Thru With the Two Step” is another interesting song on the album. It starts out like it’s going to be a mellow one, more in the style of Led Zeppelin’s later progressive years. Then it goes into a more hard blues sound with a killer guitar solo from Blunt. God, I have to check this guy out more.
The only stone left unturned is the vocals of Plant himself. They are as good as ever here. Sure, he doesn’t scream like he did back in the 1970s but he still shows he has a decent range.
Track Listing:
- Other Arms
- In the Mood
- Messin’ with the Meckon
- Wreckless Love
- Thru With the Two Step
- Horizontal Departure
- Stranger Here… Than Over There
- Big Log
Robert Plant- vocals
Robbie Blunt- guitars
Paul Martinez- bass
Jezz Woodroffe- keyboards
Phil Collins- drums on tracks, 1-3, 5,6, 8
Barriemore Barlow- drums on tracks 4 and 7
John David and Ray Martinez- backing vocals
Unlike “In the Mood,” my thoughts haven’t changed much on “Big Log.” Maybe it’s that image conjured up from the video of Robert Plant swimming in the pool. But don’t let that spoil your enjoyment of “The Principle of Moments” because it is a good album. Classic Robert Plant.
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This entry was posted on May 16, 2016 at 7:53 pm and is filed under 1980s, Heavy Metal, Music, Rock, Uncategorized with tags British, Classic Rock, hard rock, Heavy Metal, Heavy Rock, Jimmy Page, Led Zepplin, MTV, Robert Plant, The 1970s, The 1980s, The Principle of Moments. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
17 Responses to “Great Rock Albums of 1983: Robert Plant- The Principle of Moments”
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May 16, 2016 at 9:10 pm
I really like these early Plant albums too. I wonder what Zep would have sounded like if they are able to continue on. I reckon they’d have changed and progressed like Plant did.
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May 16, 2016 at 9:10 pm
And I love Big Log!
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May 16, 2016 at 9:11 pm
I had a friend who, upon hearing these said, “Now I know what Zeppelin would have sounded like in the 80’s.” She didn’t mean it in a good way, but I think that there would have been some of this sound in an 80’s Zep. It would have been a natural progression I think. And they would have done it well!
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May 16, 2016 at 9:14 pm
Yeah I think so too. But like a lot of 70s bands moving into the 80s, it would have divided opinion regardless of the how well they did it.
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May 16, 2016 at 9:19 pm
For sure. The 80’s were just like that.
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May 17, 2016 at 8:03 pm
Here, here. If Led Zeppelin had put out “Stairway to Heaven” in 1984, many metalheads would have accused them of selling out.
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May 17, 2016 at 8:17 pm
Haha probably! And all the flutes would have been replaced with synths!
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May 17, 2016 at 8:47 pm
You know, you’re probably spot on there!
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May 17, 2016 at 8:05 pm
Possibly, they were heading in that direction with their last couple of albums. However, I think that whatever they had done, they would have done it well.
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May 17, 2016 at 3:40 pm
Another excellent review of an album that’s been near and dear to me for a long time. This was among my four or five most played albums of ’83 and I still love it whenever I play it. I can understand why people who prefer heavier music might be turned off but there’s a lot of great music (and performances) on this album. The b-side “Far Post” (from the “Big Log” single) added some more rock to the track listing for those of us who taped the album and added that song at the end…although it was actually recorded in ’82 and should have been included on his debut album. It’s since been added their on the expanded reissue.
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May 17, 2016 at 8:08 pm
Thank you again. I nearly let this pass me by thanks to MTV. I have to check out “Far Post,” it sounds like it would be a good listen. But you’re right, there is some good performances on this album.
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May 17, 2016 at 6:44 pm
I’ve often been tempted by this one when I’ve seen it. I bought Now And Zen not so long ago cause it was cheap and Jimmy Page was on there … sadly it wasn’t really up to much.
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May 17, 2016 at 7:19 pm
Now And Zen is one of those “you had to be there” albums but it doesn’t hold up as well as some of his other albums, certainly sonically-speaking. His first two, including the one discussed in this post, are much more timeless. Well-worth checking out. Plant’s voice was great on every track and Phil Collins comes up with some killer drum patterns on most of them.
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May 17, 2016 at 9:41 pm
I thought that would be the case, Roch. I often see the others reasonably priced, so I dare say I’ll investigate further!
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May 17, 2016 at 8:09 pm
I never listened to Now and Zen but both your responses are telling me not to bother. This and Pictures at 11 are probably Plant’s two best solo albums.
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May 17, 2016 at 9:47 pm
Yeah, best left alone!
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May 18, 2016 at 1:34 pm
Thanks for the warning. 🙂
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