80sMetalman’s Top 30 Power Ballads: 21-30

I’ve said on many a post that I’m a sucker for a good power ballad and there have been many on the hundreds of albums I have posted about so far. Therefore, I thought it would be nice, before I take the tour into 1985, that I share my top 30 power ballads, ten at a time. Originally, there was only going to be 20 but there are so many good ones out there that I had to extend it by another ten.

Google defines a power ballad by being an emotional rock song, generally focused on love with strong vocals. That is only half of my definition of the term. For me, a power ballad consists of either good power chords on the electric guitar or a blistering guitar solo, preferably both. That is why I get annoyed at supposed power ballad compilation albums. Sorry, as much as I love, “I Want to Know What Love Is” by Foreigner, it doesn’t match my definition.

The problem many people have with them is the fact that they cross over into forbidden territories. Many metalheads consider them too soft for metal, while more trendy music listeners are put off by the power chords. I can’t see why we can’t have both, especially when they’re done well. Besides, while they won’t admit, many male metalheads keep power ballads on hand when they want to show their ladies their more ‘intimate’ side.

Okay, I’ll stop rambling now and give you 80smetalman’s top power ballads, 21-30.

30. Hanoi Rocks- Million Miles Away

29. Gotthard- Still I Belong to You

28. Jefferson Starship- Fading Lady Light

Note: This was the first power ballad fitting my definition that I ever heard

27. LA Guns- Ballad of Jane

26. Motley Crue- Home Sweet Home

25. Nazereth- Love Hurts

This was the second power ballad I heard. I didn’t hear it until 1981, otherwise it would have been the first.

24. The Scorpions- Winds of Change

23. Anthrax- Nice F*ckin’ Ballad

I know Anthrax were taking to piss here but it still a cool power ballad.

22. Crystal Ball- Silence of the Night

21. Guns N Roses- November Rain

There you have it! The first ten power ballads on the list. Have a listen, sit back, mellow out and enjoy the guitar solos.

Next post: 11-20

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Happy Metal New Year 2018! Some Big Decisions

Another year has come and gone and as we enter into 2018 tomorrow, I am faced with some choices for the coming year. Don’t panic, 80smetalman’s Blog will continue on until the very last relevant album of 1989 is posted about and as I’m only in 1984 at the moment, it’s safe to say that there are a few more years left in this engine. However, reflecting upon all the great musicians that have departed this world in the last two years and the passing of my mother in law three days ago, I have come to realize that I’m not exactly a spring chicken myself. Therefore, it’s time to slow down a little.

What I am really talking about is the physical side. Four of the past five years, I have gone to one of the major metal festivals in the UK and hopefully, have entertained you with my accounts of those. The fact that I’m turning 57 this year and family history isn’t on my side with health of the heart, I know that frolicking in the mud and living out of a tent for a few days isn’t something I should be doing much more down the line. That is why and enough of the morbid crap, I have decided to go out in a huge blaze of glory in 2018! I intend to go to both Download and Bloodstock this year and end my festival days on the ultimate high.

The lineups for both are ideal for my departure from the festival scene. Like me, Ozzy says he will be calling it a day after this tour. He will be headlining Download on the Sunday. He won’t be like when I saw him in 1986 when he had come out of his first spell in rehab but seeing him again will be brilliant! Plus, I’ve never seen Guns N Roses or Marilyn Manson before so that will also be brilliant. I only hope that Manson isn’t headlining the Zippo Stage on the Saturday evening when Guns N Roses are doing the same on the main stage. That would be a tough choice. Other bands playing include Black Veil Brides and Bullet for My Valentine, so there’s a lot to look forward to.

Bloodstock is just as good, especially on the Friday. I’ll get to see Suicidal Tendencies again although the stage layout will prevent me getting another high five from Mike Muir. Headlining that night is none other than Judas Priest! Also, I have been told that the festival will be keeping with the precedent set down in 2016 where the headliner of the Sophie Lancaster Stage goes on after the headliner of the Dio stage is finished. So, on the Friday, after getting blown away by Priest, I’ll hop over to the Sophie Stage and get rocked by Doro! On the other two days, Gojira is headlining on Saturday and Fozzy, Devil Driver and Mr Big all playing the Dio Stage on the Sunday. The lineups for both festivals aren’t complete so there may be more surprises in store. Whatever happens, I’ll be ending my festival days with a massive triumph!

Welcome Suicidal Tendencies

 

Fozzy begin

 

Gojira are welcomed by their fans

Like me, I hope that all of you have great things to look forward to in 2018. Thank you all for taking the time to read and comment over the past seven years and I assure, there will more great things to come.

Happy New Year!

Next post: I’ll start 2018 out with one of my favourite 1984 albums, Dio: The Last in Line

 

 

 

Great Rock/Metal Albums of 1982: Blue Oyster Cult- Extra-Terrestrial Live

 

Just back from a nice weekend break at Butlin’s Holiday Camp in Minehead and it was nice to get away for a few days. The downside was since places like Butlin’s are family oriented, there is little scope for metal. We took the grandkids to a panto of Aladdin where I witnessed an act of sacrilege. In the panto, Aladdin and Jasmine sang a duet of the classic Guns ‘N Roses song “Sweet Child of Mine.” Of course, they tried to make it sound cute and that’s bad enough. However, they made it worse by fusing it with “Living On a Prayer.” It drew a big WTF? from this person. After the panto there was a group called The Ragdolls who were a tribute Frankie Valli and the Four Seasons act. They were okay but what I found amusing was the guitarist. When allowed, he could really wail and I got the vibe that he would rather be wailing away on some great rock as opposed to playing Four Seasons’ songs. Sorry, I didn’t take any pictures.

1982 featured two magnificent live albums from bands I’ve never seen live and with both, the results are the same: After listening to those albums, I regret not having seen them live even more. I’ve already visited the first album, Blackfoot’s “Highway Song” and the second one is Blue Oyster Cult’s “Extra- Terrestrial Live.” All but two songs were recorded during the “Fire of Unknown Origin” tour, the band’s previous album, so you know that this live album is going to be great straight away. The three songs that appear from that album sound even better live! The piano intro on “Joan Crawford” sounds even more eerie and they don’t leave out the sound effects like the screeching brakes, which some bands tend to do live. Even “Burning for You” has a more upbeat feel that makes you think you’re in the arena pumping your first along to the song. However, both of those songs pale to the live version of “Veteran of 1000 Psychic Wars.” The song is extended to include some great guitar soloing from Buck Dharma. That takes nothing from the rest of the song where the keyboards sound just as fresh as when done in the studio. Fantastic!

Being a live album, Blue Oyster Cult don’t disappoint with some of their classics from the 70s. No gold stars given for stating the obvious, “Don’t Fear The Reaper” being the closer. After all it’s their best known song. At the other end, “Dominance and Submission” is certainly a good song to open the show with and “Cities on Flame” and “Dr Music” are both great songs to follow on from that. Furthermore, Blue Oyster Cult show their versatility by playing an excellent cover of The Doors classic, “Roadhouse Blues,” although I’m not too sure about Eric Bloom’s tale about buying a six pack from the Seven-Eleven. It doesn’t ruin the song though but that’s hard to do. Like with all the songs mentioned, I was also very impressed with the live version of “Black Blade.” They make that song come alive for real.

Saving the best for last, my all time personal BOC favourite, “Godzilla.” It begins with one of the best live introductions to a song ever. Marrying past with then present, Eric Bloom explains to the crowd how the Cold War and nuclear testing caused a monster frozen in ice to come back to life. It is a fine intro before it rips into the great song I know it for. It is here where they fully launch into their famous three guitar attack and the pausing to hear bombs dropping is just superb and makes the song that much better. While any song following “Godzilla” would work here, it just so happens that with “Extra- Terrestrial Live,” that song is “Veteran of 1000 Psychic Wars.” Sheer brilliance if you ask me.

Track Listing:

1. Dominance and Submission

2. Cities on Flame

3. Dr Music

4. The Red and The Black

5. Joan Crawford

6. Burning For You

7. Roadhouse Blues

8. Black Blade

9. Hot Rails to Hell

10. Godzilla

11. Veteran of 1000 Psychic Wars

12. ETI (Extraterrestrial Intelligence)

13. (Don’t Fear) The Reaper

Blue Oyster Cult

Eric Bloom- lead vocals, guitar, keyboards

Donald “Buck Dharma” Roesser- lead guitar, vocals

Alan Lanier- keyboards, guitar

Joe Bouchard- bass, vocals

Albert Bouchard- drums on tracks 1 and 8

Rick Downey- drums on all other tracks

 *Albert Bouchard was fired during the “Fire of Unknown Origin” tour and was replaced by roadie, Rick Downey

Wow, another great live album from a band I have never seen live. It’s no wonder I regret not having done so.

Next post: Aerosmith- Rock in a Hard Place

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