Archive for Thrash Metal

Download 2017: Sunday

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , on June 22, 2017 by 80smetalman

I wonder if anyone obliged them.

Sunday, the final day of Download., we all thought we better make the best of it. Most of the bands I wanted to see this day were playing on the main stage so I didn’t have to travel very far, especially with the headache of packing and loading the car. Everyone in my group all wanted to catch the day’s opener on the main stage, Fozzy. I had seen them at Bloodstock in 2013 and was very eager to see them again and when they came out on stage, they were determined to impress. Lead singer Chris Jerico, now with darker hair, still was the main attraction to this band. Like when I saw him at Bloodstock, he has a stage presence that singers with greater vocal talent don’t. However, he did give his band a little more of the limelight this time around. After all, he does have a good band behind him and I have to say that they seemed to have better material this time around. Check out the new song, “Judas.” A great start to the final day.

Fozzy begin

Jerico goes to the front

With the rest of the band behind him

Chris came my way

The rest of my group returned to camp but I stayed because I very much wanted to see the second band of the day, Orange Goblin. I have some of you bloggers to thank for that, I’m looking at Stone and HMO specifically, because what I have read about them made that decision for me. I have been told that while their music was good, they lacked stage presence, however, I saw no evidence of that when they hit the stage. True, singer Ben Ward is not the showman that Chris Jerico is but he sings well and can get the audience motivated behind the band. I thought they had some good stuff with their combination of doom metal and stoner rock. Will definitely be listening to these guys more and I’m serious about that.

Orange Goblin do have the presence

Ben Ward serenading the Sunday morning crowd

After being wowed by Fozzy and Orange Goblin, it was time to head back to camp, finish packing and load up the car. We managed to do this but because one of the assistants sent us to the wrong car park, we were late in getting back so when only caught the last twenty minutes of Devil Driver on the Zippo Stage. Still, twenty minutes of hard core thrash from Devil Driver is miles better than none at all.

The closest I could get to Devil Driver

After Devil Driver, I headed back to the main stage to see the remaining four bands on the night. The first of these were Australian hard rock band, Airbourne. Remember what I said about Northlane are evidence that not all Australian bands are influenced by AC/DC?  Well, forget about that in this case because the AC/DC influence came through the minute Airbourne was out on stage. The other thing I noticed straight away was that lead singer/lead guitarist, Joel O’Keeffe was the main attraction in the band. Like, Devin Townsend and another artist I would see later on in the day, O’Keeffe was good at both. However, he wouldn’t be so great without the rest of the band behind him. Most of the songs they played were from the “Breaking Out of Hell” album but that’s not a bad thing. I did like the song “It’s All For Rock and Roll, so it’s another album on my to get list. Airbourne warmed things up nicely in preparation for the rest of the evening.

Joel O’Keeffe going straight to the front

O’Keeffe belts out a guitar solo with rhythm section in support

The album cover alone is worth getting the album.

O’Keeffe leading the finish

After Airbourne, I was totally pumped for the next band, Steel Panther, and my feelings were justified. Steel Panther were the unsung heroes on the day. I loved them start to finish and let me put to rest any doubts about their ability, these guys can play, they proved that the second they stepped out on stage with “Eyes of the Panther.” Sure, there is a lot of humour in their songs and I was quite surprised they played, “Thar She Blows” live but whoever said that there can’t be humour in metal? I laughed and rocked out at the same time to the Tiger Woods song. In addition to the great metal, there was some great banter with the crowd and between the band themselves. Bassist Lexxi was the butt of most of the jokes, with constant insinuations he was gay but it was also said that lead singer Mike Starr was 72 years old. If that’s true, then all the power to him I say. Besides I believe them when they say the reason all the other bands hate them was because they sleep with all their girlfriends. I only had to wait halfway through the set to hear the famous “Death to All But Metal” and they played “Fuck All Night, Party All Day” straight after. The biggest surprise was when they played “17 Girls in a Row.” While playing it, they invited ladies up from the crowd on stage and before you knew it, there was a wall of young women across the entire stage and four deep. Most of the ladies seemed content with taking selfies with the band and giving them kisses, not that they minded. Once the girls were back off stage, they ended with what’s for me, the best song possible, “Community Property.” You bet people sang along to that one. So, after seeing them, anyone who insists Steel Panther are a joke band can come see me and I’ll show them my US Marine Corps training.

Feel the Steel

Michael Starr sings while Satchel hammers a solo

Starr and Lexxi come my way

The ladies answer the invite to come on stage

Ladies on stage

I only became familiar with Alter Bridge a week before I went to Download but after hearing their mix on Youtube, I made up my mind to go and see them. Myles Kennedy was already known to me on account of his work with Slash so that made me more determined to see them. He is a great singer but what I never knew was that he can play a guitar a bit as well. He really wailed away on quite a few of the songs so I was doubly impressed. While I can remember specific song titles, I can say that the songs I heard were absolutely brilliant. I think that after seeing them onstage, they are quickly becoming a favourite with me.

Welcome Alter Bridge

Myles came my way to play a solo

Don’t forget, there are three other great musicians in Alter Bridge

We all know Myles is a great singer too

More great guitar work

They played on til the end

Now common sense says that I should have stayed put after Alter Bridge so I would have a spot for headliners, Aerosmith. However, who says I have any sense? What did I do? I went over to the Zippo Stage to catch twenty minutes of headliners Slayer. Sure, I have seen them twice recently but who in their right mind would pass up any chance to see Slayer? I didn’t and don’t regret it.

Slaaaayyyeeeerrrrrr!

I did manage to get back well before the main event and managed to jockey into the best place possible to see the band that helped me through high school. Aerosmith came out to all the royal fanfare a band of their magnitude deserved. While I knew that their set would be a ‘greatest hits’ one, neither I or any of the tens of thousands there to see them cared. The hits came straight away, their was “Crying,” “Love in an Elevator,” “Living on the Edge” and “Jaime’s Got a Gun” for starters. It was common knowledge that the last song was about domestic abuse but I was a little surprised at Steve’s revelation that he got the idea for it while he was in rehab. Sometime in the middle of the set, guitarist Joe Perry was allowed to sing lead on a couple of songs, the first one was a blues number and the second one, Brad Whitford played a guitar solo. I always suspected Brad was capable of such things. After all, he’s been a brilliant rhythm guitarist for over forty years! After Joe’s spot, Aerosmith went back to the hits starting with the film classic, “I Don’t Want to Miss a Thing.” It was here that Steve Tyler introduced guest keyboards player Buck Johnson. Believe me, he went well with the band. Tom Hamilton played a bass solo but there was no surprise which song was to come after when Steve introduced him as Mr Sweet Emotion. This was the icebreaker for more of their 70s and 80s stuff. There was “Dude Looks Like a Lady” and of course “Dream On,” which the band left the stage. No fooling they would come out for encores and the audience was treated to a song I can’t remember before “Walk This Way.” The night ended with confetti and great fanfare. Now, there are rumours that this would be Aerosmith’s last tour. If so, they went out on an absolute high.

Aerosmith ended a night and a weekend of great metal! I went home feeling very satisfied and fulfilled. Download was great but I will not enter into any debate as to which is better between Download and Bloodstock. Both offer me everything I look for in metal. One thing, I must do in the future is to save my pennies so I can go to both festivals in the same year.

Steve and Joe in the front

Aerosmith rocks!

They rock some more

Cool lights

Tom’s bass solo

More Steve and Joe

A great end to the night!

Rock and Roll Children is still available on Amazon.

Next post: Honeymoon Suite

Download 2017: Saturday

Posted in Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , on June 18, 2017 by 80smetalman

I forgot I took this picture of System of a Down the previous night.

Saturday mornings at festivals for me are always a time of moving in slow motion for me. I slept in and took my time getting going. When, I finally got going, I discovered there were no bands playing on the main stage at the time of my entry. However, my ears caught hold of some cool sounds coming out of the Avalanche Stage, so I thought I’d better go and check it out. I discovered what was making those wonderful sounds, it was the band, Greywind.

On all four of my trips to Bloodstock, I came across a band who I never heard of but impressed holy hell out of me. I thought it would be nice to keep up that tradition at Download. Greywind kept that tradition going for me. The band was tight but their best asset is their fiery red haired lead singer, Steph O’Sullivan. Let me just say that this band was awesome and the lead singer has an amazing voice along with a good stage presence. Their debut album “Afterthoughts” was released in the beginning of the year and let me tell you, I’m going to get it.

Greywind making their mark

After Greywind, I did something controversial on the afternoon. Some people might think it was that but I don’t. I didn’t go see any bands! Instead, I attended an NXT Wrestling event. For those who aren’t familiar with it, NXT is the farm team, reserves, second division (put in which term applies best to your sporting interests) of the WWE.  There were two events on each of the three days at Download. The one I went to had six matches on the card including tag team champions, Authors of Pain. I enjoyed it immensely but the best part was before the wrestling started, some chap got down on one knee in front of the crowd and proposed to his girlfriend. I thought it was sweet.

No Way Jose beat Wolfgang in the opening bout.

Ember Moon defeated Billie Bey in the first women’s match.

Although you wouldn’t have though so in this photo

Another misleading photo. Lars Sullivan ( I wonder if his parents were Metallica fans,) would defeat Trent Seven.

Ruby Riot and Aaliyah square off in the second women’s match.

Ruby Riot would eventually get the win.

Moores and Sabitelli battle Authors of Pain for the Tag Team Title

Authors of Pain did hold onto their belts.

Cien Andamadama and Alleister Black meet in the Main Event. Alleister Black would win this one.

Nice flying move though

I had a great time watching the wrestling. After all, now that I’m in 1984, that year began the origins of the rock and wrestling connection. More on that at a later time.

Heading back to the main stage, I was fortunate enough to catch the end of Pierce the Veil, I liked what I heard and lead singer, Vic Fuentes, tried to get two mosh pits going simultaneously. The ended things with their best known song, “Kings of Pain.”

Fuentes out in front

And here’s the rest of the band.

After feeding my face, I ventured back to the Avalanche Stage in the hopes of discovering another band. Every Time I Die was on stage and I am convinced that their loud, angry tones scared their record producer into signing them. They made two bands, who I never heard of who impressed me. Actually, Northlane and Motionless in White from the previous day makes it four.

Every Time I Die frightening children

When ETID finished, I went back to the main stage to catch some of A Day to Remember. I happened to stand among some true ADTR fans who sang along to every song they played. I have heard of this band before but have only heard snippets previously. I liked what I heard on this day.

They are under there somewhere

And they appear

Some A Day to Remember fans singing along

Lead singer Jeremy McKinnon goes out in front.

When A Day to Remember left, I immediately beat feet over to the Zippo Stage for the rest of the night. The first band out was the Devin Townsend Project. I had seen Devin at Bloodstock in 2010 and he was good but he was even better this time around. For one, he didn’t have any equipment malfunctions so there was no delay in starting the show. He just completely wailed on his guitar the entire time. Two songs that really stood out for me were “Sugar Crush” and “Dead Head,” the latter of which could sum up his entire performance. It had a melodic start before going more power metal along with some great guitar soloing and his interaction with the audience was superb. I also like how he can change his voice during a song, from traditional to almost thrash metal to fit the song. Before he left, he said he was amazed at the fact that he was 45 and could still make a living out of playing metal.

DTP takes the stage

Devin plays a guitar solo

Belting out another guitar solo.

Devin Townsend paved the way for the final act of the night, Rob Zombie. Before he made his entrance, there were test screens on the stage. This led me to wonder where all this might lead. That was answered when he came out in his silver suit with cowboy hat and fringes. Those screens showed old films and TV shows while his band played. At one time, the screens displayed large red letters, “Get High” when he sang that song. When he saw someone with a blow up doll, he told them they must be desperate. Rob joined in when he threw two blow up aliens into the crowd and instructed the audience to let them crowd surf to the back. He also expressed ‘concern’ over the fact that alien abductions aren’t talked about by politicians. It was an amazing show, attended by many because I was near the front and packed in like a sardine. Had great effects and light show as well. When the show ended, I wasn’t the only one who thought Rob should have headlined the main stage instead of Biffy Clyro.

What would these screens reveal?

Cool colour display

And there was fire

Best shot of Rob I could get.

Biffy had already finished so I couldn’t have watched them if I wanted to. I’m sure the eight people who did see them enjoyed the show. I went back to my campsite fully drained and in need of refreshment.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Download 2017: Friday

Posted in Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , on June 16, 2017 by 80smetalman

Up early and eager to go on the first full day of metal mania at Download. Teal, my stepson and his friend Joe, were disappointed that the sport of bin jousting hasn’t caught on at Download and is exclusive to Bloodstock. However, Friday at Download is a dress up day and the theme was wrestling. Therefore, there were a lot of people dressed up as such. Some dressed up as other things like super heroes. I did like the Supergirl outfit I saw.

This gentleman was ready for the day’s festivities.

Inside the arena

I noticed that it has been a sub-concious tradition on my part at all festivals to go check out the first band on stage. On this day, it was Australian metal core band, Northlane. Now, it is the stereotype belief that all Australian bands are influenced by AC/DC. Obviously, somebody forgot to tell that to Northlane. If anything, they sounded more like Marilyn Manson than AC/DC. They came out on stage with the determination to leave their mark on the day and they did with their hard sound. They did slow things down in the middle of their set with songs “Rotten” and the newly released on video, “Solar” but they came back even harder after that. Even though they were only on stage thirty minutes, Northlane was a great way to start the weekend.

Northlane begins the festival

And they kept it going

Teal advised me to stick around for the second band and so with no plans to go anywhere else, I did. After their acoustic sounding intro, Motionless in White blasted onto the stage. While Northlane might have sounded like Marilyn, Motionless in White’s lead singer, Chris ‘Motionless’ Cerulli sort of looked like him. He did have a great stage presence. While being bashed about by their hardcore metal sound, they did introduce their new song, “Unnecessary Evil” and ended things with one of their best known songs, “Abigail.” When they finished, I was glad that I had listened to my stepson’s advice.

Chris ‘Motionless’ leading the charge.

And the band followed.

It had always been my intention to catch the next band out on the main stage, Sabaton. I saw these Swedish metalers at Bloodstock two years prior so I was looking forward to more of the same. This time, they wasted no time in getting the tank on stage as I watched it being set up before the band even got on stage. When they did, the tank did it’s job in producing a great display of firepower in support. The pyro in the first song, gave way to their classic, “Art of War.” As always, Sabaton put on a great stage show and they played great songs like “Sparta” and “Primo Victoria” to commemorate the 73 years plus three days anniversary of D-Day. The audience also found out that the tank was named Walter and so the crowd started chanting the tank’s name. All very amusing and I if they had played more than forty minutes, I would have said they were better than what they had been at Bloodstock. With the time cut, they were about the same.

Wheeling in Walter

Sabaton under a cloud of smoke

Sabaton leads to victory.

After watching three bands back to back, I thought I needed some lunch. So after a quick refuel, I headed over to the Zippo stage for the next band I wanted to see. When I got there, I managed to catch the last five to ten minutes of Machine Gun Kelly. Normally, rap metal isn’t my thing but these guys were pretty good. On the last song, the lead singer sang directly to a lady in the audience. What I saw of them was okay.

Machine Gun Kelly finishing up.

Once MGK left the stage, I managed to manoeuvre my way to the front in anticipation for a band I had been waiting over thirty years to see, Suicidal Tendencies. When they propelled themselves onto the stage, they were manic from start to finish. Lead singer Mike Muir was a complete psycho. He would rev himself up by doing this little dance and than dart madly across the stage. Opening with “You Can’t Bring Me Down,” they went straight into their own version of “God Save the Queen,” “I Shot the Devil.” For those familiar with that song, it actually begins with Mike bellowing out, “I shot Reagan!” These days, it might be cool if he changed Reagan to Trump. But the audience sang along to it anyway. We were also treated to “War Inside My Head” and “Subliminal” to name a few. During the set, Mike spoke to the crowd about doing things for yourself instead of blaming others and he jumped off stage and high fived people in the front. One of them was me. One surprise they unleashed was when they announced that Slayer’s Dave Lombardo was on the drums, that got lots of cheers.  The other thing I can say about ST is Dean Pleasants is very underrated as a lead guitarist, the man can lay down some jams! I would like to say that it was the perfect forty five minutes. Unfortunately for me, there was a major disappointment. The band played neither of my two favourite tracks, “Institutionalized” and “I Saw Your Mommy.” While they were absolutely brilliant, I can’t say they were perfect.

Welcome Suicidal Tendencies

Mike Muir and Co

Pleasants wailing away

On my way back to the campsite, I stopped again at the main stage because Five Finger Death Punch were playing. Their good aggressive metal enticed me to stay and have a listen. What I didn’t know was that they had been previously banned from Download, I don’t know the details. There was one part, where lead singer, Ivan Moody stated guitarist Jason Hook could play any song. Left to his devices, Hook began to play the Ozzy classic, “Crazy Train.” When told to stop, he began playing “Smoke on the Water.” After that, Moody told the crowd they were ‘bad company’ before going into a cover of the classic tune. I have to say, even their acoustic number was pretty good. I have since been told that Moody has left the tour and checked into rehab. Tommy Vext will take over the singing duties for the rest of the European tour.

Five Finger Death Punch

Back to the Zippo Stage, this time to get ready for the headliner. But before they came out, I did catch a good chunk of Good Charlotte. I only know the one hit, “Lifestyles of the Rich and Famous,” which they closed with. However, I thought they’re overall performance was good.

Good Charlotte on stage

See, I must have liked them, I took a second picture

And a third

Friday’s headliner at the Zippo Stage was Sum 41, a band I have always liked but never admitted it to anyone over the age of 40. Although fifteen years ago, my eldest son thought his dad was cool because he liked them. Let’s just say right away that they were brilliant from start to finish. In the early minutes of the set, they got three people out of the audience to view the show from back stage. No, I wasn’t picked. They did play a good combination of material and a crazy mosh pit opened up near me. One lady went especially crazy but after the show, she said she had waited fifteen years to see this band, so one can’t really blame her. In the middle of the set, they played some covers. They began playing Maiden’s classic, “The Trooper” and were astounded when the crowd sang the lyrics back to them. They also played a little of Metallica’s “Master of Puppets.” Lead singer Deryck Whibley played the opening chords to the first two songs he learned to play on the guitar, “Smoke on the Water” and White Stripes’s “Seven Nation Army.” Sum 41 ended the covers portion with one of Queen’s famous “We Will Rock You,” played very similar to the way it’s done on the “Live Killers” album. At one point, the band left the stage to see a skeleton inflate behind the drums. When fully inflated, it was making the ’41’ hand gesture. Deryck also told about the time he spent in hospital and what got him through it was a picture of himself playing a gig in the UK. I thought that was touching. The brilliant night ended with their two best known songs, “In Too Deep” and of course, “Fat Lip.” That ended things very well.

Sum 41 under the lights

This young lady was really into them

A good shot of the band

They disappear under the lights

Only for the skeleton to emerge

Sum 41 finish in a flurry

After Sum 41, I did venture past the main stage to watch a little of System of a Down. I stayed long enough for hear “Chop Suey” but didn’t stay too long, not my thing. For me, Sum 41 was the best end to a thrilling first day.

Hopefully, Rock and Roll Children will have its own link again soon. It is still available on Amazon.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Black Emerald to Release an Album

Posted in Concerts, Heavy Metal, Music, Rock, Uncategorized with tags , , , , , on May 12, 2017 by 80smetalman

Going back to 2013, when I posted about my trip to the Bloodstock Festival in that year, I wrote about a band I saw in the New Blood Tent by the name of Black Emerald. In that post, I stated that I was so impressed by this band, that my next post was going to be why I thought they should be signed and that I did. Well, it seems that someone out there must have taken notice of me, (delusions of grandeur on my part) because I have been informed that Black Emerald will be releasing their first album in the summer!

Black Emerald at Bloodstock 2013

I don’t know further details about their debut album but I’m sure Sarah, who brought me the news and has been following me since I first put forward my arguments as to why they should be signed will keep me posted. However, if you would like a sample, I have a Youtube video from the band here:

Watch, listen and enjoy and together we can all eagerly await the release of Black Emerald’s debut album.

 

 

 

 

 

 

 

 

 

 

Great Metal Albums of 1983: Metallica- Kill’Em All

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on January 23, 2017 by 80smetalman

220px-metallica_-_kill_em_all_cover

God, I’m thinking about the near fatal gaff I made back in the summer which would have caused me to write about this fantastic album in the wrong year. Never should have allowed myself to have been misled by Hit Parader. Then again, the article wasn’t about Motley Crue so they were bound to be misleading. Furthermore, I didn’t hear of Metallica until 1984 and experienced their second album before this one. Anyway, now that’s history, I can pontificate on what a great album, “Kill’Em All,” Metallica’s debut album really is.

It certainly is a great album. Back in 1983, Metallica were hungry and not weighted down by what they thought listeners wanted or dictated to by corporate record producers. That fact surely shines through on the entire album. Some have argued that this album came out when Metallica were good. Nah, I say they’re still good, it’s just back then, they just didn’t give a fuck. That attitude was what got this album and their next three into hearts of many a metalhead like me.

“Kill’Em All” might not sound as polished as other albums but that’s a good thing here. It opens with a thrash sounding “Hit the Lights,” which opens things up very nicely. If I had listened to it when I should have, I would have embraced thrash right then and there. Probably my favourite track on the album, “The Four Horsemen,” defines what Metallica both were and would be come. The song may be over seven minutes long but it’s not one that has you looking at your watch waiting for it to end. Especially with all the changes in it. “Motorbreath” has my favourite Kirk Hammet guitar solo from the album on it.

After “Jump in the Fire,” which is a good song, I just can’t explain why, comes the very intriguing bass instrumental compliments of the late, great Cliff Burton. It’s very interesting to say the least and it paves the way for some more really good thrash tunes. There’s a cool intro on “Whiplash” while “Phantom Lord” is straight ahead thrash and my second favourite here. Things only seem to improve on “Kill’Em All” after that. I love the intro to “No Remorse” with the lead guitar wailing away before the crunching rhythm sets in. A trademark that many thrash bands have copied ever since. Hearing it, I am of the mindset that Kirk owes some of his lead guitar greatness to the rhythm support provided by James Hetfield. Things don’t end there! The albums closes out with not one but two great songs, “Seek and Destroy” and “Metal Militia.” Both are great! It can be said that in 1983, Metallica thrust themselves and thrash upon America.

Track Listing:

  1. Hit the Lights
  2. The Four Horsemen
  3. Motorbreath
  4. Jump in the Fire
  5. (Anesthesia) Pulling Teeth
  6. Whiplash
  7. Phantom Lord
  8. No Remorse
  9. Seek and Destroy
  10. Metal Militia
Metallica

Metallica

James Hetfield- lead vocals, rhythm guitar

Kirk Hammet- lead guitar

Lars Ulrich- drums

Cliff Burton- bass

Whether or not the world was ready for it, Metallica brought something new and fresh with “Kill’Em All.” A raw, ferocious sound that would influence many thrash bands for years to come. I do regret not listening to the album in the year it came out but I’m glad I got it now.

Next post: Fastway

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

 

 

 

 

 

Great Punk/Metal Albums of 1983: Suicidal Tendencies

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , on January 5, 2017 by 80smetalman

stend

In the mid 1980s, there would be the full coming together of punk and heavy metal. They would even have a love child called thrash as many of these new bands would site influences from both. However, if there was one album that could be identified as the one who spear headed this union, it would have to be the 1983 debut album from Suicidal Tendencies. While the album is labelled hard core punk on wikapedia and by other so called experts, millions of metal heads have taken this band and this album in particular into their metal bosoms. I, for one, would be responsible for unleashing it onto unsuspecting British students in 1986. Not that they ever complained.

There are no complex reasons as to why Suicidal Tendencies is widely accepted by both the metal and punk followings. The opening song answers any questions right off the bat. It starts out as a hard core frenzy that would have people banging themselves about in a mosh pit only to slow down in order for the listener to take in Mike Muir’s genius lyric writing. In fact, it’s the lyrics on many of these songs that make this album so brilliant. So instead of rambling on about it in paragraphs, I thought I’d do something different and share.

I Shot the Devil- Opens with “I shot Regan!” After Lebanon, I wanted to do that myself. Closing lyrics: “I shot Regan and I’ll do it again and again and again.” 

Subliminal- “Mind control the easiest way, sponsored by the CIA. It’s a weapon you can not see, it’s propaganda subliminally. They’re fucking with me, subliminally.” 

Institutionalized- “My mother started screaming Mike, Mike and I said what’s wrong mom? She said what’s wrong with you? I said nothing mom, I was just thinking. She said, “No, you’re on drugs!” No, I’m okay mom, I was just thinking why don’t you get me a Pepsi? She said, “No, you’re not thinking, you’re on drugs, normal people don’t argue that way.” I said, “Mom, will you get me a Pepsi please?” All I wanted was a Pepsi and she wouldn’t give to me. All I wanted was a Pepsi, just one Pepsi and she wouldn’t give it to me.” 

I Saw Your Mommy- “I saw your mommy and your mommy’s dead. I saw her lying in a pool of red. Chewed off toes on her chopped off feet. I took a picture because I thought it looked neat. But the thing I liked seeing the best was the rodents using her hair as a nest. I saw your mommy and your mommy’s dead.” 

I Want More- “Working like a maniac give yourself a heart attack on the minimum wage.” 

Suicidal Failure- “I took all my mother’s sleeping pills, jumped off a tall bridge. I drank three kinds of poisons, drove my car off a ridge. I gave myself a bag, put a noose around my head. I overdosed on heroin but I’m still not dead. I’m a suicidal failure, I got to have some help. I’ve suicidal tendencies but I can’t kill myself.” 

In between these songs are some short, to the point punk/thrash songs that would be a favourite in any mosh pit today. Another reason why metalheads love this album is there are some metal snobs out there who think punk musicians aren’t up to standard. Yeah, I know. One can’t fault any of the musical work by the band on the album. It’s all good and why even the metal snobs love it.

Track Listing:

  1. Suicide’s an Alternative
  2. Two Sided Politics
  3. I Shot the Devil
  4. Subliminal
  5. Won’t Fall in Love Today
  6. Institutionalized
  7. Memories of Tomorrow
  8. Possessed
  9. I Saw Your Mommy
  10. Fascist Pig
  11. I Want More
  12. Suicidal Failure
Suicidal Tendencies

Suicidal Tendencies

Mike Muir- lead vocals

Grant Estes- guitar

Louiche Mayorga- bass, backing vocals

Amery Smith- drums

When I introduced the album to my new friends in the UK, they pretty much spent the rest of the year singing or quoting lyrics from “I Saw Your Mommy” and “Institutionalized.” That is the profound effect this album had on them. It had the same effect on anyone, punk or metalhead, who heard it. Suicidal Tendencies didn’t know it at the time but their debut album was a cornerstone in joining the camps of these two genres.

Next post: Lee Aaron’s First LP

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

An Anvil Got Dropped on Gloucester

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , on October 26, 2016 by 80smetalman

It’s been less than 24 hours since I went to Gloucester to see the metal delights of Anvil. To make a long story short, Anvil totally kicked ass at the Guildhall in Gloucester, UK. However, it wasn’t only a great night on account of Anvil, the two bands in support played their part in making metal history in Gloucester.

It was close, after fighting loads of traffic in my home town of Stroud and then trying to find a parking place in Gloucester, (Geography lesson: Stroud and Gloucester are about ten miles apart), then walking to the Guildhall, waiting in line only to be told that the tickets I ordered on line were waiting for me at the door, getting there and quickly buying my t-shirt, we got there just in time for the opening band.

Classic French metallers, Mystery Blue, opened things up very nicely. They are a five piece band front by lead singer Nathalie Geyer. While the sound sometimes made it difficult to tell, she does have a very good voice. But she is assisted by lead guitarist Frenzy Phillipon who knows a thing or two on how to smoke a fingerboard. Together with a sound rhythm section, Mystery Blue got the crowd in the mood for metal that night. While I can’t remember all their songs, the two that stood out were “Running With the Pack,” not a cover of the Bad Company classic and the title track from the latest album, “Claws of Steel,” which ended their half hour on stage exceedingly well. I’d definitely recommend this band and I was going to go out on a limb and say that Mystery Blue were the best thing to come out of France since Gojira but after a look on their website, I found they have been around longer than their mentioned countrymen.

Mystery Blue begin their dominance

Mystery Blue begin their dominance

Nathalie proving she has the voice

Nathalie proving she has the voice

Second up was German thrash metal band Rezet. While I can’t say that they were the best thing out of Germany since The Scorpions, Accept, Bonfire, Helloween, Kreator or Doro, they were a brilliant band nevertheless. The first thing I noticed about Rezet was there was a definite early Metallica influence here and I’m not just talking about their sound either. Their look was the same as Metallica from that era. I remember an article in Hit Parader, (Motley Crue Magazine), in 1985 which stated that Metallica looked like they belonged in the high school detention class. Rezet were just as youthful looking and like the band mentioned, they played like they were just as hungry as that band was in 1985.

Rezet compounded the assault on the audience with some really good thrash. The comments about detention hall kids definitely applied to both guitarists who traded off solos on some songs and played individual ones on others. Frontman Ricky Wagner proved to be both a good singer and guitarist but the rest of the band played their part too. The most memorable song was “Gargantua,” which as dig at modern politics and they closed with a tribute to Lemmy by playing the Motorhead classic, “No Class.” This is definitely another band worth checking out.

Ricky Wagner and Rezet get things going

Ricky Wagner and Rezet get things going

Thorben Schultz can also crank out the solos

Thorben Schultz can also crank out the solos

Rezet coming down the the finish

Rezet coming down the the finish

Everything I expected from Anvil went away as soon as they hit the stage. Things started with Lips going into the midst of the crowd to play and he got a very welcoming response as he jammed away for several minutes. When he got back to the stage, I thought, “Okay, now they’re going to play ‘Metal on Metal,’ they didn’t. The first official Anvil song of the night was “Sex” but it got the crowd going. Also my prediction that they would play many of the songs from their latest album proved to be wrong. They only played two, one was “Daggers and Rum,” a ditty about pirates and I can’t remember the other one but Robb Reiner played a really cool drum solo on it. “Winged Assassin” from the last album I posted about did get played and right after another song from the same album, “Free As the Wind” which Lips dedicated to Lemmy. He also mentioned that Lemmy once invited him to join Motorhead but Lips declined because he was in Anvil.

From the outset, Anvil were out to have a good time during the 90 minutes they were on stage. They didn’t care about the small venue because everyone inside was cheering them on. Lips especially was enjoying things and yes, he pulled out the sex toy and used it to play guitar to “Mothra.” Unlike the documentary however, this one was battery operated and that also produced some cool sounds from Lips’ guitar. Even without the toy, Lips surprised me by his ability to play. I knew he was good but I didn’t realize he was that good. He really jammed away. Plus, I got to mention new bassist Chris Robertson. When introduced, Lips stated that it was great to have finally found the right bass player after going through so many. I have to say, Robertson is the real deal.

We were treated to a good cross section of Anvil material. The title track from “This is Thirteen plus a couple of songs from “Juggernaut of Justice,” one of them being “On Fire.” While he didn’t open with “Metal on Metal,” it was the last song they did before leaving the stage. The audience wouldn’t have let them leave without playing that one. Then when they returned, a dude behind me and I both started yelling for “Forged in Fire.” Lips looked in our direction and said, “This guy wants us to play “Forged in Fire” so we will play “Forged in Fire.” That made my night totally complete. After that, they played one more song, a cover of the famous Steppenwolf song, “Born to be Wild.” I thought it was a great way to end the night.

Lips in the crowd

Lips in the crowd

Meanwhile Chris Robertson moves across the stage

Meanwhile Chris Robertson moves across the stage

Lips jamming on the guitar

Lips jamming on the guitar

Lips and Roberson going for it

Lips and Roberson going for it

Chris's bass solo

Chris’s bass solo

Singing to the crowd

Singing to the crowd

Out came the toy

Out came the toy

Here's a better picture of it

Here’s a better picture of it

Robb's drum solo

Robb’s drum solo

The End

The End

In their 39 year history, this was the first time Anvil toured the UK as a headliner. Hopefully after this night, they will be back again to tour even bigger venues because they were brilliant. When coming home from the gig, my step son couldn’t fathom why Anvil weren’t bigger. That is what’s strange.

Next post: A Non Musical Tragedy

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London