Archive for Kreator

Download 2018- The Sunday

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , on June 12, 2018 by 80smetalman

I’m surprised nobody pulled me up on my little error about the next post. Here I am saying I’m going to post about a Bryan Adams album when I’m going to the Download Festival on Sunday. Well, I went and returned and am ready to share all my experiences of this historical day with all of you. Before I do, I’d like to mention something that happened as I was walking into the festival. I happened to ask one of the security staff if there had been any fatalities or drunken brawls. The security person stated, “No, that doesn’t happen at Download, it’s a friendly festival.” That makes my point which some of you mentioned in my post about the backlash. Everyone thinks awful things happen at metal concerts when indeed, it’s the non-metal festivals these things happen at. Anyway, enough of that, here’s Sunday Download.

First band up on the day was British hard rock band, Inglorious. They would have been my choice for band whom I never heard of who really impressed me had I not listened to them on Youtube mix. I was really impressed with what I had heard on Youtube and therefore had high hopes for them when they hit the stage. I wasn’t disappointed, they won me over straight away. Lead singer  Nathan James really connected with the crowd and has a great range with his voice. I loved it when he got the crowd to chant “Fuck Gene Simmons” before the second song. I don’t know what issue the band has with Gene but it must make an interesting story. The guitar work of Swedish born Andreas Eriksson was also very impressive. When they left the stage after a half hour of great hard rock, my thought was that if Inglorious don’t make it to the summit of the rock and roll mountain, then there is no justice in the world. I urge all of you to have a listen to them.

Inglorious open the day

Drew Lowe, Colin Parkinson and Phil Beaver make a great rhythm section

Nathan James singing his heart out to the crowd

While I heard of the second band on the day, Cradle of Filth, I must I never really listened to them. My most noted experience is their excellent rendition of the Twisted Sister classic, “The Fire Still Burns” on the “Twisted Forever” album. I have also heard several versions of how they were booed off the stage at Bloodstock in 2009. The reason for that, I’ve been told, was that the Bloodstock crowd considered them too popular for Bloodstock although alternative reasons had been put forward. Therefore, I had no impressions or expectations of them beforehand.

They hit the Download stage in full frenzy. They had the hunger that many support bands I have seen over the years possess. It seems they were out to assault the ear drums from the first moment and they succeeded. I also liked their make up, it did remind me of something out of a zombie B-movie but it worked well. While I can’t say that I’ve been converted to the Cradle cause and intend to buy their entire discography, I won’t, I did think they were pretty good and kept things going quite well.

Cradle of Filth- out to frighten young children

I thought this was a good shot of them

Guitars and bass do that 80s rocking back and forth close together thing.

Inglorious wasn’t the only band I listened to on Youtube in the days before Download. I also listened to some Hatebreed. They didn’t impress me as much as the first band did so they weren’t on my ‘must see’ list. After Cradle of Filth, I decided to take a walk and ended up heading over to the Avalanche Stage. It was here that I discovered the band I truly had never heard of before but really impressed me, Puppy. They’re a three piece band with the guitarist taking on the vocal responsibilities. His vocals are good and he has a good on stage rapport with the bassist but really impressed me was their power. While not thrash, they could collectively hit the right power chords and they really did impress me. Furthermore, they must have impressed a lot more people because at the end of their set, the guitarist remarked that he didn’t expect that many people there to see them. I think that’s a sign of things to come for this band. One I urge you to check out as well.

Puppy- Sorry, this was the best shot I could get of the band under all of those lights.

Puppy proved a good warm up to one of the bands I was dying to see. After eating an overpriced burger and watching the first bout of the NXT Wrestling, I headed over to the Zippo Stage to see the band I’ve been wanting to see for 32 years, Kreator. I managed to get almost to the front so I was in a great position to see them when they came out. Kreator hit the stage running at about 250 mph with “Phantom Antichrist” and didn’t look back. They might have only been on stage 30 minutes but they didn’t stop from start to finish treating the audience to “Hail to the Hordes,” Hordes of Chaos,” which Mille referred to the crowd as and “Suicide Terrorist” and ended with my all time favourite “Pleasure to Kill.” Two things surprised me on what I saw. One was that most of the shredding was done by Sami Yli Sirnio. Don’t get me wrong, Sami can smoke the six string but I’ve always thought that Mille Petrozza was just as capable. Saying that, it worked for them. The other thing was that Mille does know how to work a crowd and get them participating, he’s a much better front man than I expected. Like I said, the band gave their all because when they left, Mille looked like he needed to use a different underarm deodorant and drummer Ventor was drenched in sweat. Thirty-two years and it was well worth the wait.

Mille leads Kreator onto the stage

Mille supports while Sami shreds.

Still buzzing by Kreator’s performance, I returned to the main stage in time to catch the final couple of songs of In This Moment. Lead by lead singer Maria Brink, the band backed up what looked to be an interesting theatrical stage show. Because I got there at the end, I couldn’t get what the story was about but it looked like a woman who looked like Maria was acting like Maria’s slave while she sang but while it would have been interesting to see the entire show, I don’t regret giving it up for Kreator.

In This Moment performing their theatrics.

Rejoining my stepson Teal who had remained at the main stage, he did say that In This Moment’s show was quite good and he thought Hatebreed were pretty good as well and they paid tribute to Kreator. That was cool but we both awaited the appearance of Black Veil Brides. These were on my “I have to check out” list so I made it a point to see them. I wanted to see if they were really Motley Crue for the twenty-teens. They weren’t they were better and I must say that I was very impressed with their often melodic, sometimes power metal. Of course, they played the song they’re known best for, “Fallen Angels” and I sang the chorus along with everyone else in the crowd. “Faithless” was played very brilliantly too and I found myself harmonizing the “Whoa-oh” along with the crowd. When they left the stage, they had definitely made a believer out of me and Teal because he wasn’t too keen to see them at first, he said he didn’t regret it after.

Black Veil Brides make their appearance

Bassist Ashley Purdy comes to my side of the stage

Andy , Jinx and Jake in action

Andy comes our way.

Guitarists rocking out on centre stage.

Shinedown was another band I had only heard on Youtube just a few days before Download and as a result, which was also down to my not wanting to lose my place for Marilyn and Ozzy, I remained in place to see them. A wise decision this turned out to be. Shinedown were another band I had no familiarity with but really impressed me on the day. I’m probably way out of the ball park on this but they reminded me of classic 1970s hard rock. Their hour on stage went by too fast, playing a combination of old material and some from their latest album. Brent Smith is a good vocalist and showman as any of them and the band behind him played very well. I was quite impressed when bassist Eric Bass (no that’s not a pun) played acoustic guitar. For some reason, it’s what I remember most about them, probably because the song played to it was good.

Shinedown begin

Playing in the smoke

A good shot of Eric Bass

As the evening progressed, the excitement mounted for the top two acts on the card. Marilyn Manson came out first, stating that he hates the daylight but that couldn’t be helped. He had the crowd eating out of his hand from the outset and all the things I heard about his kick ass live shows were true. I was personally pleased when he performed my personal favourite of his, “This is the New Hit” but the day had been going like that. He sang many other of his best hits as well and what surprised me a little was that while he performed his version of 80s synth pop song, “Sweet Dreams,” he didn’t do “Tainted Love,” not that it bothered me. He did have several background and costume changes as well. Starting with the upside down black and white flag with the crosses, then a picture of himself and following that, the upside down cathedral. His final costume choice was bold because it was a large frilly black coat and it was still quite hot outside. While his show was top rate, I was a little disappointed about the end because he exited the stage without any thank you or acknowledgement of the crowd.

Marilyn commands the stage

Manson comes to the centre of the stage but too many hands got in the way.

Cool lights and Marilyn’s guitarist and drummer

Marilyn singing without a shirt on

I used the large screen to get this shot of him.

Finally, the main event: Ozzy Osbourne came to the stage. Before he came out, however, he called out from backstage, “I can’t fucking hear you!” two times before he came out and only when the audience was good and loud. Once he did, it was Ozzy mayhem from beginning to end. While he wasn’t doing acrobatics on stage, he still moved around fairly well for someone approaching 70. It was no surprise he began the show with “Bark at the Moon,” he did that when I saw him 32 years earlier. It was the second song that got me going, probably my all time Ozzy favourite, “Mr Crowley.” If that wasn’t enough of a surprise, instead of “Iron Man” he sang my all time favourite Black Sabbath song, “War Pigs.” So, you can imagine my euphoria after that. It was after that classic that Zak Wylde dazzled with his guitar skills. The funny thing was that during his solo, he started playing the opening riffs to “Perry Mason” and I thought that would be the next song. Unfortunately not, but it wasn’t a disappointment. Instead, Tommy Clufetos went into a massive drum solo, thus further wowing the crowd. When Ozzy returned, there were more of the classics, “Road to Nowhere,” “Dreamer” and I was a little surprised when he played “Shot in the Dark,” It was overdubbed with keyboards but it still sounded okay. In all cases, he got the crowd fully involved and there was plenty of shouting and hand waving along to his songs to be had. When he left the first time, no one was surprised to see him come back quickly and when he did, he treated the crowd to “Mama I’m Coming Home” and of course, “Paranoid.” However, when he left for good after all the good byes and fanfare, I realized his show was twenty minutes shorter than what it was billed for. Yes, he could have done a few more classics, but he went out on a major high.

Ozzy’s stage

Ozzy’s kick ass show

I regret that there’s only two photos of Ozzy’s piece of history. That was because my memory card was full. Nevertheless, he ended what was a glorious Sunday at Download.

I did take videos of Kreator and Ozzy but stupid WordPress won’t let me upload them here. They won’t even let me paste a link to it on Facebook.

Next post: Bryan Adams- Reckless

To get Rock and Roll Children for free, go to: http://allkindlecloud.com/register/14510967-Rock-and-Roll-Children_pdf_free.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Great Metal Albums of 1985: Kreator- Endless Pain

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on June 7, 2018 by 80smetalman

Maybe I should do a list of bands whose second albums I bought before their first one. It would be a long list, that’s for sure. This hold true for German thrashers, Kreator. My first experience of them was their better known second album, “Pleasure To Kill.” I really loved it and played it to one of my friends who first introduced me to thrash. It was good to tell him about a cool album for a change. He was so impressed with that album that he bought the debut album, “Endless Pain.”

I know I shouldn’t compare an album to one I haven’t reviewed yet but I’m going to anyway. The only contrast is that “Pleasure to Kill” is more polished than its predecessor, that’s it. What both albums have in common is the intense ferocity of all the songs on them. “Endless Pain” is one total thrash fest from beginning to end. Each and every song pounds your head in every way. Only some brief melodic moments, actually I should say seconds, in “Storm of the Beast” and “Flag of Hate” give you any rest from the onslaught on your ears and it’s always been hard to pick a favourite track. After listening to it again, maybe “Flag of Hate” just edges it out.

Early Kreator was never a band for those with sensitive ears. Those are the people who say that thrash metallers can’t really play or sing. Yes, sometimes it’s difficult to tell Mille and Ventor apart on the vocals but that’s part of the fun. Definitely not the most tuneful voices in music but their guttural barks fit very well with the frenzy of the music. Someone also once remarked that all the members could only play three chords fast. He reckoned that guitarist Mille Petrozza had only been playing six months. I thought he was brilliant on the closing track, “Dying Victim.” Having never seen any Kreator music sheets, I can’t debate it. However, if that is the case, then it’s certainly the right three chords because the album sounds fantastic.

Track Listing:

  1. Endless Pain
  2. Total Death
  3. Storm of the Beast
  4. Tormentor
  5. Son of Evil
  6. Flag of Hate
  7. Cry War
  8. Bonebreaker
  9. Living in Fear
  10. Dying Victim

Kreator

Mille Petrozza- guitars, vocals on even numbered tracks

Rob Fioretti- bass

Jurgen ‘Ventor’ Reill- drums, vocals on odd numbered tracks

Thrash metal was in its early infancy in 1985 although it would grow astronomically over the year. There were many great bands just waiting to burst out onto the thrash scene, grab the world by the throat and shout, “We are here!” Kreator was one of those bands as “Endless Pain” shows. I am frothing at the mouth at seeing them at Download on Sunday.

Next post: Download, the Sunday

To download Rock and Roll Children for free, go to: https://maxreading.cf/olddocs/free-download-online-rock-and-roll-children-pdf-1609763556-by-michael-d-lefevre.html

 

 

 

 

 

 

Tribute to Frank Formica- A True Metal Fan

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , on November 2, 2014 by 80smetalman

Hi everyone, it’s been awhile and let me just say that I am having a great time here in New Jersey. In the past ten days, I’ve eaten Cap’n Crunch for breakfast nearly every day and I think I’ve consumed enough Yuengling to make up for the eight years I’ve gone without it. Of course there’s the local cusine, I couldn’t go without at least eating one Philly cheese steak. When I return to the UK on Friday, I will be introducing the country, well Gloucestershire anyway, to the game of beer pong. But the best thing about my time in NJ is the chance to meet up with long time no see good friends.

Frank and Me

Frank and Me

The great thing about friends, as far as music goes, is that they are always introducing one another to new music and the latest offerings from artists they have in common. Back in the golden days of heavy metal, the 1980s, my metal friend Frank Formica was always discovering new metal and playing it for the rest of us. Frank  almost singlehandedly introduced me the thrash and enlightened me to the musical offerings of Metallica and Anthrax. On the flip side I introduced him to Kreator and The Killer Dwarfs and together we experienced the Stormtroopers of Death when we saw them live in New York. That concert will live in both our memories as the insaneist one we’ve ever been to and there were many others. Frank was clearly an inspriation behind my love for heavy metal back then.

Frank as Alice Cooper

Frank as Alice Cooper

Nowadays Frank runs a karaoke show called Veteran Cosmic Rocker named after a song from a Moody Blues album I visited earlier this year. In order to get gigs, it’s not total heavy metal although, I’m sure he wouldn’t mind if it was. I went to his show last night at a bar called The Riverside, near Mays Landing, NJ. First, I never knew he could sing that well as he belted out a few classic Alice Cooper ditties in line with the Halloween theme. He also sang several Rolling Stones classics like “Sympathy for the Devil” and his girl friend helped get the party started by singing a few more mainstream tunes like the song by Pink which creates a pun here. The biggest surprise, however, was when Frank introduced his friend who had come all the way from England and that he was going to sing some heavy metal. He proceded to sing some Judas Priest, although I can’t for the life of me remember which one, “Detroit Rock City ” by KISS and to end the night on a good note, he sang “For Whom the Bell Tolls” by Metallica. I felt very honoured that he sang those songs for me.

Frank in action

Frank in action

After a slow start, the night took off and overall things went pretty well. Since half of the clientelle was made up with members of the Tough Guys MC, there wasn’t going to be a mad rush to the microphone but several ladies made more than one trip up and entertained the crowd. Did I go up to the mike? You must be kidding, I can’t carry a tune in a bucket which is why I have always been more of an appreciator of music rather than a purvyeor.

The Riverside or for non- Americans, a typical American bar

The Riverside or for non- Americans, a typical American bar

Many factors have contributed to making me the metalhead I am today. One of the more major ones was my friend Frank Formica who opened my eyes to all sorts of heavy metal. If it hadn’t been for Frank, I would not have been able to write “Rock and Roll Children” and I suspect those who have read it have already figured out that I based the Frankie character in the story on Frank. I’m sure we all have friends who influenced us musically and for me, there was no one better than Frank.

Next post: Black Sabbath- The Mob Rules

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

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