Great Rock Albums of 1985: Night Ranger- Seven Wishes

The release of Night Ranger’s third album, “Seven Wishes” confirmed to me what I already knew, Night Ranger were not heavy metal. This didn’t stop the unknowing from continuing to label them as such and it made me grind my teeth at times. The first single, “Sentimental Street” was all the proof one needed. That song is supposed to be a power ballad, I use that term loosely because it is heavily over synthed. All that did was take me back to their more superior power ballad, “Sister Christian” which wasn’t so. Just a fine use of the piano. On the other hand, while I have always believed that Night Ranger was never heavy metal, they definitely weren’t a top 40 band either, in spite of having several songs in the top 40. The best label to give Night Ranger would be melodic hard rock.

I thought that now I’m back from my client holiday, I’d treat you to at least one photo from it. This is the fog lifting off Lynmouth Harbour.

Back to the “Seven Wishes” album. While many metalheads dissed this album back in 1985 and I admit, the first single nearly put me off. Fortunately, I had known for years never to judge an album on one single, so I took the plunge. In spite of what was said about Night Ranger at the time, this album still rocks in many places. Additionally, unlike singles from their first two albums, none of the songs remind me of Rick Springfield. Unlike, “Sentimental Street,” the guitars dominate more than the keyboards, the only exception might be the title track. Even then, there is a fab guitar solo on it as with all the songs, the talents of the guitar duo of Brad Gillis and Jeff Watson are put to maximum use. More proof that I’m mellowing a little with age, I like “Sentimental Street” more now than I did in 1985.

Actually, “Seven Wishes” is an album of two halves for the most part. Part one is the more keyboard oriented songs and singles. “Four in the Morning” was the second single and though not as keyboard oriented, the whole song screams “Single for radio!” Saying that, “I Need a Woman” really cooks and if you only listened to the first five songs, might seem slightly out of place. However, the album goes total rock on the second half of the album. “This Boy Needs to Rock” starts things off perfectly and the rest of the album follows through. “Interstate Love Affair” is my vote for hidden gem on the album. I just love that intro and the way it rocks to the mind blowing guitar solo. Yep, it gets my vote. The closer, “Goodbye” is, in my not so humble opinion, a better power ballad than “Sentimental Street.” Better still, it’s the best song to end the album on a high.

Track Listing:

1. Seven Wishes
2. Faces
3. Four in the Morning
4. I Need a Woman
5. Sentimental Street
6. This Boy Needs to Rock
7. I’ll Follow You
8. Interstate Love Affair
9. Night Machine
10. Goodbye

Night Ranger

Jack Blades- bass, lead vocals

Jeff Watson- guitar

Brad Gillis- guitar

Alan ‘Fitz’ Fitzgerald- keyboards

Kelly Keagy- drums, lead vocals

While Night Ranger aren’t heavy metal, they can’t be simply dismissed. Their brand of melodic hard rock is played very well as this album shows.

Next post: My Second Book Review

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Great Metal Albums of 1983: Ozzy Osbourne- Speak of the Devil

Welcome to another 1982 album that came to my attention while I was still serving with the marines on Okinawa. Even when I first heard then, I, like many others, speculated on why Ozzy would put out an album featuring live performances of his Black Sabbath material. Further investigation turned up that the reason was that this album was a contractual obligation album with Jet Records. That could explain many things like why Ozzy has publicly renounced the album.

Another thing it explains is the shockingly bad production of the album. Yes, this is a live album but it sounds like it was recorded live at a local pub. I can hear why many people found this album off putting. A further reason was that Ozzy’s drinking problem was getting to him big time. The vinyl version has pictures of a road crew member who suffered from dwarfism, bringing Ozzy drinks in between songs. It also explains why his voice wasn’t tip top on “Speak of the Devil.”

In spite of all my negativity here, if you really want all the Black Sabbath classics and are too cheap to go out and buy all their albums, then this is a decent substitute. Yep, all the great songs are there. “Iron Man,” “Sabbath Bloody Sabbath,” “Snowblind,” my all time favourite Sabbath song, “War Pigs” and as always, the live show is ended with “Paranoid.” They’re all there although some songs sound better than others and none of them come up to the standard of when they were first recorded. Personally, I think “The Wizard” sounds the best on it.

One more positive I can add is that Ozzy always gets a good crew of musicians behind him and this is the case on “Speak of the Devil.” Here, we have Brad Gillis, before he joined Night Ranger on guitar, Rudy Sarzo, who would go to Quiet Riot on bass and Tommy Aldridge on drums. When the production allows, the talents of these three men show through and make the album listenable.

Track Listing:

1. Symptom of the Universe
2. Snowblind
3. Black Sabbath
4. Fairies Wear Boot
5. War Pigs
6. The Wizard
7. N.I.B.
8. Sweet Leaf
9. Never Say Die
10. Sabbath Bloody Sabbath
11. Iron Man/Children of the Grave
12. Paranoid

Ozzy Osbourne

Ozzy Osbourne- vocals

Brad Gillis- guitar

Rudy Sarzo- bass

Tommy Aldridge- drums

“Speak of the Devil” isn’t one that is mentioned along with the other great Ozzy Osbourne albums. In fact, it has been universally agreed that a better live album would come out four years later. Don’t worry, I’ll post about that one in due time. Still, if you fancy a trip down memory lane and want to hear Ozzy sing some Black Sabbath classics, then this album is okay to do that.

Next post: Iron Maiden- Piece of Mind

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

Great Rock Albums of 1983: Night Ranger- Midnight Madness

An huge argument raged throughout the mid 1980s and for some, it still does today. It is even briefly debated in “Rock and Roll Children.” Was Night Ranger heavy metal? Pure metalheads gave a resounding no because of the band’s use of keyboards and softer, more commercial rock, especially in regards to the album following this one. However, this didn’t stop the rest of the world from claiming they were. My opinion in this matter can be found in the title of this post. You probably noticed that I didn’t call Night Ranger’s “Midnight Madness” album a great metal album.

Listening to the second album from Night Ranger, it is quite easy to see why many of the less knowing would call it a metal album. Most of the first five songs do rock, although I still wouldn’t call them metal. Even the ballad, “Sister Christian” ranks up there as a very good power ballad. It did influence some metal bands who wanted at least one on their album to write their ballads in this style.

My first experience of the album came in the form of “You Could Still Rock in America.” Like the classic, “Don’t Tell Me You Love,” I thought this too was a Rick Springfield song at first. Another example of irony in my life, I first heard it after spending four weeks in London. My first musical experience there wasn’t great. The people I was staying with were all top 40 dance junkies and they tried to insist that there was no place in London to find the hard rock I loved so much. After lamenting the first two weeks, I did discover a really cool rock pub in Croydon in South London and things got better after that. Then I went to my first Donington Festival so my I ended up enjoying my London stay. When I returned, I heard this song playing on the radio and thought, “Damn right, you can still rock in America.” Saying that, I was glad that earlier reports about music in the UK were proved totally wrong.

Apart from “Sister Christian,” the only really commercial oriented tracks are “When You Close Your Eyes,” another hit single for the band and “Passion Play.” The latter is a bit harder than the former but doesn’t rock like the rest of the album. Tracks that really do rock, besides the opener, are “Touch of Madness” and “Chippin’ Away.” “Rumours in the Air” is pretty cool as well. But what makes this album rock, even the songs that don’t rock as much is the guitar duo of Brad Gillis and Jeff Watson. One or the other or both in some cases, lay down some serious guitar heat in every song, except the acoustic closer. When people talk of guitar duos, the ones mentioned are Tipton/Downing, Smith/Murray or Gers/Murray (same band), Ojeda/French and the original guitar duo, Walsh/Felder. After hearing this album again after so many years, Watson/Gillis needs to be included among the others.

Jeff Watson and Brad Gillis leading the way for Night Ranger

Track Listing:

1. You Can Still Rock in America
2. Rumours in the Air
3. Why Does Love Have to Change
4. Sister Christian
5. Touch of Madness
6. Passion Play
7. When You Close Your Eyes
8. Chippin’ Away
9. Let  Him Run

Night Ranger

Jack Blades- bass, lead vocals

Jeff Watson- guitars, keyboards

Brad Gillis- guitars

Alan ‘Fitz’ Fitzgerald- keyboards

Kelly Keagy- drums, lead vocals

True metalheads like me do not consider Night Ranger heavy metal. However, they did know how to rock as the album “Midnight Madness” clearly shows. In 1983, they did rock America.

Next post: Marillion- Script For a Jester’s Tear

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London