Archive for Sweden

Bloodstock 2018: Sunday

Posted in Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , on August 23, 2018 by 80smetalman

Final full day at Bloodstock and I was prepared for a long one. Five of the final six bands on the Ronnie James Dio Stage were on my ‘must see’ list. That gave me some time to not have to wolf down breakfast and chill before I headed to the arena for a final day of metal. However, that was cut short when Teal suggested I make it six of the last seven bands when he recommended I see Amaranthe. Oh well, one more band wouldn’t hurt so I went with him and Joe to the arena.

That six of seven could have become seven of eight, at least I wished so because when I got to the Dio Stage, the band Evergrey was finishing up. This was yet another band whom I only caught the last few minutes of and wished I had seen more of them. Maybe it’s mellowing with age but I’m getting more into prog-metal bands and these guys from Sweden are definitely worth checking out. Shame I can’t say more.

Evergrey on stage

So far at Bloodstock, Teal had been two for two when recommending bands I should see, Kamelot on Friday and Alestorm on Saturday. No surprises that on Sunday, he was three for three when I saw the second consecutive Swedish band, Amaranthe, although they did have some technical difficulties before they came out on stage. Not to worry, while those difficulties were being sorted, bassist Johan Andreassen entertained the crowd with a bit of improv. I can’t remember anything he said, damn my Swiss cheese memory, but he had me and the rest of the crowd rolling on the ground in laughter. When the rest of the band emerged, the most obvious sight was that they had three singers. Two males, one described as clean vocals, that was Nils Molin and the unclean male vocals of Henrik Eglund Wilhemsson along with the vocals of Elize Ryd. The best thing is that this combination totally worked. Each singer would come in with their style of vocals at the appropriate part in the song and take it in an unexpected direction. Of course, the other reason it worked was the musical efforts of guitar, bass and drums. The end result was forty minutes of good power metal and another band not known to me who impressed me a hell of a lot.

Johan Andreassen doing his improv

Elize and Henrik on the vocals

Amaranthe won me over

Having seen Fozzy twice before I had already regarded Chris Jerico as a good metal singer. Third time is the charm and if I had any doubt in my mind about him, those doubts were obliterated on this particular Sunday. He even came out on stage in a really cool looking long coat. His vocals, if anything, were even better and he still knows how to work a crowd. His band was as good as ever, especially when they played my all time favourite Fozzy song, “Drinkin’ With Jesus.” Really love that song and I have made a promise to myself to listen to more Fozzy.

Chris in his coat

A shot of the entire band

I thought I’d get the guitar and bass in.

Chris engaging the crowd

Got more good shots of Fozzy

I thought he was going to attempt a flying drop kick here.

Since I didn’t want to go back to the campsite but my 57 year old frame didn’t want to stand, I went over to the Sophie Lancaster Stage to have a little sit down at the back. Shortly after, the next band started to get ready to go on stage but they too had some technical difficulties. This time, the bass player didn’t do improv. Instead, she treated the crowd to a brilliant bass solo, she could play! The band took the stage and played some really cool thrash/death metal. I learned they were from Nepal and it’s great to see such a good band coming out from that part of the world. I hope more people will check them out. Unfortunately, someone from either WordPress or Youtube is being a prick and not letting me paste any of their songs here.

Bass player shredding away

Underside finally emerge

Underside show that you can rock in Nepal.

The universal big question asked by many of the 18,000 who attended Bloodstock in 2018 was whether Mr Big was the type of band to play at this Festival. For me, that question was answered in the affirmative on the very first song, it being my vote for their hidden gem, “Daddy, Lover, Brother and Little Boy.” I have always loved that song and that set the stage for the rest of their set. Sure, they played most of their classics, “Green Tinted Sixties Mind” was the fourth song and not long after, “To Be With You” which Eric Martin brought out an acoustic guitar to play along to. He did the same with the cover of the Cat Stevens classic, “Wild World.” On top of that, Paul Gilbert totally impressed me with his guitar work on the songs and when he was left to play a solo. Eric also explained to the crowd that they had been on a European tour and Bloodstock was their last stop. Their final songs were more metal leaning, one of the being “Take Cover.” However, when they left the stage, they proved to everyone that Mr Big belonged at Bloodstock! Even if they didn’t play my other favourite Mr Big song, “The Whole World’s Gonna Know.”

Welcome Mr Big

Paul plays a solo

Paul continues to wail

Here’s a shot of Billy Sheehan

Eric on the acoustic guitar

Billy and Paul jamming together. Mr Big were certainly the most photogenic band at Bloodstock.

Some might think this might be going from one extreme to the other. Going from the melodic metal sounds of Mr Big to the death metal of Devil Driver. That didn’t bother me nor the many others who came to see them. It was metal mayhem to say the least. I can’t really say much about their time on stage. I went close to the front with Teal and Joe and therefore, spent the entire time on the edges of mosh pits and passing crowd surfers to the front. That kind of ruins your concentration a bit. What I did hear from Devil Driver, I totally liked and still had a fantastic time during their set.

Devil Driver

The mayhem spoiled this shot a little.

The best shot of them

I don’t remember anything about them but I got a shot of Servers on the New Blood Stage

At Bloodstock 2016, I took HMO’s advice and went to see a band he recommended on his blog called Ackercoke. So, when he posted about At the Gates a few months ago, I knew I had to see them. He’s now two for two in my book because At the Gates were brilliant. Three Swedish bands took the Dio Stage on this day and all three impressed me. For me, they were a natural progression after the more progressive sound of Evergrey to the sometimes more harder one of Amaranthe to At The Gates’s death metal although, they did go melodic at times. I always have liked that style so these guys fit in well. During their set, I met a man from New York who had come to Bloodstock just to see them. Apparently, they hardly ever go to the States. The band needs to rectify that! All I can say when they left was “Thank you HMO for showing me another great band.”

At The Gates

Singer Thomas Lindberg engaging the crowd

Thomas turned his back on me here.

Headlining the Sunday was the Finnish band Nightwish. I had heard many great things about this band and I further liked what I had heard from them so I was expecting good things. I wasn’t disappointed. A huge clock at the back of the stage counted down the final minute to their appearance and they came out just as it hit zero. From then on it was pure magic, whether it was the vocals of Floor Jansen, the guitar work of Emppu Vuorinen or the keyboards of Tuomas Holopainen. What impressed me even more was Troy Donockley who played guitar, Bouzouki and an assortment of woodwind instruments and all very well. I now have a full appreciation of what is called Gothic metal. The hour and a half went by too fast and the show ended with a spoken word bit but I can’t say who was speaking or what was said but it added greatly to the atmosphere of the show. The band did come back and I was hoping for one more song but they just took more bows. Can’t complain though.

The clock counts down

Good shot of Tuomas Holopainen on keys

I tried to get the band but a bunch of lights got in the way

Flash!

The last shot before they left the stage.

Tired and hungry, I went back to the tent to feed, drink my last beer and get some sleep. Next morning would be time to tear down, pack up and go. However, I left completely fulfilled having seen some great bands not only this day but the entire weekend. However, Scandinavia did win the Sunday.

Next post: Bloodstock, My final thoughts.

To buy Rock and Roll Children, go to https://www.amazon.co.uk/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_8?ie=UTF8&qid=1535059396&sr=8-8&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Bloodstock 2018: The Friday

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 17, 2018 by 80smetalman

Even having a crap night’s sleep the previous evening didn’t dent my enthusiasm for the first full day at Bloodstock. We started with a hardy bbq breakfast because we couldn’t have one the evening before on account of the waiting to get in and the brief rain. Therefore, we had it in the morning. After a breakfast of champions like that, which was washed down with beer, we decided to head for the arena.

Keeping with my established tradition, I made it a point to be present for the very first band out on the Ronnie James Dio Stage. That band happened be British punk band Feed The Rhino. If there is a textbook on how the opening band of a festival should act, then Feed The Rhino followed it to the letter. They exploded on stage at 300 mph with a song that grabs you by the throat and makes you listen to it nor did any of that energy dissipate after the first song. However, some purists may argue that the band broke protocol by organizing a mosh pit and then a wall of death. Whoever said opening bands weren’t allowed to do that? Especially when the lead singer, Lee Tobin, did a little crowd surf towards the wall. It was amazing and when they left, which was too soon, Feed The Rhino had set the mood not just for the day but for the entire weekend!

Feed The Rhino welcome everybody to Bloodstock

Lee Tobin carried by the crowd

In spite of the fact that I had seen and heard three bands I had never heard of previously who totally blew me away, I still went to the New Blood Stage to seek out more. Playing at my arrival was the band Garshkott. While they weren’t bad, their sound was in the vein of Feed The Rhino and Bloodshot Dawn, and I wouldn’t be surprised if they were ever signed, in my mind, they didn’t measure up to the two bands I have just mentioned. Then again, those two bands set the bar astronomically high.

Garshkott giving it their all

Heading back to the RJD Stage, I thought I should see Onslaught. I had seen them at my first Bloodstock in 2010 but I didn’t remember anything about them. Seeing them again, I remember why I didn’t remember them, there’s really nothing about them to remember. While their music was okay and I have since discovered from Youtube that their recorded material sounds pretty good, they just didn’t do anything for me when I’ve seen them live.

Onslaught coming out to play

Another shot of them

The uneventfulness of Onslaught meant that when the rains came down in the final minutes of their set, I fled for cover. The closest was the New Blood Stage. Providing the entertainment in my new found refuge was Democratus. They weren’t thrash but good solid metal. The singer did a great job in getting those in the tent to sing along. He would sing out, “Is this what you call?” and the audience, me included, would shout back, “Democracy!” Very relevant at the moment and I thought they were pretty good. If I was a scout, I would have signed them before the previous unsigned band on the day.

Democratus

Still raining down in buckets outside, I decided to stay in the New Blood Tent to remain dry. It turned out to be the will of the metal gods because coming on stage next was Vulgore. Of the three unsigned bands I had seen so far, these guys were the best. Their music was loud and brash but the guitarist could shred a little too. Still, their music is not for the faint hearted. They announced they have an EP coming out titled “Bliss.” I might have to hunt this one down.

The guitarist from Vulgore

More Vulgore

Vulgore made the rain stop, so after their departure, I headed outside. On the Dio Stage at the time was Memoriam. I only caught the last two songs from their set but they sounded all right. Plus, I noticed that the lead singer’s hair probably made many ladies jealous.

Memoriam, but this photo doesn’t show the singer’s hair properly.

Still looking for the music, I headed for the Sophie Lancaster Stage where I was treated to the doom metal sounds of Godthrymm. This trio was doom metal in the true sense of the word, even more than Black Sabbath. Most of the songs were about death. I remember one lyric, “Oh God, you lost your only son,” I think that explains a lot. Guitarist hammered out some good solos and he shared the lead vocal duties with the bassist. Godthrymm proved a great change of pace on the day.

Godthrymm playing doom

I’m not sure what this picture was. I think it was this person dressed up going through the crowd during Godthrymm

After a brief but necessary break, I returned to the Ronnie James Dio Stage for the first band I truly wanted to see. Before that band came out, I caught the last few minutes of Swedish death metal band Bloodbath. They sounded okay and I was amused at the shirtless guitar player whose torso was covered in fake blood.

Bloodbath, not sure if you can see the guitarist covered in blood

Then came the big bombshell. It was announced that Suicidal Tendencies were running late and wouldn’t be up next. They were re-scheduled to play at the Sophie Lancaster Stage two hours later. I had caught up with Teal and Joe and we decided to get some dinner. I kind of regret this in hindsight because swapping places with ST was the all female death metal Japanese band Love Bites. I heard they were really good and I’m liking what I’m hearing thus far. Oh well, I’ll put a song of theirs in tribute.

Returning from our late afternoon bbq, I followed Teal’s suggestion that I go with him to check out prog metal band, Kamelot. Full marks to his wisdom here because I thoroughly enjoyed them. I was duly impressed with the guitar work of Thomas Youngblood but I won’t take anything away from the rest of this band, they’re that good. They brought a female singer on for a few songs as well which made them more diverse. Let’s say I was very impressed.

Kamelot

A better shot of them

Thomas Youngblood jamming

I tried to get the female singer in this one

Instead of Kamelot following Suicidal Tendencies, we had Suicidal Tendencies following Kamelot. Which way around didn’t matter as we joined the throng heading for the Sophie Lancaster Stage. There was talk that the sheer weight of numbers in ST fans would knock the Sophie Tent off its foundations. Suicidal Tendencies exploded onto the stage with “Don’t Bring Me Down.” Almost immediately, Mike Muir had the crowd in his hand with everyone singing the chorus. The band darted around stage and Mike did his little dance. It seemed that the opening song might go for the entire set because every time it sounded like it would end, the band would pick it up again. When the song did end, the audience was screaming their appreciation. Afterwards, they played songs “I Shot the Devil,” The War in My Head” and “Subliminal.” When they played the “Skater’s Song,” Mike announced that the band had been inducted into the Skater’s Hall of Fame. A young boy was brought up to play drums along side of Dave Lombardo for one song and they also let a man in a wheelchair onto the stage. ST are definitely a class act! In between songs, Mike talked about not letting things get you down. His advice was to “Get up, stand up for yourself and you will be the person you want to be.” Great words of wisdom. When they left, the crowd was on a major high and it was also announced that it had been the largest crowd the Sophie Lancaster Stage ever had. They were phenomenal and like Teal converting me to Kamelot, I converted him to ST. It didn’t even matter that they didn’t play my two favourite songs again nor the fact that they pretty much played the same set they had at Download last year.

The crowd heading to the Sophie Stage to see Suicidal Tendencies

ST comes on stage

Guitarist Dean Pleasants can still jam.

Another shot of Dean

Mike leading the charge

After feeding my face some more, we all headed back to the Ronnie James Dio Stage for the main even, Judas Priest. They had a massive stage set up with what looked like cacti which lit up on the wall behind. When the band came out, Rob Halford looked like a bent over old man but he quickly straightened up when they started playing. They opened with “Fire Power” and played two more songs from the album. It was the fourth song that was the big thrill for me when they revealed their all time hidden gem, “The Ripper.” I think I was the only one in the crowd who went absolutely nuts at it. Both Teal and some young lady in front of me both stated, “You’re excited about this song.” Next, they revealed that it was the 40th anniversary of their “Stained Glass” album where they played “Saints in Hell” as a tribute. Other Priest greats included “Turbo Lover” and “Freewheel Burning.” While Rob was the great show man he has always been for more than four decades, I was impressed with guitarists Richie Faulkner. He seems to have learned from his mentors and if the band was to continue, he is more than capable to carry them on. Scott Travis was pretty cool too and I loved how he and Richie traded solos. Things seemed to end with an extended version of “You Got Another Thing Comin'” and “Painkiller,” both drawing large cheers from the crowd. But Judas Priest weren’t done. Obviously, there would be an encore and that’s when they sprung a surprise. Glenn Tipton came out to play with them for the four encore songs. He did look a little frail and Rob kept coming over to him but he stayed the course. He even played a solo on the closing song, “Living After Midnight” which followed on from “Breaking the Law.” When the mighty Priest did leave, it was to much adulation and a brief but cool fireworks display.

Blasted light show kept me from getting decent pictures of Priest

See again!

A little better

Even taking a photo of the big screen didn’t work.

I kept trying though

Teal and Joe called it a night but I had one more act to watch. As soon as Judas Priest was finished, I high tailed it over to the Sophie Lancaster Stage to catch Doro. My timing was perfect because as I entered the tent, she was performing one of my favourites, “I Rule the Ruins.” That wasn’t the only one she treated me to, a few songs later, I got to hear “East Meets West,” where she brought out a former guitarist Tommy Bowen. Therefore, for the rest of her show, she had a three guitar attack behind her. Sounded real good when she played “Burning the Witches.” Doro engaged the audience really well throughout and while her light show was nothing like Priest, it was still pretty cool. “All We Are” got the crowd really going and it carried on until she left the stage. When she came back out, Doro asked the audience what song they would like. I was too far away so she couldn’t hear me calling out for “I’ll Make It On My Own,” so she said, since nobody came forth with a song, she’d pick one, which she did. A second song was asked for and she picked one from a young lady in the front and that’s how the night ended, with loads of bows and “thank yous” before leaving. It was a great way to end the first day!

Doro on the Sophie Stage

Better pics with Doro

Tommy Bowen on guitar

Doro mesmerizes the crowd

Note: You may have noticed that I haven’t posted songs from every band I saw. I thought to do it with the ones I had never heard of before and now you have.

Next post: Saturday

To download Rock and Roll Children, go to: http://mediahubb.net/14510967/rock-and-roll-children.html

 

 

 

Great Metal Albums of 1985: Yngwie Malmsteen- Rising Force

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on June 26, 2018 by 80smetalman

The last of the 1984 albums that didn’t come to my attention until 1985 and it wasn’t until May of said year that I was treated to this one. I remember it well, fairly well anyway. I was sitting in the cafeteria of my local glorified high school, (community college), when a friend offered me a listen on his walkman saying, “I think you’ll like this.” He was right, I did like it. It was the opening track to the “Rising Force” album by Swedish guitar god, Yngwie J Malmsteen. It was said that the J is there so we won’t confuse him with all the other Yngwie Malmsteens in the world.

“Black Star” the opening track I mentioned changed my entire outlook on guitar instrumentals, which was a hard thing to do because I have always had great admiration for masters of the axe. It was just the way that then 21 year old Yngwie made the guitar scream and bend to his will as he played that had me totally hypnotized. “Black Star” was simply the perfect introduction for me and apparently, he still plays it live.

One criticism aimed at guitar albums is that all of the tracks sound the same. Yes, I know, complete hogwash but if anyone says it to you, then you can point them to this album. All of the tracks are original and unique as Yngwie strains his guitars to fit the sound of each song. Whether it’s the faster paced “Far Beyond the Sun,” it is rumoured he still plays that one live too or the classical sounding “Icarus’s Dream Sweet Opus 4,” Yngwie delivers a unique sound every time.

While the guitarist is the main attraction here, you must give credit to the supporting cast. Jens Johansson premieres his keyboard skills on the album and shows he is very good at what he does. One must also give credit to drummer Barriemore Barlow. He has to keep up with a guitarist who can change direction at any time and often does so. And while there are only two vocal tracks on the album, it was here where I got my first experience of Jeff Scott Soto. Even with very little vocal opportunity, he shows he’s got the pipes. Fortunately, he would be given more opportunity on future albums as “As Above, So Below” is proof that Jeff and Yngwie made a very good combination. See, if it hadn’t been for Danny Vaughn, Jeff would have been my vocalist of choice for the 80sMetalman Band of Underrated Musicians.

Track Listing:

  1. Black Star
  2. Far Beyond the Sun
  3. Now Your Ships Are Burned
  4. Evil Eye
  5. Icarus’s Dream, Sweet Opus 4
  6. As Above, So Below
  7. Little Savage
  8. Farewell

Yngwie Malmsteen

Yngwie Malmsteen- guitars, bass, Moog Taurus

Jens Johansson- keyboards

Jeff Scott Soto- vocals

Barriemore Barlow- drums

In the later years, I would learn all about Yngwie’s over inflated ego and how he doesn’t play nice with others but that’s in the future. What I knew in May 1985 was that he could rip a guitar, which he does extremely well on his debut album.

Next post: David Lee Roth- Crazy From the Heat

To download Rock and Roll Children for free, go to: http://allkindlecloud.com/register/14510967-Rock-and-Roll-Children_pdf_free.html

 

 

 

 

 

 

 

 

 

 

 

 

 

Download 2017: Friday

Posted in Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , on June 16, 2017 by 80smetalman

Up early and eager to go on the first full day of metal mania at Download. Teal, my stepson and his friend Joe, were disappointed that the sport of bin jousting hasn’t caught on at Download and is exclusive to Bloodstock. However, Friday at Download is a dress up day and the theme was wrestling. Therefore, there were a lot of people dressed up as such. Some dressed up as other things like super heroes. I did like the Supergirl outfit I saw.

This gentleman was ready for the day’s festivities.

Inside the arena

I noticed that it has been a sub-concious tradition on my part at all festivals to go check out the first band on stage. On this day, it was Australian metal core band, Northlane. Now, it is the stereotype belief that all Australian bands are influenced by AC/DC. Obviously, somebody forgot to tell that to Northlane. If anything, they sounded more like Marilyn Manson than AC/DC. They came out on stage with the determination to leave their mark on the day and they did with their hard sound. They did slow things down in the middle of their set with songs “Rotten” and the newly released on video, “Solar” but they came back even harder after that. Even though they were only on stage thirty minutes, Northlane was a great way to start the weekend.

Northlane begins the festival

And they kept it going

Teal advised me to stick around for the second band and so with no plans to go anywhere else, I did. After their acoustic sounding intro, Motionless in White blasted onto the stage. While Northlane might have sounded like Marilyn, Motionless in White’s lead singer, Chris ‘Motionless’ Cerulli sort of looked like him. He did have a great stage presence. While being bashed about by their hardcore metal sound, they did introduce their new song, “Unnecessary Evil” and ended things with one of their best known songs, “Abigail.” When they finished, I was glad that I had listened to my stepson’s advice.

Chris ‘Motionless’ leading the charge.

And the band followed.

It had always been my intention to catch the next band out on the main stage, Sabaton. I saw these Swedish metalers at Bloodstock two years prior so I was looking forward to more of the same. This time, they wasted no time in getting the tank on stage as I watched it being set up before the band even got on stage. When they did, the tank did it’s job in producing a great display of firepower in support. The pyro in the first song, gave way to their classic, “Art of War.” As always, Sabaton put on a great stage show and they played great songs like “Sparta” and “Primo Victoria” to commemorate the 73 years plus three days anniversary of D-Day. The audience also found out that the tank was named Walter and so the crowd started chanting the tank’s name. All very amusing and I if they had played more than forty minutes, I would have said they were better than what they had been at Bloodstock. With the time cut, they were about the same.

Wheeling in Walter

Sabaton under a cloud of smoke

Sabaton leads to victory.

After watching three bands back to back, I thought I needed some lunch. So after a quick refuel, I headed over to the Zippo stage for the next band I wanted to see. When I got there, I managed to catch the last five to ten minutes of Machine Gun Kelly. Normally, rap metal isn’t my thing but these guys were pretty good. On the last song, the lead singer sang directly to a lady in the audience. What I saw of them was okay.

Machine Gun Kelly finishing up.

Once MGK left the stage, I managed to manoeuvre my way to the front in anticipation for a band I had been waiting over thirty years to see, Suicidal Tendencies. When they propelled themselves onto the stage, they were manic from start to finish. Lead singer Mike Muir was a complete psycho. He would rev himself up by doing this little dance and than dart madly across the stage. Opening with “You Can’t Bring Me Down,” they went straight into their own version of “God Save the Queen,” “I Shot the Devil.” For those familiar with that song, it actually begins with Mike bellowing out, “I shot Reagan!” These days, it might be cool if he changed Reagan to Trump. But the audience sang along to it anyway. We were also treated to “War Inside My Head” and “Subliminal” to name a few. During the set, Mike spoke to the crowd about doing things for yourself instead of blaming others and he jumped off stage and high fived people in the front. One of them was me. One surprise they unleashed was when they announced that Slayer’s Dave Lombardo was on the drums, that got lots of cheers.  The other thing I can say about ST is Dean Pleasants is very underrated as a lead guitarist, the man can lay down some jams! I would like to say that it was the perfect forty five minutes. Unfortunately for me, there was a major disappointment. The band played neither of my two favourite tracks, “Institutionalized” and “I Saw Your Mommy.” While they were absolutely brilliant, I can’t say they were perfect.

Welcome Suicidal Tendencies

Mike Muir and Co

Pleasants wailing away

On my way back to the campsite, I stopped again at the main stage because Five Finger Death Punch were playing. Their good aggressive metal enticed me to stay and have a listen. What I didn’t know was that they had been previously banned from Download, I don’t know the details. There was one part, where lead singer, Ivan Moody stated guitarist Jason Hook could play any song. Left to his devices, Hook began to play the Ozzy classic, “Crazy Train.” When told to stop, he began playing “Smoke on the Water.” After that, Moody told the crowd they were ‘bad company’ before going into a cover of the classic tune. I have to say, even their acoustic number was pretty good. I have since been told that Moody has left the tour and checked into rehab. Tommy Vext will take over the singing duties for the rest of the European tour.

Five Finger Death Punch

Back to the Zippo Stage, this time to get ready for the headliner. But before they came out, I did catch a good chunk of Good Charlotte. I only know the one hit, “Lifestyles of the Rich and Famous,” which they closed with. However, I thought they’re overall performance was good.

Good Charlotte on stage

See, I must have liked them, I took a second picture

And a third

Friday’s headliner at the Zippo Stage was Sum 41, a band I have always liked but never admitted it to anyone over the age of 40. Although fifteen years ago, my eldest son thought his dad was cool because he liked them. Let’s just say right away that they were brilliant from start to finish. In the early minutes of the set, they got three people out of the audience to view the show from back stage. No, I wasn’t picked. They did play a good combination of material and a crazy mosh pit opened up near me. One lady went especially crazy but after the show, she said she had waited fifteen years to see this band, so one can’t really blame her. In the middle of the set, they played some covers. They began playing Maiden’s classic, “The Trooper” and were astounded when the crowd sang the lyrics back to them. They also played a little of Metallica’s “Master of Puppets.” Lead singer Deryck Whibley played the opening chords to the first two songs he learned to play on the guitar, “Smoke on the Water” and White Stripes’s “Seven Nation Army.” Sum 41 ended the covers portion with one of Queen’s famous “We Will Rock You,” played very similar to the way it’s done on the “Live Killers” album. At one point, the band left the stage to see a skeleton inflate behind the drums. When fully inflated, it was making the ’41’ hand gesture. Deryck also told about the time he spent in hospital and what got him through it was a picture of himself playing a gig in the UK. I thought that was touching. The brilliant night ended with their two best known songs, “In Too Deep” and of course, “Fat Lip.” That ended things very well.

Sum 41 under the lights

This young lady was really into them

A good shot of the band

They disappear under the lights

Only for the skeleton to emerge

Sum 41 finish in a flurry

After Sum 41, I did venture past the main stage to watch a little of System of a Down. I stayed long enough for hear “Chop Suey” but didn’t stay too long, not my thing. For me, Sum 41 was the best end to a thrilling first day.

Hopefully, Rock and Roll Children will have its own link again soon. It is still available on Amazon.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

80smetalman’s Choices for National Anthems

Posted in Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , on November 4, 2015 by 80smetalman

National Anthems inspire love for one’s country. Every one I’ve heard definitely does that. Some are hard driving like the US, UK or Canada while others are more somber like Japan or Wales. Even Italy’s which reminded me of a parade or Spain’s which sounds like a sixteenth century dance still can inspire love for the country. However, most national anthems are over a century old and while there’s nothing wrong with that, since they still inspire nationalistic feelings, I wonder if more modern ones could be used. See, I have come to associate certain songs by certain bands with the country they come from and that has me thinking. Maybe these songs should be national anthems for their country.

Lynyrd Skynyrd

Lynyrd Skynyrd

USA: Freebird by Lynyrd Skynyrd (I’m talking the full fifteen minute live version)

Led Zeppelin

Led Zeppelin

UK: Stairway to Heaven by Led Zeppelin

Rush

Rush

Canada: Tom Sawyer by Rush

Bonfire

Bonfire

Germany: Proud of My Country by Bonfire

TNT

TNT

Norway- Seven Seas by TNT

Yngwie Malmsteen

Yngwie Malmsteen

Sweden- As Above, So Below by Yngwie Malmsteen

Hanoi Rocks

Hanoi Rocks

Finland- Tragedy by Hanoi Rocks

Golden Earring

Golden Earring

The Netherlands: Radar Love by Golden Earring

U2

U2

Ireland- Sunday Bloody Sunday by U2

Loudness

Loudness

Japan- Crazy Nights by Loudness

AC/DC

AC/DC

Australia- Highway to Hell by AC/DC

Note: For Brazil, it would definitely be something by Seputura and France would be a suitable song by Gojira.

While this is meant to be a little bit of fun, I’m sure some of you are cracking your knuckles and limbering your typing fingers to contribute some of your own suggestions. Well, I’m waiting.

Next post: The Scorpions- Blackout

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