Archive for AC/DC

Great Metal Albums of 1987: Helix- Wild in the Streets

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on April 17, 2022 by 80smetalman

In 1987, Helix came out with “Wild in the Streets,” which, judging from what I’ve read, didn’t do too well for the band. It did go Gold in Canada but barely charted in the US. Being in England, I didn’t know this album even existed until recently and only heard of it thanks to my Canadian readers. Still, whatever the history or so-called critics say, I think the album was pretty good.

An AC/DC vibe opens the album with the title cut. The guitars remind me of “For Those About to Rock, We Salute” and the opening vocal salvo from Brian Volmer does sound a little like Brian Johnson. Still the track gives the album a promising start. This is quickly followed by the boogie woogie sounding “Never Gonna Stop the Rock.” The song has an unmissable swagger to it which makes you want to bob along to it and some good guitar solos as well.

Oh what a great power ballad “Dream On” could have been! Not to be confused with the Aerosmith classic, this song was originally recorded by 1970s Scottish legends, Nazareth. Being a sucker for a great power ballad, Helix’s “Dream On” had great potential but unfortunately, the production doesn’t seem to be up to scratch as compared to the rest of the album. Shame, because everything needed to be a great power ballad is there. Acoustic guitars backed up by piano chops before the power chords kick in. Brian’s vocals sound extremely passionate and there’s a killer guitar solo. It’s just too bad the production is off putting.

Don’t worry, Helix get back to rocking out with “What Ya Bringing to the Party.” My answer is a couple of six packs and a bottle of Jack but this is a great party tune. One for sticking into the car stereo and going for a cruise on a Saturday night. But the party doesn’t end because right after comes my favourite track on the album, “High Voltage Kicks.” I’m not quite sure what high voltage kicks are but what I do know is that this track totally kicks ass. It starts out as a Southern blues number with some cool intricate guitar licks before the song goes total rock out. Even with the faster pace of the song, the backing vocals stay melodic. It’s the fastest song on the album.

Things continue to rock on “Give ‘Em Hell,” another great rocking song with some cool guitar riffs and brilliant solo. It’s proof of how good Helix are when they just let loose and go for it. “Shot Full of Love” is also a fast paced song and though it sounds like it’s all over the place at times, it comes together and makes a good song. It definitely has the best guitar solo on the album.

Now you would think a song called “Love Hungry Eyes” would be another power ballad but comes nowhere close to that! It’s a mid-paced song while not spectacular, keeps the album ticking over nicely. Then we come to the penultimate track, “She’s Too Tough.” This song was written by Def Leppard’s Joe Elliot and was meant to be on their “Hysteria” album but instead, it went to Helix and they do a good job on it. I do love the guitar riffs on the intro. However, with the benefit of historical hindsight, if Def Leppard’s intended version of the song was anything like what Helix do here, then it would have been too hard rock for “Hysteria.” Helix close out the album with a song which seems to incorporate everything they’ve done on the rest of the album. It has a progressive intro and there’s that blues party swagger to it and some great guitar work and drum fills. It’s a great way to end the album, even without the cheesy explosion at the very end.

Track Listing:

  1. Wild in the Streets
  2. Never Gonna Stop the Rock
  3. Dream On
  4. What Ya Bringing to the Party
  5. High Voltage Kicks
  6. Give ‘Em Hell
  7. Shot Full of Love
  8. Love Hungry Eyes
  9. She’s Too Tough
  10. Kiss It Goodbye
Helix and their friends

Brian Volmer- lead vocals

Brent ‘Doctor’ Doener- guitar, backing vocals

Paul Hackman- guitar, backing vocal

Daryl Gray- bass, keyboards, piano, backing vocals

Greg ‘Fritz’ Hinz- drums, backing vocals

Additional musicians:

Don Airey, Sam Reid- additional keyboards

Mickey Curry, Brian Doener, Matthew Fernette- additional drums

My theory is that on “Wild in the Streets,” Helix tried to be all things to all people and while the album sounds great, it didn’t work out for them commercially. Capitol Records would drop them from the label after this, which was a shame but the sign of the times of how one commercially unsuccessful album could be the death knell for a band.

Next post: Great White- Once Bitten

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

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Great Metal Albums of 1987: TT Quick- Metal of Honor

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , on January 16, 2022 by 80smetalman

I’m afraid it’s back to bands who came by and went shortly after, though unlike, Envy, TT Quick would record another album in 1989, but let’s not worry about that now. TT Quick were another band which came to me compliments of my sister sending me tracks of the American metal scene at the time. And of course, the track on the tape led me to explore the band’s album and that’s how I discovered TT Quick’s debut album, “Metal of Honor.”

If the lead singer, Mark Tornillo, sounds familiar, it is because he has been the lead singer for Accept since 2009. That’s the first thing I found amusing when doing my research for the album and band. After the title cut opens the album and grabs your attention, tracks two through five sound as if he is auditioning for his spot in Accept. All of those tracks scream the German band’s name. If more evidence is needed, then the second track, “Front Burner” provides it. Accept have been accused of being AC/DC rip offs, (I don’t think so) but you can not only hear Accept on the track but a bit of AC/DC influence as well. None of this is a bad thing by the way because when you listen to Mark’s vocals through the album, you can hear why he was chosen to replace Udo Dirkschneider, especially on the track, “Child of Sin.”

On the second half of “Metal of Honor,” TT Quick sound a little less like Accept and more themselves. This could be down to the shredding of guitarist Dave DiPietro. While he lays down some cool solos during the Accept phase, he comes into his own on “Asleep At the Wheel” and goes on that way for the rest of the album. After that track, the band goes a bit boogie blues on the track “Come Beat the Band.” Some so-called heavy metal purists might scoff at this track because of its blues swagger but I think TT Quick do a great job on it. Mark shows that he isn’t necessarily a Udo clone and boy does Dave shred! Of course, you got to give full marks to the rhythm section as well as they keep up very well.

Now we come to my favourite track on the album. Proof that my sister and I are on the same metal page because “Hell to Pay” stands head and shoulders above the rest of the tracks. It sounds like it might be a power ballad but the blasting of power chords at the chorus and beyond is just mind blowing. If there is any track where you can say Dave DiPietro is a brilliant guitarist, it is this one. The way he switches between melodic chords and power ones is excellent and then there is his solo, magnifique!

While “Hell to Pay” is the track of the album, the remainder doesn’t go out in a whimper. “Queen of the Scene” is a cool straight-forward metal tracks which keep things chugging nicely. Then we get to “Glad All Over” which is a Dave Clark Five cover. One reviewer of the album hated this track but I like it. Okay, maybe the chorus sounds a bit cheesy but the way TT Quick metalizes this song, especially with Dave’s shredding, who cares? Saying that, it took me several listens before I came to appreciate the closer power ballad, “Siren Song.” It’s one of those tracks which would be out of place anywhere else on the album.

Track Listing:

  1. Metal of Honor
  2. Front Burner
  3. Hard As a Rock
  4. Child of Sin
  5. Asleep at the Wheel
  6. Come Beat the Band
  7. Hell to Pay
  8. Queen of the Scene
  9. Glad All Over
  10. Siren Song

Mark Tornillo- vocals

Dave DiPietro- guitar

Walt Fortune- bass

Erik Ferro- drums

My verdict here is that while “Metal of Honor” is another great metal album which has been forgotten by many, it proved to be a springboard for greater glories for Mark Tornillo and Dave DiPietro as both would have success elsewhere.

Next post: Judas Priest- Priest … Live

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

Great Metal Albums of 1987: Reckless- No Frills

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on January 3, 2022 by 80smetalman

Sometimes some of the tracks on the tapes my sister would send me were somewhat misleading. Often times, I thought that some of these bands were bigger in America than they actually were. Such was the case with New York band, Reckless. The track on the tape was the closer, “Holding On” from their album “No Frills.” I have always liked the song. It’s good straight forward metal. Plus, lyrics like these have always amused me for the past thirty-four years.

JD and Hennessy are old friends of mine

We get together and have a glass

And talk about old times.

As a result, I was somewhat disappointed at the amount of digging I had to do in order to find out the details about this album. My go to sources, Wikipedia, Heavy Harmonies and Metal Emporium did not house them. Fortunately, a general Google search provided the information I required for the post. Saying that, I didn’t need much back story to appreciate their album. Influences can be heard throughout. The opener, “Nitty Gritty” is definitely AC/DC influenced. Maybe a little of The Who as the opening notes do sound a little like their hit “Substitute” but the AC/DC influence is definitely there. The next track, “Wild in the Streets,” has a Judas Priest feel to it while the third, “Deadly Game,” is the closest to a power ballad on the album. It has a slower pace but does speed up in places and a killer guitar solo from Bob Gam.

It is the fourth track that really gets me. It sounds maybe a little too similar to my favourite Twisted Sister song of all time, “You Can’t Stop Rock and Roll.” Then when I read the credits, I discovered why this might be the case. The album was produced by none other than Jay Jay French and Mark ‘The Animal’ Mendoza, yep, those guys from Twisted Sister. In my opinion, the chose the right Twisted Sister song to emulate.

I thought I would put the picture in the post because it was a good shot of Jay Jay French and Mark Mendoza. Twisted Sister come out and play, taken at Bloodstock 2016

The second half of the album, while in no way bad, isn’t quite as good as the first half. I think the problem is that Reckless were so influenced by other bands that they never really stamp their uniqueness on the album. Another example is that the track “Breakin’ Up” sounds pretty much like what KISS was doing at the time and though they do it quite well, there is nothing that screams, “Reckless is different.” It’s a bit of shame because listening to the album, I can say that Reckless are a very capable band. You get some good riffs and solos from Gam. Chris Cintron is a very good vocalist. He doesn’t have to scream but delivers a sound performance on every song. Furthermore, Gary Kriss and Bob Smith make an excellent rhythm section, as good as any out there at the time.

A perfect example of what I am trying to convey is the track “Railroad Alley.” The performance of the band on this track is absolutely phenomenal. However the song is let down by a rather lackluster chorus. Speaking of influence, I do believe I hear a Motorhead influence on “Eye For an Eye” and it’s another example of a great band playing an “it’s all been done before song.” Anyway, Reckless do stamp their own mark on the already mentioned closer, “Holding On.” Even though I have listened to the album four times now, this song is still the best one on the album. They literally save the best for the last.

Track Listing:

  1. Nitty Gritty
  2. Wild in the Streets
  3. Deadly Game
  4. Voices in the Night
  5. Crazy Over You
  6. Breakin’ Up
  7. Night After Night
  8. Railroad Alley
  9. Eye for an Eye
  10. Holding On
Reckless

Chris Cintron- lead vocals

Bob Gam- guitar, backing vocals

Gary Kriss- bass, backing vocals

Bob Smith- drums, backing vocals

Normally I lament over why a band such as Reckless didn’t go further. They definitely had the tools to do so. However, what they needed is better song writing and to find their own niche instead of letting so many influences dictate. Still, this is a good album which should be dusted off and listened to.

Next post: Def Leppard- Hysteria

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

An Early Happy New Year

Posted in Heavy Metal, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , on December 30, 2020 by 80smetalman
Not a bad haul. I must have been a good boy this year.

I hope everyone had a good Christmas! As you can see, Santa was good to me this year. Not only did I get the new AC/DC album, I got a few albums I wasn’t expecting. The Metallica, Ozzy and Thin Lizzy, which for some reason isn’t in the photo, were upgrades as I had all of these on either cassette or vinyl. FTR, the Thin Lizzy was “Live and Dangerous.” Anyway, I hope all of you had good hauls as well.

Repeating what many other people have said, 2020 was a bust. Fortunately, I had my music and a lot of music which many of you have shared on your blogs. We all seemed to pull together and help each other get through, which was good to see and although there is still more shit ahead, the end might be insight. This past year was the first year since 2014 where I didn’t go to any live gigs. The lockdown meant that Hells Bells couldn’t come to town and my plan to go to Bloodstock for the Sunday was also put on hiatus. However, the good news about Bloodstock is that most of the line up planned for 2020 will be there for 2021. That means Judas Priest will still headline on the Sunday with Saxon on right before them! Additionally, and this has me considering coming out of retirement and going to Bloodstock for the full three days, Mercyful Fate is now headlining on the Saturday. Devin Townsend headlining the Friday makes it even more tempting.

Since, I will be working over the New Year’s period, I would like now to wish all of you an Happy New Year and may your 2021 be a joyous one.

Next post: Vyper- Afraid of the Dark

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

Merry Christmas to All!

Posted in Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , on December 24, 2018 by 80smetalman

A few years ago, I posted my top ten favourite Christmas songs. Now that I can paste them on here from Youtube, I thought I’d share them again while giving you a chance to listen to them and get in the festive mood. Besides, since that post, my top ten has shuffled a little. Listen and enjoy.

10. Slade- Merry Christmas Everybody

9. Joe Diffie- Leroy the Redneck Reindeer

8. The Darkness- Christmas Time

7. ACDC- Jingle Hell’s Bells

6. Bob Rivers and Twisted Radio- Walking Around In Women’s Underwear

5. Bob Rivers and Twisted Radio- Frosty the Pervert

(Author’s Advisory) This song is not for the young or those who are easily offended

4. The McKenzie Brothers- 12 Days of Christmas

3. Stryper- Winter Wonderland

2. Weird Al Yankovic- The Night Santa Went Crazy

  1. In the original post, I put the entire Twisted Christmas album but for time’s sake, I chose what is my favourite song from said album

Twisted Sister- Let It Snow

I hope you all have a Merry Christmas and get lots of good music in your stockings and party away the festive season. Here’s some of my provisions, yes, it’s the same as last year.

My provisions for Christmas

 

 

 

 

 

 

 

 

 

 

 

Great Metal Albums of 1985: AC/DC- Fly On the Wall

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on October 28, 2018 by 80smetalman

Most of you have probably guessed that the reason why I am writing about AC/DC’s 1985 “Fly on the Wall” album is because tribute band Hell’s Bells came to town. I know I’m being predictable but who cares? Seeing Hell’s Bells gives me great motivation when writing about AC/DC albums, especially when the band didn’t play any songs off this album. Saying that, they may do so next time they come because this time, they played a song from the “74 Jailbreak” album which I posted about last time. They played “Jailbreak” as well as many other great songs. The great thing is that Hell’s Bells always mix up their selection of songs so you don’t get the same ones all the time. Yes, they played many of the classics, “Back in Black,” “You Shook Me All Night Long,” “Highway to Hell,” “TNT” and “Whole Lotta Rosie” but they played others as well. “Thunderstruck,” “Shoot to Thrill” “Let There Be Rock” and “Hell Ain’t a Bad Place to Be” were played to the crowd in Stroud. The only unfortunate moment was that the band had brought two canons in order to play “For Those About to Rock, We Salute You” but the venue wouldn’t allow it. Anyway, this was probably Hell’s Bells’ best performance and I have to say I was quite impressed with support act, Foo Fighters tribute band, Fighters Foo. If you remember, last time they played under the name Pity the Foo but the lead singer announced that they had to change the name for political reasons. It was a great evening and what I found most amusing was that the venue was packed while the trendy pub nearby having their Halloween party was dead. I guess Hell’s Bells were the bigger draw.

Fighters Foo

A better shot of them. BTW, I have come into modern times with an up to date mobile phone.

Obviously, I got closer to the stage for Hell’s Bells

Hell’s Bells in action

AC/DC will go on forever. I thought it was great that the band brought this boy up on stage.

It has been said in many circles that “Fly On the Wall” was probably AC/DC’s worst album. For many years, I thought it true about “Flick of the Switch” but recently, after listening to both, I have come to the conclusion that someone must have put acid in my drink back in 1983 because I don’t find that the case any more. Still, I don’t know if I would now call “Fly on the Wall” their worst album because I thought it was okay, just okay back then and even today, it has its moments. Sure, there are tracks on the album which I would agree sound a bit of a dirge, a term I’ve heard other bloggers use to describe the album but there are still some good tracks on the album and those are the ones I’ll focus on.

The title track starts things off on the album and the sound of the fly buzzing around in the background during it makes no difference to the song for me. It doesn’t make it sound amusing nor does it detract from it. It’s just a decent song. The next track is the best one on the album. “Shake Your Foundations” takes me back to the glory days of the “Back in Black” era. AC/DC put everything that made them who they are into this song and it shows. “Danger” comes a real close second and although lead singer Brian Johnson has been criticized for mumbling on “Fly on the Wall,” his vocals come through quite clear and well on this track. “Sink the Pink” is also a very good track and I have to include “Stand Up” among the best tracks here. What you get with “Fly on the Wall” is half a great album and half filler tracks but even the filler tracks aren’t that bad so overall, it’s a good album.

When Johnson settles down and enunciates, he sounds really good. However, it is Angus Young who shines the most on the album with some blistering guitar solos. His best one is on “Stand Up.” Back then, all eyes were on new drummer Simon Wright who replaced Phil Rudd. I have always thought that he did a credible job here and when I saw them live on this tour. They were phenomenal that night and I probably didn’t do their concert full justice when I wrote about it in “Rock and Roll Children.”

Track Listing:

  1. Fly On the Wall
  2. Shake Your Foundations
  3. First Blood
  4. Danger
  5. Sink the Pink
  6. Playing With Girls
  7. Stand Up
  8. Hell or High Water
  9. Back in Business
  10. Send for the Man

Brian Johnson- lead vocals

Angus Young- lead guitar

Malcolm Young- rhythm guitar and backing vocals

Cliff Williams- bass, backing vocals

Simon Wright- drums

Not only did “Fly on the Wall” receive mixed reviews at best from the critics and fans, they would also run into difficulties in another way in 1985 when a mass murderer claims he was influenced by their song “Night Prowler” to commit his crimes. This led the religious zealots in America to go after the band and call them Satanic. In spite of that, AC/DC continue to remain in the hearts of many millions of fans to this day.

Next post: Slayer- Hell Awaits

To download Rock and Roll Children, go to: https://fkidshelves.ml/print/free-download-rock-and-roll-children-by-michael-d-lefevre-pdf.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Great Metal Albums of 1984: Great White

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on December 3, 2017 by 80smetalman

Going back to the debut album by American metal band, Great White, after so many many years, I feel that I owe them a small apology. I did enjoy their debut quite a lot back in 1984, but it quickly got pushed aside when albums from more established bands came my way. Therefore, the album didn’t get the respect from me it deserved. This was the main reason why they didn’t get too much mention in “Rock and Roll Children.” In fact, their main mention in the book was probably my first mistake when I wrote the book. In the story and in real life, Great White supported the mighty Judas Priest on tour. This was the first concert I write about in the book and the one I knew least about. I didn’t go and could only glean bits and pieces from people who did. So it wasn’t the best idea to have the first concert one I knew very little about.

Now onto the album. Like I said, I may have discarded this album too soon in favour of others because I now realize just how good it was. However, in order to fully appreciate it, one should mentally drift back to 1984. Back then, I found the tracks “Out of the Night” and “Bad Boys” to be typical of the time metal tunes. Both songs are done well but they are about being bad and things like sex and music. Listening today, I would not be surprised if anyone thought it was all done before with them. The same could be said for “Down On Your Knees.” I wonder if they were influenced by AC/DC here but Mark Kendall hammers a cool guitar solo on it. It doesn’t matter because I like them anyway and there are better songs between them. “Stick It” has a really cool opening metal riff and just kicks ass throughout, definitely my favourite song on the album.

Many people might not think so but I really like their cover of The Who’s “Substitute.” I think what I like about it the most is how they alter the lyrics to make it more metal.

“I can see your pants are made of leather”

and

“I can see right through your Satan crap.” 

Great stuff and well played too. “Streetkiller” is a good, hard, in your face metal tune. “No Better Than Hell” starts in similar fashion but slows down into a more melodic rocker but the hard chords with the chorus still makes its mark. “Hold On” goes the other way. It’s hard in the meat of the verses but goes more melodic for the chorus. Still, its a nice switch up. “Nightmares” starts with one of those tunes designed to help babies sleep before going into a metal frenzy. That’s also what the song is about. Maybe I should start playing it every Halloween. That takes things to the closing song, “Dead End,” which is definitely the best track to end the album on because everything that has gone on before all comes together perfectly here.

Track Listing:

  1. Out of the Night
  2. Stick It
  3. Substitute
  4. Bad Boys
  5. Down On Your Knees
  6. Streetkiller
  7. No Better Than Hell
  8. Hold On
  9. Nightmares
  10. Dead End

Jack Russell- lead and backing vocals

Mark Kendall- guitar, backing vocals

Lorne Black- bass, backing vocals

Gary Holland- drums, backing vocals

Maybe if I listened to Great White’s debut album more, EMI wouldn’t have dropped the band due to its lack of success and the band wouldn’t have opted for a more bluesy direction in later albums. Because from what is on here, they could play metal well.

Next post: I thought I’d best keep with the flow I started above so it will be, Judas Priest- Defenders of the Faith

To buy Rock and Roll Children, go to: https://spread-luv.ga/info/kindle-free-e-books-rock-and-roll-children-by-michael-d-lefevre-9781609763558-pdf.html

 

 

 

Malcolm Young: R.I.P

Posted in Death, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on November 18, 2017 by 80smetalman

Another great legend goes to the great gig in the sky.

1537

My favourite member of the best rock band there has ever been has died today.  Rock in Peace.

Back in Black.

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Great Metal Albums of 1984: Daniel Band- Run From the Darkness

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on September 22, 2017 by 80smetalman

Satan had come upon me during the summer of 1984 because the Daniel Band had lots of airplay on the Sunday morning radio show, TCN Hot Rock. I remember liking what they played but for some reason, I never explored them further. That’s why I say Satan had corrupted me because if I had explored the Daniel Band more, I would have discovered a long time ago what a great album “Run From the Darkness” is.

A little background on them, they were formed in 1979 in Toronto Canada. Their first album, “On Rock,” offered a more progressive sound. However, with this, their second album, they went full blown heavy metal. They even wore dog collars and spandex when they went on tour for this album. Plain and simple, upon listening to “Run From the Darkness,” I will second the motion that this was a heavy metal album. The first three tracks are definitely metal in your face, although I think the title track was the intended single. The third track, “Walk on the Water” is my favourite track on the album. The power chords are like Judas Priest and the harmonies in the chorus remind me of KISS in their heyday. Not a bad combination me thinks. They have also been compared to AC/DC, Boston and their fellow countrymen, April Wine. What’s not to like?

The metal doesn’t end with the first three tracks. Tracks four and five keep things ticking over very nicely. The latter is given the fan treatment at the beginning giving it that recorded live feel but “Sixteen” cooks regardless. In fact, the album doesn’t slow down to the latter end of the album. “Live Connection” is almost thrash. Even the keyboard on “Wall” just complements the hard rocking sound of the song. After “Wall” is the ballad, “It’s Over” and that’s a very tidy power ballad. As is the track after, “My Children.” This starts like a piano ballad and then the guitars come in and could flatten the walls of Jericho. The closing track, “In the Sky” takes things out in a typical metal way.

Let me once and for all dispel the myth about Christian Rock. I have listened to “Run From the Darkness” five times in the last week and not once did I find myself wanting to put my beer down and start reading my bible. Anyone who does that is just as liable to sacrifice a chicken to Satan after listening to Deicide. There are no in your face Jesus lyrics on here and even if there were, this album is good enough to where they could be singing about doing terrible things to dogs with a fork and I’d still enjoy the music from it. Added bonus is that lead guitarist Tony Rossi can hold his own with many of his non- Christian counterparts. Hey, the main can wail!

Track Listing:

  1. Don’t Give Up
  2. Run From the Darkness
  3. Walk on the Water
  4. Never Gonna Die
  5. Sixteen
  6. Live Connection
  7. Let’s Get Ready
  8. Wall
  9. It’s Over
  10. My Children
  11. In the Sky

Tony Rossi- lead guitar, vocals

Don McCabe- bass, lead vocals

Bill Findlay- guitar, keyboards, vocals

Matt Del Duca- drums

Have I converted? In regards to the Daniel Band, the answer is yes. If anyone out there still thinks that Christian Rock musicians are second rate, then have a listen to “Run From the Darkness.” This album, Christian or not, simply kicks ass.

Next post: Kerry Livgren AD- Time Line

To buy Rock and Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_3?ie=UTF8&qid=1506111961&sr=8-3&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

 

 

 

Triumphs and Other Happenings in 1984

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , on September 10, 2017 by 80smetalman

 

Evidence that heavy metal had truly established itself in 1984 can be sited with the 1984 Monsters of Rock Festival at Donington Park, in England. This was the first and probably only Donington to feature seven artists and you can only look at the poster here, see which bands played on draw your own conclusions as to whether or not it was a kick ass day. I wasn’t there but I know people who were and they can confirm it. The only negative comment I heard about the day was that Motley Crue had bottles thrown at them for making too many comments about sex, drugs and rock and roll. Something an opening band should probably not do. Anyway, to see Ozzy, Van Halen and AD/DC all on one stage must have been mind blowing.

I must apologize for Youtube not having any individual songs recorded from this memorable day.

Cyndi Lauper

You are probably asking yourself, “What is she doing here on an 80smetalman’s post?” Well, some misguided individuals thought that Cyndi Lauper had replaced Joan Jett or Pat Benatar as the Queen of Rock in 1984. Nonsense, I say. I will never recognize Cyndi Lauper as such and will go to my grave stating that fact. Yes, I liked “Girls Just Want to Have Fun” the very first time I heard it but afterwards, I wanted to take an Uzi to the television every time the video came on MTV. The only song from of hers I nearly liked since was “Money Changes Everything” and a few years later, grew to like “I Drove All Night” a little.

So, why is she here you ask. Back when I posted about my weekend at Download, where I went to see wrestling, I mentioned that the Rock and Wrestling Connection began in 1984 and it began with Cyndi. At the time, wrestling manager, Captain Lou Albano, claimed she managed Cyndi Lauper on wrestling shows. Cyndi refuted that claim and without going into great details, she made a challenge to Captain Lou that she could manage a wrestler better than him. So, while Lou took Women’s World Champion The Fabulous Moolah under his wing, Cyndi managed challenger Wendi Richter. I’ll leave  you to watch the video to see who won but the Rock and Wrestling Connection started here.

There was a tragedy too in 1984 but that happened at the very end of the year, so I’m saving it for the end of the 1984 tour. So here, let us reflect on the happy times with all the great heavy metal and some wrestling too.

Next post: My Underrated Band

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