Archive for Danny Joe Brown

Great Rock Albums of 1985: Molly Hatchet- Double Trouble Live

Posted in 1980s, Concerts, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , on November 15, 2018 by 80smetalman

It was only logical that after six great studio albums, Molly Hatchet would put out a live album and boy what a live album! This album is so brilliant that it almost, I stress almost, removes my regret of never having seen this great band live. There was a couple of near opportunities to do so but the US Marine Corps had other ideas at the time. That means, I have had to settle for the consolation prize, not a bad one in any way, of “Double Trouble Live.”

What is cool about this live album is that the song selection has offerings from each of the studio albums. This includes the “Beatin’ the Odds” and “Take No Prisoners” albums when Jimmy Farrar handled the vocal duties. I have to say that Danny Joe Brown does a good job on both of the songs “Beatin’ the Odds” and “Bloody Reunion.” Speaking of Danny Joe, the band even plays a track, “Edge of Sundown,” from his one album with the Danny Joe Brown Band. Therefore, this album has a great diverse mix but Molly Hatchet shines on each and every song.

Of course, there are all the familiar Molly Hatchet classics we have come to love. “Flirtin’ With Disaster,” “Bounty Hunter,” “Fall of the Peacemakers,” “Stone In Your Heart,” “Satisfied Man” and “Boogie No More” are all played brilliantly live. You’d expect nothing less. On top of that, it was only natural they opened with “Whiskey Man” but the song where they really go above and beyond is “Gator Country.” That has always been a cool song but live, guitarists Duane Roland and Dave Hlubeck go absolutely nuts and turn it into a great jam session, well done lads!

When I first heard the album, I was slightly perplexed as to why they would cover Lynyrd Skynyrd’s legendary “Freebird.” After all, most Southern rock bands have their own answer to the Skynyrd classic. Blackfoot has “Highway Song” and even Molly Hatchet had “Fall of the Peacemakers.” So I asked myself, “Why?” The answer came when I listened to the track. Molly Hatchet definitely do it justice. I mean, I have heard some awful attempts covering this classic and I wanted to take an Uzi to those pretenders but Molly Hatchet would have made Ronnie Van Zant proud. There is also a cover of the Allman Brothers classic, “Dreams I’ll Never See” and again, it’s nicely done. Like I said, “Double Trouble Live” nearly removes my regret of not having seen them live.

Track Listing:

  1. Whiskey Man
  2. Bounty Hunter
  3. Gator Country
  4. Flirtin’ With Disaster
  5. Stone in Your Heart
  6. Satisfied Man
  7. Bloody Reunion
  8. Boogie No More
  9. Freebird
  10. Walk on the Side of Angels
  11. Walk With You
  12. Dreams I’ll Never See
  13. Edge of Sundown
  14. Fall of the Peacemakers
  15. Beatin’ the Odds

Molly Hatchet

Danny Joe Brown- vocals

Dave Hlubeck- guitar

Duane Roland- guitar

John Galvin- keyboards

Riff West- bass

Bruce Crump- drums

It has been said the “Double Trouble Live” is one of the best live albums of all time. It’s definitely one of the best in 1985. The only reason it’s not number one for the year as there is a definite contender as well but I’ll get to that one in due course. In the mean time, have a listen to a fantastic live album from Molly Hatchet. You too might not feel so bad if you haven’t seen them live.

Next post: Joe Walsh- The Confessor

To download Rock And Roll Children, go to: https://c-newfreepdf.cf/olddocs/free-download-online-rock-and-roll-children-pdf-1609763556-by-michael-d-lefevre.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Great Rock Albums of 1984: Molly Hatchet- The Deed is Done

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on August 20, 2017 by 80smetalman

In the mid and late 1980s, there was a belief that whenever a hard rock or heavy metal band incorporated keyboards into their sound, they had sold out and were trying to sound more commercial friendly. Yes, this was the case for a good number of bands back then and Molly Hatchet were accused of the same when guitarist Steve Holland was replaced with keyboards player John Galvin, who had played with Danny Joe Brown when he had his own band. Sure, the band moved away from their Southern Rock stylings to a more commercial friendly arena rock sound but their 1984 album, “The Deed is Done” is by no means in any shape or form a sell out.

While there are notable differences with this album and their very famous hard smashing album “Flirtin’ With Disaster,” the hard rock sound is there for all to hear. Even with two guitars, Molly Hatchet really rock out on the album, the keyboards only give it a more melodic back ground. The most prominent examples are the two tracks released as singles, “Satisfied Man” and the one I prefer slightly more, “Stone in Your Heart.” These are both rockers with John’s keyboards providing excellent melodic back up. Unlike so many bands who tried using keyboards, Molly Hatchet does it right here and unfortunately, this is why the album didn’t sell as well as the fore mentioned biggie. Some metalheads scoffed at the use of keyboards while mainstream trendies were put off by the hard guitars and labelled them heavy metal. That’s another issue about the 1980s, but I’ll save that for another time.

As for the rest of the tracks, they cook as well and the now guitar duo of Duane Rolands and Dave Hlubeck show that even with two guitars, they can still kick ass. There is many a good hard rock song on “The Deed is Done” to be heard. However, if someone moaned about them using keyboards, then that person might have really been freaked out by the use of a saxophone on the track, “She Does She Does.” What younger metalheads didn’t understand in the 80s was that saxophones were employed very well in many a good rock song throughout the ages and it is done very well on this track. And while Molly Hatchet may have moved a little away from their Southern Boogie Rock sound, it is still there in the tracks, “Heartbreak Radio” and “I Ain’t Got You”. In fact, the second half of the album really rocks. “Good Smoke and Whiskey” wasn’t only a great track, it was my theme song for a while. However, my personal favourite on this album has to be “Man on the Run.” The old style of Molly Hatchet is stamped on it from the very beginning and the keyboards, like on the hits, provide the necessary support. This song is probably the best example of how you can incorporate the old Hatchet with the new. So what you do get with “The Deed is Done” is a more melodic hard rock sound in places but with the traditional southern sound not completely forgotten. It does make an excellent combination to the open minded.

Going on a little more about the keyboards, John Galvin is definitely underrated in this position. Some have compared him to Lynyrd Skynyrd’s Billy Powell, probably because their both from Southern Rock bands. Like Southern Rock bands, the piano is given that honky tonk sound which only works with bands like these two giants. However, John’s work with organs and synthesizers can’t be ignored because he plays them well. Oh yes, with all the talk about keyboards, I forgot to mention that the album also marked the return of Bruce Crump on drums. It was good to hear him return on the album.

Track Listing:

  1. Satisfied Man
  2. Backstabber
  3. She Does She Does
  4. Intro Piece
  5. Stone In Your Heart
  6. Man on the Run
  7. Good Smoke and Whiskey
  8. Heartbreak Radio
  9. I Ain’t Got You
  10. Straight Shooter
  11. Song For the Children

Molly Hatchet

Danny Joe Brown- vocals

Duane Rolands- guitar

Dave Hlubeck- guitar

John Galvin- keyboards

Riff West- bass

Bruce Crump- drums

Additional Musicians

Jim Horn- saxophone

Jimi Jamison, Tom DeLuca, Steve Bassett, Terry Manning- background vocals

I think that I’ve established before the metal court that “The Deed is Done” album was in no way a sell out for Molly Hatchet. While the album marks a departure from their traditional Southern sound, it still rocks and rocks hard. It’s just a shame there were too many musically narrow minded people around in the mid 1980s who didn’t give the album a chance.

Next post: Blackfoot- Vertical Smiles

To buy Rock and Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_7?ie=UTF8&qid=1503214910&sr=8-7&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

 

 

 

Great Rock Albums of 1983: Molly Hatchet- No Guts No Glory

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on February 22, 2016 by 80smetalman

No_Guts...No_Glory_(Molly_Hatchet_album_-_cover_art)

One Southern Rock band that did still get some attention up North in 1983 was the great Molly Hatchet. What excited many Hatchet fans north and south of the Mason-Dixon Line was the return of lead singer Danny Joe Brown to the band to record the “No Guts No Glory” album. For those who are new to 80smetalman, it might be a good idea to have a crash history lesson. Danny Joe Brown left Molly Hatchet after the magnificent “Flirtin’ With Disaster” album, actually he was kicked out because of his drinking, and replaced by lead singer Jimmy Farrar who sang on the next two albums, “Beatin’ the Odds” and “Take No Prisoners.” While there was nothing wrong with either of those albums and Jimmy Farrar is a very capable singer, there seemed to be something missing from those albums. It was hoped that Brown’s return would re-ignite the chemistry that brought them fame with “Flirtin’ With Disaster.”

The old chemistry certainly does return on the “No Guts No Glory” album from the very first song. Things definitely feel very upbeat on the first two songs and at the time, I wanted to scream, although I did inwardly, “Welcome back Danny!” While the first two tracks set the pace for the entire album, it is the third track that propels things into the ionosphere. “Sweet Dixie” is one of those Southern rock boogie tunes that has me bouncing in my chair whenever I hear it. Unless I’m walking, then it makes me quicken my step. Even when I returned north after I got out of the service, the lyrics reminded me of the good things about being down South.

“Just give me those stars and bars, Willie on the radio

A good cold beer and that rebel cheer

And man I’m ready to roll

That sweet sweet Dixie music really gets into my soul

So Mr Deejay won’t you play that Southern rock and roll.”

Of course the guitars of Dave Hlubeck, Duane Roland and Steve Holland are all over that song as well as the entire album but the song where they really shine is the best known song from the album, “Fall of the Peacemakers.” Written as a lament over the murder of John Lennon although I always saw it as an anti- war song, the three guitarists lay down some killer solos in the style of “Freebird” or “Highway Song” on the final five minutes of it. “Fall of the Peacemakers” has been said to have been Molly Hatchet’s own “Freebird.” The guitars are certainly good enough.

Having originally bought “No Guts No Glory” on vinyl, actually my first vinyl purchase upon leaving the service, the songs mentioned were side one. Side two is definitely not filler. There are five awesome tracks on it that keep the party going very well. Of those five, the standout for me is “Kinda Like Love.” They do throw in something a bit different at the end as the closer, “Both Sides,” is an instrumental. Some more great guitar work on it to end the album just right.

Other interesting facts about the album are the fact that this is the only Molly Hatchet album not to portray a Franzetta painting on the cover. Another is the use of keyboards. Danny Joe Brown was wise to bring John Galvin over from his Danny Joe Brown band to play on the album. The album also features a completely new rhythm section with Riff West on bass and Barry BB Borden on drums. They work very well here.

Track Listing:

  1. What Does it Matter
  2. Ain’t Even Close
  3. Sweet Dixie
  4. Fall of the Peacemakers
  5. What’s it Gonna Take
  6. Kinda Like Love
  7. Under the Gun
  8. On the Prowl
  9. Both Sides
Molly Hatchet

Molly Hatchet

Danny Joe Brown- vocals

Dave Hlubeck- guitars

Duane Roland- guitar

Steve Holland- guitar

Riff West- bass

Barry BB Borden- drums

Additional musicians:

John Galvin- keyboards

Jai Winding- keyboards

*Note- Steve Holland would leave the band during the tour for the album and John Galvin would replace him and become a permanent member

Thanks to the return of Danny Joe Brown, many would say that Molly Hatchet was back. I know they never really went anywhere but the “No Guts No Glory” album in my mind, returned them to former glory.

Next post: Talking Heads- Speaking in Tongues

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

Great Rock Albums of 1981: Danny Joe Brown and the Danny Joe Brown Band

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on March 23, 2014 by 80smetalman

 

220px-Danny_Joe_Brown_Band

Every Saturday night, the local FM radio station in Jacksonville, North Carolina had a feature starting at midnight called the Saturday Night Six Pack. They would play six albums, both classic and new in their entirety. One Saturday night in July of 1981, while I was doing the midnight to 4AM barracks security watch and before my company gunnery sergeant banned the listening of music whilst on duty, they played a brand new album from The Danny Joe Brown Band. I remember it well because it was played straight after Billy Joel’s “Glass Houses” album. I also remember that it was a very good album and listening to it again, only confirmed the earlier belief. You are probably wondering why I never bought the album, it was due to being strapped for cash. Crap military pay and car troubles are not a good combination.

What strikes me about this album is that while you can definitely feel that Southern boogie rock vibe throughout the entire album, it is not a clone of any Molly Hatchet album. On the album, Brown certainly does diversify somewhat from the sound of his then former band. The piano intro on “The Edge of Sundown” reminds me a little of Billy Powell from Lynyrd Skynyrd before it breaks off into some great pounding guitars. In fact, some of the guitar work on the album, “The Alamo” to name one, reminded me of The Dreggs and I half expected to see Steve Morse on the personnel list for the album. Like with Molly Hatchet, the three guitarists who Brown recruited for the album definitely know how to play. The entire album bears witness to that fact as there is some impressive playing on every song. Speaking of the piano, the fact that he uses keyboards on this album does not make it all go synth but compliments it perfectly and shows that Danny Joe Brown can be a bit versatile in his song writing. As for Brown’s vocals, I can’t say any different than what you would expect from him, whether it be a Molly Hatchet album or this one.

Track Listing:

1. Sundance

2. Nobody Walks On Me

3. The Alamo

4. Two Days Home

5. Edge of Sundown

6. Beggar Man

7. Run For Your Life

8. Hear My Song

9. Gambler’s Dream

10. Hit the Road

Danny Joe Brown Band

Danny Joe Brown Band

Danny Joe Brown- vocals

Bobby Ingram- lead and slide guitars, backing vocals

Steve Wheeler- lead and slide guitars

Kenny McVay- guitar

John Galvin- keyboards, keyboards

Buzzy Meekin- bass, backing vocals

Johnny Glenn- drums

This would be the only solo album from Danny Joe Brown. He would re-join Molly Hatchet after this one. Maybe the members of Hatchet realised what they lost when they let Brown go in the first place. When Brown did return, he would bring keyboardist John Galvin with him and that would influence their sound. But that’s all in the later years. If like many, you missed this album first time around, it’s not too late to have a listen to it now, definitely worth it.

Next post: Mother’s Finest- Iron Age

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London