Archive for Cyndi Lauper

Great Rock Albums of 1985: Weird Al Yankovic- Dare To Be Stupid

Posted in 1980s, Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , on September 16, 2018 by 80smetalman

After the big success of his 1984 album, “In 3D,” it was only expected that the King of Parody, Weird Al Yankovic, release an album in 1985. Therefore, many people like me eagerly awaited and grabbed “Dare to be Stupid” as soon as it came out. Even though some critics said that the new album wasn’t as good as its predecessor, (what do they know?), I still really like this album.

First let us start with the parodies. Opening the album is what has been said one of his best songs, “Like a Surgeon,” which is a parody of the then Madonna classic, “Like a Virgin.” For all the things I might say about Madonna, I have to give her credit here. Not  only did she give Weird Al her blessing to make a take off on her song, she collaborated on “Like a Surgeon.” Reportedly, this was the only time that he used ideas from outside artists on any of his songs. Whatever the case,  the song is a hoot and so is the video for it.

Other artists who gets the parody treatment are Huey Lewis and the News, the Kinks and Cyndi Lauper. The Huey Lewis song which gets it is “I Want a New Drug” in the form of “I Want a New Duck” and the song is actually about a duck. Listen to the lyrics and you’ll be rolling around in laughter but that’s what Weird Al does best. Back in 1985, some Star Wars fans took offense at his parody of the Kinks classic, “Lola” with “Yoda.” The song shows that at least he saw the film. No 80smetalman points for guessing which Cyndi Lauper song he would parody. Thinking about it, “Girls Just Wanna Have Fun” was probably to golden of an opportunity for him and “Girls Just Wanna Have Lunch” is a great send off. It sounds like he’s singing off key on the song but I think that’s just the weird in Weird Al.

Something which always gets overlooked in regards to Weird Al is the fact that he does have musical talent. All of his parodies sound like the original. “I Want a New Duck” and “Yoda” sound almost exactly as they could have been done by the original artists. It’s his seemingly non parodies where his talent can be seen more. I shouldn’t call some of these non-parodies because they are parodies in a different way. The style in which the title track is that of Devo and the very funny “One More Minute” sounds like an Elvis Presley ballad. However, the lyrics in that song will crack you up. Staying with that one, it sounds like a lamentation of a guy who has been dumped by his girl but in typical Weird Al style, he goes above and beyond. Sure, I’ve been dumped but I never considered burning down the malt shop we went to because it reminded me of her.

If his songs aren’t spoofing an artist’s song or musical style, they’re doing it to aspects of life. “This Is the Life” is a send off on rich people’s life style and “Slime Creatures From Outer Space” pays hilarious tribute to 1950s Sci-Fi films. However, my favourite in this category is “Cable TV” which by 1985 was becoming a nationwide household phenomenon. Nowadays, most Americans have hundreds of channels but often times still nothing to watch. There’s also a cover of the theme song to the cartoon “George of the Jungle,” I like it and like “In 3D” he puts popular contemporary at the time songs to polka music. ZZ Top and Twisted Sister along with many others get the polka treatment. Only this time, it closes the album and probably the most appropriate song to do so.

Track Listing:

  1. Like a Surgeon
  2. Dare to be Stupid
  3. I Want a New Duck
  4. One More Minute
  5. Yoda
  6. George of the Jungle
  7. Slime Creatures From Outer Space
  8. Girls Just Wanna Have Lunch
  9. This is the Life
  10. Cable TV
  11. Hooked on Polkas

Weird Al Yankovic

Weird Al Yankovic- lead vocals, accordion, keyboards

Rick Derringer- guitar, production

Steve Jay- bass, banjo, backing vocals

Jim West- guitar, backing vocals

John ‘Bermuda’ Schwartz- drums percussion

Ignore the critics, to me “Dare To Be Stupid” is just as zany and well done as any of Weird Al’s other albums. While songs will have you in stitches, try to appreciate just how musically talented he really is.

Next post: Petra- Beat the System

To buy Rock and Roll Children, go to: https://www.amazon.co.uk/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_1?s=books&ie=UTF8&qid=1537086656&sr=1-1&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

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Great Rock Albums of 1985: The Hooters- Nervous Night

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on September 6, 2018 by 80smetalman

Thanks to everyone who wished me well on my holiday. It was just a long weekend at the Butlin’s Holiday Camp in Skegness and then a couple of days at Cleethorpes but it was nice. Now, I’m back and it’s back to the tour of the 1980s through my eyes.

Skegness Fair and park

Probably no one remembers when I posted about a band called Beru Revue a few months back. So, to refresh everyone’s memory, Beru Revue were a local band out of Philadelphia who were very popular in their native area but never broke out and made it elsewhere. At the end of that post, I mentioned that another band from Philadelphia would break out and rise to national attention in 1985. That band was The Hooters and they did so with their second album, “Nervous Night.”

It might not be well known but before this album came out, The Hooters had some previous commercial success when they co-wrote Cyndi Lauper’s second big hit single, “Time After Time.” Trust me, The Hooters’ version of the song totally blows Lauper’s out of the water. At least I think so. Looking back into history, one shouldn’t have been surprised when they did make the big time. I remember their first single and one of my favourite tracks on the album, “All You Zombies” getting played quite a bit on the radio. Then to my surprise, on a visit to Rhode Island, I saw the video to said song played on a local music channel. That confirmed that The Hooters had actually made it.

My theory behind the the success of “Nervous Night” was it down to the music being a bit different. Some called it new wave or punk because that was the label given to any music that didn’t fit any mold in 1985. I always think it’s great when you can’t pigeonhole music that’s good. The closest track that may fit into the mold others try to impose on it would be the fourth one, “Don’t Take My Car Out Tonight.” There is a synth sound supporting a hard rock sounding guitar along with some of the other unique instruments the band plays like a melodica. Saying that, it’s all done well. “Hanging on a Heartbeat” can also fit this mold and it does have a good guitar solo.

The two more successful singles “And We Danced” and “Day by Day” are also unique but still very commercial radio friendly. It’s probably why both either hovered around or cracked the top 20 in the singles charts. However, there are two possible hidden gems. While, “Where Do the Children Go,” which Patty Smyth makes a guest appearance on, did get some airplay on radio and MTV, it didn’t chart as well as the other two singles and most people have forgotten it. I haven’t. This is a brilliant song, especially the way the mandolin is played on it. The other hidden gem is “Blood From a Stone” which rocks a little more. The song is about working people struggling to keep their heads above water during a time when wages were being cut and people were only given part time jobs to make the unemployment figures look good. Even now, these lyrics ring true:

“I work hard to pay the rent and support my government

The highways and the railroad tracks

I’m not giving it up till they give it all back

You can laugh and but it’s no joke 

You got to fix the thing that’s broke

There’s no meat only bone, but you can’t get blood from a stone.”

“South Ferry Road” is a pretty good rocker as well and “She Comes in Colors” has a sound reminiscent of The Cars.

Track Listing:

  1. And We Danced
  2. Day By Day
  3. All you Zombies
  4. Don’t Take My Car Tonight
  5. Nervous Night
  6. Hanging on a Heartbreak
  7. Where Do the Children Go
  8. South Ferry Road
  9. She Comes in Colors
  10. Blood From a Stone

The Hooters

Eric Bazilian- lead vocals, guitars, mandolin, saxophone

Rob Hyman- lead vocals, keyboards, melodica

Arthur King- bass, vocals

John Liley- guitar

David Uoskkinen- drums

I’ll let you decide if The Hooters version is better than Cyndi Lauper’s

I think most people believe it’s great when a local artist makes the big time and for most people in the Delaware Valley, it was The Hooters in 1985. This would be their year as “Nervous Night” would win several awards and the band would open the Live Aid Concert. Yes great things and two years later, The Hooters would be one hit wonders in the UK but that’s a story for another day.

Next post: Fiona

To buy Rock and Roll Children, go to: https://www.amazon.co.uk/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_3?s=books&ie=UTF8&qid=1536266503&sr=1-3&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

Great Rock Albums of 1985: The Wrestling Album

Posted in Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , on July 18, 2018 by 80smetalman

Big question: Is my memory not as good as I thought or is Wikopedia not as accurate as they are believed to be? For more than thirty-three years, I was convinced that “The Wrestling Album” came out in the early part of 1985. However, Wikopedia claims it came out in the November of that year. Anyway, when in 1985 the album came out doesn’t really matter, it did and it provided an amusing alternative. Besides, it was still better than a lot of the commercial synth crap that was around.

“The Wrestling Album” came out in a bid to take advantage of the “Rock and Wrestling Connection” which was established the previous year with Cyndi Lauper. She doesn’t sing on this album, with the exception of Rick Derringer’s “Real American,” the wrestlers do. Many of the big WWE, although back then it was still the WWF, who were around at the time have songs, some of them are quite good. The best ones in my view are “Grab Them Cakes” by Junkyard Dog and credit where due, “Eat Your Heart Out Rick Springfield” by bad guy manager Jimmy ‘The Mouth of the South’ Hart. Wrestling commentator Mean Gene Okerlund does do a pretty good rendition of “Tutti Fruitti.” Derringer’s song, like most of the ones sung by the wrestlers is done in a punk/new wave fashion but he does do a reasonably cool guitar solo on it. After all, that’s what makes Rick great! Furthermore, all the main WWE wrestlers perform on the first track, “Land of a Thousand Dances” which got considerable airplay on MTV. But the album isn’t just music, in between the tracks, you get some funny commentary from Vince McMahon, Gene Okerlund and wrestler, actor and the man who would eventually come to be governor of Minnesota, Jesse ‘The Body’ Ventura.

While it’s very easy not to take the album seriously, I can also see that those behind the album, especially Cyndi’s then manager David Wolf, made sure the songs were done right. He got Derringer and Meat Loaf producer Jim Steinman to produce the album. I have to admit, they do a good job on it, no matter how much I want to burst out laughing whenever I hear “Captain Lou’s History of Music/Captain Lou” by Lou Albano. Then again, I have never dismissed humour in music and there’s a lot to be had with “The Wrestling Album.”

Track Listing:

  1. The Wrestlers- Land of a Thousand Dances
  2. Junkyard Dog- Grab Them Cakes
  3. Rick Derringer- Real American
  4. Jimmy Hart- Eat Your Heart Out Rick Springfield
  5. Captain Lou Albano and George ‘The Animal’ Steele- Captain Lou’s History of Music/Captain Lou
  6. WWF All Stars- Hulk Hogan’s Theme
  7. ‘Rowdy’ Roddy Piper- For Everybody
  8. Mean Gene Okerlund- Tutti Fruitti
  9. Hillbilly Jim- Don’t Go Messin’ With a Country Boy
  10. Nikolai Volkf- Cara Mia

Rick Derringer

Jim Steinman

Frank Zappa once asked, “Does humour belong in music?” My answer to this has always been an emphatic, “Yes!” “The Wrestling Album” is a very fun album and you can’t fault the quality of the songs even if the singers aren’t “ahem,” top notch. It did provide a humourous break in the action back in 85.

Next post: Van Morrison- A Sense of Wonder

To download Rock and Roll Children for free, go to: … .cf/olddocs/freedownloadonlinerock-and-rollchildren-pdf-1609763556-by-michaeldlefevre.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Triumphs and Other Happenings in 1984

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , on September 10, 2017 by 80smetalman

 

Evidence that heavy metal had truly established itself in 1984 can be sited with the 1984 Monsters of Rock Festival at Donington Park, in England. This was the first and probably only Donington to feature seven artists and you can only look at the poster here, see which bands played on draw your own conclusions as to whether or not it was a kick ass day. I wasn’t there but I know people who were and they can confirm it. The only negative comment I heard about the day was that Motley Crue had bottles thrown at them for making too many comments about sex, drugs and rock and roll. Something an opening band should probably not do. Anyway, to see Ozzy, Van Halen and AD/DC all on one stage must have been mind blowing.

I must apologize for Youtube not having any individual songs recorded from this memorable day.

Cyndi Lauper

You are probably asking yourself, “What is she doing here on an 80smetalman’s post?” Well, some misguided individuals thought that Cyndi Lauper had replaced Joan Jett or Pat Benatar as the Queen of Rock in 1984. Nonsense, I say. I will never recognize Cyndi Lauper as such and will go to my grave stating that fact. Yes, I liked “Girls Just Want to Have Fun” the very first time I heard it but afterwards, I wanted to take an Uzi to the television every time the video came on MTV. The only song from of hers I nearly liked since was “Money Changes Everything” and a few years later, grew to like “I Drove All Night” a little.

So, why is she here you ask. Back when I posted about my weekend at Download, where I went to see wrestling, I mentioned that the Rock and Wrestling Connection began in 1984 and it began with Cyndi. At the time, wrestling manager, Captain Lou Albano, claimed she managed Cyndi Lauper on wrestling shows. Cyndi refuted that claim and without going into great details, she made a challenge to Captain Lou that she could manage a wrestler better than him. So, while Lou took Women’s World Champion The Fabulous Moolah under his wing, Cyndi managed challenger Wendi Richter. I’ll leave  you to watch the video to see who won but the Rock and Wrestling Connection started here.

There was a tragedy too in 1984 but that happened at the very end of the year, so I’m saving it for the end of the 1984 tour. So here, let us reflect on the happy times with all the great heavy metal and some wrestling too.

Next post: My Underrated Band

To Buy Rock and Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_3?ie=UTF8&qid=1505042182&sr=8-3&keywords=michael+d+lefevre