Archive for Gojira

Bloodstock: Farewell

Posted in Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 27, 2018 by 80smetalman

A place to get your air mattresses inflated. I didn’t have one.

At previous Bloodstock Festivals, I always had to leave on the Sunday night due to work commitments. Because I wanted to see so many bands on the Sunday, I made sure I sorted things out so I could sleep Sunday night and leave Monday morning. Monday mornings seem to be an anti-climax at Bloodstock and probably most other weekend festivals. Although, I could hear people partying away on the Sunday night, the campsite seemed deathly quiet when I woke up at 7:15 on Monday morning. Most of the tents were still up although I could see that some had packed up and left in the middle of the night. Therefore, I got Teal and Joe up with no problem, my offer of a MacDonald’s breakfast was good incentive, and we took down the tent, packed and joined the slow but steady procession of people leaving the grounds. There was no conversation, it seemed everyone, like us, was focused on leaving. The whole process only took an hour.

I was totally serious when I said Bloodstock 2018 would be my last ever three day festival unless of course I win the lottery and then I’ll rent a mobile home and go glamping at Bloodstock and Download. The thing is that I’m getting too old to be laying on a piece of ground for an entire weekend. I also felt my age in other ways. After standing to see a couple of bands, I definitely needed to sit down as I felt the aches and pains. While you’re never too old to rock, I have to admit that I’m getting too old for all the other bits that go with it. However, it’s not just me getting old, many of the bands I grew up with and rocked out to are calling it a day as well. Twisted Sister has retired and supposedly so has Ozzy and though Judas Priest claim they will be back, will they be the same without Tipton and Downing bending the six strings? That remains to be seen.

One thing I can say that if this was my last festival, I’m going out on an absolute high. Bloodstock 2018 was fantastic, don’t ask me if it was the best because all of them were that good. At 2018, I got to see personal favourites Suicidal Tendencies, Judas Priest and Doro, all of which put on a magnificent show. On top of that, I got to see Mr Big, a band whose material I have plenty of but never saw live. They proved to doubters that they did belong at Bloodstock. Also, after seeing Gojira twice as a non- headliner, I saw them take their rightful place at the top of Saturday’s lineup and they made the most of it. What I can say what was great about this year’s Bloodstock was that I got to see many bands I had heard little or nothing about and get totally blown away by them! Feed The Rhino and Orden Ogan definitely come to mind here and now that I know more of them, I am delving more into Amaranthe and Nightwitch.

Feed The Rhino welcome everybody to Bloodstock

Levermann and Kersting leading from the front.

Amaranthe won me over

Of all the bands, there are two which I have a special place with me on account of where they’re from, Orphaned Land and Underside. Orphaned Land, from Israel, explained that with all the hatred in the Middle East at the moment, there seems to be a unified hatred for heavy metal there. I have touched on this in past posts, especially with the band Confess who faced long term prison time in Iran for playing the music they loved so much. On the other hand, not all Middle Eastern nations are like Iran as the lovely Lilas Mayassi from Slave to Sirens pointed out to me. Lebanon is a liberal and tolerant country. Furthermore, Underside are from Nepal and they thanked me on Facebook for the kind words I wrote about them. It fills my heart to see that heavy metal is even making its way into small mountain countries. What we as metalheads need to do is to embrace these metal artists coming out of such regions and give them the ear they so desperately seek. Only this way can metal establish world dominance.

Orphaned Land come out under the lights.

Underside finally emerge

Some final observations from the historic weekend was that I noticed and forgive me if I’m not being politically correct here, that there were more persons of colour attending the festival. The New Yorker who was into At The Gates was African American.  I’m not just talking about those of Afro-Caribbean origin, there were also people of other races there too. This is good because it has been a concern of mine ever since I read Laina Dawes book, “What Are You Doing Here?” In order for metal to progress, we must kick racism and sexism out of it. That reminds me, it turns out that Underside’s  great female bassist whose playing totally rocked, isn’t officially a part of the band. It would be great for them to take her on full time.

Thank you for letting an old man rant but I hope the wisdom of my years shows through here. I will take memories of Bloodstock to my grave with me because it is a great metal festival and I enjoyed each and every one I’ve been to.

I finally got a song from Underside for you, enjoy!

Next post: Los Lobos- How Will the Wolf Survive

To buy Rock and Roll Children, go to: https://www.amazon.co.uk/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_3?s=books&ie=UTF8&qid=1535371510&sr=1-3&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Bloodstock 2018: The Saturday

Posted in Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , on August 21, 2018 by 80smetalman

Saturday at Bloodstock was going to be an open day for me pretty much as the only band on my ‘must see’ list was the evening’s headliners, Gojira. While I was finishing my early morning tasks at a leisurely pace, a gentleman passed by and suggested that I check out Power Trip. His sales pitch was that if I liked Suicidal Tendencies, I would love this band. That was enough to sell me so I headed over to the arena.

Listening to American thrash/punk crossover band Power Trip, I could see what the gentleman meant by the comparison to Suicidal Tendencies. They even dedicated a song to Cannibal Corpse and even though they said some might thought it too early in the morning, orchestrated a wall of death. While I have to say they’re not quite like the band they have been compared to, Power Trip were a good band to have a great mosh to and quite an appropriate way to start the Saturday.

Power Trip- a great start to any day.

At this point of the weekend, I had seen several bands whom I had never heard of who had impressed the hell out of me and I was in the mind to award several bands the honour of “Band Whom I’d Never Heard of Who Impressed Me the Most.” That all went out the window when the next band after Power Trip ascended the Dio Stage. That band was German prog-metallers Orden Ogan. If you like Hammerfall, then you should like this band. They really impressed me a lot. One thing I noticed when they were on stage was the absence of a bass player. Lead singer Sebastian Levermann explained this was because he had broken his thumb and was unable to play guitar. Thus normal bassist Neils Loffler took up the rhythm guitar. Saying that, he did play a couple of solos along with lead guitarist Tobias Kersting who could really jam. Left to just sing, Levermann was good at engaging the crowd and at one point when he would sing, “All we are,” the audience would yell back, “Cold, fucking dead!” When they left, Orden Ogan were secure in the title of band who I’d never heard of who impressed me the most.

Orden Ogan come on stage. Too bad those horns got in my way.

Levermann and Kersting leading from the front.

Being wowed by Orden Ogan made me hungry so I headed back to the tent for some lunch. Returning afterwards, I happened to catch the last five minutes of Vola on the Sophie Lancaster Stage. They were a four piece band which included a keyboard. The best way to describe them is to say they’re industrial metal but they sounded all right to me and I might listen to them more.

Vola on the Sophie Stage

Heading back to the Ronnie James Dio Stage, I had no idea what to expect from the next band to take the stage, Combichrist. What I heard and saw took me completely by surprise. I thought that with a name like Combichrist, they would be a thrash or death metal band, especially with all the band’s faces painted white. Instead, their brand of industrial metal would be something that metalheads to dance to at parties. The audience jumped up and down in time with many of the songs, though I had to take it a bit easy with my weak knee. Still, the antics of the band were very entertaining. At one point, lead singer Andy LaPlegua had the audience say “Fuck off!” to each member of the band, which was followed by a song called “Fuck That Shit.” After a few more songs and “Fucks” from LePlegua, the band ended on a great high by bringing out three young ladies twirling flaming batons to the song, “I Don’t Give a Fuck About You.” Great way to end the show and I was very impressed.

Combichrist with no bass and two drummers

A good shot of them

In this shot, the drummer was bouncing his sticks off his drum.

The baton twirlers come out.

The band plays “Fuck That Shit.”

The twirlers in their full glory

After being totally amused by Combichrist, I headed over to the New Blood Stage where I caught the last few minutes of a band called Aeonia. The featured two female lead singers who both possessed operatic style voices. I was sorry I couldn’t have seen more of them.

Aeonia on the New Blood Stage.

Heading back to the Dio Stage, I was in for another surprise. On the recommendation of Teal, I decided to check out Alestorm. I had a feeling that this was going to be different when I saw the huge rubber duck at the back of the stage. This would be my first introduction to the genre known as pirate metal. The songs all sounded like heavy metal sea ditties and I liked it. I found the songs, “Drink,” “Captain Morgan’s Revenge” and “Shipwrecked” among others all to be very amusing. Instead of a mosh pit, lead singer, Christopher Bowes organized a rowing pit where everyone sat on the ground rowing in unison to the song, great fun. Bowes also stated that instead of a wall of death, everyone meet in the middle, take off their clothes and have a big orgy. We all saw the humour in that. Alestorm’s set ended with him leading the crowd in singing:

Fuck you, you’re a fucking wanker

We’re gonna punch you right in the balls.

Fuck you with a fucking anchor

You’re all cunts so fuck you all.” 

A great time was had by all during the forty-five minutes Alestorm was on stage.

The big rubber duck awaits Alestorm

Alestorm on stage with a lot of flying inflatable objects.

An even bigger rowing pit

Alestorm leave with an explosion of confetti

With nearly two hours to go before Gojira, we decided to head back to the tent. The heavens had opened up so we stayed in the tent eating and drinking. That might have been a mistake because we all nodded off. I woke up at one point, heard the rain pelting down and thought, “I’m not going out in this.” Maybe I should have because when I awoke after nodding off again, I discovered it had stopped raining but Gojira had been on stage for 20 minutes! Immediately waking Teal and Joe, we raced like mad back to the arena and to the Dio Stage.

If any band in the history of Bloodstock had paid their dues and earned the right to headline, it was definitely Gojira. I had seen them play second from the top spot in 2010 and just below it in 2016 and both times they were better than the band who went on after them. This time, they were simply better than ever! Being the headliner, they had a really cool light show, just as good as Judas Priest’s light show the night before. I definitely remember them playing “Stranded” and Joe Duplantier was very good at engaging the crowd. Plus there was a cool drum solo from Mario. Overall, Gojira put on a great display of heavy metal and proved they can headline along with the best of them.

Managed to get a good shot of Gojira here.

Another attempt at photographing them.

Different lights made this shot possible

Bright lights

More bright lights

Having had that nap, I wasn’t tired so I headed to the Sophie Lancaster Stage to check out that headliner, Orphaned Land. This turned out to be another great decision because Orphaned Land where nothing short of absolutely brilliant! They blend folk and death metal together to make one great but unique sound. Coming from Israel, they also blend Middle Eastern and Western influences and again, it sounds just great. I loved the use of the Bouzouki in place of guitar solos in some of the songs. Plus they do go ultra heavy at times. Before, they got on stage, the announcer told the crowd to listen to the message of this band. Lead singer, Kobi Farhi, explained how fucked up things in the Middle East are with everyone trying to kill each other be it Jews, Arabs or homosexuals. However, he stated that everybody hates heavy metal because it’s considered Satanic. This got me thinking but I won’t talk about that now, I just want to say how great a band Orphaned Land are.

Orphaned Land come out under the lights.

A great shot of them.

A great show!

Still not tired, I went to the metal disco at the Sophie tent after the show. They played a good variety of songs which included some 1970s rock and even a Michael Jackson and a Coolio song. Eventually, I went back to the tent and had one last beer before bedtime. Sometime later, Teal came in and woke me up, I had fallen asleep in the chair with the beer in my hand. At least I didn’t spill any. Still it was a great second day.

Next post: Sunday

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Happy Metal New Year 2018! Some Big Decisions

Posted in 1980s, Concerts, Death, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , on December 31, 2017 by 80smetalman

Another year has come and gone and as we enter into 2018 tomorrow, I am faced with some choices for the coming year. Don’t panic, 80smetalman’s Blog will continue on until the very last relevant album of 1989 is posted about and as I’m only in 1984 at the moment, it’s safe to say that there are a few more years left in this engine. However, reflecting upon all the great musicians that have departed this world in the last two years and the passing of my mother in law three days ago, I have come to realize that I’m not exactly a spring chicken myself. Therefore, it’s time to slow down a little.

What I am really talking about is the physical side. Four of the past five years, I have gone to one of the major metal festivals in the UK and hopefully, have entertained you with my accounts of those. The fact that I’m turning 57 this year and family history isn’t on my side with health of the heart, I know that frolicking in the mud and living out of a tent for a few days isn’t something I should be doing much more down the line. That is why and enough of the morbid crap, I have decided to go out in a huge blaze of glory in 2018! I intend to go to both Download and Bloodstock this year and end my festival days on the ultimate high.

The lineups for both are ideal for my departure from the festival scene. Like me, Ozzy says he will be calling it a day after this tour. He will be headlining Download on the Sunday. He won’t be like when I saw him in 1986 when he had come out of his first spell in rehab but seeing him again will be brilliant! Plus, I’ve never seen Guns N Roses or Marilyn Manson before so that will also be brilliant. I only hope that Manson isn’t headlining the Zippo Stage on the Saturday evening when Guns N Roses are doing the same on the main stage. That would be a tough choice. Other bands playing include Black Veil Brides and Bullet for My Valentine, so there’s a lot to look forward to.

Bloodstock is just as good, especially on the Friday. I’ll get to see Suicidal Tendencies again although the stage layout will prevent me getting another high five from Mike Muir. Headlining that night is none other than Judas Priest! Also, I have been told that the festival will be keeping with the precedent set down in 2016 where the headliner of the Sophie Lancaster Stage goes on after the headliner of the Dio stage is finished. So, on the Friday, after getting blown away by Priest, I’ll hop over to the Sophie Stage and get rocked by Doro! On the other two days, Gojira is headlining on Saturday and Fozzy, Devil Driver and Mr Big all playing the Dio Stage on the Sunday. The lineups for both festivals aren’t complete so there may be more surprises in store. Whatever happens, I’ll be ending my festival days with a massive triumph!

Welcome Suicidal Tendencies

 

Fozzy begin

 

Gojira are welcomed by their fans

Like me, I hope that all of you have great things to look forward to in 2018. Thank you all for taking the time to read and comment over the past seven years and I assure, there will more great things to come.

Happy New Year!

Next post: I’ll start 2018 out with one of my favourite 1984 albums, Dio: The Last in Line

 

 

 

An Anvil Got Dropped on Gloucester

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , on October 26, 2016 by 80smetalman

It’s been less than 24 hours since I went to Gloucester to see the metal delights of Anvil. To make a long story short, Anvil totally kicked ass at the Guildhall in Gloucester, UK. However, it wasn’t only a great night on account of Anvil, the two bands in support played their part in making metal history in Gloucester.

It was close, after fighting loads of traffic in my home town of Stroud and then trying to find a parking place in Gloucester, (Geography lesson: Stroud and Gloucester are about ten miles apart), then walking to the Guildhall, waiting in line only to be told that the tickets I ordered on line were waiting for me at the door, getting there and quickly buying my t-shirt, we got there just in time for the opening band.

Classic French metallers, Mystery Blue, opened things up very nicely. They are a five piece band front by lead singer Nathalie Geyer. While the sound sometimes made it difficult to tell, she does have a very good voice. But she is assisted by lead guitarist Frenzy Phillipon who knows a thing or two on how to smoke a fingerboard. Together with a sound rhythm section, Mystery Blue got the crowd in the mood for metal that night. While I can’t remember all their songs, the two that stood out were “Running With the Pack,” not a cover of the Bad Company classic and the title track from the latest album, “Claws of Steel,” which ended their half hour on stage exceedingly well. I’d definitely recommend this band and I was going to go out on a limb and say that Mystery Blue were the best thing to come out of France since Gojira but after a look on their website, I found they have been around longer than their mentioned countrymen.

Mystery Blue begin their dominance

Mystery Blue begin their dominance

Nathalie proving she has the voice

Nathalie proving she has the voice

Second up was German thrash metal band Rezet. While I can’t say that they were the best thing out of Germany since The Scorpions, Accept, Bonfire, Helloween, Kreator or Doro, they were a brilliant band nevertheless. The first thing I noticed about Rezet was there was a definite early Metallica influence here and I’m not just talking about their sound either. Their look was the same as Metallica from that era. I remember an article in Hit Parader, (Motley Crue Magazine), in 1985 which stated that Metallica looked like they belonged in the high school detention class. Rezet were just as youthful looking and like the band mentioned, they played like they were just as hungry as that band was in 1985.

Rezet compounded the assault on the audience with some really good thrash. The comments about detention hall kids definitely applied to both guitarists who traded off solos on some songs and played individual ones on others. Frontman Ricky Wagner proved to be both a good singer and guitarist but the rest of the band played their part too. The most memorable song was “Gargantua,” which as dig at modern politics and they closed with a tribute to Lemmy by playing the Motorhead classic, “No Class.” This is definitely another band worth checking out.

Ricky Wagner and Rezet get things going

Ricky Wagner and Rezet get things going

Thorben Schultz can also crank out the solos

Thorben Schultz can also crank out the solos

Rezet coming down the the finish

Rezet coming down the the finish

Everything I expected from Anvil went away as soon as they hit the stage. Things started with Lips going into the midst of the crowd to play and he got a very welcoming response as he jammed away for several minutes. When he got back to the stage, I thought, “Okay, now they’re going to play ‘Metal on Metal,’ they didn’t. The first official Anvil song of the night was “Sex” but it got the crowd going. Also my prediction that they would play many of the songs from their latest album proved to be wrong. They only played two, one was “Daggers and Rum,” a ditty about pirates and I can’t remember the other one but Robb Reiner played a really cool drum solo on it. “Winged Assassin” from the last album I posted about did get played and right after another song from the same album, “Free As the Wind” which Lips dedicated to Lemmy. He also mentioned that Lemmy once invited him to join Motorhead but Lips declined because he was in Anvil.

From the outset, Anvil were out to have a good time during the 90 minutes they were on stage. They didn’t care about the small venue because everyone inside was cheering them on. Lips especially was enjoying things and yes, he pulled out the sex toy and used it to play guitar to “Mothra.” Unlike the documentary however, this one was battery operated and that also produced some cool sounds from Lips’ guitar. Even without the toy, Lips surprised me by his ability to play. I knew he was good but I didn’t realize he was that good. He really jammed away. Plus, I got to mention new bassist Chris Robertson. When introduced, Lips stated that it was great to have finally found the right bass player after going through so many. I have to say, Robertson is the real deal.

We were treated to a good cross section of Anvil material. The title track from “This is Thirteen plus a couple of songs from “Juggernaut of Justice,” one of them being “On Fire.” While he didn’t open with “Metal on Metal,” it was the last song they did before leaving the stage. The audience wouldn’t have let them leave without playing that one. Then when they returned, a dude behind me and I both started yelling for “Forged in Fire.” Lips looked in our direction and said, “This guy wants us to play “Forged in Fire” so we will play “Forged in Fire.” That made my night totally complete. After that, they played one more song, a cover of the famous Steppenwolf song, “Born to be Wild.” I thought it was a great way to end the night.

Lips in the crowd

Lips in the crowd

Meanwhile Chris Robertson moves across the stage

Meanwhile Chris Robertson moves across the stage

Lips jamming on the guitar

Lips jamming on the guitar

Lips and Roberson going for it

Lips and Roberson going for it

Chris's bass solo

Chris’s bass solo

Singing to the crowd

Singing to the crowd

Out came the toy

Out came the toy

Here's a better picture of it

Here’s a better picture of it

Robb's drum solo

Robb’s drum solo

The End

The End

In their 39 year history, this was the first time Anvil toured the UK as a headliner. Hopefully after this night, they will be back again to tour even bigger venues because they were brilliant. When coming home from the gig, my step son couldn’t fathom why Anvil weren’t bigger. That is what’s strange.

Next post: A Non Musical Tragedy

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Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

Bloodstock 2016: Saturday

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , on August 26, 2016 by 80smetalman

Saturday morning and I wake up having gone to bed about 12:30 thus missing another night of bin jousting and general mayhem. It was on this morning I discovered the advantage of going to a festival for the full three days as opposed to only going for one day. When you only go for the one day, you feel pressured into seeing as much as you can as you want to get your money’s worth for the day. Therefore, you go from stage to stage absorbing all the acts as possible. When you go for three days, there’s not so much pressure to do so and that allows you to relax. So, I was up in the morning with my new Twisted Sister t-shirt on and taking my time over eating as the first act I really wanted to see wasn’t on stage until the early afternoon.

My new t-shirt

My new t-shirt

And the back

And the back

While I didn’t rush to get into the arena, when I finished the necessities, I didn’t really want to sit around doing nothing. So, I made my way to the arena to see what was what. Upon entry, my attention was turned to the Sophie Lancaster Stage where a band called The Raven Age was on. After a re-jog of my memory, I remember liking their brand of melodic metal. I only caught the last couple of songs from their set, but I liked what I heard and saw. Like Friday, I found another good way to start the day.

The Raven Age

The Raven Age

Leaving the Sophie Lancaster Stage following the departure of The Raven Age, I followed my ears to the main Ronnie James Dio Stage. There, I was treated to the thrash of Vallenfyre. I liked the anger and hunger these five guys showed while on stage. Although this wasn’t the band I was planning to see, I was glad that I caught some of their show.

Vallenfyre accosting the stage

Vallenfyre accosting the stage

With some time to kill, I thought I’d saunter back over the to Sophie Lancaster Stage. Upon it was a band called This is Turin. Another five piece thrash band and even more angry than the band I had just finished seeing. However, while I enjoyed what This is Turin had to offer on the day, they did not make me want to stay and miss any of the band I wanted to see on this Saturday. So, I had to say goodbye to them and head back to the main stage.

This is Turin

This is Turin

I had high expectation of Ackercoke after reading about them on Heavy Metal Overload. The sample track I heard from the post filled me with even more expectation. When they first hit the stage, I wasn’t sure about them. However, it didn’t take long before any potential feelings of disappointment rapidly vanished. Their ability to combine fantasy with power metal bordering on thrash soon captivated me and those who went to see them. Being the first band of the day who I saw in their entirety, the forty minutes they were on stage flew by, thanks to some great metal. Therefore, it’s left to me to say a big thank you to HMO for bringing Ackercoke to my attention.

Ackercoke on the offensive

Ackercoke on the offensive

More Ackercoke

More Ackercoke

At past Bloodstocks, when I ventured past the Jagermeister Stage, I would hear cover bands playing so I wouldn’t pay much attention to them. However, following the exit of Ackercoke, for some reason, I went over to the stage and what I heard was no cover band. Playing was a West Yorkshire band known as Pulverise. Now rap metal was something I could always take or leave but Pulverise has made me think again about the genre. This rap metal sounded very good and most of it was down to the small but very attractive blonde lead singer. This little dynamite had a voice that would put many male metal rappers to shame. Rarely have I heard such power in a voice and I have to say, I was very impressed.

This was the best shot I could get of Pulverise

This was the best shot I could get of Pulverise

Another reason why I hung around the Jagermeister Stage was that it was close to the main stage and I definitely wanted to see the band following Ackerocke. I had heard many things about Greek death metallers Rotting Christ and definitely wanted to check them out. It was the best decision I would make this day. The have honed their death/grind skills into a near art form and it definitely showed on the stage. Apart from the music, they also had a cool stage show, the best I had seen up to this point on the Saturday. Loved the pentogram displays.

Rotting Christ

Rotting Christ

More death!

More death!

For some reason, all the death metal from Rotting Christ made me hungry. So, I decided to take a dinner break and be back for the main events of the night. After a gourmet dinner consisting of tinned spaghetti bolognese with a tin of meatballs, I returned to the arena for the main events. Upon arrival, I managed to catch the last twenty minutes or so of Paradise Lost. Their version of doom metal was a great prelude of things to come for the rest of the evening.

Paradise Lost

Paradise Lost

With the possible exception of Twisted Sister, Gojira might have been the band most of those in attendance at the festival were there to see. Fortunately, I managed to get close to the front before the tidal wave of people converged. Gojira came out to the delight of the thousands there to welcome them and they were determined that those who made the effort to see them were going away disappointed. Gojira hammered out their metal, both old and new, to the hungry masses who responded with a large mosh pit and crowd surfing. That’s where I made a personal sacrifice in getting close to them. During the carnage, my glasses were knocked off my face. I looked on the ground for them but some kind young lady picked them up. However, she thought they belonged to a crowd surfer who had just gone by so she threw them over into the security area. I had to wait until Gojira finished playing before I could get them back. Oh the sacrifices one has to make. It didn’t matter that I had to see them for the remainder of their time on stage with my limited vision. I could see them fine and best of all, I could hear them clearly and that’s what I wanted. When they finished to thunderous applause, I concluded they were even better than when I had seen them in 2010. When I got my specs back, the frames were pretty mangled but I managed to fix them so I could wear them.

Gojira are welcomed by their fans

Gojira are welcomed by their fans

Jean Michel Baladie showing off. He did a crowd surf later on in the set.

Jean Michel Baladie showing off. He did a crowd surf later on in the set.

Joe Duplantier hammering out a solo

Joe Duplantier hammering out a solo

The sun has set enough for some cool lighting.

The sun has set enough for some cool lighting.

When Gojira left the stage, I was in a bit of befuddle as to what next. Originally, I wasn’t even going to check out Mastodon because I would rather have seen Acid Reign headline at the Sophie Lancaster tent. Earlier that day, I learned that Acid Reign weren’t going up until after Mastodon finished so I was content on seeing both. In the mean time, I did return to the Sophie Lancaster Stage anyway and caught the black metal of Swedish band, Shining. I found them very interesting to say the least. Like so many great European lead singers, Ghoul, does sing in very good English.

The Shining on stage

The Shining on stage

After the Shining, I was totally pumped on seeing Mastodon, as was the rest of my group, although I didn’t follow them to the front. Mastodon came out on stage with a pretty cool light show, unfortunately, their music did nothing for me. After twenty-five minutes of trying to get into them but being unable, I went back to the Sophie Lancaster Stage so I could get a good place for Acid Reign. In doing so, I got a bit of a treat as did all the men who were there. The Four Deejays of the Apocalypse were spinning some cool metal tunes with two very attractive young ladies dancing on the stage. It was certainly better than Mastodon. I would learn later that Teal, my stepson, was quite disappointed with Mastodon too.

Cool light show but nothing else

Cool light show but nothing else

More like it!

More like it!

I don’t think anyone knew what to expect when Acid Reign came out on stage late on Saturday night. When they did, they bashed those in attendance with a unique brand of speed metal. The only original member of the band on stage that night was lead singer Howard H Smith and he was every bit the show man. Darting around on stage, climbing up on amp stacks, he was full of energy more accustomed to a much younger man. All the while, his new band kept up with him very nicely. They even premiered their new single, “Plan of the Damned,” which reminds me, I need to carry out Smith’s request and get it. Of course, they played some of their material from the late 1980s too. During the set, Howard thanked Mastodon for being their support act. All I could think was, “He’s got that right.” Acid Reign closed the Saturday night out tremendously.

Acid Reign come out under the lights

Acid Reign come out under the lights

Orange jacket with matching shorts, an interesting choice of wardrobe for Howard H Smith

Orange jacket with matching shorts, an interesting choice of wardrobe for Howard H Smith

Howard addresses the crowd from the amp stack

Howard addresses the crowd from the amp stack

Cranking out a guitar solo

Cranking out a guitar solo

Howard changes his clothes for the finale

Howard changes his clothes for the finale

The night didn’t end with Acid Reign. The Four Deejays returned to play more metal only this time, there were ladies dancing with flaming batons. Cool, but I couldn’t get a decent picture of it. Still, it was a cool way to end the night.

Best I could do with the fire dancers

Best I could do with the fire dancers

Next post: Sunday

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