Archive for Aerosmtih

Download 2017: Sunday

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , on June 22, 2017 by 80smetalman

I wonder if anyone obliged them.

Sunday, the final day of Download., we all thought we better make the best of it. Most of the bands I wanted to see this day were playing on the main stage so I didn’t have to travel very far, especially with the headache of packing and loading the car. Everyone in my group all wanted to catch the day’s opener on the main stage, Fozzy. I had seen them at Bloodstock in 2013 and was very eager to see them again and when they came out on stage, they were determined to impress. Lead singer Chris Jerico, now with darker hair, still was the main attraction to this band. Like when I saw him at Bloodstock, he has a stage presence that singers with greater vocal talent don’t. However, he did give his band a little more of the limelight this time around. After all, he does have a good band behind him and I have to say that they seemed to have better material this time around. Check out the new song, “Judas.” A great start to the final day.

Fozzy begin

Jerico goes to the front

With the rest of the band behind him

Chris came my way

The rest of my group returned to camp but I stayed because I very much wanted to see the second band of the day, Orange Goblin. I have some of you bloggers to thank for that, I’m looking at Stone and HMO specifically, because what I have read about them made that decision for me. I have been told that while their music was good, they lacked stage presence, however, I saw no evidence of that when they hit the stage. True, singer Ben Ward is not the showman that Chris Jerico is but he sings well and can get the audience motivated behind the band. I thought they had some good stuff with their combination of doom metal and stoner rock. Will definitely be listening to these guys more and I’m serious about that.

Orange Goblin do have the presence

Ben Ward serenading the Sunday morning crowd

After being wowed by Fozzy and Orange Goblin, it was time to head back to camp, finish packing and load up the car. We managed to do this but because one of the assistants sent us to the wrong car park, we were late in getting back so when only caught the last twenty minutes of Devil Driver on the Zippo Stage. Still, twenty minutes of hard core thrash from Devil Driver is miles better than none at all.

The closest I could get to Devil Driver

After Devil Driver, I headed back to the main stage to see the remaining four bands on the night. The first of these were Australian hard rock band, Airbourne. Remember what I said about Northlane are evidence that not all Australian bands are influenced by AC/DC?  Well, forget about that in this case because the AC/DC influence came through the minute Airbourne was out on stage. The other thing I noticed straight away was that lead singer/lead guitarist, Joel O’Keeffe was the main attraction in the band. Like, Devin Townsend and another artist I would see later on in the day, O’Keeffe was good at both. However, he wouldn’t be so great without the rest of the band behind him. Most of the songs they played were from the “Breaking Out of Hell” album but that’s not a bad thing. I did like the song “It’s All For Rock and Roll, so it’s another album on my to get list. Airbourne warmed things up nicely in preparation for the rest of the evening.

Joel O’Keeffe going straight to the front

O’Keeffe belts out a guitar solo with rhythm section in support

The album cover alone is worth getting the album.

O’Keeffe leading the finish

After Airbourne, I was totally pumped for the next band, Steel Panther, and my feelings were justified. Steel Panther were the unsung heroes on the day. I loved them start to finish and let me put to rest any doubts about their ability, these guys can play, they proved that the second they stepped out on stage with “Eyes of the Panther.” Sure, there is a lot of humour in their songs and I was quite surprised they played, “Thar She Blows” live but whoever said that there can’t be humour in metal? I laughed and rocked out at the same time to the Tiger Woods song. In addition to the great metal, there was some great banter with the crowd and between the band themselves. Bassist Lexxi was the butt of most of the jokes, with constant insinuations he was gay but it was also said that lead singer Mike Starr was 72 years old. If that’s true, then all the power to him I say. Besides I believe them when they say the reason all the other bands hate them was because they sleep with all their girlfriends. I only had to wait halfway through the set to hear the famous “Death to All But Metal” and they played “Fuck All Night, Party All Day” straight after. The biggest surprise was when they played “17 Girls in a Row.” While playing it, they invited ladies up from the crowd on stage and before you knew it, there was a wall of young women across the entire stage and four deep. Most of the ladies seemed content with taking selfies with the band and giving them kisses, not that they minded. Once the girls were back off stage, they ended with what’s for me, the best song possible, “Community Property.” You bet people sang along to that one. So, after seeing them, anyone who insists Steel Panther are a joke band can come see me and I’ll show them my US Marine Corps training.

Feel the Steel

Michael Starr sings while Satchel hammers a solo

Starr and Lexxi come my way

The ladies answer the invite to come on stage

Ladies on stage

I only became familiar with Alter Bridge a week before I went to Download but after hearing their mix on Youtube, I made up my mind to go and see them. Myles Kennedy was already known to me on account of his work with Slash so that made me more determined to see them. He is a great singer but what I never knew was that he can play a guitar a bit as well. He really wailed away on quite a few of the songs so I was doubly impressed. While I can remember specific song titles, I can say that the songs I heard were absolutely brilliant. I think that after seeing them onstage, they are quickly becoming a favourite with me.

Welcome Alter Bridge

Myles came my way to play a solo

Don’t forget, there are three other great musicians in Alter Bridge

We all know Myles is a great singer too

More great guitar work

They played on til the end

Now common sense says that I should have stayed put after Alter Bridge so I would have a spot for headliners, Aerosmith. However, who says I have any sense? What did I do? I went over to the Zippo Stage to catch twenty minutes of headliners Slayer. Sure, I have seen them twice recently but who in their right mind would pass up any chance to see Slayer? I didn’t and don’t regret it.

Slaaaayyyeeeerrrrrr!

I did manage to get back well before the main event and managed to jockey into the best place possible to see the band that helped me through high school. Aerosmith came out to all the royal fanfare a band of their magnitude deserved. While I knew that their set would be a ‘greatest hits’ one, neither I or any of the tens of thousands there to see them cared. The hits came straight away, their was “Crying,” “Love in an Elevator,” “Living on the Edge” and “Jaime’s Got a Gun” for starters. It was common knowledge that the last song was about domestic abuse but I was a little surprised at Steve’s revelation that he got the idea for it while he was in rehab. Sometime in the middle of the set, guitarist Joe Perry was allowed to sing lead on a couple of songs, the first one was a blues number and the second one, Brad Whitford played a guitar solo. I always suspected Brad was capable of such things. After all, he’s been a brilliant rhythm guitarist for over forty years! After Joe’s spot, Aerosmith went back to the hits starting with the film classic, “I Don’t Want to Miss a Thing.” It was here that Steve Tyler introduced guest keyboards player Buck Johnson. Believe me, he went well with the band. Tom Hamilton played a bass solo but there was no surprise which song was to come after when Steve introduced him as Mr Sweet Emotion. This was the icebreaker for more of their 70s and 80s stuff. There was “Dude Looks Like a Lady” and of course “Dream On,” which the band left the stage. No fooling they would come out for encores and the audience was treated to a song I can’t remember before “Walk This Way.” The night ended with confetti and great fanfare. Now, there are rumours that this would be Aerosmith’s last tour. If so, they went out on an absolute high.

Aerosmith ended a night and a weekend of great metal! I went home feeling very satisfied and fulfilled. Download was great but I will not enter into any debate as to which is better between Download and Bloodstock. Both offer me everything I look for in metal. One thing, I must do in the future is to save my pennies so I can go to both festivals in the same year.

Steve and Joe in the front

Aerosmith rocks!

They rock some more

Cool lights

Tom’s bass solo

More Steve and Joe

A great end to the night!

Rock and Roll Children is still available on Amazon.

Next post: Honeymoon Suite

Your Opinion: Would It Have Been Cool if HSAS Continued After One Album?

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , on June 6, 2017 by 80smetalman

HSAS

Thinking more about my previous post on the only album from HSAS, I continue to speculate what would it have been like if they didn’t stop at one album. In the last post, I put forward the historical evidence that Journey went completely downhill and that Sammy went onto join Van Halen and received a lot of unfair criticism for it. My feelings are that they would have gone on to make at least two more killer albums before any super group egos began to get in the way. Hopefully, I might be wrong there. So, what I’m doing is putting the question out there to the cosmos. Would any of you liked to have heard more albums from HSAS and gone to see them live? Let me know your opinions and don’t be shy! I will look at both sides of the argument with equal eyes.

Now, in two days I’ll be off to Download and have come to an interesting situation. It was my intention that on the Sunday, I was going to see the top four bands on the main stage so I can get a good position for Aerosmith. Having not seen them since 1990, I was prepared to give Slayer who are headlining on the second stage a miss. Particularly because I have seen them at Bloodstock twice in the past three years. However, Slayer will be on before Aerosmith so I do have the chance to see them. To throw a further spanner in the works, I really want to see Airbourne and Steel Panther who are on the main stage before Slayer but had not heard of the band between Steel Panther and Aerosmith, Alter Bridge, who are on when Slayer goes on. I know that I can easily move stages but I fear I won’t get a good place for Aerosmith if I do. Furthermore, I have familiarized myself with Alter Bridge and am very impressed with what I heard. So, I’m tempted to stay and see them. What would you do?

 

 

 

 

 

 

Great Rock/Metal Albums of 1984: HSAS- Through the Fire

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on June 4, 2017 by 80smetalman

Late in 1983, Sammy Hagar and Journey guitarist Neil Schon did a project together along with bassist Kenny Aaronson and drummer Michael Shrieve. Together, they formed a band called HSAS which was short for Hagar, Schon, Aaronson and Shrieve and the result was their one and only album, “Through the Fire.” Was it a success? Maybe not according to the charts but it made my spring in 1984 and continued to do so for years after.

Confession, I never bought the “Through the Fire” album, I cheated. Instead, I recorded their full performance from an MTV concert. Besides, they played every song on the album plus a few songs that didn’t get on it. Having finally listened to the album, I feel no shame as it simply brings back all the great memories of that taped concert.

While most trendy types might not remember HSAS, I’m sure that a lot of metalheads and a few non ones do. When Sammy Hagar toured solo at the end of the year and even during his first tour with Van Halen, there were signs around many a concert venue that read, “Sammy Hagar, Top of the rock.” That’s because it’s the best known song from the album. He played it that night I saw him and it is a brilliant song. However, it’s only my second favourite. The top slot goes to the very next track, “Missing You.” That song really cooks and Neil belts out great guitar solo on it.

Hearing the next three tracks, I am now convinced that when the band played live, they played all three together as one song. Each track quickly goes from one to the next so you don’t really get a break. Furthermore, all three are in the way out space rock mode and they fit very well together. In the MTV concert, only the title of the first song, “Animation” was introduced but it went on for far longer than the four minutes it says the song lasts on the label. Actually, I am pretty sure that the song lasted for the duration indicated by the three songs.

There is one blip in comparing the album with the concert and that comes in the form of the band’s cover of the classic, “Whiter Shade of Pale.” The song closes the concert and I think it was a great song to close the show with. However, it’s not the closer on the album and now I wonder if it should have. It’s still done very well and I think that Procol Harum would have been impressed. After that comes the hard rocker, “Hot and Dirty,” which Sammy stated in the concert that it was about Kenny the bass player’s girlfriend. Can’t fault the song, it’s really good and Neil Schon shows his talent up and down all of it. While not a ballad, “He’ll Understand” is, to quote Sammy, on the tender side. It starts out as a ballad but that changes not far into it and has a smoking guitar solo. The irony is the closer because I am fairly certain that it was the opener for the concert. However, it works both ways.

HSAS in concert

The reason why all nine songs are so good is down to the talents of the four men who comprised HSAS. Sammy’s vocals and Neil’s guitar work were always going to be a lethal cocktail, no doubt about that. But we should raise a glass to the rhythm section of Aaronson and Shrieve because together, they make a fine one.

Track Listing:

  1. Top of the Rock
  2. Missing You
  3. Animation
  4. Valley of the Kings
  5. Giza
  6. Whiter Shade of Pale
  7. Hot and Dirty
  8. He’ll Understand
  9. My Home Town

HSAS

Sammy Hagar- vocals

Neil Schon- guitars

Kenny Aaronson- bass

Michael Shrive- drums

For the last 33 years, I have been asking myself “What if?” What if HSAS went beyond this one project and put out more albums? I think that they would have made a huge impact on the music of metal’s golden decade. History does sort of support me. When Neil went back to Journey, they didn’t make any impact after, at least not on me. Then there’s the case of Van Hagar, although I’ve always said that Sammy can’t be blamed for that. What we are left with is one fantastic album and three decades of me wondering, what if.

Next post: There will be no post at the end of the week because I am off to the Download Festival this week. I’m going to rock to Aerosmith, Steel Panther, Rob Zombie, Suicidal Tendencies and many more. Of course I will give you a day by day report once I return.

Still no new link for buying Rock and Roll Children direct but it’s still available on Amazon.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Great Albums That Were Lost in the Cassette Player

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 6, 2017 by 80smetalman

For those who have been following me for awhile, you will know that back in the early 198os, I owned a lot of cassettes due to my very limited living space when I was in the marines. Even after I got out, while I began buying vinyl again, I still bought a good amount of cassettes. My logic at the time was you couldn’t play records in the car and I need my travelling music. While cassettes had the advantage of being very compact, you could fit one in your shirt pocket, they had the disadvantage of being susceptible of destructing. They could easily get mangled in the player and often times brake. I found this extremely frustrating. While the percentage of cassettes lost was small compared to the number I owned, it still upset me when I lost one to the machine. So, as an in between the years post, I will play homage to all the great albums that were mangled by a tape player.

The famous ammo cans . I thought this would be a good excuse to put this picture in the post.

Others that succumbed but I don’t have pictures for

Slayer- South of Heaven

The Dreggs- Unsung Heroes

The Who- recorded from the radio

Copperhead

There could be more but these are the ones I definitely remember. However, other cassettes weren’t mangled in the machine but wore out another way. When played they began to have a hiss sound on them. Eventually, this hiss got louder and present on more of the tape until it was unplayable. There was the odd tape where that started but it stopped and played normal again. Unfortunately, others didn’t so here is a tribute to those cassettes that were lost in this manner.

As you can see, many a great album fell victim to the dreaded tape player one way or the other. Thank God for CDs and more modern means of listening to music as I don’t have that problem anymore.

Next post: 1984

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

My Top 15 Albums

Posted in Heavy Metal, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on September 15, 2015 by 80smetalman

Typical me of my school days. I was always forgetting to do assignments which often got me in trouble with teachers. I almost missed the one set by a fellow blogger to list my 15 favourite albums. Looks like I’m just going to make the deadline here so don’t give me a detention. Well here they are:

sod

  1. Stormtroopers of Death- Speak English or Die

stend

2. Suicidal Tendencies

 kdbd

3. Killer Dwarfs- Big Deal

dio

4. Dio- Holy Diver

FreedomAtPointZero

5. Jefferson Starship- Freedom at Point Zero

 OneMoreFromTheRoad_LynyrdSkynyrdalbum

6. Lynyrd Skynyrd- One More From the Road

 imlad

7. Iron Maiden- Live After Death

 paranoidt

8. Black Sabbath- Paranoid

Aerosmith-Toys_in_the_Attic

9. Aerosmith- Toys in the Attic

tsyou

10. Twisted Sister- You Can’t Stop Rock And Roll

dv-ssor

11. Vaughn- Soldiers and Sailors on Riverside

hotdrise

12. Hair of the Dog- Rise

220px-Molly_Hatchet_-_Flirtin'_with_Disaster

13. Molly Hatchet- Flirtin’ With Disaster

nzhotd

14. Nazereth- Hair of the Dog

220px-REO_Speedwagon_-_Nine_Lives

15. REO Speedwagon- Nine Lives

Honourable Mentions

38 Special- Rockin’ Into the Night

Jefferson Starship- Winds of Change

Kreator- Pleasure to Kill

Van Halen- II

Dio- The Last in Line

Twisted Sister- Under the Blade

AC/DC- Back in Black

AC/DC- Highway to Hell

Pink Floyd- Dark Side of the Moon

Blackfoot- Highway Song

Damned Nation- Grand Designs

This is my list respectfully submitted on 15 September, 2015.

Great Metal Albums of 1982: KISS- Creatures of the Night

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , on July 21, 2015 by 80smetalman

220px-COTN_album_cover

KISS, in 1982, were very much in danger of slipping into musical obscurity in the same way Aerosmith were at the time. Unlike, Aerosmith, it wasn’t drugs that were causing the slide, it was KISS  themselves. When I visited their album “Unmasked,” I pointed out that they seemed to be abandoning the hard rock sound that made them a household name, for good or ill, back in the 1970s. “Unmasked” was a deliberate lurch to more commercial sounds that was feared to have started when they released a disco tune on the “Dynasty” album and continued onto the 1981 “Music From the Elder” album, although the latter was an improvement on the predecessor. By 1982, people like me were starting to forget them. My biggest memory of them that year was the night before my battalion was starting its combat readiness evaluation. My company gunnery sergeant told us that when we applied the camouflage make up the next day, that we were not to make ourselves up to look like KISS.

Definitely not like KISS

Definitely not like KISS

What KISS needed was to go back to their heavy roots. One night, at my favourite rock bar on Okinawa, a video came on that made personal history. It was for the song “I Love it Loud” and from first strike of the guitar string, it was clear that KISS had gone back to what made them great. “I Love it Loud” is a complete rock out and since that fateful evening, it has been my all time favourite KISS song. I think the band knew that too because it would be another three years before I would finally get to see them live and they played that song for me. Even to this day, hearing that song makes me want to jump out of my seat.

Insert tired cliche here but one song does not make a good album and there are plenty of other great rockers on “Creatures of the Night.” In fact, there it is extremely difficult to pick one that isn’t. Even the power ballad “I Still Love You” rocks and rocks hard. Maybe back then, I should have played that one as opposed to “Beth” in my attempts to woo the ladies. While I can’t fault any track on the album, the ones that really do it most for me, apart from my all time fave, are “Rock and Roll Hell,” the title track,” “Killer,” “Saints and Sinners” and “War Machine” is the perfect closer to this album. It’s also the track for me where Vinnie Vincent comes into his own as a lead guitarist. What I said back then I reiterate now. When I heard “Creatures of the Night,” I concluded that KISS were truly back.

Track Listing:

1. Creatures of the Night

2. Saints and Sinners

3. Keep Me Coming

4. Rock and Roll Hell

5. Danger

6. I Love it Loud

7. I Still Love You

8. Killer

9. War Machine

KISS

KISS

Paul Stanley- rhythm guitar, vocals

Gene Simmons- bass, vocals

Eric Carr- drums, backing vocals

Ace Frehley- lead guitar

Vinnie Vincent- lead guitar on tracks 2, 3, 5, 6, 8 and 9

Sometime during the recording of “Creatures of the Night,” lead guitarist Ace Frehley would be out and new guitarist Vinnie Vincent would be in. Thus the course of metal history would be changed in the KISS camp. Notice, I said metal here. That is because I believe that this album would be the first KISS album that I would truly call heavy metal.

Next post: A Tragic Loss for Metal

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

 

 

 

 

Great Rock/Metal Albums of 1982: Aerosmith- Rock in a Hard Place

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Rock, Uncategorized with tags , , , , , , , , , , on June 26, 2015 by 80smetalman

220px-Aerosmith_-_Rock_in_a_Hard_Place

Two reasons exist for why I have never listened to Aerosmith’s 1982 album “Rock in a Hard Place” until this week. Yes, I hang my head in shame and will whip myself mercilessly for this transgression. If I may address the court, my first defense is of course, being in the military and spending eight months out of the twelve in this year overseas. A lot of music passed by without my notice. The second reason was that between the years of 1980-85, I considered Aerosmith to be lost in the rock wilderness. In my mind and many others too, they had truly gone from musicians dabbling in drugs to druggies dabbling in music. I don’t know if was during the tour for this album but I heard a story that when they played live, a roadie would have a collapsible table near the stage and every time there was a guitar solo, Steve Tyler would go to that table and snort the eight lines of coke that the roadie had laid out for him. However, like so much of the stories like that, it was probably more hype than truth.

So what did I think of my introduction to “Rock in a Hard Place?” For one, it wasn’t the diamond in the rough that lain hidden for over 30 years. I wouldn’t hold in the same regard as I do classics like “Toys in the Attic” or “Get Your Wings.” However, I do think it was better than the 1979 “Night in the Ruts.” While the first few songs of “Rock in a Hard Place” is a bit of the dirge that its predecessor was, the second half of the album for me is quite good. While, I like the intro of “Jailbait” and it is better than the next two songs, which ironically are the two singles released from the album, it doesn’t really grab me until track four, “Bolivian Ragamuffin.” One surprise is that I have to say that “Cry Me A River” is their best ever attempt at a power ballad and that includes some of their better known ones in the 90s. “Joanie’s Butterfly is a decent tune but my favourite on the album is definitely the title track. It seems that on “Rock in a Hard Place,” the band came down long enough to just relax and enjoy making music. If I listened to the album when I should have, I would have said to the band, “Remember when you you to sound like this?” at the title track. Saying that, the best song is followed on by the last two which take the album out nicely. “Push Comes to Shove” is a very tidy closer.

I would be negligent in my duties if I didn’t point out that this was the album without guitarist Joe Perry and rhythm guitarist Brad Whitford would leave during the recording. In fact, he only plays on “Lightning Strikes.” I must say that from the solos, I thought that Jimmy Crespo is a good guitarist in his own right. At least enough where I never found myself saying “Come back Joe, all is forgiven.”

Track Listing:

1. Jailbait

2. Lightning Strikes

3. Bitches Brew

4. Bolivian Ragamuffin

5. Cry Me a River

6. Prelude to Joanie

7. Joanie’s Butterfly

8. Rock in a Hard Place

9. Jig is Up

10. Push Comes to Shove

Aerosmith line up for Rock in a Hard Place

Aerosmith line up for Rock in a Hard Place

Steve Tyler- vocals

Jimmy Crespo- guitar, backing vocals

Rick Dufay- guitar

Tom Hamilton- bass

Joey Krammer- drums

For a band in the wilderness, it could be said that Aerosmith were calling out to be found. Unfortunately, I didn’t hear them at the time. If I had heard this album back then, I would have most certainly listened to it. But as they say, better late than never.

Next post: Black Sabbath- Live Evil

To buy Rock and Roll Children, go to http://www.strategicpublishingroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Amazon and on sale at Foyles Book Shop in London

 

 

Great Rock Albums of 1980: REO Speedwagon- A Decade of Rock And Roll

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on October 4, 2013 by 80smetalman

untitled

Aerosmith weren’t the only one to put out a great compilation album of all of their best stuff in 1980, REO Speedwagon did likewise with “A Decade in Rock and Roll, 1970-1980.” Unlike Aerosmith however, REO Speedwagon weren’t being written off as finished. If anything, they were very much in their ascendency to rock and roll glory. What this album does is to celebrate ten great years of thrilling listeners to some brilliant rock albums.

As with many artists back then, I was also late jumping on the train in regards to REO Speedwagon. I didn’t even hear of them until I was in the service for six months and saw one of their songs on a bar juke box. The name amused me straight away and for some reason that name kept appearing before me like some sort of beckon. As a result, I bought the “Nine Lives” album and I was hooked. I played that album to death and when someone suggested this album, I took up the suggestion and I don’t regret it. I got to hear what I had been missing all these years. Some of their early songs like “Golden Country,” “Keep Pushin” and “Son of a Poor Man” were great insights into what this band was made of. Even the material with Mike Murphy as lead singer doesn’t disappoint. I thought putting the live versions of “157 Riverside Avenue” and “Riding the Storm Out” was a genius idea as those songs totally rock me. And of course there’s the two big songs from “You Can Tune a Piano But You Can’t Tuna Fish:” “Roll With the Changes” and “Time For Me To Fly” although Kevin Cronin probably doesn’t want me to mention the latter because according to what he said on “Family Guy,” all the royalties go to his bitch ex-wife. It doesn’t stop me from playing it though.

Kevin Cronin on Family Guy

Kevin Cronin on Family Guy

Track Listing:

1. Sophisticated Lady

2. Music Man

3. Golden Country

4. Son of a Poor Man

5. Lost in a Dream

6. Reeling

7. Keep Pushin

8.  I Believe Our Time is Gonna Come

9. Breakaway

10. Lightning

11. Like You Do

12. Flying Turkey Trot

13. 157 Riverside Avenue

14. Riding the Storm Out

15. Roll With the Changes

16. Time For Me to Fly

17, Say You Love Me or Say Goodnight

18. Only the Strong Survive

19. Back On the Road Again

REO Speedwagon

REO Speedwagon

Kevin Cronin- rhythm guitar, lead vocals

Garry Richrath- lead guitar

Neil Doughty- keyboards, backing vocals

Bruce Hall- bass, backing vocals

Alan Gratzer- drums, percussion

Mike Murphy- lead vocals

Greg Philbin- bass

This album celebrates exactly what it says on the package, a decade in rock and roll. Ten years worth of good tunes and for those who aren’t into compilations, this album will definitely entice you to check out their albums from this period. This album wouldn’t be the end for them as they would go on to find commercial success but it celebrates a time when they were great because you will see as we journey further down the road, in the 70s REO Speedwagon were good, if not fantastic. In the 80s, they would settle for being popular.

Next post: Tragedies and Triumphs Part II

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

 

 

Great Rock Albums of 1980: Aerosmith- Greatest Hits

Posted in 1980s, Heavy Metal, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on September 30, 2013 by 80smetalman

220px-AerosmithGreatestHits

Some newer Aerosmith fans may be wondering why Aerosmith needed to put out a Greatest Hits album way back in 1980 seeing that they have been going now for four decades. So, let’s travel back in history to that year. In 1980, Aerosmith were a completely different story. My joke about them going from musicians dabbling in drugs to druggies dabbling in music no longer applied because they weren’t even dabbling in music! Drugs, in fighting and departures were plaguing this band something chronic. As a result, this album was put out as some last hurrah for them because many people were writing them off as finished.

Finished or not, this album brought back the songs and memories that made them the great icons they were throughout the 1970s. I won’t list any songs individually here as it wouldn’t be fair to the ones I didn’t but this is one greatest hits album I am absolutely proud to own. Some of their best songs from their classic albums are all included here and I’m sure there is plenty of room for debate for other great Aerosmith songs to have been included as well. Me personally, I would have included the title cut from “Toys in the Attic” and for my own amusement “Big Ten Inch (Record)” as well. So here’s a look back to some of the great Aerosmith albums that made this compilation possible.

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Aerosmith_-_Night_In_The_Ruts

Track Listing:

1. Dream On

2. Same Old Song And Dance

3. Sweet Emotion

4. Walk This Way

5. Last Child

6. Back In the Saddle

7. Draw the Line

8. Kings and Queens

9. Come Together

10. Remember, Walking in the Sand

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  Aerosmith

Steve Tyler- vocals, harmonica

Joe Perry- lead guitar

Brad Whitford- rhythm guitar

Tom Hamilton- bass

Joey Kramer- drums

I bet those who wrote Aerosmith off thirty three years ago are feeling foolish now because after a few more years of turmoil, they would be back and back to stay. Still for those who are new to the earlier material and are looking for a listen, then this album would be a great place to start.

Next post: REO Speedwagon- A Decade in Rock and Roll

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

Great Rock Albums of 1980: Bob Seger- Against The Wind

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , on May 19, 2013 by 80smetalman

Bob_Seger_-_Against_the_Wind

For those who read my posting for Bob Seger’s 1978 album “Stranger In Town,” I apologise in advance for repeating myself but the fact remains, Bob Seger is the forgotten hero of 70’s rock. With The Silver Bullet Band, he had a string of hits and great albums throughout the decade that live on today. Classics like “Night Moves,” “Rock and Roll Never Forgets,” “Hollywood Nights,” “Old Time Rock And Roll” and my personal favourite, “Main Street” continue to give old men like me classic musical memories. Therefore, when his 1980 album “Against The Wind” was released, everyone was certain that he would continue his musical domination into the next decade.

Back in 1980, this was the album that knocked the iconic Pink Floyd album “The Wall” off the number one spot. I can see why this album is considered one of his best. It doesn’t just rest on the laurels of Bob Seger’s previous achievements but is an improvement on it, especially with the quality of the musicianship on the album. I can safely say that I think The Silver Bullet Band was at their very best when recording the album. The title track, which was a top ten hit, is a prime example. I love the musical interlude in the middle of the song where the piano and the guitar trade off each other. Then there is the ballad “No Man’s Land,” where my best memory of the song was when it was played at the heavy metal club I used to frequent in London in dedication to a fellow metalhead who had tragically passed away. From the more AOR “You’ll Accompany Me” to the more vociferous “Her Strut,” this album demonstrates why it knocked Floyd off the top spot and stayed there for six weeks.

Track Listing:

1. The Horizontal Bop

2. You’ll Accompany Me

3. Her Strut

4. No Man’s Land

5. Long Twin Silver Line

6. Against The Wind

7. Good For Me

8. Betty Lou’s Getting Out Tonight

9. Fire Lake

10. Shinin’ Brightly

Bob Seager

Bob Seger

The Silver Bullet Band- tracks 1-3, 6 & 8

Bob Seger- vocals, guitar

Drew Abbot- guitar

Alto Reed- horn, saxophone

Chris Campbell- bass

David Teegarden- drums, percussion

The Muscle Shoals Rhythm Section- tracks 4,5,7, 9 & 10

Barry Beckett- piano, keyboards

Randy McCormick- organ, keyboards

Pete Carr- guitar

Jimmy Johnson- guitar, horn

David Wood- bass

Roger Hawkins- drum, percussion

I once saw a band called The Queer Boys in London who I thought sounded like a combination of The Rolling Stones, Aerosmith and Bob Seger. Now this would lead me to conclude that the music of Bob Seger had an indirect impact on heavy metal. Maybe it did, but what I do know is that he put out some great music and the album “Against The Wind” is arguably his best.

Next post: 38 Special- Rocking Into the Night

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London