Archive for Misplaced Childhood

Great Rock Albums of 1985: Marillion- Misplaced Childhood

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , on November 28, 2018 by 80smetalman

For many Americans, 1985’s “Misplaced Childhood” was the breakthrough album for Marillion. Many of my countrymen and women had not even heard of the band before this. Me, I had heard of them and heard great things about them but it was this album which finally got me to get off my ass and get the album. Not only did I love the album, it also compelled me to go check out their earlier albums, a task very much to my liking.

Let’s start with the obvious. The main component in aiding Marillion’s breakthrough to mainstream was the big single “Kayleigh.” I have to admit, the song hooked me as well. It proved that good progressive rock was still around and that a band didn’t have to be all synth pop to make it. Furthermore, I have praised Steve Rothery’s guitar work on those previous albums, he continues to do good work and his work on the single shows he still could. With that said, “Kayleigh,” is not my favourite song on the album. That award goes to the second single, “Lavender” because Steve’s guitar work is even more entertaining on it. I like the way it just kind of explodes after the mellow intro on the song, great stuff.

The rest of the album is very intriguing indeed. It seems to go back and forth between short two minute tracks and  two longer tracks over seven minutes long in between a couple of more standard four minute ones. But unless you have the tracks in front of you, it can be difficult to note where one track ends and the other begins. This is probably down to me being carried away in the music that I’m not really paying attention to details like that. That was probably the good thing about having the album on cassette or vinyl back then. You at least get a break in order to change sides. When you do change sides, there is a change in focus on the album. Side one ends with the keyboard melodies of “Heart of Lothian” and side two wakes you back up with the more harder, “Waterhole” and continues with “Lords of Backstage” which combine are just over four minutes long. But no worries, the nine minute “Blind Curve” does not lessen any power and has some interesting changes to keep your attention.

Again, like I’ve said on Marillion’s previous albums, Marillion are all talented musicians, I mean very talented. Steve Rothery does what he does best on the guitar and whether it’s that or the keyboard wizardry of Mark Kelly, the vocals of Fish adapt to both and then some. The result of all of this is one great album.

Track Listing:

  1. Pseudo Silk Kimono
  2. Kayleigh
  3. Lavender
  4. Bitter Suite
  5. Heart of Lothian
  6. Waterhole (Expresso Bongo)
  7. Lords of the Backstage
  8. Blind Curve
  9. Childhood’s End
  10. White Feather
  • Tracks 4, 5 and 8 are broken up into parts

Marillion

Fish- lead vocals

Steve Rothery- guitars

Mark Kelly- keyboards

Pete Trewavas- bass

Ian Moseley- drums, percussion

Looking back, it was more of a matter of when Marillion would make the big breakthrough. They were one of those bands that both metalhead and Duranie could like without betraying their respective camps. This album was the pinnacle of that.

Next post: Jeff Beck- Flash

To download Rock and Roll Children, go to: https://c-newfreepdf.cf/olddocs/free-download-online-rock-and-roll-children-pdf-1609763556-by-michael-d-lefevre.html

 

 

 

 

 

 

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Great Rock Albums of 1983: Marillion- Script For a Jester’s Tear

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on May 9, 2016 by 80smetalman

Marillion_-_Script_for_a_Jester's_Tear

I had heard of Marillion in 1983 but didn’t actually hear them until their 1985, “Misplaced Childhood” album made a major breakthrough in the US. Even then, it would be another two years before I listened to their back catalog, which included this, their debut album, “Script for a Jester’s Tear.” I have to thank my first wife for giving me this opportunity as it was her albums that help me appreciate their early work. Actually, Marillion was the first concert we saw together as husband and wife but that story is better for another day.

One of my on going rants here on 80smetalman is that the progressive rock of the 1970s descended into the synth pop of the 1980s. I still believe this but somebody forgot to tell Marillion this was the case. “Script for a Jester’s Tear” proved that there was still some good progressive rock to be found in the 1980s. In fact, I will go as far as to say that legends from the decade before such as Emerson, Lake and Palmer and Yes, (I’ll be visiting an album of theirs in the near future) would be glad that Marillion carried on the torch of progressive rock far into a decade where it wasn’t as widely appreciated.

In the true spirit of progressive rock, the shortest track on the album is just a mere five minutes and twenty nine seconds, that track is “He Knows You Know.” It’s also why that song was released as a single. The next shortest track is over seven minutes long and the remaining ones are all more than eight. In each of those tracks, there is the great keyboard work of Mark Kelly in tandem with some impressive guitar playing from Steve Rothery. Those two elements are strongly supported by the rhythm section and the unmistakable voice of lead singer, Fish. They make all of those tracks ones where you just want to kick back and listen and just appreciate the musical efforts of the band. All good tracks but my personal favourite has to be “Garden Party,” most likely for the acoustic guitar followed by hard rock intro. One other point is that at the time, the track “Chelsea Monday” was criticised for having nonsense lyrics. If they do, who cares? The music, especially Rothery’s guitar solo more than compensates.

Track Listing:

  1. Script for a Jester’s Tear
  2. He Knows You Know
  3. The Web
  4. Garden Party
  5. Chelsea Monday
  6. Forgotten Sons
Marillion

Marillion

Fish- vocals

Steve Rothery- guitar

Mark Kelly- keyboards

Pete Trewavas- bass

Mick Pointer- drums

I think what Marillion achieved in 1983 was to provide a common ground for trendies who were able to look beyond what synth pop was offering and metalheads like me who still appreciate a bit of melody. For those, Marillion’s debut album has it all. The paradox is that while “Script for a Jester’s Tear” was a huge success in the UK, it hardly made a dent in the US. Then again, I’ll be visiting another UK band who in the same year, had an album that went multi- platinum in the US but only sold about 17 copies in the UK.

Next post: Big Country- The Crossing

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London