Archive for HSAS

Great Metal Albums of 1984: Sammy Hagar- VOA

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on March 7, 2018 by 80smetalman

Sammy Hagar was most definitely a busy boy in 1984. In the early part of the year, he made the one album with HSAS along with Neil Schon from Journey. When I reviewed that album, I wrote a follow up post of what music life would have been like if HSAS had stayed together and released more albums. On the plus side, there would have been a couple more great albums from that quartet and we would have have been spared from Van Hagar, whether that’s a good or bad thing is up to the individual conscience to determine. Furthermore, Neil Schon’s career would have been still going strong because Journey was fading from view by then. On the minus side, had that band remained in tact, we might have not been able to feast upon Sammy’s solo album from later on in 1984, “VOA.”

As a result of the big single from the album, Sammy would be described as the “red haired rocker who couldn’t drive fifty-five.” “I Can’t Drive 55” received constant airplay on radio and MTV, not that I ever complained about that. It is my favourite Sammy song of all time, a great tune about driving really fast. Funny thing was that I have no recollection of anyone calling for the song to be banned because it encouraged people to break speed limits. All I know is that I love that song.

Seven other songs also adorn the “VOA” album and all of them are really good. “Rock is In My Blood” is a good power song where Sammy declares that rock is in his blood and his soul. It also demonstrates that Sammy can play a guitar a little bit as well. Two songs come closest to being a power ballad here. One of them is “Two Sides of Love.” It’s not slow enough in my opinion to be a ballad but it is a song about a failing relationship. The guitars are good and the keyboards punctuate the song very effectively. Sammy’s solo is pretty good too.

Now let’s talk about the hidden gem on the album and man, do I love this song. I’m talking about “Dick in the Dirt.” The song is about a man named Richard to is a bit of a ladies’ man. The innuendo behind the lyrics is comical and remains so throughout the song. I always laugh my ass off whenever I listen to the song, even after more than thirty years! Apart from that, it is a good power song and comes with another cool guitar solo. So, I guess you could say that the song hits you from both sides.

For me, the least strongest song, (I call it such as none of the songs are weak), is the title track. Maybe it because it was used so much for patriotic purposes in the days of 80s Reagan America. Actually, it’s because the keyboards take over too much of the song. It’s good but not as much as the other seven songs. Fortunately, the last two songs are much stronger and end the album on a high. “Don’t Make Me Wait” is another song that comes near to being a power ballad but not near enough. It starts as if it’s going to be one but it just rocks. There is some great  guitar work from Sammy and the closer, “Burning Down the City,” all I can say is “Wow! What a great song to end the album with.”

Track Listing:

  1. I Can’t Drive 55
  2. Swept Away
  3. Rock is in My Blood
  4. Two Sides of Love
  5. Dick in the Dirt
  6. VOA
  7. Don’t Make Me Wait
  8. Burning Down the City

Sammy Hagar

Sammy Hagar- lead vocals, lead guitar

Gary Pihl- rhythm guitar, backing vocals

Jesse Harms- keyboards, backing vocals

Bill Church- bass, backing vocals

David Lauser- drums, backing vocals

Whatever your thoughts might be on the path Sammy Hagar took in 1984 and after, you can’t fault that “VOA” is a great solo album. Things have moved on in the past three decades and in most American states, the speed limit is above 55. Maybe the big single influenced government to raise the speed limits.

Next post: Waysted

To get Rock and Roll Children, go to: https://book-fm.cf/print/free-download-rock-and-roll-children-by-michael-d-lefevre-pdf.html

 

 

 

 

 

 

 

 

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Great Rock Albums of 1984: Rodger Hodgson- In the Eye of the Storm

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on October 8, 2017 by 80smetalman

A friend, in 1984, announced that Supertramp had a new album out. I had to inform him that it wasn’t the case. Instead, thanks to the single, “Had a Dream (Sleeping With the Enemy), getting a fair amount of airplay on radio, I could tell him that former Supertramp guitar/vocalist Roger Hodgson had released his first solo album. One point to me, I think. Besides, my friend was a total Duranie and very anti- heavy metal.

I still feel the same way about Roger’s debut album, “In the Eye of the Storm,” now as I did back then. It could have been another Supertramp album. It became abundantly clear to me that Roger was the driving force behind the band and with his solo album, it was pretty much the same. Not that it’s a bad thing because it’s not. I’ve always liked Supertramp’s version of 1970s progressive rock. Nice keyboard work laced with some guitar done very creatively over rather long songs. I have this memory of Supertramp songs usually being in excess of five minutes, except for a few of the ones released as singles. It is the same on Roger’s album. Four of the seven songs are over seven minutes long and one is just a second below six. In a musical world where synth pop was emerging, I thought it was great to still hear some good progressive rock.

Though unusual for me, I have to say that “Had a Dream (Sleeping With the Enemy) is my favourite track. I liked it enough when radio cut huge chunks out of the song for airplay so the full eight minute plus version was even better. The entire progressive rock arsenal went into making this one. Some great keyboards with bouts of both acoustic and electric guitar with Hodgson’s unmistakable vocals. It all adds up to a great song. Of course, there are other nice songs too. I do like “In Jeopardy” as it is more classic Supertramp. “Hooked on a Problem” is an interesting one. The introduction reminds me of the classic, “The Logical Song” but transforms into sounding like a carnival. I would be repeating myself if I dissected every song, except for “Lovers in the Wind” which does nothing for me personally and credit where due, Roger definitely chose the right song for the closer.

Except for where noted below, I thought it was cool that he got Michael Shrieve of HSAS fame to play drums on the album, Roger plays all of the instruments himself on the album proving what a fine musician he is.

Track Listing:

  1. Had a Dream (Sleeping With the Enemy)
  2. In Jeopardy
  3. Lovers in the Wind
  4. Hooked on a Problem
  5. Give Me Love, Give Me Life
  6. I’m Not Afraid
  7. Only Because of You

Roger Hodgson

Roger Hodgson- vocals, guitar, keyboards, bass, drums on “Hooked on a Problem” and “Lovers in the Wind”

Michael Shrieve- drums, except on tracks 3 and 4

Ken Alldaryce- harmonica, backing vocals

Jimmy Johnson- fretless bass on “Lovers in the Wind” and “Only Because of You”

Claire Diament- female vocals on “Only Because of You”

Scott Page- saxophone on “Hooked on a Problem

Thinking back, I now realize that there was more great progressive rock back in the mid 80s than I allowed myself to believe. This debut album from Roger Hodgson is indisputable evidence of that.

Next Post: Soundtrack to Footloose

To buy Rock And Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_3?ie=UTF8&qid=1507494631&sr=8-3&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Your Opinion: Would It Have Been Cool if HSAS Continued After One Album?

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , on June 6, 2017 by 80smetalman

HSAS

Thinking more about my previous post on the only album from HSAS, I continue to speculate what would it have been like if they didn’t stop at one album. In the last post, I put forward the historical evidence that Journey went completely downhill and that Sammy went onto join Van Halen and received a lot of unfair criticism for it. My feelings are that they would have gone on to make at least two more killer albums before any super group egos began to get in the way. Hopefully, I might be wrong there. So, what I’m doing is putting the question out there to the cosmos. Would any of you liked to have heard more albums from HSAS and gone to see them live? Let me know your opinions and don’t be shy! I will look at both sides of the argument with equal eyes.

Now, in two days I’ll be off to Download and have come to an interesting situation. It was my intention that on the Sunday, I was going to see the top four bands on the main stage so I can get a good position for Aerosmith. Having not seen them since 1990, I was prepared to give Slayer who are headlining on the second stage a miss. Particularly because I have seen them at Bloodstock twice in the past three years. However, Slayer will be on before Aerosmith so I do have the chance to see them. To throw a further spanner in the works, I really want to see Airbourne and Steel Panther who are on the main stage before Slayer but had not heard of the band between Steel Panther and Aerosmith, Alter Bridge, who are on when Slayer goes on. I know that I can easily move stages but I fear I won’t get a good place for Aerosmith if I do. Furthermore, I have familiarized myself with Alter Bridge and am very impressed with what I heard. So, I’m tempted to stay and see them. What would you do?

 

 

 

 

 

 

Great Rock/Metal Albums of 1984: HSAS- Through the Fire

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on June 4, 2017 by 80smetalman

Late in 1983, Sammy Hagar and Journey guitarist Neil Schon did a project together along with bassist Kenny Aaronson and drummer Michael Shrieve. Together, they formed a band called HSAS which was short for Hagar, Schon, Aaronson and Shrieve and the result was their one and only album, “Through the Fire.” Was it a success? Maybe not according to the charts but it made my spring in 1984 and continued to do so for years after.

Confession, I never bought the “Through the Fire” album, I cheated. Instead, I recorded their full performance from an MTV concert. Besides, they played every song on the album plus a few songs that didn’t get on it. Having finally listened to the album, I feel no shame as it simply brings back all the great memories of that taped concert.

While most trendy types might not remember HSAS, I’m sure that a lot of metalheads and a few non ones do. When Sammy Hagar toured solo at the end of the year and even during his first tour with Van Halen, there were signs around many a concert venue that read, “Sammy Hagar, Top of the rock.” That’s because it’s the best known song from the album. He played it that night I saw him and it is a brilliant song. However, it’s only my second favourite. The top slot goes to the very next track, “Missing You.” That song really cooks and Neil belts out great guitar solo on it.

Hearing the next three tracks, I am now convinced that when the band played live, they played all three together as one song. Each track quickly goes from one to the next so you don’t really get a break. Furthermore, all three are in the way out space rock mode and they fit very well together. In the MTV concert, only the title of the first song, “Animation” was introduced but it went on for far longer than the four minutes it says the song lasts on the label. Actually, I am pretty sure that the song lasted for the duration indicated by the three songs.

There is one blip in comparing the album with the concert and that comes in the form of the band’s cover of the classic, “Whiter Shade of Pale.” The song closes the concert and I think it was a great song to close the show with. However, it’s not the closer on the album and now I wonder if it should have. It’s still done very well and I think that Procol Harum would have been impressed. After that comes the hard rocker, “Hot and Dirty,” which Sammy stated in the concert that it was about Kenny the bass player’s girlfriend. Can’t fault the song, it’s really good and Neil Schon shows his talent up and down all of it. While not a ballad, “He’ll Understand” is, to quote Sammy, on the tender side. It starts out as a ballad but that changes not far into it and has a smoking guitar solo. The irony is the closer because I am fairly certain that it was the opener for the concert. However, it works both ways.

HSAS in concert

The reason why all nine songs are so good is down to the talents of the four men who comprised HSAS. Sammy’s vocals and Neil’s guitar work were always going to be a lethal cocktail, no doubt about that. But we should raise a glass to the rhythm section of Aaronson and Shrieve because together, they make a fine one.

Track Listing:

  1. Top of the Rock
  2. Missing You
  3. Animation
  4. Valley of the Kings
  5. Giza
  6. Whiter Shade of Pale
  7. Hot and Dirty
  8. He’ll Understand
  9. My Home Town

HSAS

Sammy Hagar- vocals

Neil Schon- guitars

Kenny Aaronson- bass

Michael Shrive- drums

For the last 33 years, I have been asking myself “What if?” What if HSAS went beyond this one project and put out more albums? I think that they would have made a huge impact on the music of metal’s golden decade. History does sort of support me. When Neil went back to Journey, they didn’t make any impact after, at least not on me. Then there’s the case of Van Hagar, although I’ve always said that Sammy can’t be blamed for that. What we are left with is one fantastic album and three decades of me wondering, what if.

Next post: There will be no post at the end of the week because I am off to the Download Festival this week. I’m going to rock to Aerosmith, Steel Panther, Rob Zombie, Suicidal Tendencies and many more. Of course I will give you a day by day report once I return.

Still no new link for buying Rock and Roll Children direct but it’s still available on Amazon.