Great Rock Albums of 1985: Don Henley- Building the Perfect Beast

The more I think about it, the more convinced I am that I was not as musically open minded as I thought I was in the early part of 1985. While I make no justification for this, I do think the reason might have been that I was in longing after the wave of heavy metal that was played on commercial radio throughout 1984 became non existent in the early part of the following year. That was probably why I poo-pooed the “Building the Perfect Beast” album from Don Henley. Being honest, I was in Eagles mode (even though they had split up five years earlier) with not just Don but all former members of this iconic band. I expected all of their solo material to resemble the classic “Hotel California” and the singles from this album didn’t do that. So, I ignored it until a friend lent it to me and I had a listen. Then I realized what I fool I had been.

Sure, the big single “The Boys of Summer” doesn’t sound like “Hotel California” but the musicianship on the song is simply fabulous. There is some great guitar work from Tom Petty and the Heartbreakers guitarist Mike Campbell and Don’s voice is clean on this and all of the tracks. I have really come to like this track in my later years.

Upon further reflection back to 1985, I think that I put music into categories of heavy metal and synth pop. “Building the Perfect Beast” not being metal, I put it into the other category. Again I say “Fool!” at least to myself anyway. There is absolutely nothing synth pop about this album. If anything, there are tracks that take me back to The Eagles more country rock sound from the early 1970s. Tracks that bear evidence to this are the fast paced “Man With a Mission” and my vote for hidden gem, “You’re Not Drinking Enough.” For some reason, that track reminds me of the Eagles’ classic, “Take Me to the Limit.” But it does say “Early Eagles” all through the song. Thinking back to early 85, at the time I was dating a woman who had a drinking problem and now I’m linking this song with that. “Not Enough Love in the World” is another example of what I am trying to talk about. In fact this track would have fitted perfectly on the Eagles’ “Long Road From Eden” album.

One reason for why this album sounds as good as it does is that Don got a load of well known singers and musicians to guest on it. While you know it is definitely Don Henley on every track, these guests, have a look below to see who, add to the quality of the album for sure.

Track Listing:

1. The Boys of Summer
2. You Can’t Make Love
3. Man With a Mission
4. You’re Not Drinking Enough
5. Not Enough Love in the World
6. Building the Perfect Beast
7. All She Wants to Do is Dance
8. A Month of Sundays
9. Sunset Grill
10. Drivin’ With Your Eyes Closed
11. Land of the Living

Don Henley

Don Henley- lead vocals, percussion (tracks 5,6,9), drums (tracks 2-4,7), keyboards (track 6)

Danny ‘Kootch’ Kortchmar- guitars, organ (4), synthesizers (tracks 1,3,6), percussion (tracks 6,9,10), keyboards (9), synthesizer guitar and horn solos (8), ormichard (4), horns (3)

Additional Musicians

Mike Campbell- guitar, synthesizer track 1

Lyndsey Buckingham- guitar, backing vocals track 2

Charlie Sexton- guitar track 3

Tim Drummond- bass (tracks 4&5)

Pino Pallindino- bass (tracks 2,9,10)

Larry Klein- bass track 1

Jim Keltner- drums track 8

Ian Wallace- drums track 5

Kevin McCormick- African drums track 6

Randy Newman- synthesizer track 8

David Paich- synthesizer (track 7) piano (track 4 & 8)

Steve Porcaro- synthesizer (track 1 &4)

Benmont Tench- synthesizer (track 8), keyboards (track 2&5)

Albhy Galuten- synthesizer, Synclavier track 6

Michael Boddicker- synthesizer track 8

Bill Cuomo- synthesizer, percussion track 10

Backing Vocals:

Belinda Carlisle- track 3

Michael O’Donahue, Waddy Watchel, JD Souther, Carla Olson- track 6

Patty Smyth- track 6, 8-10

Martha Davis- tracks 6&7

Marie Pascale Elfman, Dominique Manicelli- track 9

Sam Moore- track 4

Brian Dear, I owe you a thanks for giving me this classic Don Henley album to listen to. Otherwise, I would have been enslaved to my ignorance that “Building the Perfect Beast” was another 80s synth pop album. It is clearly not and full marks to Don for it.

Next post: The Wrestling Album

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Great Rock Albums of 1985: Glenn Frey- The Allnighter

When I begin a new year of my trip through the golden decade of heavy metal, I always start with albums that were made in the previous year but didn’t come to my attention until the said year. Because there were so many great albums in 1984, I didn’t get around to listening to a good number until 1985. One of these was “The Allnighter” from the late former Eagles guitarist/singer, Glenn Frey.

Reflecting back to early 1985, I used to wonder if I was a little unfair to both Glenn and one of his former bandmates who also released a solo album in this year. First, I was very much into all things metal and “The Allnighter” is definitely not metal. Furthermore, I was very much into the last two Eagles albums, “Hotel California” and “The Long Run” which did feature some harder rock than their early 1970s albums.

Glenn goes further away from his Eagles roots with this album as it’s a more mellower and somewhat bluesier sound. There are some ballads on here like “Let’s Go Home” and “Lover’s Moon.” Glenn’s voice has always been suited to these but it is also versatile enough for the faster songs. “Sexy Girl” is kind of in the middle here and he does sing it well. I recently heard a live version of it and it sounds better than the commercial version. However, the best song and one that I’ve come to appreciate far more in my aging years is “Smuggler’s Blues.” This song is proof that Frey can sing harder stuff, not that I had any doubt he couldn’t. What has really impressed me about it is the musicianship. Like his previous album, Glenn uses a ton of musicians on it, so I don’t know who does the guitar solos on the song but they are ace. Full marks to whoever played them. The song did feature on the mid 1980s TV show “Miami Vice.”

Track Listing:

1. The Allnighter
2. Sexy Girl
3. I Got Love
4. Somebody Else
5. Lover’s Moon
6. Smuggler’s Blues
7. Let’s Go Home
8. Better in the USA
9. Living In Darkness
10. New Love

Glenn Frey

Glenn Frey- lead vocals, guitar, bass, drums, piano, synthesizer

Josh Leo, Duncan Cameron- guitar

John ‘JR’ Robinson, Michael Huey, Larry Londin- drums

David Hood, Bryan Garofalo- bass

Greg Smith, Willie Bergman, Al Garth- saxophone

Vince Melamed, Allen Blazek, Barry Beckett- piano

Barry Beckett, David ‘Hawk’ Wollinski- synthesizer

Nick DeCaro- strings

Steve Foreman- percussion

Victor Feldman, Jack Tempchin, Oren Waters, Jack Galloway, Luke Waters- backing vocals

I might have mellowed a bit with age and while I like some of what’s on “The Allnighter,” it really isn’t my cup of tea. There are some good songs on it and it’s a great album to mellow out to or provide suitable background settings but I won’t put away my metal albums in favour of it.

Next post: I know I said at the beginning of the post that I’ll be starting with albums that came out originally in 1984 but I have to make an exception. Download is this weekend and I need the correct inspiration.

Kreator- Endless Pain

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Great Rock Albums of 1984: David Gilmour- About Face

Like Lennon and McCartney after the Beatles split and Henley and Frey after the split of the Eagles, I wonder if Roger Waters and David Gilmour were entwined in some music one-upsmanship after the imagined Pink Floyd split following the last album with Waters, “The Final Cut.” Early in the year, we were treated to Roger’s album, “The Pros and Cons of Hitchhiking,” which I’ve already posted about. In the months that followed, Pink Floyd guitarist, David Gilmour, released his solo album, “About Face.”

One thing I will never do is allow myself to be dragged into any debate as to which was the better album between Waters and Gilmour. Don’t even ask because even after thirty-three years, I couldn’t give an answer. I like both of them very much.

Some critic back then stated that “About Face” had a commercial feel that Pink Floyd were never bothered with. I would never call this album commercial, even if in a 2006 interview, Gilmour stated that he thought that it was too 80s. Well, maybe it was for him. In my not so humble opinion, I think that the album doesn’t go too far from the Pink Floyd formula. While I wouldn’t call the opening track typically Floyd, I do think “Until We Sleep” a cool space rock tune. I can easily listen to it while puffing the magic dragon and might have done so. However, the next two tracks are definitely Pink Floyd style tracks. The first of these, “Murder” was written in angry reaction to the senseless murder of John Lennon. On the track, Gilmour really vents that anger with a hair raising guitar solo. “Blue Light” has a funky jazz beat with the horns and this song is probably the farthest song from the traditional Pink Floyd trademark. I like it regardless.

“Out of the Blue” goes back to more familiar territory, nothing wrong with that either, but the track after, “All Lovers are Deranged” is a bit of a rocker. The lyrics were written by Who guitarist Peter Townsend and you can hear a bit of early Who in the song. It had to have been put on the album to give the listener a shock after being absorbed by the mellower track before it. “Don’t Turn You Back” starts out like a Floyd-esque song but there’s some interesting stuff going on in the middle of it with horns. If there was any track on the album that sounded commercial 80s, then it would be “Cruise.” I have always wondered why it never was released as a single. With its more easy listening style, the trendy top forty types might have liked it even if they didn’t know anything about David Gilmour or Pink Floyd. Some good organ work behind a reggae tint makes this song. Another interesting song is the instrumental that is “Let’s Get Metaphysical.” This goes from being spacey type Floyd to jazzy horns to some very good progressive sounds. The thing is that with all of this mixed together, David pulls it off. That must be a tribute to his genius. Then he ends things in what I call typical Pink Floyd fashion with “Near the End.” A long sounded space out track with some great Gilmour guitar licks. It is the best song to end with.

One thing consistent on every song is the guitar work of David Gilmour. He does let himself go more and while I always liked his guitar work with Pink Floyd, he outshines himself on “About Face.” It also helps that he put a great band together as well as some cool guest musicians to play with him.

Track Listing:

1. Until We Sleep
2. Murder
3. Love On the Air
4. Blue Light
5. Out of the Blue
6. All Lovers are Deranged
7. Don’t Turn Your Back
8. Cruise
9. Let’s Get Metaphysical
10. Near the End

David Gilmour

David Glimour- guitars, lead vocals, bass

Jeff Procraro- drums, percussion

Pino Palladino- bass

Ian Kewley- organ

Additional Musicians

Steve Winwood- organ on “Blue Light” and piano on “Love on the Air”

Jon Lord- synthesizer

Anne Dudley- synthesizer

Bob Ezrin- keyboards, orchestral arrangement

The Kick Horns- brass

Luis Jardim, Ray Cooper- percussion

Roy Harper, Sam Brown, Vicki Brown, Mickey Feat- vocals

The National Philharmonic Orchestra

David Gilmour popped out onto the music world of 1984 with a great solo album. Okay, it didn’t have the chart success even if Dave thought it was too 1980s. Many Pink Floyd fans do like it and so do some who weren’t. A great effort from a fine musician.

Next post: The Bangles- All Over the Place

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Great Albums That Were Lost in the Cassette Player

For those who have been following me for awhile, you will know that back in the early 198os, I owned a lot of cassettes due to my very limited living space when I was in the marines. Even after I got out, while I began buying vinyl again, I still bought a good amount of cassettes. My logic at the time was you couldn’t play records in the car and I need my travelling music. While cassettes had the advantage of being very compact, you could fit one in your shirt pocket, they had the disadvantage of being susceptible of destructing. They could easily get mangled in the player and often times brake. I found this extremely frustrating. While the percentage of cassettes lost was small compared to the number I owned, it still upset me when I lost one to the machine. So, as an in between the years post, I will play homage to all the great albums that were mangled by a tape player.

The famous ammo cans . I thought this would be a good excuse to put this picture in the post.

Others that succumbed but I don’t have pictures for

Slayer- South of Heaven

The Dreggs- Unsung Heroes

The Who- recorded from the radio

Copperhead

There could be more but these are the ones I definitely remember. However, other cassettes weren’t mangled in the machine but wore out another way. When played they began to have a hiss sound on them. Eventually, this hiss got louder and present on more of the tape until it was unplayable. There was the odd tape where that started but it stopped and played normal again. Unfortunately, others didn’t so here is a tribute to those cassettes that were lost in this manner.

As you can see, many a great album fell victim to the dreaded tape player one way or the other. Thank God for CDs and more modern means of listening to music as I don’t have that problem anymore.

Next post: 1984

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Compilation Album for 2016

Recently on Twitter, I commented that with all the great musical stars who passed on in 2016, that I wouldn’t put it past some morbid record producer to make a compilation album featuring all of them. One of my friends replied that with so many, it would have to be a box set and he’s probably right. Normally, I ‘m not a morbid person but I then thought, “Why don’t I come out with my own ideas for such an album?” Besides, if it was in the hands of some corporate record executive, their idea for the album would be totally different than mine, especially if the metal hating UK newspaper, The Sun, had anything to do with it.

In compiling such an album, I fear that had things been left to record execs, Jimmy Bain and Sandy Pearlman would have been left out totally. Jimmy would have been because he was only a bass player despite the fact that he played on all the greatest Dio albums. Sandy was simply a producer but without him, we would not have had some of the great albums delivered by both Blue Oyster Cult and The Clash. Use of semantics, the fact that Lemmy actually died in 2015, would have been used as an excuse to keep him off the album. I don’t do that because Lemmy’s death was the snowball at the top of the mountain which started the avalanche. Paul Kantner would have definitely been left out if the record producer was British but might have been included if they were American. After all, he did have a minor song writing credit on Jefferson Starship’s best known single, “Jane.”

Of course, I am tempted to exclude some too. I was never a big Prince fan. However, I didn’t hate his music. Whenever his songs came on the radio, I didn’t turn the volume up or down, nor did I change the channel. But credit where due, on the song I really like, he does shred a guitar fairly well and I remember in 1984, I fully endorsed his desire to play the role of Jimi Hendrix in a film about the guitar god.

George Michael is another problem. See, The Sun and other media have already been blubbering over how great an 80s icon he was. I can’t refute that. However, he wasn’t entirely the 1980s and the whole point of writing “Rock and Roll Children” and this blog was to rebut the belief that 80s music was entirely Wham, Michael Jackson and Boy George. We all know it wasn’t but George Michael stands as a symbol of my antagonism towards this warped view of the Golden Decade of Heavy Metal. So, I hope one can understand why I would be tempted to exclude him from my album. However, I am a better person than those at The Sun and not a corporate record executive, so I will allow one GM song onto my album. This song came out after his 1998 arrest in Los Angeles and was the springboard for a rather rude but funny joke.

Tribute Album to Musician’s Who Died in 2016

Lemmy

Motorhead

1. Ace of Spades
2. Killed By Death
3. Iron Fist

David Bowie

1. Space Oddity
2. Ziggy Stardust
3. Mott the Hoople- All the Young Dudes

The Eagles

Glen Frey- The Eagles

1. Take it Easy
2. Heartache Tonight
3. New Kid in Town
4. From Glenn Frey’s solo stuff:
5. Smuggler’s Blues
6. Sexy Girl

Jimmy Bain

Dio

1. Rainbow in the Dark
2. The Last in Line
3. Mystery
4. Sacred Heart
5. Sunset Superman

Paul Kantner- Jefferson Starship

1. Ride the Tiger
2. Dance With the Dragon
3. Stairway to Cleveland
4. Planet Earth Rock and Roll Orchestra (Paul Kantner solo)

I never saw them but Emerson Lake and Palmer were said to be amazing live!

1. Lucky Man
2. Fanfare for the Common Man

Sandy Pearlman

Blue Oyster Cult

1. Don’t Fear the Reaper
2. Dancing in the Ruins

The Clash

English Civil War

Prince

Let’s Go Crazy

George Michael

Outside

Leonard Cohen

Hallelujah

(I thought Leonard’s song would be the best closer)

True, my list would definitely be more metal oriented. That’s because most metal and rock acts would be passed over by a corporate record producer. Opinions will vary here and I know other songs would be chosen in place of the ones I have here, but if I had my choice. This is what it would be.

Happy New Year to all! Have a great 2017.

Next post: Suicidal Tendencies

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Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Great Rock Albums of 1983: Don Felder- Airborne

Having acquired MTV in 1983, I found, at the time, a more reliable source than radio to keep me informed of new music. If it hadn’t been for this revolutionary new TV station that showed music videos 24/7 and informed viewers of news in music, then the album “Airborne” by former Eagles guitarist Don Felder would have most likely passed me by.

One very good reason for this was that MTV showed the video to the single from this album, “Bad Girls” while I never recall hearing the song played on radio. I remember the video quite well because not only “Bad Girls” was a decent song, but it also featured a guest appearance by Cheech Marin of Cheech and Chong fame. Then again, Don Felder had already gotten my attention two years earlier with his phenomenal song, “Heavy Metal” from the soundtrack to the film of the same name. If I was to try to rank solo songs by all the members of the Eagles, “Heavy Metal” would definitely be number one.

“Airborne” has no such powerful heavy metal anthems like the one I have mentioned from the above soundtrack. Saying that, the album tends to chart the waters of melodic hard rock and is very similar to some of the songs he co-wrote with his former band mates when he was in The Eagles. The first half of the album is pure evidence of this but all of the tracks are nicely done. While I cite the Eagles influence, I am not left thinking, “why don’t I just put on “Hotel California” when I listen to “Airborne.”

Track five, “Never Surrender” appeared on the soundtrack of “Fast Times at Ridgemont High.” If you remember when I covered the soundtrack, I thought it was a very good album but shame the movie sucked. But, I digress yet again. With the tracks following “Never Surrender,” he does get more adventurous. “Asphalt Jungle” and “Night Owl” are more in the blues fashion and in my view the two best tracks on the album. While Felder rips out some great guitar solos and bridges with every song, his best efforts are on these two tracks and the closer. He really just lets himself go on these and really shines.

Track Listing:

1. Bad Girls
2. Winners
3. Haywire
4. Who Tonight
5. Never Surrender
6. Asphalt Jungle
7. Night Owls
8. Still Alive

Don Felder

Don Felder- guitar, vocals, synthesizer, keyboards

George ‘Chocolate’ Perry,Greg Hawkins, Nathan East – bass

Jeff Lorber, Michael Murphy- keyboards

Joe Vitale- keyboards, flute, drums

Albhy Galuten, Anthony Marianelli- synthesizers

Carlos Vega, Ross Kunkel, Tris Imboden- drums

Paulino da Costa- percussion

James Pankow, Lee Loughnane- horns

Dave Mason, Kenny Loggins, Timothy B Schmidt- backing vocals

“Airborne” by former Eagles guitarist Don Felder is probably the best hidden gem from 1983. When I listen to it, I ask myself why this album didn’t make more of an impression on people. Maybe it was just the way things were back then because this is a very good album. Felder was just a good singer/song writer as the rest of his compatriots from the Eagles and he is one hell of a guitarist as well.

Next post: Brian May and Friends- Starfleet

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Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

 

 

 

 

R.I.P. Glenn Frey

Glenn Frey

Another week in January 2016 and another rock legend has departed this world. This time it was The Eagles legendary singer, song writer and guitarist, Glenn Frey, who yesterday, succumbed after complications arising from rheumatoid arthritis. (The fact that it wasn’t cancer this time is of no consolation to me here.)

Glenn’s music career last for more than four decades. Throughout the 1970s, he made many a great record with The Eagles and wrote or co-wrote some of their classic hits, such as “Take It Easy,” Tequila Sunrise,” “New Kid in Town” and “Heartache Tonight.” In the 1980s, after the break up of the band, he went on to have a successful solo career with several more hits, which for me, the biggest one has to be “Smuggler’s Blues.” Frey even did some acting appearing in the 80s crime drama “Miami Vice” and in the 1990s, had a small role in the Tom Cruise film, “Jerry McGuire.” Still, it was his contribution to music that he will be remembered best for.

The Eagles

I have already been asked on Facebook if I will be visiting a Glenn Frey or an Eagles album in tribute to Glenn. I would love to but I don’t want to go out of sequence with things here on 80smetalman. The problem is that by 1983, The Eagles had been broken up for three years and Glenn Frey did not release a solo album in that year. So, this is what I’m going to do. I will be posting links to the Frey/Eagles albums I’ve visited over the years below. Read them all and remember just what a great influence to music both Glenn Frey and The Eagles were.

https://80smetalman.wordpress.com/2015/05/10/great-rock-albums-of-1982-glenn-frey-no-fun-aloud/

https://80smetalman.wordpress.com/2013/07/10/great-rock-albums-of-1980-the-eagles-live/

https://80smetalman.wordpress.com/2012/09/06/great-rock-albums-of-1979-the-eagles-the-long-run/

https://80smetalman.wordpress.com/2011/08/19/great-rock-albums-of-the-70s-the-eagles-hotel-california/

Read, enjoy, listen to some Eagles records and some Glenn Frey solo material and pause a moment to reflect on what another tragic loss to rock his passing has been.

 

 

 

 

 

Great Rock Albums of 1982: Glenn Frey- No Fun Aloud

 It was often speculated back in the early 1980s if Glenn Frey and Don Henley were engaged in a rivalry after the Eagles split. Many thought the same thing a decade earlier with John Lennon and Paul McCartney after the Beatles broke up. The evidence in this case was the fact that in 1982, both Frey and Henley put out albums around the same time. Don Henley’s album was visited in the last post so this time, I’ll take a look at Glenn Frey’s debut album, “No Fun Aloud.”

One big similarity between the two albums from the former Eagles is Glenn Frey also uses a shit load of musicians to record the album. In fact, I recognised at least one name from the Don Henley album although Glenn doesn’t use any members from Toto on his album. Another big similarity is the fact that while Glenn Frey does add put his own stamp on the album, there are still plenty of hints from his Eagle days on “No Fun Aloud.”

Frey’s stamp is immediately put on the album with the two opening tracks, both of which are introduced with horns. Both, however, do the job in hooking your attention. The opener, “I Found Somebody” is a more bouncier tune while its successor, “The One You Love” is more of a slow jazz sound. The Eagles influence comes with the next song, “Party Town.” “Sea Cruise” comes from way out in left field because it wasn’t something I would have expected from Glenn. The song is more of a reggae, calypso sound but fair play, he makes it work. One song that sticks out for me is “That Girl,” which Glenn co wrote with Bob Seger. It is definitely Glenn’s style of song but you can hear Bob’s influence on it as well. It had me wondering out loud if these two did any more collaborations and saying it’s a shame if they hadn’t. Furthermore, I do like the lead guitar intro in “All Those Lies,” a classic Eagles type jam, kind of reminiscent of “One of These Nights.” The closer, “Don’t Give Up,” is the hardest rocker on the album. Some impressive guitar and a couple of solos make sure this album goes out on a high.

Track Listing:

1. I Found Somebody

2. The One You Love

3. Party Town

4. I Volunteer

5. I’ve Been Born Again

6. Sea Cruise

7. That Girl

8. All Those Lies

9. She Can’t Let Go

10. Don’t Give Up

Glenn Frey

Glenn Frey- vocals, guitar, organ, synthesizer, bass, keyboards, piano, clavinet

Wayne Perkins- acoustic guitar

Duncan Cameron- electric guitar

Danny Kootch Korchmar- lead guitar

Josh Leo- lead guitar

Roger Hawkins- bass, drums

Bryan Garofalo- bass

Bob Glaub- bass

David Hood- bass

Roberto Pinon- bass

Michael Huey- drums

John J.R. Robinson- drums

Allen Balzeck- keyboards

Clayton Ivey- piano

David Hawk Wallinsky- organ, synthesizer

Al Garth -tenor sax

Greg Smith- sax, backing vocals

William Bergman- saxophone

Harvey Thompson- saxophone

Jim Coiles- saxophone

Ronnie Eades- saxophone

Jim Horn- saxophone

Ernie Watts- saxophone

Lee Thornburg- trumpet

John Berry Jr- trumpet

Jim Ed Norman- strings

Steve Foreman- percussion

Heart Attack- horns

It’s hard to say for sure if there was any sort of rivalry between Glenn Frey and Don Henley or if Glenn had the dilemma that some artists have when they are/were in a group and record a solo album. All I know is that “No Fun Aloud” is a suitable solo debut album from Glenn Frey.

Next post: Styx- Kilroy Was Here

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Great Rock Albums of 1982: Don Henley- I Can’t Stand Still

Sometimes I wonder if musicians who are in a band and then put out their own solo albums aren’t faced with an agonizing worry on how their albums are to be received. If the album sound too much like that of their band, they are accused of just putting out the same album with different musicians. On the other hand, if they venture too far from that band’s sound, they are criticized for being too diverse or if the album sounds somewhat commercial, selling out. People of little or no experience of heavy metal have accused both Ozzy and Bruce Dickinson of doing the former in spite of the fact that when you listen to those albums, there are notable differences  in the sound between Ozzy and Black Sabbath as well as Bruce and Iron Maiden. No pleasing some people I suppose. Having heard many a solo album, I think the one album that best successfully strides the line between these two extremes is the solo album by Tyketto’s Danny Vaughn, “Soldiers and Sailors on Riverside.” It is my favourite melodic rock album of the 2000+ era and while there are some moments where you can hear the Tyketto influence, he definitely does his own thing without totally diversing and it sounds very good. Therefore, I wonder if back in 1982, I wonder if Don Henley had such a worry when he released his first solo album following the demise of The Eagles.

It took me a couple of listens to “I Can’t Stand Still” before I finally remembered how good it is. Fortunately,  I am more musically open minded than I was in 1982 and that helped me appreciate it even more. While the influence of Henley’s days with The Eagles is definitely there, he puts his own spin on things. It’s not “Hotel California” but it was wrong of me to expect it to be. The closest songs that come to that on “I Can’t Stand Still” are the tracks “You Better Hang Up,” “Nobody’s Business” and “Them and Us.” As far as The Eagles go, I have always believed that Henley’s voice was best suited for their ballads and this is certainly proven with the two ballads on this album, “Long Way Home” and “Talking To The Moon.” Ironically, it is the single from the album where Don puts his best personal stamp. “Dirty Laundry” may sound like new wave synth pop to the untrained ear but it is definitely his song and the guitar solos are the best on the album. The following track and probably my favourite, “Johnny Can’t Read,” gets the same sort of work from Don. What amazes me the most about “I Can’t Stand Still” is the sheer number of musicians Henley gets to play on the album with him. I mean, he practically used all of Toto at some point on the album.

Track Listing:

1. I Can’t Stand Still

2. You Better Hang Up

3. Long Way From Home

4. Nobody’s Home

5. Talking to the Moon

6. Dirty Laundry

7. Johnny Can’t Read

8. Them and Us

9. La Eile

10. Lilah

11. The Unclouded Day

Don Henley

Don Henley- drums, lead vocals, keyboards

Ras Baboo- percussion, timbales

Derek Bell- harp

Kenny Edwards- bass, guitar

Steve Foreman- percussion

Bob Glaub- bass

Louise Goffin- vocals, gut string guitar

Andrew Gold- keyboards

Max Gronenthal- vocals, gut string guitar

George Gruel- vocals

Garth Hudson- synthesizer

Maren Jensen- vocals, gut string guitar

Danny Kooch Korchmar- bass, guitars, synthesizers, backing vocals

Ross Kunkel- drums

Steve Lukather- guitar

Paddy Maloney- whistle, ulliean pipes

Jeff Porcaro- drums, moracas

Steve Porcaro- keyboards

Timothy B Schmidt- bass, guitar, vocals

Leland Sklar- bass

JD Souther- acoustic guitar, gut string guitar

Benmont Trench- keyboards

Waddy Watchel- electric guitar

Ian Wallace- drums

Joe Walsh- lead guitar

Max Williams- drums

Bill Withers- vocals, gut string guitar

Warren Zevon- vocals, gut string guitar

Don Henley made an impressive start out of the blocks in his solo career with “I Can’t Stand Still.” While he doesn’t completely abandon his past, he isn’t afraid to be his own person with the album and once that conclusion is arrived at, it makes the album that much more enjoyable.

Next post; Glen Frey- No Fun Aloud

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

 

 

 

 

Great Rock Albums of 1982: The Go Go’s- Vacation

Owing to a heavy work schedule over the past few days and going to visit family tomorrow, I’m afraid I won’t be getting two posts out this week,  my apologies. Although I do have to share some blame because instead of getting on the computer on Monday evening, I decided to watch the recorded Eagles-Cowboys game and seeing the way the Eagles played this week, I would have been better off posting on here.

Eagles vs Cowboys

I was still not tired of listening to The Go-Go’s debut “Beauty and the Beat” album in June of 1982 when browsing the record section at the PX in Rota, Spain, I discovered that they had put out a second one. I made a mental note to get it once I returned to the States a few weeks later, although I didn’t need to because my sister had recorded several songs off of it. My reaction was that it pretty much sounded like the previous album while at the same time being rather good.

Keeping with the trend of 1982, “Vacation” begins with the hit single which is also the title track. It’s not a bad song, probably what you would expect from a single, quite lively. It’s the songs that come after it that tingle my interest a bit more. The very next track, “He’s So Strange” has a lot more substance to it and is quite a good listen. It sounds as if they are at least trying to venture forth a little and be creative. With several of the other tracks, there is a strong guitar start to the songs. At least The Go-Go’s were trying to be a little hard rock. “Girl of 100 Lists,” “Everything But Party Time” and “Beatnik Beach” are examples of this and the closer, “Worlds Away” does an excellent job in concluding the album. There is one thing I found slightly disappointing and that is the fact that there is not one memorable guitar solo from Charlotte Caffey on the album. I don’t know if that was down to her or other things. I mention this because I always believed that she was the most musically talented of the group. Still, “Vacation” was still an enjoyable album while The Go-Go’s still managed to excite my then 21 year old hormones.

Track Listing:

1. Vacation

2. He’s So Strange

3. Girl of 100 Lists

4. We Don’t Get Along

5. I Think It’s Me

6. Everything But Party Time

7. Get Up and Go

8. This Old Feeling

9. Cool Jerk

10. The Way You Dance

11. Beatnik Beach

12. Worlds Away

The Go Go’s

Belinda Carlisle- lead vocals

Charlotte Caffey- lead guitar, backing vocals

Jane Weidlin- rhythm guitar, vocals

Kathy Valentine- bass, backing vocals

Gina Schock- drums, backing vocals

While The Go Go’s were able to build on the success of “Beauty and the Beat” with “Vacation” for some reason, they would go into obscurity after this album. I don’t know why because the second album is certainly likeable.

Next post: John Cougar- American Fool

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London