Archive for The Tubes

1983- Triumphs and Tragedies

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 27, 2016 by 80smetalman
The Alamo

The Alamo

The only tragedy I remember from 1983 actually happened the year before. Due to my military service, I didn’t find out about it until 83 when I read about all the fallout from it. I’m talking about when Ozzy Osbourne pissed on the Alamo. He claims he was drunk as a skunk, (I’ve never seen a drunk skunk so I have nothing to compare it to.) Ozzy also said he didn’t know it was such a national shrine, well it is in Texas. The result of his action got him banned from the city of San Antonio for ten years, although that was lifted a few years later when he made a large donation to the Alamo charity.

Ozzy Osbourne

Ozzy Osbourne

Ozzy was already getting himself a reputation outside the heavy metal world for the wrong reasons. His infamous biting the head off a bat was making its rounds. Of course, the religious element in America embellished things further. There were rumours he blew up goats on stage and at one show, he supposedly threw a puppy into the crowd and said he wouldn’t sing anymore until the audience killed the puppy. While this was all untrue hype, it didn’t help Ozzy when he actually did something for real. So for Ozzy and somewhat in the metal world, this was a bit of a tragedy because it overshadowed the two albums he released in the year. I’ll be covering those soon enough.

Now for the triumphs. It seems that 1983 was a cool year for festivals. I got to go to two of them. The first one, I mentioned when I posted about the Nantucket and Doc Holliday albums a few months ago. Those two bands topped the bill at the Mayfair Festival at Jacksonville, North Carolina. The other five bands remain pretty much unheard of with the bottom three being cover bands. So, I thought I’d include them in this little piece of history. They were Skeet Kelly, Roxy, Avalanche- who did a great cover of Sammy Hagar’s “Heavy Metal,” Peer Pressure- who did a reasonably decent cover of John Cougar’s “Hurt So Good” and Eraxle- who closed their set with a fantastic cover of Van Halen’s “Ice Cream Man.” I consumed loads of alcohol and there were some interesting events between the bands like a wet t-shirt and a men’s ugly legs competition. A fine day from what I remember.

Nantucket

Nantucket

Military commitments kept me from attending this festival but my sister went. I tried to pick her brains but she didn’t remember much. In the June, Journey headlined in Philadelphia and with them were John Cougar, Sammy Hagar, The Tubes and Bryan Adams. From what she can remember, my sister says that Journey sounded great and had a fantastic light show. John Cougar and Bryan Adams were both very good as was Sammy Hagar despite his red spandex. Unfortunately, The Tubes weren’t up to the rest of those who played that day. If this line up played in more cities than Philly, I would love to hear your account of the day.

Journey Live

Journey Live

It didn’t matter that I was in the military for this one, I couldn’t have gone to the US Festival because it was 3000 miles away in California. The US Festival was a three day festival where the first day consisted of new wave bands, the second day’s line up was heavy metal and the third day’s was a rock line up. From what I heard, all three days were fantastic although I do recall an interview with a local sheriff saying that he was going to try to ban such events following the festival. I didn’t think about it then, but that was the first salvo fired at music in the 1980s. I think the best thing to do is just to let you look at the line up for the three days and I’m sure you will be just as awestruck as I was.

Us Festival Showbill

Us Festival Showbill

I did get to the final festival in 1983. This was my first Donington Festival as I happened to be in England at the time. From my memory, I can recall that Diamond Head were all right and Dio were very good. I didn’t twig on who the lead singer was until they played “Heaven and Hell” but that was okay. They were brilliant. Then came Twisted Sister. I can still remember Dee Snider’s quip: “We’re not Culture Club or any of those gay boys or Duran Duran nor any of those other wimps. We’re Twisted Sister and we play heavy metal rock and roll!” Of course I knew there must of been something about them when they were introduced as Twisted Fuckin’ Sister. Their music was great too.

For me, ZZ Top took the concert. They played a magnificent combination of old and new material during their time on stage. Of course it helped that they played my two favourite ZZ Top tunes, “Jesus Just Left Chicago” and “La Grange.” They also played quite a few songs off their new “Eliminator” album so they basically rocked. The big let down after ZZ Top was Meatloaf. I was not impressed, he just sounded terrible that day. Worse, my friend’s English girlfriend didn’t realize that they ran a special train after the concert so out of fear of getting stuck, we left early and missed headliners, Whitesnake. I remain gutted but overall, Donington 1983 was a kick ass day and proved that Great Britain could rock.

donfest83

 

That was 1983 in a nutshell. The only real tragedy was Ozzy pissing on a national shrine but all the great concert festivals more than compensated for it. Just posting about it has me psyched for Bloodstock in two weeks. It was no wonder I was super excited when I got out of the marines that year.

Next post: Great Soundtracks

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

 

 

 

 

 

 

 

 

 

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Great Rock Albums of 1983: John Cougar Mellencamp- Uh Huh

Posted in 1980s, Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on July 17, 2016 by 80smetalman

John_Cougar_Mellencamp-Uh-Huh_(album_cover)

One type of person whom most other people in the world find annoying is the guy who acts all tough but clearly isn’t. This was a major problem for John Cougar Mellencamp back in the early 1980s, especially in the eyes of many metalheads. My sister saw him live in 1983 along with Journey (who headlined,) Sammy Hagar, The Tubes and Bryan Adams. Anyway, while Cougar was on stage, ( he hadn’t reclaimed is family name yet), someone threw something onto the stage. In response, John called out, “Hey mother f*cker, throw some shit up here again and I’ll come down and stomp on your ass.” While this was amusing, I remember one friend who said that he would have thrown something else at the stage so he could kick John Cougar’s ass because Cougar was a wimp.

JCM’s 1983 album “Uh Huh” established him as a true American rock act and many of my British friends agree. My thoughts on the album was while it wasn’t a metal album, it was still hard enough for metalheads to enjoy. I have always enjoyed “Uh Huh,” even the singles, which are the first three songs on the album. “Crumblin’ Down,” “Pink Houses” and “The Authority Song” were all good tunes that stretched across the barriers that were being erected in music back then. They had a commercial appeal and a hard rock enough sound that no one who liked those songs would be accused of leaving their chosen camp. Of the three, “The Authority Song” is my favourite because it highlights perfectly the phase I was going through at the time. It was kind of and I stress kind of my theme song for a brief period.

After the three singles, there is still plenty of straightforward American rock and roll to be had. “Play Guitar” and “Lovin’ Mother Fo Ya” definitely qualify but the best song of all on the album has to be “Serious Business.” The lyrics alone make the song for me. I mean how could one not like lyrics that go :

“This is serious business, sex and violence and rock and roll.”

Hell, I’m singing those lyrics now as I type this. This is why I found “Uh Huh” to be such and enjoyable album. John Cougar Mellencamp has a bit of fun on it.

Track Listing:

  1. Crumblin’ Down
  2. Pink Houses
  3. The Authority Song
  4. Warmer Place to Sleep
  5. Jackie O
  6. Play Guitar
  7. Serious Business
  8. Lovin’ Mother Fo Ya
  9. Golden Gates
John Cougar Mellencamp

John Cougar Mellencamp

John Cougar Mellencamp- vocals

Larry Crane- guitar

Kenny Aronoff- drums, percussion

Toby Myers- bass

Mike Wanchic- guitar, backing vocals

Louis Johnson- bass

Carol Sue Hill- vocals

Maggie Ryder- vocals

Jay Ferguson- vocals

When I was teaching full time, I did an American theme in a cookery lesson which the class was making sloppy joes and corn dogs. One of my British colleagues remarked at this, “Sloppy Joes and corn dogs, it sounds like a John Mellencamp song.” Yes, many people outside the US regard John Cougar Mellencamp as truly and American artist, especially with some of the topics he sings about in later albums. That was before “Uh Huh,” where while there are some hidden themes, it’s still a fun rocker of an album.

Next post: Dave Edmunds- Information

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Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

Great Rock Albums of 1983: The Tubes- Outside Inside

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on March 4, 2016 by 80smetalman

The_Tubes_Outside_Inside

Thoughts have always lingered in the back of my mind that The Tubes were one of those bands I should have checked out ages earlier but never got around to doing so. They had been around since the early 1970s and I had heard of them but never listened to them let alone bought any of their records. It took until 1983, during my final weeks before before leaving the marines that I finally got to hear them. That was only because their only top ten hit, “She’s a Beauty” got plenty of airplay on the radio. I have to admit, it was a very good song and I did delight in listening to it again after so many years. Some additional useless info: “She’s a Beauty” is about conversing with ladies in a private conversation booth. While I got up to many vices while in the marines and some since leaving, I never had that experience.

Don’t ask me why but before I finally heard the above song, I always thought The Tubes to be punk. Maybe that was because of the fact they never had any real air play until 1983 and most music that didn’t make it to radio was considered to be that. However, listening to the album, “Outside Inside,” it is a far cry from anything punk. I wouldn’t even call it new wave. If anything, their sound is progressive rock at best but I have to say, there isn’t really anything that comes to mind I can compare them to. That’s always a good thing in my book because that makes them unique. Most of the songs on the album are keyboard dominated. The best ones are “No Not Again” and “Glass House” although “Theme Park” deserves an honourable mention. There are some rather way out sounds on it along with some good harmonizing. Then there are some more harder rock tunes like “Out of the Business” and the funkier “Monkey Business” with the top ten single bridging the gap between the two camps and resulting in an album I regret not paying more attention to back in the day.

Track Listing:

  1. She’s a Beauty
  2. No Not Again
  3. Out of the Business
  4. The Monkey Time
  5. Glass House
  6. Wild Women of Wongo
  7. Tip of My Tongue
  8. Fantastic Delusion
  9. Drums
  10. Theme Park
  11. Outside Lookin’ Inside
The Tubes

The Tubes

Fee Waybill- vocals

Bill Spooner- guitar, vocals

Roger Steen- guitar, vocals

Rick Anderson- bass

Michael Cotten- synthesizer

Mingo Lewis- percussion

Prairie Prince- drums

Vince Welnick- keyboards

Martha Davis- guest vocalist on “Monkey Time”

In the eyes of many less educated, The Tubes will be considered one hit wonders with “She’s a Beauty” being their only contribution. This is not true in the least. After listening to “Outside Inside” and reminiscing about their top hit, I am sorely tempted to go back into their archives and listen to what I’ve missed all those years. I think I’ll be pleasantly surprised.

Next post: Missing Persons- Spring Session M

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London