Archive for The Final Cut

Great Rock Albums of 1984: David Gilmour- About Face

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , on July 13, 2017 by 80smetalman

Like Lennon and McCartney after the Beatles split and Henley and Frey after the split of the Eagles, I wonder if Roger Waters and David Gilmour were entwined in some music one-upsmanship after the imagined Pink Floyd split following the last album with Waters, “The Final Cut.” Early in the year, we were treated to Roger’s album, “The Pros and Cons of Hitchhiking,” which I’ve already posted about. In the months that followed, Pink Floyd guitarist, David Gilmour, released his solo album, “About Face.”

One thing I will never do is allow myself to be dragged into any debate as to which was the better album between Waters and Gilmour. Don’t even ask because even after thirty-three years, I couldn’t give an answer. I like both of them very much.

Some critic back then stated that “About Face” had a commercial feel that Pink Floyd were never bothered with. I would never call this album commercial, even if in a 2006 interview, Gilmour stated that he thought that it was too 80s. Well, maybe it was for him. In my not so humble opinion, I think that the album doesn’t go too far from the Pink Floyd formula. While I wouldn’t call the opening track typically Floyd, I do think “Until We Sleep” a cool space rock tune. I can easily listen to it while puffing the magic dragon and might have done so. However, the next two tracks are definitely Pink Floyd style tracks. The first of these, “Murder” was written in angry reaction to the senseless murder of John Lennon. On the track, Gilmour really vents that anger with a hair raising guitar solo. “Blue Light” has a funky jazz beat with the horns and this song is probably the farthest song from the traditional Pink Floyd trademark. I like it regardless.

“Out of the Blue” goes back to more familiar territory, nothing wrong with that either, but the track after, “All Lovers are Deranged” is a bit of a rocker. The lyrics were written by Who guitarist Peter Townsend and you can hear a bit of early Who in the song. It had to have been put on the album to give the listener a shock after being absorbed by the mellower track before it. “Don’t Turn You Back” starts out like a Floyd-esque song but there’s some interesting stuff going on in the middle of it with horns. If there was any track on the album that sounded commercial 80s, then it would be “Cruise.” I have always wondered why it never was released as a single. With its more easy listening style, the trendy top forty types might have liked it even if they didn’t know anything about David Gilmour or Pink Floyd. Some good organ work behind a reggae tint makes this song. Another interesting song is the instrumental that is “Let’s Get Metaphysical.” This goes from being spacey type Floyd to jazzy horns to some very good progressive sounds. The thing is that with all of this mixed together, David pulls it off. That must be a tribute to his genius. Then he ends things in what I call typical Pink Floyd fashion with “Near the End.” A long sounded space out track with some great Gilmour guitar licks. It is the best song to end with.

One thing consistent on every song is the guitar work of David Gilmour. He does let himself go more and while I always liked his guitar work with Pink Floyd, he outshines himself on “About Face.” It also helps that he put a great band together as well as some cool guest musicians to play with him.

Track Listing:

  1. Until We Sleep
  2. Murder
  3. Love On the Air
  4. Blue Light
  5. Out of the Blue
  6. All Lovers are Deranged
  7. Don’t Turn Your Back
  8. Cruise
  9. Let’s Get Metaphysical
  10. Near the End

David Gilmour

David Glimour- guitars, lead vocals, bass

Jeff Procraro- drums, percussion

Pino Palladino- bass

Ian Kewley- organ

Additional Musicians

Steve Winwood- organ on “Blue Light” and piano on “Love on the Air”

Jon Lord- synthesizer

Anne Dudley- synthesizer

Bob Ezrin- keyboards, orchestral arrangement

The Kick Horns- brass

Luis Jardim, Ray Cooper- percussion

Roy Harper, Sam Brown, Vicki Brown, Mickey Feat- vocals

The National Philharmonic Orchestra

David Gilmour popped out onto the music world of 1984 with a great solo album. Okay, it didn’t have the chart success even if Dave thought it was too 1980s. Many Pink Floyd fans do like it and so do some who weren’t. A great effort from a fine musician.

Next post: The Bangles- All Over the Place

To buy Rock and Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_8?ie=UTF8&qid=1499972446&sr=8-8&keywords=michael+d+lefevre

 

 

 

 

 

 

 

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Great Rock Albums of 1983: Pink Floyd- The Final Cut

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on December 28, 2015 by 80smetalman

I hope that everyone had a great Christmas and that you got all the music you wanted and you over indulged in good food and drink. I know I did and I drank both my gift bottles of The Trooper and Bohemian Lager. Plus, I introduced the game of beer pong to my step children.

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beer pong

beer pong

Now onto the album…

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Like most of the world, I was really excited to hear that Pink Floyd released a new album in 1983. While I was beginning to wean myself off being influenced by what others said about a particular album in my decision to buy it, it wasn’t the case here. “The Final Cut,” at least in my surroundings was slammed mercilessly by deejays, critics and some people I knew who bought it. Therefore, I didn’t. After all, it seemed everybody was saying that the album sucked.

What I and many other people should have realized back then was that any album from Pink Floyd would have a very difficult time following up their mega giant, “The Wall.” That album will always been known as one of the greatest albums of all time, as was their other classic, “Dark Side of the Moon.” Now as I am much older and wiser, (that’s a matter for debate), I am able to listen to “The Final Cut” with a much more open mind.

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First and foremost, “The Final Cut” doesn’t suck in the least but I will make the predictable statement that it doesn’t compare to either of the two classic albums shown above. In fact, I hear reminders of both those albums and their 1977 “Animals” album in it. Except unlike that last mentioned album, there are no ten minute long songs on this album. Saying that, on this album, Pink Floyd do make use of sound effects, which was trademark for them throughout the 1970s and early 80s. But what I noticed straight away is that the songs, at least the first few, take shots at Margaret Thatcher.

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What Roger Waters was trying to convey in the album was his frustration of seeing all of the liberal achievements made after World War II, where he lost his father, being eroded away by the election of Thatcher. In the very first song, Waters asks “What have we done, Maggie, what have we done? What have we done to England?”¬†I admit that in 1983, lyrics like these would have been lost on me but today I totally understand the meaning.

Maybe it was the fact that many people weren’t quite ready for music to become too political at the time. My eyes were only opening up to such things. However, I think the music to the album is very typical of Pink Floyd and is why I loved listening to them all of these years. Like with any Floyd album, I could easily pop this one on, kick back on the couch and get absorbed into it while puffing the magic dragon. Only now, I would appreciate the lyrics to the songs much more. For me, the standout songs are the title track and “Not Now John,” which I now remember hearing on the radio and watching the video for back then.

Track Listing:

  1. Post War Dream
  2. Your Possible Pasts
  3. One of the Few
  4. The Hero’s Return
  5. The Gunner’s Dream
  6. Paranoid Eyes
  7. Get Your Filthy Hands Off My Desert
  8. The Fletcher Memorial Home
  9. Southampton Dock
  10. The Final Cut
  11. Not Now John
  12. Two Suns in the Sunset

pinkfloyd

Roger Waters- vocals, bass

David Gilmour- guitar, vocals

Nick Mason- drums

Additional Musicians

Michael Kamen- piano, harmonium

Andy Bown- organ

Ray Cooper- percussion

Raphael Ravenscroft- tenor sax

Forget what the critics said, “The Final Cut” is a good album from Pink Floyd. It contains all that I came to love about this band. Unfortunately, it would be the last one that this particular line up would record together.

Next post: Todd Rundgren- The Ever Tortured Artist Effect

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

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