Archive for Stevie Ray Vaughan

Great Rock Albums of 1985: Stevie Ray Vaughan- Soul to Soul

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , on November 11, 2018 by 80smetalman

If I had relied on MTV for musical influence back in 1985, I would have never discovered this cool album from Stevie Ray Vaughan. I remember not being overly impressed with the music video for the song, “Change It” from the album. That was because that a huge part of Stevie’s guitar solo on the song got cut out of the video and that was a damn shame. What he could do with a guitar was what Stevie Ray Vaughan was all about and the 1985 album, “Soul to Soul” demonstrates this to a tee.

At the time, blues based guitarists seemed to be not trendy enough for the then current generation of MTV slaves. Eric Clapton was accused of being too ‘new wave’ and in spite of some great albums in the late 1970s and early 1980s, Rory Gallagher had not really broken through to the USA. Furthermore, Pat Travers seemed to have vanished off the face of the earth, it was reassuring that Stevie Ray Vaughan was able to carry the torch in traditional blues based style.

Any doubt about it is erased on the very first track of “Soul to Soul.” “Say What” is a blinding blues instrumental where Stevie just takes his guitar and does what does best with it. He does take over the vocal duties on the songs after that and while his vocals are okay, it’s the guitar work that impresses me more. “Look at Little Sister” is the hidden gem on the album because of the upbeat tempo along with the combination of saxophone and guitar which sounds perfect for this song. The following track “Ain’t Gone n Give Up On Love” is also an amazing blues song reminding me of some of the blues Gods who have gone before such as John Lee Hooker and BB King. There’s another blinder of a guitar solo on that one.

Thinking about it and my Swiss cheese memory might be to blame here, maybe it wasn’t “Change It” that I saw on MTV all those years ago. Listening to it now, this song is much better than what I remember seeing on the video. I have to confess it is a great song. The remainder of the album doesn’t depreciate in any way. The fast paced “You’ll Be Mine” takes things up a notch or four leading right to the great guitar solo intro on “Empty Arms.” After more blistering guitar solos on “Come On (Part III), the album concludes nicely with the slow blues number, “Life Without You” making “Soul to Soul” a classic blues rock album for the 1980s.

Linking past to present, while I have always loved Stevie Ray Vaughan’s music, I think the reason I like it even more these days is because this album especially reminds me of the television show, “NCIS- New Orleans.” Mrs 80smetalman and I are both big fans of the show and with every song here, I think of the end of the programme when after solving the big case, the team are all celebrating in the bar owned by Scott Bakula’s character and this type of music always seems to be playing in the background. Think about it, if it hadn’t been for Stevie’s tragic death from a helicopter crash in 1990, he might have made a guest appearance on the show. That would have been awesome!

Track Listing:

  1. Say What
  2. Lookin’ Out the Window
  3. Look at Little Sister
  4. Ain’t Gone n Give Up On Love
  5. Gone Home
  6. Change It
  7. You’ll Be Mine
  8. Empty Arms
  9. Come on (Part III)
  10. Life Without You

Stevie Ray Vaughan

Stevie Ray Vaughan- guitar, vocals, drums on “Empty Arms”

Tommy Shannon- bass

Chris Layton- drums

Reese Wynans- keyboards

Joe Sublett- saxophone on “Lookin’ Out the Window” and “Look at Little Sister”

Stevie Ray Vaughan proved that blues based rock was still alive and well in 1985 in spite of what the synth pop addled MTV youth might have said. “Soul to Soul” is a fantastic album.

Next post: Molly Hatchet- Double Trouble Live

To download Rock and Roll Children, go to: https://c-newfreepdf.cf/olddocs/free-download-online-rock-and-roll-children-pdf-1609763556-by-michael-d-lefevre.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Advertisements

Great Rock Albums of 1983: David Bowie- Let’s Dance

Posted in 1980s, Death, Music, Rock, Uncategorized with tags , , , , , , , , , , , on January 13, 2016 by 80smetalman

David-bowie-lets-dance (1)

So far, the new year isn’t starting off very well for rock and metal. Two weeks ago, we lose Lemmy to cancer and then two days ago, cancer claims David Bowie. Right now is a time for tragedy and great morning.

One observation I have made goes back to that metal hating newspaper, The Sun. At Lemmy’s passing, the paper devoted pages 14 and 15 to talk about his life and contribution to music. However, yesterday’s Sun put David Bowie on the front cover and dedicated about eight pages, at least, to him. Now, I know the argument that Bowie was more well known than Lemmy and sold more records and had many more Top 40 hits. But still, the difference in the amount of coverage by the paper is way out of proportion.

When I began to assemble my list for albums of 1983, I was in two minds on whether or not to include Bowie’s 1983 “Let’s Dance” album. For me, it’s not his best album. It’s a long way down from classics like “The Rise and Fall of Ziggy Stardust and Spiders From Mars,” an album I visited many eons ago. However, being an open minded person and having mellowed a little with old age, I thought it fair that I give it another listen. My opinion of “Let’s Dance” has improved but only a little bit. To me, it still sounds too 80s mainstream pop.

220px-ZiggyStardust

Here’s the good news. When I first heard the title cut all those years ago, I was put off by the domineering bass in the song. I thought he was trying to go for a dance record with it. Hearing it again, I realise now that “Let’s Dance” has a real killer guitar solo. Naturally, I had to look up to discover who played this great solo and very much to my surprise, I have learned that the guitar virtuoso was none other than guitar great Stevie Ray Vaughan. Better yet, not only does he shine on the title cut but his talents explode all over this album. So, I ask myself, “How could have I missed out this great guitar work over thirty years ago?” My only answer is that the mainstream 8os sound put me off so much, that I missed the great guitar solos.

Stevie Ray Vaughan

Stevie Ray Vaughan

Another point to make is that there is absolutely nothing wrong with Bowie’s vocals anywhere on the album. When you listen to each song, you know without a shadow of a doubt that it’s the Starman singing. His unique voice was as good as ever. This leads me to alter my original verdict on “Let’s Dance” to state that Bowie’s vocals and Vaughan’s guitar work save the album. Like with many albums, I did find a lesser known good track on this one. That track is “Cat People (Putting Out Fire)” and that even takes the top spot from the former fave, “Modern Love.”

Track Listing:

  1. Modern Love
  2. China Girl
  3. Let’s Dance
  4. Without You
  5. Ricochet
  6. Criminal World
  7. Cat People (Putting Out Fire)
  8. Shake It
David Bowie

David Bowie

David Bowie- vocals

Carmine Rojas- bass

Omar Hakim, Tony Thompson- drums

Nile Rodgers- guitar, horn arrangements

Stevie Ray Vaughan- lead guitar

Rob Sabino- keyboards

Mac Gallehon- trumpet

Robert Aaron, Lenny Pickett, Stan Harrison- tenor saxophone, flute

Steve Elson- baritone saxophone, flute

Sammy Figueroa- percussion

Frank Simms, George Simms, David Spinner- backing vocals

175px-David-Bowie_Early

R.I.P. David Bowie

While “Let’s Dance” is better than what I remember from over thirty years ago, after I listened to it, I did listen to “The Rise and Fall of Ziggy Stardust and Spiders From Mars” again. That album is more my style. Whichever album you from David Bowie you prefer, you can’t the fault the contribution this great singer made to music for over forty years.

Next Post: U2- War  (Unless someone else who put out an album in 1983 dies)

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html