Archive for Me Myself I

Great Rock Albums of 1983: Joan Armatrading- The Key

Posted in Books, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on April 10, 2016 by 80smetalman

220px-The_Key,_Joan_Armatrading_-_album_cover

In Laina Dawes’s book, “What Are You Doing Here?,” which is about a black woman’s liberation through heavy metal and the prejudice she experienced as a female metalhead of African origin, she mentions great black female rock singers like Joyce ‘Baby Jean’ Kennedy from Mother’s Finest and Skin from Skunk Anansie, both of whom have made a big impact on the rock scene. However, I don’t remember, though I could be wrong, any mention of another great lady who belongs with the two already mentioned, Joan Armatrading. Note to self: find and reread that book. The two Joan Armatrading albums I’ve listened to, the 1981 album “Me Myself I” and her 1983, “The Key,” are both great rocking albums. Therefore, I am forced to think that Joan doesn’t get the musical respect she deserves.

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Way back in 1983 during my final weeks in the marines, Joan’s single from the album, “I Love it When You Call Me Names,” got a good amount of airplay. I love the hard rocking edge to the song and the lyrics just cracked me up. This song appears to be about a sado- masochistic couple who get off on abusing each other. The lyrics, “He loves it when she beats his brains in” are sufficient evidence to the fact and there’s a cool guitar solo at the end. That song continues to amuse me to this day and I’m a little surprised that no thrash band has covered it.

While it may not have the amusing lyrics like the single, the rest of “The Key” is a really cool album. There are the straight forward rockers like “Drop the Pilot,” “Tell Tale” and “What Do Boys Dream.” Then there’s the power ballad, “Everybody Gotta Know” and while “Foolish Pride” incorporates horns, it is still a decent song that will dent anyone’s belief that horns can’t be used in a rock tune. Joan does show her versatility with the reggae sounding title track. This is a good bouncy song that has you repeating the chorus, “I found the key to your heart,” for several minutes after the song’s conclusion, a fine album by a fine singer.

Track Listing:

  1. I Love it When You Call Me Names
  2. Foolish Pride
  3. Drop the Pilot
  4. The Key
  5. Everybody Gotta Know
  6. Tell Tale
  7. What Do Boys Dream
  8. The Game of Love
  9. The Dealer
  10. Bad Habits
  11. I Love My Baby
Joan Armatrading

Joan Armatrading

Joan Armatrading- lead vocals, guitars, piano

Adrian Belew- guitar

Daryl Stuermer- guitar

Gary Sanford- guitar

Tony Levin- bass

Larry Fast- synthesizer

Stewart Copeland- drums

Jerry Marotta- drums

Julian Diggle- percussion

Mel Collins- saxophone

Annie Whitehead- trombone

Guy Barker- trumpet

Dean Klavatt- piano

Jeremy Meek- bass vocal

I never realised it before but there are some great musicians who play on “The Key.” One reason why this album is so good. However, this takes nothing away from Joan and her great vocal ability and song writing skills. She is certainly a power force in rock.

Next post: ZZ Top- Eliminator

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

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Great Rock Albums of 1981: Joan Armatrading- Me, Myself, I

Posted in 1980s, Humour, Music, Rock, video games with tags , , , , , , , , , , , , on January 5, 2014 by 80smetalman

220px-Me_Myself_I_-_Joan_Armatrading

Here’s an example of how my mind jumps around too much. I knew when I started 1981 that I wouldn’t be able to get everything in regards to my life in perfect chronological order. So in order to talk about “Me, Myself, I” from Joan Armatrading, I have to go back to Rota, Spain. We were granted a night’s liberty that night so my friends and I made a made dash to the Enlisted Men’s Club and started cracking open the Budweisers about 5:30 that afternoon. Providing the entertainment that night would be an English covers band called The Tender Years, who played some good rock tunes that night. What I remember most is because they were playing to a bunch of US servicemen and women, they put up a large sign that read, “We don’t play Freebird.” Of course, that didn’t stop the crowd from shouting out for it. Anyway, one song they played was the title cut of this album which stuck in my head. Good song, I thought to myself. However, I never did anything about it until later on in the summer when I heard that song played again on the radio and while the female lead singer from The Tender Years sang it well, it wasn’t as nearly as good as the original.

Hearing it back then and hearing it again now, I have to disagree with Wikapedia’s labelling of the album as “pop.” I doubt it would have been considered that back then even though disco was in it’s final throes of death. If I put a label, it would have to be soft rock or progressive rock. In some of the songs, “Ma Me Oh Beach” comes to mind here, Joan’s Caribbean roots definitely poke their nose above ground and if listened to carefully, some other songs as well. What really grabbed me is the fantastic guitar solos laid down in the title track and in the more bluesy track, “Turn Out the Light.” The latter also is best for showcasing her vocal credentials. Then  I also love the electric piano at the intro. Hell, it’s the second best song on the album and a good one! “Friends” and “All the Way From America” also stand out on this album for me.

What I know now that I didn’t know then was the amazing array of musicians that assist in propelling Joan to her glory. Paul Shaffer from David Letterman fame plays keyboards on the album and Clarence Clemmons from Bruce Springsteen’s band does what he does best with the sax. But one further surprise, the drumming chores are carried out by none other than Anton Figg, who has played for KISS and later Ace Frehley. So with an ensemble like that behind her, no wonder this album is so good.

Track Listing:

1. Me, Myself, I

2. Ma Me Oh Beach

3. Friends

4. Is It Tomorrow Yet

5. Turn Out The Light

6. When You Kisses Me

7. All The Way From America

8. Feeling In My Heart For You

9. Simon

10. I Need You

Joan Armatrading

Joan Armatrading

Joan Armatrading- vocals, acoustic guitar

Chris Speddig- guitar

Hiram Bullock- guitar

Ricky Hirsh- guitar

Dan Fedderici- organ

Paul Shaffer- piano

Phillip St John- piano

Tim Sowell- synthesiser

Clarence Clemmons- saxophone

Will Lee- bass

Marcus Miller- bass

Anton Figg- drums

With her great voice and an assembly of masterful musicians, it’s no wonder this was the most successful of Joan Armatrading’s albums. It can stand along with many of the great rock albums of the time. I’m only surprised it didn’t do more to break down racial barriers at the time. Oh yes, back to that night in Rota. I drank enough Buds that I was dancing on the table when The Tender Years played “Smoke On the Water.”

Next post: The Fools- Heavy Mental

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London