Archive for Master of Puppets

Great Rock Albums of 1987: The Smiths- Strangeways, Here We Come

Posted in 1980s, films, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , on September 25, 2021 by 80smetalman

A great perk of my job working with adults with Autism is that in the house I predominately work in, when the service user who requires 95% of my attention goes on a home visit, my evenings at work are quite leisurely. Such was the case last week. I was searching the Sky Movie channels looking for a film to watch when I discovered a film called, “Shoplifters of the World.” Reading the info, I gave it a watch and it was pretty good.

From the film: Shoplifters of the World

Set in Colorado in 1987, the film is about fans of British new wave rock band, The Smiths who are lamenting the band’s break up. As a result, one devoted fan breaks into the local radio station and pulls a gun on the deejay, who is a total metalhead, and demands he plays a bunch of songs by his favourite band. As the story develops, the Smiths fan and the metalhead deejay form a bond as the station draws a large crowd of the band’s fans in support. On a side note, I love how the deejay relates his story of how is wife walked out on him while he was listening to “Master of Puppets.” He was so engrossed in the album, he didn’t even notice her leave. Anyway, the film ends with a mutual appreciation between the gunman and deejay, which is what music is supposed to do. I recommend this film.

The movie had me doing more research into The Smiths and it might have been a good thing, as their 1987 album, “Strangeways, Here We Come” had totally passed me by that year. Maybe I was listening to too much metal then. Listening to the album now, it has slowly grown on me but it took a couple of listens for it to be so. The first two tracks are decent enough, a smooth light indie pop sound but then the band tries to stretch out a bit on the track “Death of a Disco Dancer,” for me it falls flat. If I listened to this track too much, the title could be changed to “Death of 80smetalman” because it is a song to slit your wrists to and this is coming from someone who listens to Pink Floyd’s “Animals” album.

Fortunately, that is the low point on the album as things drastically improve with the next two tracks. My favourite track on the album, “Girlfriend in a Coma” coming just after. The following track, “Stop Me If You Think You’ve Heard This One Before,” carries things on. Then it appears that the album might be venturing back into “Death of a Disco Dancer” territory with “Last Night I Dreamt That Someone Loved Me.” It starts as if it’s going to be a slow, gloomy song but it then picks up. I think this song would have sounded even better with the use of power chords.

Since “Girlfriend in a Coma” was single, then by rules of 80smetalman, “Unhappy Birthday” is the hidden gem on the track. It’s a mid-tempo straight ahead rock tune and there is some good guitar work from Johnny Marr. Although he’s not a (insert great guitarist here), his work on this song is good. “Paint a Vulgar Picture” has a very impressive intro and is good, upbeat song and Johnny actually plays a guitar solo on it. Also, it might drag on a little too long. There is a rockabilly beat to “Death At One’s Elbow,” and is well done. However, the remaining track is unremarkable in my view but does the job of ending the album.

Track Listing:

  1. A Rush and a Push and the Land Is Ours
  2. I Started Something I Couldn’t Finish
  3. Death of a Disco Dancer
  4. Girlfriend in a Coma
  5. Stop Me If You Think You’ve Heard This One Before
  6. Last Night I Dreamt That Someone Loved Me
  7. Unhappy Birthday
  8. Paint a Vulgar Picture
  9. Death at One’s Elbow
  10. I Won’t Share You
The Smiths

Morrisey- lead vocals, piano, handclaps

Johnny Marr- guitar, keyboards, harmonica, marimba, harmonium, additional vocals, handclaps

Andy Rourke- bass, keyboards, handclaps

Mike Joyce- drums, percussion, handclaps

Thanks to a good film, I got to experience an album that passed me by back in the day. The Smiths would break up after “Strangeways, Here We Come.” While not their best album, it’s still good in places and worth having a listen to. But definitely watch the film.

Next post: Dio- Dream Evil

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

Great Metal Albums of 1987: Metallica- The $5.98 EP/$9.998 CD- The Garage Days Revisited

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , on September 18, 2021 by 80smetalman

To mark the occasion of their appearance at the 1987 Donnington Festival, Metallica’s UK label, Vertigo, suggested they release new material. However, initial songwriting attempts with new bassist, Jason Newstead, resulted in one demo and then James Hetfield broke his arm in a skateboarding accident. (I forgot about that incident but I remember while on tour, a roadie played rhythm guitar so the tour could carry on.) Anyway, the band decided that instead of trying to write new material, they recorded covers of some of their favourites. Thus, “The $5.98 EP/$9.98 CD- The Garage Days Revisited” was born.

Up first is a cover of Diamond Head’s “Helpless.” Listening to this, if I hadn’t heard of Diamond Head before, I would have thought that this was a Metallica original. Basically what Metallica do here is increase the song to Metallica level and it’s true to what Metallica were doing at the time. Next comes “The Small Hours” which is a cover of a Holocaust tune. Admittedly, I have no experience of Holocaust, that will be rectified, but there is that Metallica “Thing That Should Not Be” aura to it. It’s just slow crunching guitar at the start before speeding up in the middle and a cool guitar solo from Kirk.

In the middle of the order is the cover of the Killing Joke tune, “The Wait,” which was left off the British pressing in order to comply with UK laws regarding the length of EPs. When I hear this song, I definitely think that it would have been a perfect fit if put on the “Master of Puppets” album as I definitely get that vibe on it. I can bang my head along with it much longer than its four minute and fifty-five second length. That’s a minute and fifteen seconds longer than the Killing Joke’s version!

Jason Newstead gets to show off his bass skills on the penultimate track, “Crash Course in Brain Surgery,” a cover of a Budgie classic. I remember when I saw Metallica and Donnington 87, James introduced Jason as ‘the new mother fucker.’ Was there animosity already? I won’t venture a guess but Jason does lay down a solid bass line here, which compliments Kirk’s guitar solo very well. Metallica took a 70s hippy song and brought it into the late 80s.

Ending this five song Metallica party is my favourite song, “Last Caress/Green Hell,” two Misfits tunes combined together. The reason I like it is that any lyrics which stuck it to the anti- rock establishment was cool in my book and “I killed your baby today” and “I raped your mother today” definitely qualifies. I’m surprised there wasn’t any outcry from the religious zealots in the US over it. Still, the fast thrash pace adds to the fun. At the end, there is some riffs to the Iron Maiden classic, “Run to the Hills,” which I also remember them doing at Donnington. Maybe not necessary but it brought back good memories.

Track Listing:

  1. Helpless
  2. The Small Hours
  3. The Wait
  4. Crash Course in Brain Surgery
  5. Last Caress/Green Hell
Metallica

James Hetfield- lead vocals, rhythm guitar

Kirk Hammett- lead guitar

Jason Newstead- bass, backing vocals

Lars Ulrich- drums

What I didn’t know was that “The $5.98 EP/$9.98 CD- The Garage Days Revisited” was out of print from 1989- 2018 and was considered a collector’s item. Those who had this should consider themselves lucky. While this wasn’t a Metallica album in the proper sense, it was a great bridge between “Master of Puppets” and their next album “And Justice for All.”

Next post: WASP- Inside the Electric Circus

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

Great Metal Albums of 1986: Slayer- Reign in Blood

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on December 13, 2020 by 80smetalman

Two major questions always arise whenever Slayer’s 1986 album, “Reign in Blood,” is mentioned. One, is it the best Slayer album of all time? Two, should it take its place along some of the other great albums which helped pioneer thrash metal in 1986 such as Metallica’s “Master of Puppets,” Anthrax’s “Spreading the Disease” and Megadeath’s “Peace Sells Buy Who’s Buying?” To me, the answer is an obvious and definite, “Yes!” While there is room for debate on question one, there shouldn’t be any on question two. “Reign in Blood” was one of the standard bearers for thrash, not only in 1986 but for all time.

What really amused me back then and further proves my insanity is the controversy some of the songs on the album caused. Take the opener and probably best known song on the album, “Angel of Death.” The song is about evil Nazi scientist Josef Mengele, who performed hideous experiments on inmates at Auschwitz during World War 2. A few idiots suggested that the song was pro-Nazi because the lyrics don’t say what an evil man Mengele was. However, I do like guitarist Jeff Hanneman’s response: “Well, wasn’t it obvious?” No matter though, because like all other songs on the album, it’s one massive thrash-a-thon. It gives you a great introduction to what the rest of the album is going to be like: fast, pounding guitar chords, manic vocals, thumping rhythm section and the classic guitar solo trade-off between virtuosos King and Hanneman.

Of course, if you want to get controversial, then look at “Necrophobic.” I remember religious fanatics spitting out their milk and cookies over this one. Then again, the lyrics are about having sex with a corpse but of all the times I’ve listened to the song, I have never had any inclination whatsoever to do such things. Proof that if the music is good and in this case, the music for the entire album is outstanding, then the lyrics won’t matter much. However, a friend and I were thinking of recording the anti-religious song, “Jesus Saves,” and sending it to Jimmy Swaggart. Actually, if I hadn’t already been in England at this time and got to see Slayer in America, I would have been tempted to record and play it to the Jesus freaks who would have undoubtedly come to the concert to save our souls. It’s the only reason why “Jesus Saves” is my choice for hidden gem because every song here is one.

Slayer, Cardiff 2018

Actually, there’s not much more I can say about “Reign in Blood” because the album speaks for itself. With this album, you have the mold which many thrash bands would try to imitate in the years after. It’s definitely one of the greatest thrash albums of all time and did I say, it’s my favourite Slayer album?

Track Listing:

  1. Angel of Death
  2. Piece by Piece
  3. Necrophobic
  4. Altar of Sacrifice
  5. Jesus Saves
  6. Criminally Insane
  7. Reborn
  8. Epidemic
  9. Postmortem
  10. Raining Blood
Slayer

Tom Araya- bass, vocals

Jeff Hanneman- guitar

Kerry King- guitar

Dave Lombardo- drums

Much to the annoyance of Duranies, Madonna Wannabees and glam rock poseurs, thrash metal had truly found its home in 1986. Fantastic albums such as Slayer’s “Reign in Blood” was the reason why.

Next post: Tobrik- Wild On the Run

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com