Archive for AC/DC

Great Metal Albums of 1984: Daniel Band- Run From the Darkness

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on September 22, 2017 by 80smetalman

Satan had come upon me during the summer of 1984 because the Daniel Band had lots of airplay on the Sunday morning radio show, TCN Hot Rock. I remember liking what they played but for some reason, I never explored them further. That’s why I say Satan had corrupted me because if I had explored the Daniel Band more, I would have discovered a long time ago what a great album “Run From the Darkness” is.

A little background on them, they were formed in 1979 in Toronto Canada. Their first album, “On Rock,” offered a more progressive sound. However, with this, their second album, they went full blown heavy metal. They even wore dog collars and spandex when they went on tour for this album. Plain and simple, upon listening to “Run From the Darkness,” I will second the motion that this was a heavy metal album. The first three tracks are definitely metal in your face, although I think the title track was the intended single. The third track, “Walk on the Water” is my favourite track on the album. The power chords are like Judas Priest and the harmonies in the chorus remind me of KISS in their heyday. Not a bad combination me thinks. They have also been compared to AC/DC, Boston and their fellow countrymen, April Wine. What’s not to like?

The metal doesn’t end with the first three tracks. Tracks four and five keep things ticking over very nicely. The latter is given the fan treatment at the beginning giving it that recorded live feel but “Sixteen” cooks regardless. In fact, the album doesn’t slow down to the latter end of the album. “Live Connection” is almost thrash. Even the keyboard on “Wall” just complements the hard rocking sound of the song. After “Wall” is the ballad, “It’s Over” and that’s a very tidy power ballad. As is the track after, “My Children.” This starts like a piano ballad and then the guitars come in and could flatten the walls of Jericho. The closing track, “In the Sky” takes things out in a typical metal way.

Let me once and for all dispel the myth about Christian Rock. I have listened to “Run From the Darkness” five times in the last week and not once did I find myself wanting to put my beer down and start reading my bible. Anyone who does that is just as liable to sacrifice a chicken to Satan after listening to Deicide. There are no in your face Jesus lyrics on here and even if there were, this album is good enough to where they could be singing about doing terrible things to dogs with a fork and I’d still enjoy the music from it. Added bonus is that lead guitarist Tony Rossi can hold his own with many of his non- Christian counterparts. Hey, the main can wail!

Track Listing:

  1. Don’t Give Up
  2. Run From the Darkness
  3. Walk on the Water
  4. Never Gonna Die
  5. Sixteen
  6. Live Connection
  7. Let’s Get Ready
  8. Wall
  9. It’s Over
  10. My Children
  11. In the Sky

Tony Rossi- lead guitar, vocals

Don McCabe- bass, lead vocals

Bill Findlay- guitar, keyboards, vocals

Matt Del Duca- drums

Have I converted? In regards to the Daniel Band, the answer is yes. If anyone out there still thinks that Christian Rock musicians are second rate, then have a listen to “Run From the Darkness.” This album, Christian or not, simply kicks ass.

Next post: Kerry Livgren AD- Time Line

To buy Rock and Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_3?ie=UTF8&qid=1506111961&sr=8-3&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

 

 

 

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Triumphs and Other Happenings in 1984

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , on September 10, 2017 by 80smetalman

 

Evidence that heavy metal had truly established itself in 1984 can be sited with the 1984 Monsters of Rock Festival at Donington Park, in England. This was the first and probably only Donington to feature seven artists and you can only look at the poster here, see which bands played on draw your own conclusions as to whether or not it was a kick ass day. I wasn’t there but I know people who were and they can confirm it. The only negative comment I heard about the day was that Motley Crue had bottles thrown at them for making too many comments about sex, drugs and rock and roll. Something an opening band should probably not do. Anyway, to see Ozzy, Van Halen and AD/DC all on one stage must have been mind blowing.

I must apologize for Youtube not having any individual songs recorded from this memorable day.

Cyndi Lauper

You are probably asking yourself, “What is she doing here on an 80smetalman’s post?” Well, some misguided individuals thought that Cyndi Lauper had replaced Joan Jett or Pat Benatar as the Queen of Rock in 1984. Nonsense, I say. I will never recognize Cyndi Lauper as such and will go to my grave stating that fact. Yes, I liked “Girls Just Want to Have Fun” the very first time I heard it but afterwards, I wanted to take an Uzi to the television every time the video came on MTV. The only song from of hers I nearly liked since was “Money Changes Everything” and a few years later, grew to like “I Drove All Night” a little.

So, why is she here you ask. Back when I posted about my weekend at Download, where I went to see wrestling, I mentioned that the Rock and Wrestling Connection began in 1984 and it began with Cyndi. At the time, wrestling manager, Captain Lou Albano, claimed she managed Cyndi Lauper on wrestling shows. Cyndi refuted that claim and without going into great details, she made a challenge to Captain Lou that she could manage a wrestler better than him. So, while Lou took Women’s World Champion The Fabulous Moolah under his wing, Cyndi managed challenger Wendi Richter. I’ll leave  you to watch the video to see who won but the Rock and Wrestling Connection started here.

There was a tragedy too in 1984 but that happened at the very end of the year, so I’m saving it for the end of the 1984 tour. So here, let us reflect on the happy times with all the great heavy metal and some wrestling too.

Next post: My Underrated Band

To Buy Rock and Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_3?ie=UTF8&qid=1505042182&sr=8-3&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Download 2017: Sunday

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , on June 22, 2017 by 80smetalman

I wonder if anyone obliged them.

Sunday, the final day of Download., we all thought we better make the best of it. Most of the bands I wanted to see this day were playing on the main stage so I didn’t have to travel very far, especially with the headache of packing and loading the car. Everyone in my group all wanted to catch the day’s opener on the main stage, Fozzy. I had seen them at Bloodstock in 2013 and was very eager to see them again and when they came out on stage, they were determined to impress. Lead singer Chris Jerico, now with darker hair, still was the main attraction to this band. Like when I saw him at Bloodstock, he has a stage presence that singers with greater vocal talent don’t. However, he did give his band a little more of the limelight this time around. After all, he does have a good band behind him and I have to say that they seemed to have better material this time around. Check out the new song, “Judas.” A great start to the final day.

Fozzy begin

Jerico goes to the front

With the rest of the band behind him

Chris came my way

The rest of my group returned to camp but I stayed because I very much wanted to see the second band of the day, Orange Goblin. I have some of you bloggers to thank for that, I’m looking at Stone and HMO specifically, because what I have read about them made that decision for me. I have been told that while their music was good, they lacked stage presence, however, I saw no evidence of that when they hit the stage. True, singer Ben Ward is not the showman that Chris Jerico is but he sings well and can get the audience motivated behind the band. I thought they had some good stuff with their combination of doom metal and stoner rock. Will definitely be listening to these guys more and I’m serious about that.

Orange Goblin do have the presence

Ben Ward serenading the Sunday morning crowd

After being wowed by Fozzy and Orange Goblin, it was time to head back to camp, finish packing and load up the car. We managed to do this but because one of the assistants sent us to the wrong car park, we were late in getting back so when only caught the last twenty minutes of Devil Driver on the Zippo Stage. Still, twenty minutes of hard core thrash from Devil Driver is miles better than none at all.

The closest I could get to Devil Driver

After Devil Driver, I headed back to the main stage to see the remaining four bands on the night. The first of these were Australian hard rock band, Airbourne. Remember what I said about Northlane are evidence that not all Australian bands are influenced by AC/DC?  Well, forget about that in this case because the AC/DC influence came through the minute Airbourne was out on stage. The other thing I noticed straight away was that lead singer/lead guitarist, Joel O’Keeffe was the main attraction in the band. Like, Devin Townsend and another artist I would see later on in the day, O’Keeffe was good at both. However, he wouldn’t be so great without the rest of the band behind him. Most of the songs they played were from the “Breaking Out of Hell” album but that’s not a bad thing. I did like the song “It’s All For Rock and Roll, so it’s another album on my to get list. Airbourne warmed things up nicely in preparation for the rest of the evening.

Joel O’Keeffe going straight to the front

O’Keeffe belts out a guitar solo with rhythm section in support

The album cover alone is worth getting the album.

O’Keeffe leading the finish

After Airbourne, I was totally pumped for the next band, Steel Panther, and my feelings were justified. Steel Panther were the unsung heroes on the day. I loved them start to finish and let me put to rest any doubts about their ability, these guys can play, they proved that the second they stepped out on stage with “Eyes of the Panther.” Sure, there is a lot of humour in their songs and I was quite surprised they played, “Thar She Blows” live but whoever said that there can’t be humour in metal? I laughed and rocked out at the same time to the Tiger Woods song. In addition to the great metal, there was some great banter with the crowd and between the band themselves. Bassist Lexxi was the butt of most of the jokes, with constant insinuations he was gay but it was also said that lead singer Mike Starr was 72 years old. If that’s true, then all the power to him I say. Besides I believe them when they say the reason all the other bands hate them was because they sleep with all their girlfriends. I only had to wait halfway through the set to hear the famous “Death to All But Metal” and they played “Fuck All Night, Party All Day” straight after. The biggest surprise was when they played “17 Girls in a Row.” While playing it, they invited ladies up from the crowd on stage and before you knew it, there was a wall of young women across the entire stage and four deep. Most of the ladies seemed content with taking selfies with the band and giving them kisses, not that they minded. Once the girls were back off stage, they ended with what’s for me, the best song possible, “Community Property.” You bet people sang along to that one. So, after seeing them, anyone who insists Steel Panther are a joke band can come see me and I’ll show them my US Marine Corps training.

Feel the Steel

Michael Starr sings while Satchel hammers a solo

Starr and Lexxi come my way

The ladies answer the invite to come on stage

Ladies on stage

I only became familiar with Alter Bridge a week before I went to Download but after hearing their mix on Youtube, I made up my mind to go and see them. Myles Kennedy was already known to me on account of his work with Slash so that made me more determined to see them. He is a great singer but what I never knew was that he can play a guitar a bit as well. He really wailed away on quite a few of the songs so I was doubly impressed. While I can remember specific song titles, I can say that the songs I heard were absolutely brilliant. I think that after seeing them onstage, they are quickly becoming a favourite with me.

Welcome Alter Bridge

Myles came my way to play a solo

Don’t forget, there are three other great musicians in Alter Bridge

We all know Myles is a great singer too

More great guitar work

They played on til the end

Now common sense says that I should have stayed put after Alter Bridge so I would have a spot for headliners, Aerosmith. However, who says I have any sense? What did I do? I went over to the Zippo Stage to catch twenty minutes of headliners Slayer. Sure, I have seen them twice recently but who in their right mind would pass up any chance to see Slayer? I didn’t and don’t regret it.

Slaaaayyyeeeerrrrrr!

I did manage to get back well before the main event and managed to jockey into the best place possible to see the band that helped me through high school. Aerosmith came out to all the royal fanfare a band of their magnitude deserved. While I knew that their set would be a ‘greatest hits’ one, neither I or any of the tens of thousands there to see them cared. The hits came straight away, their was “Crying,” “Love in an Elevator,” “Living on the Edge” and “Jaime’s Got a Gun” for starters. It was common knowledge that the last song was about domestic abuse but I was a little surprised at Steve’s revelation that he got the idea for it while he was in rehab. Sometime in the middle of the set, guitarist Joe Perry was allowed to sing lead on a couple of songs, the first one was a blues number and the second one, Brad Whitford played a guitar solo. I always suspected Brad was capable of such things. After all, he’s been a brilliant rhythm guitarist for over forty years! After Joe’s spot, Aerosmith went back to the hits starting with the film classic, “I Don’t Want to Miss a Thing.” It was here that Steve Tyler introduced guest keyboards player Buck Johnson. Believe me, he went well with the band. Tom Hamilton played a bass solo but there was no surprise which song was to come after when Steve introduced him as Mr Sweet Emotion. This was the icebreaker for more of their 70s and 80s stuff. There was “Dude Looks Like a Lady” and of course “Dream On,” which the band left the stage. No fooling they would come out for encores and the audience was treated to a song I can’t remember before “Walk This Way.” The night ended with confetti and great fanfare. Now, there are rumours that this would be Aerosmith’s last tour. If so, they went out on an absolute high.

Aerosmith ended a night and a weekend of great metal! I went home feeling very satisfied and fulfilled. Download was great but I will not enter into any debate as to which is better between Download and Bloodstock. Both offer me everything I look for in metal. One thing, I must do in the future is to save my pennies so I can go to both festivals in the same year.

Steve and Joe in the front

Aerosmith rocks!

They rock some more

Cool lights

Tom’s bass solo

More Steve and Joe

A great end to the night!

Rock and Roll Children is still available on Amazon.

Next post: Honeymoon Suite

Download 2017: Friday

Posted in Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , on June 16, 2017 by 80smetalman

Up early and eager to go on the first full day of metal mania at Download. Teal, my stepson and his friend Joe, were disappointed that the sport of bin jousting hasn’t caught on at Download and is exclusive to Bloodstock. However, Friday at Download is a dress up day and the theme was wrestling. Therefore, there were a lot of people dressed up as such. Some dressed up as other things like super heroes. I did like the Supergirl outfit I saw.

This gentleman was ready for the day’s festivities.

Inside the arena

I noticed that it has been a sub-concious tradition on my part at all festivals to go check out the first band on stage. On this day, it was Australian metal core band, Northlane. Now, it is the stereotype belief that all Australian bands are influenced by AC/DC. Obviously, somebody forgot to tell that to Northlane. If anything, they sounded more like Marilyn Manson than AC/DC. They came out on stage with the determination to leave their mark on the day and they did with their hard sound. They did slow things down in the middle of their set with songs “Rotten” and the newly released on video, “Solar” but they came back even harder after that. Even though they were only on stage thirty minutes, Northlane was a great way to start the weekend.

Northlane begins the festival

And they kept it going

Teal advised me to stick around for the second band and so with no plans to go anywhere else, I did. After their acoustic sounding intro, Motionless in White blasted onto the stage. While Northlane might have sounded like Marilyn, Motionless in White’s lead singer, Chris ‘Motionless’ Cerulli sort of looked like him. He did have a great stage presence. While being bashed about by their hardcore metal sound, they did introduce their new song, “Unnecessary Evil” and ended things with one of their best known songs, “Abigail.” When they finished, I was glad that I had listened to my stepson’s advice.

Chris ‘Motionless’ leading the charge.

And the band followed.

It had always been my intention to catch the next band out on the main stage, Sabaton. I saw these Swedish metalers at Bloodstock two years prior so I was looking forward to more of the same. This time, they wasted no time in getting the tank on stage as I watched it being set up before the band even got on stage. When they did, the tank did it’s job in producing a great display of firepower in support. The pyro in the first song, gave way to their classic, “Art of War.” As always, Sabaton put on a great stage show and they played great songs like “Sparta” and “Primo Victoria” to commemorate the 73 years plus three days anniversary of D-Day. The audience also found out that the tank was named Walter and so the crowd started chanting the tank’s name. All very amusing and I if they had played more than forty minutes, I would have said they were better than what they had been at Bloodstock. With the time cut, they were about the same.

Wheeling in Walter

Sabaton under a cloud of smoke

Sabaton leads to victory.

After watching three bands back to back, I thought I needed some lunch. So after a quick refuel, I headed over to the Zippo stage for the next band I wanted to see. When I got there, I managed to catch the last five to ten minutes of Machine Gun Kelly. Normally, rap metal isn’t my thing but these guys were pretty good. On the last song, the lead singer sang directly to a lady in the audience. What I saw of them was okay.

Machine Gun Kelly finishing up.

Once MGK left the stage, I managed to manoeuvre my way to the front in anticipation for a band I had been waiting over thirty years to see, Suicidal Tendencies. When they propelled themselves onto the stage, they were manic from start to finish. Lead singer Mike Muir was a complete psycho. He would rev himself up by doing this little dance and than dart madly across the stage. Opening with “You Can’t Bring Me Down,” they went straight into their own version of “God Save the Queen,” “I Shot the Devil.” For those familiar with that song, it actually begins with Mike bellowing out, “I shot Reagan!” These days, it might be cool if he changed Reagan to Trump. But the audience sang along to it anyway. We were also treated to “War Inside My Head” and “Subliminal” to name a few. During the set, Mike spoke to the crowd about doing things for yourself instead of blaming others and he jumped off stage and high fived people in the front. One of them was me. One surprise they unleashed was when they announced that Slayer’s Dave Lombardo was on the drums, that got lots of cheers.  The other thing I can say about ST is Dean Pleasants is very underrated as a lead guitarist, the man can lay down some jams! I would like to say that it was the perfect forty five minutes. Unfortunately for me, there was a major disappointment. The band played neither of my two favourite tracks, “Institutionalized” and “I Saw Your Mommy.” While they were absolutely brilliant, I can’t say they were perfect.

Welcome Suicidal Tendencies

Mike Muir and Co

Pleasants wailing away

On my way back to the campsite, I stopped again at the main stage because Five Finger Death Punch were playing. Their good aggressive metal enticed me to stay and have a listen. What I didn’t know was that they had been previously banned from Download, I don’t know the details. There was one part, where lead singer, Ivan Moody stated guitarist Jason Hook could play any song. Left to his devices, Hook began to play the Ozzy classic, “Crazy Train.” When told to stop, he began playing “Smoke on the Water.” After that, Moody told the crowd they were ‘bad company’ before going into a cover of the classic tune. I have to say, even their acoustic number was pretty good. I have since been told that Moody has left the tour and checked into rehab. Tommy Vext will take over the singing duties for the rest of the European tour.

Five Finger Death Punch

Back to the Zippo Stage, this time to get ready for the headliner. But before they came out, I did catch a good chunk of Good Charlotte. I only know the one hit, “Lifestyles of the Rich and Famous,” which they closed with. However, I thought they’re overall performance was good.

Good Charlotte on stage

See, I must have liked them, I took a second picture

And a third

Friday’s headliner at the Zippo Stage was Sum 41, a band I have always liked but never admitted it to anyone over the age of 40. Although fifteen years ago, my eldest son thought his dad was cool because he liked them. Let’s just say right away that they were brilliant from start to finish. In the early minutes of the set, they got three people out of the audience to view the show from back stage. No, I wasn’t picked. They did play a good combination of material and a crazy mosh pit opened up near me. One lady went especially crazy but after the show, she said she had waited fifteen years to see this band, so one can’t really blame her. In the middle of the set, they played some covers. They began playing Maiden’s classic, “The Trooper” and were astounded when the crowd sang the lyrics back to them. They also played a little of Metallica’s “Master of Puppets.” Lead singer Deryck Whibley played the opening chords to the first two songs he learned to play on the guitar, “Smoke on the Water” and White Stripes’s “Seven Nation Army.” Sum 41 ended the covers portion with one of Queen’s famous “We Will Rock You,” played very similar to the way it’s done on the “Live Killers” album. At one point, the band left the stage to see a skeleton inflate behind the drums. When fully inflated, it was making the ’41’ hand gesture. Deryck also told about the time he spent in hospital and what got him through it was a picture of himself playing a gig in the UK. I thought that was touching. The brilliant night ended with their two best known songs, “In Too Deep” and of course, “Fat Lip.” That ended things very well.

Sum 41 under the lights

This young lady was really into them

A good shot of the band

They disappear under the lights

Only for the skeleton to emerge

Sum 41 finish in a flurry

After Sum 41, I did venture past the main stage to watch a little of System of a Down. I stayed long enough for hear “Chop Suey” but didn’t stay too long, not my thing. For me, Sum 41 was the best end to a thrilling first day.

Hopefully, Rock and Roll Children will have its own link again soon. It is still available on Amazon.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Great Metal Albums of 1984: AC/DC- 74 Jailbreak

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , on May 7, 2017 by 80smetalman

Being predictable again! If you have been following me for some time, you have probably already guessed that I am posting about an AC/DC album because tribute band Hell’s Bells came to town. They did and unlike my post about the previous two AC/DC albums, I actually went to see them last night. You know, sort of for inspiration but I really don’t need any to see Hell’s Bells or post about AC/DC’s 1984 album, “74 Jailbreak.”

Pity the Foo

First the show, Hell’s Bells were supported by the Foo Fighters tribute band, Pity the Foo. Now, except for the videos I’ve seen on the Kerrang channel, I have no experience of the Foo Fighters. But if they are anything like the tribute band on stage, then maybe I should delve into some of their back catalogs. Pity the Foo honoured the band they were tributing on this evening. They were tight and if they weren’t playing Foo Fighters material, they could have played anything, even their own material and played it very well. The two Foo Fighters songs I know they played were “Monkey Wrench” and “A Long Road to Ruin” were good examples of how good this band was. When they left the stage, they had accomplished their mission of warming things up for the headliner. Pity not many people bothered to turn up and see them.

Hell’s Bells ascend the stage. God, I wish my hand was steadier.

If I went into great details of Hell’s Bells performance, then all I would need to do is copy and paste previous posts about them. What I can say is that last night was their best performance ever in the five times I’ve seen them. Like always, they were note perfect in regards to AC/DC and played an array of AC/DC classics that everyone in the audience will have heard at least their favourites. For me, it was “You Shook Me All Night Long,” “Highway to Hell” and they ended with “Whole Lotta Rosie.” One thing they did different was play “Ace of Spades” in dedication to Lemmy. When they left the stage at the end of an hour and a half, which flew by too quickly, there wasn’t one disappointed person in the room.

Another thing I noted was the huge age range in attendance. I’ll be turning 56 next month and I can happily say that I wasn’t the oldest person in the room, not by a long shot. However, there were second and third generation AC/DC fans there as well. Many bands who last for over four decades aren’t as able to pick up followers from the younger generations. I remember the generation just below me regarding the Rolling Stones as golden oldies. They don’t say that about AC/DC.

Angus’s double does his strip act.

Hell’s Bells taking it home.

Unfortunately, Hell’s Bells didn’t play any songs off the “74 Jailbreak” album. Yes, I know in reality that it’s and EP but talk about five grab you by the throat songs. These were tracks that were only previously released in Australia and made available to the rest of the world as part of this EP. My question here is why they waited so long before treating us to them. With the benefit of hindsight, one might have thought that they might have released this in 1980 after Bon Scott’s tragic death. After all, his vocals are simply fantastic on the album. “Jailbreak” did feature on the “Dirty Deeds Done Dirt Cheap” album but it’s a good opener. Likewise, “Baby, Please Don’t Go” is a good closer. Many an AC/DC album has those so nothing new in that department. However, it’s the three songs in the middle that make the album for me. All of them feature some pretty nifty guitar work compliments of Angus Young but my favourite of all is the middle track, the very bluesy sounding “Show Business.” Angus just cooks on this one and I now put him on the same shelf as some other great blues guitarists. So my question here is why isn’t this album or EP talked about more in AC/DC circles?

Track Listing:

  1. Jailbreak
  2. You Ain’t Got a Hold on Me
  3. Show Business
  4. Soul Stripper
  5. Baby, Please Don’t Go

AC/DC

Bon Scott- vocals

Angus Young- lead guitar, backing vocals

Malcolm Young- rhythm guitar, backing vocals

George Young- bass, backing vocals, drums

Rob Bailey- bass

Mark Evans- bass on “Jailbreak”

Phil Rudd- drums, percussion on “Jailbreak”

Tony Currenti- drums, percussion on tracks 2-4

Peter Clack- drums, percussion on “Baby Please Don’t Go”

Whenever people talk about AC/DC albums, it seems that “74 Jailbreak” doesn’t get mentioned. My guess is it’s because it’s considered an EP. EP or album, there are five great songs on here and that’s more great songs that many other bands have on one entire album. Maybe Hell’s Bells will play some songs from it next time they come to town.

Next post: Queen- The Works

To buy Rock and Roll Children. go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Great Rock Albums of 1984: Weird Al Yankovic- In 3D

Posted in 1980s, Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , on April 6, 2017 by 80smetalman

Michael Jackson did two things in 1984 which rose him up a few points in my estimation, both of which were linked to his top selling song, “Beat It.” First, when accepting a Grammy for the song, he had the decency to include Eddie Van Halen in his list of thank yous. After all, it was Eddie’s guitar solo on the song the reason why metalheads, bought the single. The other act was to allow Weird Al Yankovic to record a parody of “Beat It” called “Eat It.” That would be Weird Al’s best known single and even charted in the UK and it helped his 1984 album, “In 3D” become his biggest album. In fact, he was allowed to use many of the same dancers Michael Jackson used in the “Beat It” video for “Eat It.”

Weird Al Yankovic has always been known for his parodies of other great songs and there are plenty of those on “In 3D.” His second single from the album, “I Lost on Jeopardy” is a parody of the Greg Kihn Band’s 1983 hit, “Jeopardy” as well as making fun of the TV game show of the same name. I do wonder how many people went on game shows and looked stupid on national television. Greg Kihn makes an appearance in the video for this song. “King of Suede” parodies the classic from The Police, “King of Pain” and is about a clothing store owner. “Rocky XIII” is a funny parody of Survivor’s hit from the film “Rocky III” “Eye of the Tiger” about how Rocky Balboa gives up boxing to be delicatessen owner. I love the lyrics: “It’s the rye or the kaiser, it’s the thrill of one bite.” A lesser known track but one of my favourite is “The Brady Bunch,” a parody of the Men Without Hats’s only hit, “Safety Dance.” It is believed that from the lyrics, Weird Al didn’t care too much for the 1970s American sit com his song is named after.

It’s not just famous songs that come under the comic roast of Weird Al. He parodies other subjects as well. The second track, “Midnight Star” takes the rip out of grocery store tabloids. However, some of the headlines he mentions for his tabloid, “Midnight Star” aren’t too far fetched in the real ones. I do remember headlines like, “They’re Keeping Hitler’s Brain Inside a Jar,” “Aliens From Outer Space are Sleeping in My Car” and “The Ghost of Elvis is Living in My Den.” Another of my favourites is “That Boy Could Dance” which is about a nerdy geeky loser who is a great dancer, so all his shortcomings are overlooked. Trust me, the song is much funnier that my attempt to explain it here. Then there is the Bob Marley influenced reggae track, “Buy Me a Condo” which is about a Jamaican boy who wants to come to America and live a middle class existence. Even my least favourite track on the album, Mr Popeil is funny. Probably because I remember all the Popeil adverts for things like the Ginsu Knife and the Pocket Fisherman.

In 1981, there were two singles called “Stars on 45” and “Stars on 45 II.” The former took Beatles’ songs and made a medley out of it. The latter did the same with Beach Boys songs. So what Weird Al did was to take classic rock songs and make a medley out of those but instead, set to polka music. Some great rock classics like “Smoke on the Water” and Jimi Hendrix’s “Hey Joe” get the polka treatment.

When I bought this album and saw the track listing, I thought the closer, “Nature Trail to Hell,” might be a parody of the AC/DC classic, “Highway to Hell.” Instead, it lambastes blood and gore horror films. “Nature Trail to Hell” to quote the song, is about “A homicidal maniac who finds a cub scout troop and hacks up two or three in every scene.” This was particularly relevant at the time because “Friday the 13th Part 4” was in the cinema then. You know, the one advertised as the film where Jason meets his grisly end. Well done by Al, it makes a fantastic closer.

Track Listing:

  1. Eat It
  2. Midnight Star
  3. The Brady Bunch
  4. Buy Me a Condo
  5. I Lost on Jeopardy
  6. Polkas on 45
  7. Mr Popeil
  8. King of Suede
  9. That Boy Could Dance
  10. Rocky XIII
  11. Nature Trail to Hell

Weird Al Yankovic

Weird Al Yankovic- vocals, synthesizer, accordion, piano

Jim West- guitar

Steve Jay- bass, banjo, talking drums

John ‘Bermuda’ Schwartz- drums, percussion

Rick Derringer- guitar, mandolin

Weird Al Yankovic hit the big time 1984 with this album, “In 3D.” I dare anyone to listen to this album and not laugh their heads off at least one song. For me, it’s nearly all of them. Anyone who doesn’t find any part of this album funny, then they have no sense of humour.

Next post: Randy Newman- Trouble in Paradise

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

Great Metal Albums of 1983: Fastway

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Rock, Uncategorized with tags , , , , , , , , , , on January 26, 2017 by 80smetalman

220px-fastwaylp

Fastway first came to my attention in 1983, when I discovered they were supporting AC/DC on their “Flick of the Switch” tour. Unfortunately, I wasn’t able to go to that concert, I was in between jobs at the time and had been to see the mighty Black Sabbath with Quiet Riot the week before, so I couldn’t afford to go. Shame because I would have to wait another two years before I saw AC/DC live and although, they had a great support act then, (Yngwie Malmsteen), it would have been nice to see Fastway as well. Besides, it’s not greedy wanting to see AC/DC twice in your lifetime.

Their debut album is one reason I wished I could have seen Fastway live. In a past post, I used the phrase rockabilly. No, Fastway aren’t that, instead I would upgrade their sound from this to metalabilly. There, I just invented a new word, I think. Their is a catchy country type vibe with some of the songs but that vibe is enhanced by some great hard crunching guitars. Then again, the guitarist is none other than Fast Eddie Clarke from Motorhead fame. The best example of this is on the track, “All I Need is Your Love.” It is definitely metalabilly, (I’m going to try to use that word as much as possible in this post), but Clarke does hammer out a good guitar solo.

For the most part, there isn’t much I can say about the debut album from Fastway that hasn’t probably been said before or I’ve said about other albums from other bands. All the elements of a good album are present here. “Easy Livin'” is a good attention grabbing opener, especially with the metalabilly sound coming through almost straight away. There are some more harder metal sounding tracks on the album in the form of “Another Day” but even on that one, Fastway put their mark on it. One track that is certainly different is “Heft.” That song is what some would call “way out there.” There is the hard bluesier hippy feel to the song. One that you would listen to in the same vein as you would listen to a Pink Floyd album, but Clarke’s hard crashing guitars on it remind you who is actually playing the song.

With “We Become One,” since it was released as a single, one might be inclined to think it would be some sort of metal anthem. That song doesn’t quite come up to anthem status but it’s still a cool song. There is a little left over from “Heft” in it and while it’s still a cool metal song, I can see why commercial radio would have ignored it. More fools them I say. If any song comes anywhere to being an anthem, it’s got to be the next track, “Give it All You Got.” I think that one would have fared better on radio and I like how the song ends. It leads perfectly to my favourite track on the album, “Say What You Will.” The best was to describe it is even more metal metalabilly, (there I used it again). I like the little lead guitar bits during the verses, which lead to another killer solo before all coming together for a great metal climax.  The penultimate track is okay but nothing to get over excited about. It keeps things ticking over nicely for the more memorable closer, “Give it Some Action.” That is unless you own the original vinyl or later CD pressings which include the bonus track, “Far Far From Home.” Having it on cassette, I didn’t get the bonus track but no matter, I enjoyed the album.

Track Listing:

  1. Easy Livin’
  2. Feel Me, Touch Me (Do Anything You Want)
  3. All I Need is Your Love
  4. Another Day
  5. Heft!
  6. We Become One
  7. Give it All You Got
  8. Say What You Will
  9. You Got Me Runnin’
  10. Give it Some Action
  11. Bonus track, not available on all releases: Far Far From Home
Fastway

Fastway

Dave King- vocals, harmonica

Fast Eddie Clarke- guitars

Jerry Shirley- drums

Mickey Feat- bass (uncredited)

While I’ve been singing the praises of Fast Eddie Clarke on the album and it’s deserved, I have been ignoring the other two members of Fastway and that’s unfair because both of them deserve their share of the credit on why their debut album is so good. King’s vocals are impressive, especially as I finally got around to listening to the missing bonus track. Had it been included on all copies of the album, it might have done better in the sales department. Jerry Shirley proves he’s a tidy drummer and deserves as much praise as well. With all three coming together, Fastway created a very cool first album.

Next post: Savatage- Sirens

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London