Archive for Doro Pesch

Great Metal Albums of 1985: Warlock- Hellbound

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , on August 8, 2018 by 80smetalman

Keeping with 80smetalman tradition, I am posting an album from an artist I’m about to see live in the imminent future. Tomorrow, I shall be heading to Bloodstock and on Friday, I fully intend to see Doro Pesch headlining the Sophie Lancaster Stage that night. Now, some might call this cheating but Doro didn’t have an album out in 1985. Back then, she was with her band Warlock and it’s their second album, “Hellbound,” that gets the posting this time.

This was another album I listened to following the event. My first experience of Warlock came when I saw them open the Donington Festival in 1986. Even then, I thought there was something about this band and more so about the lead singer. Therefore, it was a no brainer that I check out the works of this band and for me, their output on vinyl, (actually it was cassette,) matched what they had shown me on stage on that historic day in August of 1986.

“Hellbound” starts very fast paced, in fact, I was convinced they were more speed metal when I first heard the opening and third tracks on the album. Both of those songs just get stuck into ripping your eardrums to pieces and the track in between, “All Night,” while not as fast is still a ferocious tune to head bang away to. I’ve always thought it surprising that it was released as a single because it trendies would consider it too metal for mainstream radio. Still, I like the song.

With the fourth track, “Wrathchild,” the pace is set for the rest of the album. It’s more like the second track beginning with a great guitar solo. It’s killer, not losing any of the edge set by the first three tracks. It definitely gets a vote for hidden gem on the album and if I had anything to say, that one would have been the single, especially with the cool guitar soloing throughout the song. “Down and Out” is ideal for heavy metal purists because it is pure metal. Some more great soloing begins “Out of Control” and that grabs you by the ears and makes you enjoy the rest of the song, which is why it too can be called a hidden gem. “Time to Die” goes more back in the speed direction but with this song, that’s only natural. Normally, a song called “Shout It Out” opens an album and it could have on “Hellbound,” but it sounds just as good in the eighth position. That leads to the closer which lures you into a false security by pretending it’s a power ballad but not long in, the mask comes off and it blows you away. Still a great song to end the album on.

There is absolutely no argument in my mind that the main reason for why this album is so good is the vocal talents of Doro. She has always had a great singing voice and here’s where it started. However, I must also sing the praises of her guitarists who both play very well on the album. They go a long way in making her sound that much better and makes this album great.

Track Listing:

  1. Hellbound
  2. All Night
  3. Earthshaker Rock
  4. Wrathchild
  5. Down and Out
  6. Out of Control
  7. Time to Die
  8. Shout it Out
  9. Catch My Heart

Warlock

Doro Pesch- lead vocals

Rudy Graf- guitar

Peter Szigeti- guitar

Frank Rittel- bass

Michael Eurich- drums

The big question is, Will Doro play any songs from “Hellbound” when she ascends the stage at Bloodstock? I hope so and I’ll be particularly over the moon if she plays “Wrathchild.” But if she doesn’t, this is still a great album to headbang away to.

Next post: Bloodstock- The Thursday

To buy Rock and Roll Children, go to: https://www.amazon.co.uk/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_11?s=books&ie=UTF8&qid=1533755796&sr=1-11&keywords=rock+and+roll+children

 

 

 

 

 

 

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Happy Metal New Year 2018! Some Big Decisions

Posted in 1980s, Concerts, Death, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , on December 31, 2017 by 80smetalman

Another year has come and gone and as we enter into 2018 tomorrow, I am faced with some choices for the coming year. Don’t panic, 80smetalman’s Blog will continue on until the very last relevant album of 1989 is posted about and as I’m only in 1984 at the moment, it’s safe to say that there are a few more years left in this engine. However, reflecting upon all the great musicians that have departed this world in the last two years and the passing of my mother in law three days ago, I have come to realize that I’m not exactly a spring chicken myself. Therefore, it’s time to slow down a little.

What I am really talking about is the physical side. Four of the past five years, I have gone to one of the major metal festivals in the UK and hopefully, have entertained you with my accounts of those. The fact that I’m turning 57 this year and family history isn’t on my side with health of the heart, I know that frolicking in the mud and living out of a tent for a few days isn’t something I should be doing much more down the line. That is why and enough of the morbid crap, I have decided to go out in a huge blaze of glory in 2018! I intend to go to both Download and Bloodstock this year and end my festival days on the ultimate high.

The lineups for both are ideal for my departure from the festival scene. Like me, Ozzy says he will be calling it a day after this tour. He will be headlining Download on the Sunday. He won’t be like when I saw him in 1986 when he had come out of his first spell in rehab but seeing him again will be brilliant! Plus, I’ve never seen Guns N Roses or Marilyn Manson before so that will also be brilliant. I only hope that Manson isn’t headlining the Zippo Stage on the Saturday evening when Guns N Roses are doing the same on the main stage. That would be a tough choice. Other bands playing include Black Veil Brides and Bullet for My Valentine, so there’s a lot to look forward to.

Bloodstock is just as good, especially on the Friday. I’ll get to see Suicidal Tendencies again although the stage layout will prevent me getting another high five from Mike Muir. Headlining that night is none other than Judas Priest! Also, I have been told that the festival will be keeping with the precedent set down in 2016 where the headliner of the Sophie Lancaster Stage goes on after the headliner of the Dio stage is finished. So, on the Friday, after getting blown away by Priest, I’ll hop over to the Sophie Stage and get rocked by Doro! On the other two days, Gojira is headlining on Saturday and Fozzy, Devil Driver and Mr Big all playing the Dio Stage on the Sunday. The lineups for both festivals aren’t complete so there may be more surprises in store. Whatever happens, I’ll be ending my festival days with a massive triumph!

Welcome Suicidal Tendencies

 

Fozzy begin

 

Gojira are welcomed by their fans

Like me, I hope that all of you have great things to look forward to in 2018. Thank you all for taking the time to read and comment over the past seven years and I assure, there will more great things to come.

Happy New Year!

Next post: I’ll start 2018 out with one of my favourite 1984 albums, Dio: The Last in Line

 

 

 

Great Metal Albums of 1981: The Plasmatics- Metal Priestess

Posted in 1980s, Death, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , on October 12, 2014 by 80smetalman

220px-Metalpriestess

Before I launch into this great mini LP or EP or whatever you want to call it from The Plasmatics, I must give forewarning that I might not be posting very much over the next three or four weeks due to family problems. My father in law passed away last week and the funeral is on Wednesday which means we will make the 200 mile trip to Grimsby on the Tuesday. I know for Americans, that distance is just a Sunday drive. The following week, I’m off to the States to visit my mother who I haven’t seen in eight years and hasn’t been well since her accident Christmas time. I know, I’ll get plenty of time to hang with old friends and my brother and sister but I can’t be sure of how much computer time I will get. I have always endeavored to post twice a week here but please bear with me if I can’t post that many times over the next few weeks. Thank you.

The best way to bring us out of the melancholy feeling I’ve just produced is to look at an album that has been left out of the spotlight for so many years. “Metal Priestess” was made because of the success with The Plasmatics’ previous album “Beyond the Valley of the 1984.” The producer, Dan Hartman, (you may have heard of him) thought that the band should have something to build on that success and since a full length album wasn’t on the cards at the time, the six song “Metal Priestess” was made. There may have been only six songs on the album but wow! What great six songs they are proving that quality is sometimes better than quantity. Each song is an explosion of pure metal mania. Things begin with an impressive guitar opening in “Lunacy” and those guitars dominate but it’s the voice of Wendy O. Williams that gives it the extra edge. Her sinister sounding vocals give meaning to the title of the song. That combination works equally as well on the track “Black Leather Monster” and I love the beginning of “Twelve Noon” as well. It too is a brilliant song and the live recording of “Masterplan” as the closer was stroke of genius for this LP. If you want a pure metal album from 1981 and that’s exactly what this album is, pure metal, there are few which are better than “Metal Priestess.”

In the past and even more so in the future, I have paid and will pay tribute to rock goddesses and metal queens. I have already mentioned such important ladies as Pat Benatar, Debbie Harry, Ann and Nancy Wilson, Grace Slick and even the first true queen of rock Janis Joplin. Future posts will include lovely ladies like Lee Aaron, Lita Ford and Doro Pesch. However, when any of these queens are mentioned, the name Wendy O. Williams seems to be missed out and to me that is a travesty. Speaking as red blooded male, Wendy is just as hot as any of the ladies I’ve just mentioned, hell, look at the album cover. And vocally she’s no less talented. So let’s give Wendy to adoration she so richly deserves when we talk about the great females who have contributed so greatly to our beloved genre of music.

Track Listing:

1. Lunacy

2. Doom Song

3. Sex Junkie

4. Black Leather Monster

5. Twelve Noon

6. Master Plan

The Plasmatics

The Plasmatics

Wendy O. Williams- vocals

Richie Stotts- lead guitars

Wes Beach- rhythm guitars

Jean Bouvoir- bass

Neal Smith- drums

Proof that sometimes less if more, the six songs on “Metal Priestess” can all be counted as great metal tunes. I rocked out to each one of them when I listened to it. Another album from a band that didn’t last longer into the 80s and this album as the previous has me asking why. Maybe I’ll get the answer further down the line.

Next post: TBA

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