Archive for INXS

Great Rock Albums of 1985: INXS- Listen Like Thieves

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on December 5, 2018 by 80smetalman

INXS were always one of those hit or miss bands for me, especially by 1985 when I was full throttle into heavy metal. I thought a lot of their 1983 album, “Shabooh Shoobah” album, however, I wasn’t that impressed with what I heard from their follow up album, “The Swing.” Then that’s how my strange mind works. As a result, I wasn’t sure whether or not I should give their 1985 effort, “Listen Like Thieves” a chance. In fact, I must confess that I didn’t actually listen to the album in 1985, it would be a few years later when I was treated to it. I realized then that this was a pretty decent album.

So-called experts claim that the three singles released from the album represented INXS’s move to being a more singles band. However, while “What You Need,” “Listen Like Thieves” and “Kiss the Dirt (Falling Down the Mountain)” all charted in the band’s native Australia, only the first one charted in the US. I’m not sure how they did anywhere else. This adds to my paradox in regards to them. Three singles from an album would have led me to brand them a top 40 band back then but the fact only one song actually reached that plateau in the US convinces me they weren’t and makes me like them more.

Now as most of you already know, I don’t judge an album by its singles and it’s the rest of the album I was most interested in. Fortunately, the rest of the album doesn’t disappoint. “Shine Like It Does” continues the fusion of new wave and hard rock and “Biting Bullets” gets my vote for hidden gem on the album. It has a catchy rhythm with a hard rock edge and the keyboards support the song and add an extra dimension to it. “This Time” has an intro that would sit well with a heavy metal song and though it’s not metal, the band makes good work of things with it. With nearly all of the songs, INXS employ a catchy melody that goes well with the guitars and new wave sound. Sure, there are keyboards but they are in no way synth pop and it makes things that much better. The only song that doesn’t really do it is the instrumental “Three Sisters” but there’s enough there on that one that I still will listen to it. It’s almost the same story with “Same Direction,” except it does have a catchy chorus and a nice little guitar hook. The rockiest song, however, is the closer, “Red Red Sun.” It seems here that INXS were determined to go all out in the end and they do it quite well here. There are no solos but some good guitar hooks on it, so it’s a great way to end the album.

Track Listing:

  1. What you Need
  2. Listen Like Thieves
  3. Kiss the Dirt (Falling Down the Mountain)
  4. Shine Like It Does
  5. Good + Bad Times
  6. Biting Bullets
  7. This Time
  8. Three Sisters
  9. Same Direction
  10.  One x One
  11. Red Red Sun

INXS

Michael Hutchence- lead vocals

Kirk Pengilly- guitar, saxophone, vocals

Garry Gary Beers- bass

Andrew Farriss- keyboards, guitar

John Farriss- drums, percussion

Tim Farriss- guitar

This is a case of appreciating now what I didn’t appreciate back then. Fearful to take the plunge, I had to wait a few years to see what a good album “Listen Like Thieves” actually was. Fortunately, this is also a case of all’s well that ends well.

Next post: Eric Clapton- The Edge of Night

To download Rock and Roll Children, go to: https://c-newfreepdf.cf/olddocs/free-download-online-rock-and-roll-children-pdf-1609763556-by-michael-d-lefevre.html

 

 

 

 

 

 

 

 

 

 

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1983- Triumphs and Tragedies

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 27, 2016 by 80smetalman
The Alamo

The Alamo

The only tragedy I remember from 1983 actually happened the year before. Due to my military service, I didn’t find out about it until 83 when I read about all the fallout from it. I’m talking about when Ozzy Osbourne pissed on the Alamo. He claims he was drunk as a skunk, (I’ve never seen a drunk skunk so I have nothing to compare it to.) Ozzy also said he didn’t know it was such a national shrine, well it is in Texas. The result of his action got him banned from the city of San Antonio for ten years, although that was lifted a few years later when he made a large donation to the Alamo charity.

Ozzy Osbourne

Ozzy Osbourne

Ozzy was already getting himself a reputation outside the heavy metal world for the wrong reasons. His infamous biting the head off a bat was making its rounds. Of course, the religious element in America embellished things further. There were rumours he blew up goats on stage and at one show, he supposedly threw a puppy into the crowd and said he wouldn’t sing anymore until the audience killed the puppy. While this was all untrue hype, it didn’t help Ozzy when he actually did something for real. So for Ozzy and somewhat in the metal world, this was a bit of a tragedy because it overshadowed the two albums he released in the year. I’ll be covering those soon enough.

Now for the triumphs. It seems that 1983 was a cool year for festivals. I got to go to two of them. The first one, I mentioned when I posted about the Nantucket and Doc Holliday albums a few months ago. Those two bands topped the bill at the Mayfair Festival at Jacksonville, North Carolina. The other five bands remain pretty much unheard of with the bottom three being cover bands. So, I thought I’d include them in this little piece of history. They were Skeet Kelly, Roxy, Avalanche- who did a great cover of Sammy Hagar’s “Heavy Metal,” Peer Pressure- who did a reasonably decent cover of John Cougar’s “Hurt So Good” and Eraxle- who closed their set with a fantastic cover of Van Halen’s “Ice Cream Man.” I consumed loads of alcohol and there were some interesting events between the bands like a wet t-shirt and a men’s ugly legs competition. A fine day from what I remember.

Nantucket

Nantucket

Military commitments kept me from attending this festival but my sister went. I tried to pick her brains but she didn’t remember much. In the June, Journey headlined in Philadelphia and with them were John Cougar, Sammy Hagar, The Tubes and Bryan Adams. From what she can remember, my sister says that Journey sounded great and had a fantastic light show. John Cougar and Bryan Adams were both very good as was Sammy Hagar despite his red spandex. Unfortunately, The Tubes weren’t up to the rest of those who played that day. If this line up played in more cities than Philly, I would love to hear your account of the day.

Journey Live

Journey Live

It didn’t matter that I was in the military for this one, I couldn’t have gone to the US Festival because it was 3000 miles away in California. The US Festival was a three day festival where the first day consisted of new wave bands, the second day’s line up was heavy metal and the third day’s was a rock line up. From what I heard, all three days were fantastic although I do recall an interview with a local sheriff saying that he was going to try to ban such events following the festival. I didn’t think about it then, but that was the first salvo fired at music in the 1980s. I think the best thing to do is just to let you look at the line up for the three days and I’m sure you will be just as awestruck as I was.

Us Festival Showbill

Us Festival Showbill

I did get to the final festival in 1983. This was my first Donington Festival as I happened to be in England at the time. From my memory, I can recall that Diamond Head were all right and Dio were very good. I didn’t twig on who the lead singer was until they played “Heaven and Hell” but that was okay. They were brilliant. Then came Twisted Sister. I can still remember Dee Snider’s quip: “We’re not Culture Club or any of those gay boys or Duran Duran nor any of those other wimps. We’re Twisted Sister and we play heavy metal rock and roll!” Of course I knew there must of been something about them when they were introduced as Twisted Fuckin’ Sister. Their music was great too.

For me, ZZ Top took the concert. They played a magnificent combination of old and new material during their time on stage. Of course it helped that they played my two favourite ZZ Top tunes, “Jesus Just Left Chicago” and “La Grange.” They also played quite a few songs off their new “Eliminator” album so they basically rocked. The big let down after ZZ Top was Meatloaf. I was not impressed, he just sounded terrible that day. Worse, my friend’s English girlfriend didn’t realize that they ran a special train after the concert so out of fear of getting stuck, we left early and missed headliners, Whitesnake. I remain gutted but overall, Donington 1983 was a kick ass day and proved that Great Britain could rock.

donfest83

 

That was 1983 in a nutshell. The only real tragedy was Ozzy pissing on a national shrine but all the great concert festivals more than compensated for it. Just posting about it has me psyched for Bloodstock in two weeks. It was no wonder I was super excited when I got out of the marines that year.

Next post: Great Soundtracks

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

 

 

 

 

 

 

 

 

 

Great Rock Albums of 1983: Modern English- After the Snow

Posted in 1980s, Music, Rock, soundtracks, Uncategorized with tags , , , , , , , , , , , on April 3, 2016 by 80smetalman

220px-After_the_Snow_-_Modern_English

Originally, my plan was to post the “After the Snow” album from British post punk, new wave band, Modern English, after the album from INXS. My reason was because back in 1983, I would often confuse the two bands. Worse, I would further confuse INXS’s single “Don’t Change” with the big single from this Modern English album, “I Melt With You.” Both bands sound very similar and it is possible that Modern English could have had a song on the “Rock Star” soundtrack.

I have come to the conclusion that one reason why Modern English never got the success they may have deserved was down to my beef with the 1980s. Too many people wanted to put their music into categories or genres. “After the Snow” offers a mixed bag of musical styles that makes categorizing them difficult. Track two, “Life in the Gladhouse,” is a more progressive rock song while the very next track, “Face of Wood,” might be a candidate for the “Rock Star” soundtrack. However, the track that makes my point is the one after that, “Dawn Chorus.” This song sounds like Jim Morrison came back from the dead and joined The Cult. The guitar intro at the beginning of the song definitely sound like the named band, whose albums I will be visiting a little more down the line and the vocal style could almost be Jim. Saying all that though, I really like the song as I do all of the ones on the album.

Some critic of the “After the Snow” album claims that the single “I Melt With You” is not indicative of the rest of the album. Well it certainly does stand out from the other songs but I think it goes well with the album. It provides a different turn and keeps you from getting to familiar with the album. I like the fact that you don’t know what to expect with each song and if you listen to it without stressing out over what category it should be put in, then the album becomes that much more enjoyable.

Track Listing:

  1. Someone’s Calling
  2. Life in the Gladhouse
  3. Face of Wood
  4. Dawn Chorus
  5. I Melt With You
  6. After the Snow
  7. Carry Me Down
  8. Tables Turning
Modern English

Modern English

Robbie Grey- vocals

Gary McDowell- guitars

Stephen Walker- keyboards

Michael Conroy- bass, violin

Richard Brown- drums, percussion

“After the Snow” by Modern English goes against the 1980s belief that you had to put a band into a category in order to appreciate. Their mixed bag of hard rock, post punk, new wave and progressive rock all goes well on this album. Listen to it with that in mind and you’ll definitely enjoy the album.

Next post: Journey- Frontiers

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Great Rock Albums of 1983: INXS- Shabooh Shoobah

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on March 25, 2016 by 80smetalman

220px-Shaboohshoobah

Before I proceed into the post about my first experience of Australian new wave band INXS, I thought I would be like some of my fellow bloggers and mention a good bargain I picked up on an album. Last Saturday, I was in my local Morrison’s supermarket when I happened past the CD section. Normally, I might only take a sweeping glance at their CD display as most of it is chart stuff. However, something interesting caught my eye. There on the shelf was the classic Bruce Springsteen, “Born to Run” album for just £3 ($4.50). Since my previous cassette copy of this album fell victim to my car stereo in 1990, I naturally had to pick it up. Now, let’s go into the post.

bsbtr

My first experience of INXS came a couple of months after I left the marines in 1983 and came by the way of the single “Don’t Change.” It wasn’t metal, it wasn’t Southern Rock nor could I put it into any sort of category but new wave, all I know that I liked the song. I liked the hard guitar sound in the background and though I thought they could have been a bit more dominant, it still worked. The keyboards were played smartly and complimented the song very well. However, having been burnt not long before this, I hesitated in buying the album “Shabooh Shoobah” right away. It was via a working companion that I was finally treated to it.

“Shabooh SHoobah” illustrates exactly where I was musically at this time in 1983. While my full conversion to heavy metal had already taken place, I wasn’t completely repulsed by what was being played on the radio at the time. When I listened to the album, I found it quite to my liking. While I wouldn’t exactly call it hard rock and there are no blistering guitar solos, there is sufficient guitar on it. Furthermore, I like Michael Hutchence’s vocals. He has that sinister sounding voice that gives a dark sounding tone to many of the songs. Track two, “Look at You” is prime evidence of this. Even with some of the more upbeat sounding songs like “Don’t Change” his voice doesn’t make the song some kind of happy pop song. Some more good examples are “Spy of Love,” “Here Comes” and “Golden Playpen.” I must also point out the saxophone playing of Kirk Pengilly on the album. I am always a bit skeptical when a band employs horns in rock but I have to say, Pengilly’s abilities are more than sufficient to pull it off here.

Track Listing:

  1. The One Thing
  2. To Look At You
  3. Spy of Love
  4. Soul Mistake
  5. Here Comes
  6. Black and White
  7. Golden Playpen
  8. Jan’s Song
  9. Old World New World
  10. Don’t Change
INXS

INXS

Garry Gary Beers- bass

Andrew Farriss- guitar, keyboards

John Farriss- drums, percussion

Tim Farriss- guitar

Michael Hutchence- vocals

Kirk Pengilly- guitar, saxophone, vocals

It has been questioned why a song by INXS, (not from this album), appears on the soundtrack to “Rock Star,” a film about a heavy metal band. Being in possession of said soundtrack, I don’t think that song is out of place on it. As the album “Shabooh Shoobah” shows, they had the potential to go in any direction. There is just enough of a rock vibe on this album to satisfy me along with some new wave creativity. On the downside, I can’t help thinking with their next album, they kind of went in the wrong direction.

Next post: The Night Before I Got Out of the Marines

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London