Archive for viking metal

Great Metal Albums of 1983: Manowar- Into Glory Ride

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , on November 16, 2016 by 80smetalman

220px-manowarintogloryride

The more I listen to any album by Manowar, the more perplexed I become at the fact that Kerrang Magazine called them a joke band. Maybe it was because they appeared to have fun when they made their music or possibly it was down to the fact that in the magazine’s view, the world wasn’t quite ready for Viking metal. I’ve never considered Manowar a joke then or now and the funny things is that I can listen and enjoy them after all the these years while in my opinion, Kerrang has basically sucked since the mid 1990s and I no longer read it. Saying that, I shouldn’t slag them off too much because Kerrang Radio did interview me about “Rock and Roll Children” in 2011.

One of Manowar’s albums I still enjoy listening to is their 1983 offering, “Into Glory Ride.” While it’s a small fraction below their debut album, “Battle Hyms” it’s a whale of an album nonetheless. Nearly all of the songs have the melodic high notes sung by Eric Adams accompanied by some very inventive guitar playing by Ross the Boss. Listening to the album today, I can’t help thinking that bands like Hammerfall and Gloryhammer listened to “Into Glory Ride” and thought to themselves, “Hey, these guys have something here.” Because I am convinced that both of those bands were influenced by Manowar and this album particularly.

“Warlord,” the opener is the only more straightforward metal song on here, well as straightforward as Manowar can get but it’s still a good way to start out the album. The rest of the album, all six other songs are well over five minutes and sound more progressive or viking like. The best example of this is on my favourite track, “Gates of Vahalla.” This song is rife with great vocals and Ross the Boss fingering his guitar all the way through, all seven minutes and eleven seconds of it. We can’t take anything away from the rhythm section though because Joey DeMaio and the newly acquired Scott Columbus do a brilliant job here as they do on all the songs. Only “Hatred” is longer by twenty seven seconds and while it’s a cool song, I think Adams screams a bit too much on it. Also I love the intro on “Revelation (Death’s Angel.) This one is power metal at its best.

Track Listing;

  1. Warlord
  2. Secrets of Steel
  3. Gloves of Metal
  4. Gates of Valhalla
  5. Hatred
  6. Revelation (Death’s Angel)
  7. March for Revenge (By the Soldiers of Death)
Manowar

Manowar

Eric Adams- vocals

Ross the Boss- guitar, keyboards

Joey DeMaio- bass

Scott Columbus- drums

Maybe the mainstream world wasn’t ready for viking metal or power metal in 1983. I know I would have been but sadly, it would be nearly three more years before I actually listened to any Manowar. I’ve more than made up for that since, this album and “Battle Hyms” especially.

Next post: Diamond Head- Canterbury

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London.

 

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Three Pronged Metal Assault On Bristol

Posted in Concerts, Heavy Metal, Music, Uncategorized, video games with tags , , , , , , , , , , , , , , , on January 19, 2015 by 80smetalman

It’s Monday morning and I still haven’t fully recovered from Sunday night’s mayhem. Last night, my stepson and I went to see a concert at the Thekla in Bristol, UK, with viking metal giants Amon Amarth, California metallists Huntress and ¬†homegrown Savage Messiah. Let’s just say that the night was one to remember.

It’s about a forty-five minute ride from my home in Stroud, Gloucestershire to Bristol but that’s not important. We did have Megadeth’s “13” album to make the ride enjoyable and provide the inflight entertainment. Once we landed in Bristol, we immediately headed for a nearby pub called The Gryphon which specialises in metal. Four years ago, I had my most successful book signing evening for “Rock and Roll Children” there. There were only three other people in there plus the bartender but I did manage a pint of real ale and the entertainment provided by Sabbaton on the pub’s sound system. Great place for a pre-concert party.

Inside The Gryphon

Inside The Gryphon

Leaving the Gryphon, we made the ten minute walk to the Thekla, which is an old ship turned into a night club. This turned out to be a bit ironic since the headline act prided themselves on being descended from vikings. An email from them gave me the impression that the show would start at 7 but the reality was that that would be the time the doors opened. So, we had to wait in line for fifteen minutes but some rather partied out concert goers who play too much Skyrim made the wait more amusing. My stepson informed me that they were loudly making quotes from the game, although I can’t remember what they were.

The Thekla

The Thekla

So, we went in, found a good place near the stage and waited. The wait was well worth it because at precisely 7:30, Savage Messiah hit the stage at 300 mph. They might have only been on stage for a half an hour but they made sure you took in every minute of it. They gave every ounce of energy they had into that short time span with some powerful playing. I had little experience of them before this night but they were kind enough to play two songs of theirs I did know, “Hellblazer” and “Minority of One.” Both were done brilliantly as were the other songs they played. They only slowed down long enough for lead singer, Dave Silver, to lament how their van broke down four days into their tour and had to pay over ¬£600 in repairs. He said he was going to put the bill on Twitter, so I may have to check that out. Still, it didn’t detract from their performance one bit and when they finished, they still had enough energy to play another half hour.

Savage Messiah

Savage Messiah

More Savage Messiah

More Savage Messiah

The audience didn’t have much time to catch their breath before the second band of the night, Huntress ascended the stage. They wasted no time in carrying on from where their predecessors left off. Huntress wowed the crowd with their own brand of powerful metal which brought out all the ghouls and thrashers. It was in the middle of their set that a mosh pit opened up. This only fueled Huntress more. Lead singer Jill Janus lead the procession very well with both her engagement with the crowd and her singing. I loved her quote, “Put the stars in your bong and smoke the galaxy.” Of course all backed up by her band who proceeded to hammer the ear drums of anyone who was inside the Thekla. Like Savage Messiah, I’m not too familiar with Huntress’s material but they did play the “love song” Lemmy wrote for the band, “I Want to Fuck You to Death.” That brought their show to a thrilling climax and when they left the stage a couple of songs later, I was thinking to myself, that couldn’t have been 45 minutes.

Huntress

Huntress

Blake Meahl hammering out a guitar solo

Blake Meahl hammering out a guitar solo

The only decent shot I got of Jill and she has her back to me

The only decent shot I got of Jill

From the moment they got on stage, it was crystal clear that Amon Amarth were not going to take any prisoners. Viking drums beat, swords and shields clashed and most importantly, guitars, bass, drums and vocals reigned down fire from Valhala as they launched into their domination of the night. A mosh pit opened up straight away and would stay that way for the rest of the evening. My step-son even went into it only to come out a few minutes later drenched in sweat. Like many of the established head liner acts I have seen over the years, Amon Amarth played exactly the right blend of classic and new material. Songs I remember from the night included “Loki Falls,” “Deceiver of Gods,” “Guardians of Asgard” and “Twilight of the Thunder God.” Just over the midpoint of the show, they paused the carnage long enough for lead singer Johan Hegg to explain that he had lost his voice the night before and his band plus assistance from Jill Janus saved the show. Let me say that last night, there were no signs of any vocals problems with Hegg. The band hammered the rest of the night in style and did return for two encore songs, the last of which Hegg got the crowd to sing along. I can only vaguely remember the first line, something about vikings in a ship. Still, the crowd singing was good enough for Johan to declare us honourary Vikings. When Amon Amarth left the stage, it was to thunderous reverence of having conquered Bristol that night.

Johan Hegg leading his troops

Johan Hegg leading his troops

Amon Amarth at their best

Amon Amarth at their best

More Amon Amarth

More Amon Amarth

Johan Hegg talking about his voice

Johan Hegg talking about his voice

Under the green lights

Under the green lights

The residents of Bristol may not realise this but on Sunday January 18, 2015, their town was taken over by vikings assisted by to metal forces in the forms of Huntress and Savage Messiah. The Thekla provided that small club setting which provides an atmosphere all on its own. Three bands reigned supreme that night and I was glad I was there to experience it.

Next post: Outlaws- Los Hombres Malo

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London