Archive for Gloryhammer

Great Metal Albums of 1983: Manowar- Into Glory Ride

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , on November 16, 2016 by 80smetalman

220px-manowarintogloryride

The more I listen to any album by Manowar, the more perplexed I become at the fact that Kerrang Magazine called them a joke band. Maybe it was because they appeared to have fun when they made their music or possibly it was down to the fact that in the magazine’s view, the world wasn’t quite ready for Viking metal. I’ve never considered Manowar a joke then or now and the funny things is that I can listen and enjoy them after all the these years while in my opinion, Kerrang has basically sucked since the mid 1990s and I no longer read it. Saying that, I shouldn’t slag them off too much because Kerrang Radio did interview me about “Rock and Roll Children” in 2011.

One of Manowar’s albums I still enjoy listening to is their 1983 offering, “Into Glory Ride.” While it’s a small fraction below their debut album, “Battle Hyms” it’s a whale of an album nonetheless. Nearly all of the songs have the melodic high notes sung by Eric Adams accompanied by some very inventive guitar playing by Ross the Boss. Listening to the album today, I can’t help thinking that bands like Hammerfall and Gloryhammer listened to “Into Glory Ride” and thought to themselves, “Hey, these guys have something here.” Because I am convinced that both of those bands were influenced by Manowar and this album particularly.

“Warlord,” the opener is the only more straightforward metal song on here, well as straightforward as Manowar can get but it’s still a good way to start out the album. The rest of the album, all six other songs are well over five minutes and sound more progressive or viking like. The best example of this is on my favourite track, “Gates of Vahalla.” This song is rife with great vocals and Ross the Boss fingering his guitar all the way through, all seven minutes and eleven seconds of it. We can’t take anything away from the rhythm section though because Joey DeMaio and the newly acquired Scott Columbus do a brilliant job here as they do on all the songs. Only “Hatred” is longer by twenty seven seconds and while it’s a cool song, I think Adams screams a bit too much on it. Also I love the intro on “Revelation (Death’s Angel.) This one is power metal at its best.

Track Listing;

  1. Warlord
  2. Secrets of Steel
  3. Gloves of Metal
  4. Gates of Valhalla
  5. Hatred
  6. Revelation (Death’s Angel)
  7. March for Revenge (By the Soldiers of Death)
Manowar

Manowar

Eric Adams- vocals

Ross the Boss- guitar, keyboards

Joey DeMaio- bass

Scott Columbus- drums

Maybe the mainstream world wasn’t ready for viking metal or power metal in 1983. I know I would have been but sadly, it would be nearly three more years before I actually listened to any Manowar. I’ve more than made up for that since, this album and “Battle Hyms” especially.

Next post: Diamond Head- Canterbury

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London.

 

Bloodstock 2016: Friday- Well Most of It

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , on August 18, 2016 by 80smetalman

Old age had caught up with me just after midnight on the Thursday so I decided to call it a night. Trying to get to sleep, I was disturbed by several loud crashes that went on through the night. When I awoke the next morning, Teal, my stepson, tells me about the latest sports craze sweeping Bloodstock, bin jousting. From what he tells me, you get two large dumpster bins, one or more persons to stand on it and then a group of people to push the bin into that of their opponent’s. Whoever falls loses. I would have definitely done something like that in my youth but these days, nah!

My first morning at Bloodstock, I wolf down my breakfast and head for the arena. With no apparent appearance of anyone on the Ronnie James Dio Stage, I head over to the New Blood Stage. Maybe, I’ll find another band like Black Emerald. At 10:30, a three piece band called Witch Tripper from Mansfield, England ascends the stage and immediately blows me away. They were a great power metal band. The guitarist, who is also the lead singer, can definitely shred and he is supported by a very capable rhythm section. They were that good that they held my attention to the point that I never even noticed the first band of the day on the main stage had begun playing. If there were any record scouts watching these guys play and didn’t make them an offer, then shame on you. Witch Tripper was a great start to the Friday morning.

Witch Tripper made the perfect start to the day.

Witch Tripper made the perfect start to the day.

When Witch Tripper finished, I immediately beat feet to the Ronnie James Dio Stage to catch the second half of Hark. I’m glad I did. Hark’s brand of metal followed very nicely from what I had just seen. They were powerful, fierce and hungry and their performance on the stage showed it. While Witch Tripper might have kicked things off for the day, Hark definitely got the show started on the main stage.

Hark

Hark

It was on Teal’s recommendation that I check out the second band on the main stage on Friday, Gloryhammer. My first impression when I heard them was, “They sound a lot like Hammerfall.” Melodic keyboards, fantasy lyrics and at times, a good power sound, yes, all the elements I know of from Hammerfall. Furthermore, all the mannerisms of the band while they were on stage gave the impression that they were from one of the Scandinavian nations. Even the actions of lead singer, Thomas Winkler, had me thinking they were from said reginon. Well, the last bit was all wrong. The members of the band are from Scotland and Switzerland! In fact, Winkler claims he is the heir to the throne of Fife. Still, their music and stage show was very good. I especially liked when they brought a young lady dressed as a medieval serving wench to refresh them. So, while there was still a definite Hammerfall influence here, they were unique enough to rock the stage.

Gloryhammer fulfilling fantasies

Gloryhammer fulfilling fantasies

More Gloryhammer

More Gloryhammer

Heir of Fife addressing his subjects

Heir of Fife addressing his subjects

Tried to get the serving lady, too many hands got in the way.

Tried to get the serving lady, too many hands got in the way.

With a break in the action on the main stage, I heard loud sounds from the Sophie Lancaster Stage. Going to investigate, I discovered the band Brutai blasting away. Silly cliches but Brutai were brutal. They were loud and proud. So loud in fact that work phoned my mobile during their time on stage and I had to walk a good ways from the tent in order to hear the call. They proved to be an enjoyable bridge between Gloryhammer and the next band to ascend the Ronnie James Dio Stage.

Brutai pounding the Sophie Lancaster Stage

Brutai pounding the Sophie Lancaster Stage

Gloryhammer played melodically to people’s fantasies. The next band on the main stage, Evil Scarecrow, simply scared the crap out of people. Their Halloween make up combined with their aggressive thrash metal was not for the feint-hearted. Evil Scarecrow pulverized the stage and anyone who got near enough to hear them. It must be my sub-conscience masochistic tendencies but I kind of enjoyed what I heard. Still, not one to play when your grandmother is visiting.

I wasn't the only one unafraid of Evil Scarecrow

I wasn’t the only one unafraid of Evil Scarecrow

For some reason, Evil Scarecrow left me feeling a bit hungry. I mean there was no drinking of animal blood on stage or anything like that but my stomach was calling. Therefore, I thought it would be a good idea to feed my face, down a couple of cans in preparation for the long time I was going to be at the front of the main stage. It was always my plan to see three of the last four bands on the Friday and since the other band was the one on before the headliner, I thought I would see them just so I wouldn’t lose my place for the main event.

The first of those bands was Corrosion of Conformity. I listened to one album of theirs back in the 1980s, but that was all. My memory of them was always them being a thrash metal band but this night, I was educated. While they were definitely metal, I couldn’t help hearing some of their Southern roots in their music. Well, they were announced as being from North Carolina, so I can certainly see where that comes from. Nevertheless, they were metal on this day, through and through. Really loved it when they played “Vote With a Bullet.” They were a great start to the marathon.

Corrosion of Conformity establishing their dominance

Corrosion of Conformity establishing their dominance

Woody Weatherman cranking out a solo

Woody Weatherman cranking out a solo

Corrosion of Conformity wowing the crowd.

Corrosion of Conformity wowing the crowd.

Actually, the wait between bands wasn’t as excruciating as I was fearing. So, it didn’t seem all that long before, Venom emerged. Not to be outdone, Venom hit the stage like a formula one car and only accelerated more as they went on. Playing a good mix, it was only four songs before they played the first of their classics, “Welcome to Hell.” From there, they only created more mayhem on the stage and I have to admit, compared to when I saw them in 1986, Cronus has definitely matured as a musician, singer and showman. Plus, new guitarist, La Rage, was definitely a welcome addition to the band. The only thing I could nit pick was the fact they didn’t play “Women, Leather and Hell” but only a minor disappointment from what was a rather good set, especially when they ended with “Black Metal,” fantastic! At one point, Cronus stated that Venom hadn’t played Britain in ten years but I think that on this day, they earned their place back in the hearts and minds of British metalheads.

Venom comes back

Venom comes back

Cronus proves he still has pipes

Cronus proves he still has pipes

La Rage showing what he can do with a guitar

La Rage showing what he can do with a guitar

I thought that this might have been my first time seeing Behemoth but I now realise that I may have seen them in 2010. I can’t be sure. If I had, back then, they definitely didn’t enter the stage as theatrically as they did on this day. With guitar and bass waiting under a wooden frame while eerie music played, Nergal made his dramatic entry onto the stage and then all pandemonium broke loose. Behemoth’s brand of black metal and death metal provided an interesting gap in what had gone before and what was to come. While I only realised it since coming home from the festival, Behemoth played their latest album, “The Satanist” in it’s entirety. Knowing this and seeing them on stage, has made me want to listen to the album. I have to say, their stage show was quite good except at the end when they released the black confetti, all I could think was that Sabbaton did that last year.

Orion, Seth and Inferno silently wait for things to commence

Orion, Seth and Inferno silently wait for things to commence

Nergal hits the stage

Nergal hits the stage

Behemoth go for it

Behemoth go for it

Cool light show

Cool light show

Black Confetti

Black Confetti

One band was to follow Behemoth on this night. However, you will have to wait til next post to read about them. After all, I did say that I would do a separate post for them alone and trust me, they deserve it.

Next post: Twisted Sister at Bloodstock

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London