Everyone’s question when they see the name of this band is: Is it just a clever name? Originally, I thought the answer was ‘yes’ because two people I know saw them live opening for such greats as Motorhead and both said that Gaye Bykers on Acid were rubbish. Therefore, for many years I ignored them. However, since I began blogging, I realized that I shouldn’t just let someone else’s opinion deter me from checking out a band on my own. Whether people like it or not, Gaye Bykers on Acid were a part, albeit a small part, of music history in 1987 and that’s why they are getting their spot here on 80smetalman.
What I like about their debut album, “Drill Your Own Hole” is that it doesn’t fit nicely into any preconceived pigeon holes. Wikipedia attempts to define the album as ‘noise rock’ or ‘neo psychedelic rock’ and I see small arguments in both cases. The opening track, “Motorvate,” gives weight to the argument as is sounds like The Doors going post punk. On the other hand, although there is no mention of it in what I’ve read about the band and this album and it could prove my insanity, I detect a strong Dead Kennedys influence on many of the tracks. Tony Byker’s guitar licks sound very much like East Bay Ray’s from the Dead Kennedy’s “Frankenchrist” album.
One track which is way out there is “Zen Express.” The intro sounds very similar to that of the theme song to “Friends” but goes more like a punked up version of The Monkees after. Another comment from a critic way back then is that the Gaye Bykers on Acid sound is the collision of punk and hippy psychedelic rock. That collision is abundantly clear on this track. The track which follows it, “Git Down,” is more like the Kennedys sound but with some wild soloing from Tony. But the track also has a bit of a swagger to it as well.
“World War 7 Blues” would be a great song for a cover from a heavy metal band. There is a definite metal vibe which you can surely bang along to. Just add some power chords. Saying that, Tony’s riffs are good on this one as well and this brings me to my next point. The glue which holds the album together is the strong bass lines from Robber Byker. You have probably already guessed that the band is all surnamed Byker but anyway, Robber does a fine job on the album.
It’s Jim Morrison meets Madness on the track “After Suck There’s Blow.” That’s the only way I can describe this track except unlike Madness, there’s no horns on the song. The remainder of the album goes out on pretty much the same vein with lead singer Mary Byker sounding like a punk Jim Morrison, interesting guitar riffs from Tommy and Robber and Kev Byker laying down a strong rhythm section. On top of that, they take the piss out of TV evangelists on “Drive-In Salvation.” I always tip my hat to anyone who does that. So, while they might have sucked live, “Drill Your Own Hole” is a decent album in its own right.
Track Listing:
- Motorvate
- Call Me a Liar
- All Hung Up
- Zen Express
- World War 7 Blues
- Git Down (Shake Your Thang)
- After Suck There’s Blow
- So Far Out
- Drive-In Salvation
- TV Cabbage
Mary Byker (Ian Garfield Hoxley)- vocals
Tony Byker/Phlegm Lubricant/Tony Shuttleburger/Sven Eleven (Tony Horsfall)- guitar
Robber Byker (Ian Reynolds)- bass
Kev Byker/Cubehead Buffalo Hyde/Gavina Hyde/Kenny Pride (Kevin Hyde)- drums
Another amusing point in regards to the “Drill Your Own Hole” album is that the first 1,000 pressings came without the hole in the centre. So, in order to listen to the album, you had to do what the album title said. After much thought and several listens to the album, I have come to the conclusion that this is a good album but you need an open mind and a sense of humour to fully appreciate it.
Next post: Motorhead- Rock and Roll
To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com
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