The WordPress.com stats helper monkeys prepared a 2014 annual report for this blog.
Here’s an excerpt:
The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 9,700 times in 2014. If it were a concert at Sydney Opera House, it would take about 4 sold-out performances for that many people to see it.
I hope that everyone had a very nice Christmas and will have a Happy New Year and that Santa brought you all the music you wanted. He did bring me the new AC/DC album like I asked and I enjoyed it first listen. Being a parent or step parent in this case, I got to see my stepson open his Christmas card and discover two tickets to see Amon Amarth, Huntress and Savage Messiah in Bristol on January 18. I must thank Stone at Metalodyssey. His post alerted me to the upcoming concert and I would have missed it if I hadn’t seen it in one of his posts. Thank you Stone and I will be posting about that gig after I see it.
My stepson Teal holding his concert tickets
Now onto The Jam’s 1982 album “The Gift.” If I had been listening to The Jam back in the day and heard this album when it came out after listening to their previous albums, I would have immediately accused them of selling out. “The Gift” marks a departure from the hard, aggressive punk sound that they had been known for. I mean the opener for instance, “Happy Together” sounds more like a happy top 40 song then a traditional Jam punk anthem. However, the song does break with the precedent set by the other albums I have covered for 1982 and is not the hit single. Surprisingly enough, the big single from the album and probably their most successful song, “A Town Called Malice” is probably the closest song to The Jam of old on the entire album and probably why it’s a good song. At least they tried to keep to their traditional roots somewhat. The rest of the album, although not bad lacks that kick I liked about their previous albums. Paul Weller was trying to stretch out a little and you got to respect that but for me, it just doesn’t excite me the way the earlier Jam material did.
Track Listing:
1. Happy Together
2. Ghosts
3. Precious
4. Just Who is the Five O’Clock Hero
5. Trans Global Express
6. Running on the Spot
7. Circus
8. The Planner’s Dream Goes Wrong
9. Carnation
10. A Town Called Malice
11. The Gift
The Jam
Paul Weller- guitar, lead vocals
Bruce Foxton- bass, backing vocals
Rick Buckler- drums
While “The Gift” would go to number one, it would also lead to the break up of the band. Bruce Foxton and Rick Buckler wanted to stick to the more punk sound while Weller wanted to branch out more. It appears that this disagreement might have shone through on the album because while it goes to new places, it does so without the angry conviction that had gotten The Jam to where they were in the first place.
Next post: Toto- IV
To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London
With Christmas rapidly approaching and the radio playing all sorts of Christmas songs from Bing Crosby to Band Aid, it got me thinking (a dangerous thing I know) about the Christmas songs I like. Normally, the ones I prefer are either metalised carols or parodies. I have 2 CDs which contain a lot of both. Now, after putting in a little thought, here are my top ten favourite Christmas songs.
10. Slade- Merry Christmas Everyone
9. Bob Rivers and Twisted Radio- White Trash Christmas
8. Bob Rivers and Twisted Radio- Jingle Hell’s Bells
7. The Darkness- Christmas Time
6. Bob Rivers and Twisted Radio- Frosty the Pervert
5. Bob Rivers and Twisted Radio- Walking Round in Women’s Underwear
4. The McKenzie Brothers- The Canadian Twelve Days of Christmas
3. Weird Al Yankovick- The Night Santa Went Crazy
2. Stryper- Winter Wonderland
1. Twisted Sister- Any song from the Twisted Christmas album
True, Bob Rivers and Twisted Radio features heavy on the list but only two songs are from the above album. Number 8, “Jingle Hell’s Bells” is both a parody and a great rocker in the form of AC/DC. Anyway, those are my top ten Christmas songs and with that, I would like to wish all on here a very Merry Christmas, Happy Holiday and Seasons Greetings.
To buy Rock And Roll Children, go to: http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London
Before anyone starts putting their hands up in a Arnold Horshak moment to tell that his name is now John Mellancamp, let me just say that as far as I’m concerned, in 1982, he was simply John Cougar. I remember watching a tv interview with him and he explained the reason behind the name change. Simply, he was advised by his agent that Mellancamp wasn’t a rock and roll name. Therefore, he took on the name Cougar in order to sound more hard rock. It was only when he achieved commercial success that he retook his real surname and then eventually dropped the Cougar all together but that story is for some time down the future.
Arnold Horshak from the TV show Welcome Back Kotter
“American Fool” was the commercial breakthrough album for John Cougar featuring the hit singles “Hurt So Good,” my second favourite song of his and the more known “Jack And Diane,” which got so much air play at the time that I got tired of hearing it. It would be at least another decade and a half before I finally could enjoy that song again.
Keeping with the trend in 1982, those two songs lead off the album but fortunately, like many of the albums covered so far from 1982, the rest of the album has more behind it. The songs on the album all have the vibe of straight forward no nonsense rock and roll that Cougar said he was trying to achieve. I have to agree, while “American Fool” isn’t a head banger, there is some good guitar hard rock to go around. In fact, I must say that after a renewed listen, I’m quite impressed with some of the guitar work on it. Sure, there’s no blood curdling solos but the guitars do enhance the feel good factor. One of those albums you listen to while driving in the car or sitting on the front step with a beer in hand, though I wouldn’t recommend it this time of year. Tracks that really impress me were “Danger List” and “Can You Take It” but needless to say, the other tracks are worth a listen as well. John Cougar livened up those summer months of that year when I was actually in the States.
Track Listing:
1. Hurt So Good
2. Jack and Diane
3. Hand to Hold On To
4. Danger List
5. Can You Take It
6. Thundering Hearts
7. China Girl
8. Close Enough
9. Weakest Moments
10. American Fool
John Cougar
John Cougar- lead vocals
Larry Krane- guitar, backing vocals
Mike Wanchic- guitar, backing vocals
Kenny Aronoff- drums
George ‘Chocolate’ Perry- bass
Mick Ronson- guitar, backing vocals
Robert ‘Ferd’ Frank- bass, backing vocals
Eric Rosser- keyboards
David Parman- backing vocals
I think that “American Fool” came at a perfect time when you could play straight forward rock without being catagorised into something else. I have met people a couple of years after this album who considered John Cougar to be heavy metal. No way, but it is enjoyable good rock.
Next post: The Jam- The Gift
To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London
Owing to a heavy work schedule over the past few days and going to visit family tomorrow, I’m afraid I won’t be getting two posts out this week, my apologies. Although I do have to share some blame because instead of getting on the computer on Monday evening, I decided to watch the recorded Eagles-Cowboys game and seeing the way the Eagles played this week, I would have been better off posting on here.
Eagles vs Cowboys
I was still not tired of listening to The Go-Go’s debut “Beauty and the Beat” album in June of 1982 when browsing the record section at the PX in Rota, Spain, I discovered that they had put out a second one. I made a mental note to get it once I returned to the States a few weeks later, although I didn’t need to because my sister had recorded several songs off of it. My reaction was that it pretty much sounded like the previous album while at the same time being rather good.
Keeping with the trend of 1982, “Vacation” begins with the hit single which is also the title track. It’s not a bad song, probably what you would expect from a single, quite lively. It’s the songs that come after it that tingle my interest a bit more. The very next track, “He’s So Strange” has a lot more substance to it and is quite a good listen. It sounds as if they are at least trying to venture forth a little and be creative. With several of the other tracks, there is a strong guitar start to the songs. At least The Go-Go’s were trying to be a little hard rock. “Girl of 100 Lists,” “Everything But Party Time” and “Beatnik Beach” are examples of this and the closer, “Worlds Away” does an excellent job in concluding the album. There is one thing I found slightly disappointing and that is the fact that there is not one memorable guitar solo from Charlotte Caffey on the album. I don’t know if that was down to her or other things. I mention this because I always believed that she was the most musically talented of the group. Still, “Vacation” was still an enjoyable album while The Go-Go’s still managed to excite my then 21 year old hormones.
Track Listing:
1. Vacation
2. He’s So Strange
3. Girl of 100 Lists
4. We Don’t Get Along
5. I Think It’s Me
6. Everything But Party Time
7. Get Up and Go
8. This Old Feeling
9. Cool Jerk
10. The Way You Dance
11. Beatnik Beach
12. Worlds Away
The Go Go’s
Belinda Carlisle- lead vocals
Charlotte Caffey- lead guitar, backing vocals
Jane Weidlin- rhythm guitar, vocals
Kathy Valentine- bass, backing vocals
Gina Schock- drums, backing vocals
While The Go Go’s were able to build on the success of “Beauty and the Beat” with “Vacation” for some reason, they would go into obscurity after this album. I don’t know why because the second album is certainly likeable.
Next post: John Cougar- American Fool
To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London
Many people have said that REO Speedwagon’s follow up to the highly commercially successful “Hi Infidelity” album was a disappointment. True this album wasn’t the commercial success of its predecessor but that doesn’t make it a bad album in anyway. Quite the opposite, “Good Trouble” is, in my humble view, every bit as good as “Hi Infidelity,” possibly better. So, why didn’t it sell so well? I offer this explanation. In spite of the fact that they had two very big singles on “Hi Infidelity,” they didn’t want to have every song sound like “Keep On Loving You.” Instead, they went back to their roots which made them so good during the 70s. “Good Trouble” isn’t as hard and heavy as “Nine Lives” but reminds me a lot more of their excellent “You Can Tune a Piano But You Can’t Tuna Fish” album and that album was considered their best by many, although my fave is still “Nine Lives.”
I’m getting the impression as I revisit albums from 1982 that it seems to have been the thing to have the big single as the album opener. Every album I have covered so far has done this and the same happens with this REO classic. “Keep the Fire Burning” comes and goes and does the job its meant to do. It was a top ten single during a time when the charts actually meant something to me, well a little bit. After that, REO Speedwagon unleash hell for the rest of the way. “Sweet Time” begins like it’s going to be a ballad but then some rocking guitars kick in and the rest of the song goes totally up tempo. Then, three songs later, comes my hidden favourite track, “I’ll Follow You.” That song definitely brings me back to the glory days of REO Speedwagon. It starts hard and then Gary Richrath nails a killer solo. However, as much as I have praised Gary before the guitar altar, the track allows you to hear why Neil Doughty is such a fantastic keyboardist. Most certainly underrated among keyboard players. The other tracks are no less hard rocking. “Stillness of the Night” is a prime example on this scale as Gary shreds away big time on it. Then there is the paradox of the closer and title track. It ranks right up there with any good album closer but the track was also used as the opener when they toured on the album, versatility or what? So, ignore the charts and lack of commercial success, “Good Trouble” is a great rocker of an album.
Track Listing:
1. Keep the Fire Burning
2. Sweet Time
3. Girl With the Heart of Gold
4. Every Now and Then
5. I’ll Follow You
6. The Key
7. Back In My Heart Again
8. Let’s Be-Bop
9. Stillness of the Night
10. Good Trouble
REO Speedwagon
Kevin Cronin- rhythm guitar, piano, lead vocals
Gary Richrath- lead guitar
Neil Doughty- keyboards
Bruce Hall- bass, lead vocal on “Let’s Be-Bop”
Alan Gratzer- drums, percussion
Maybe it was down to the lack of commercial success of “Good Trouble” their next album would be a total sell out. That’s a shame because “Good Trouble” is every bit a classic rocking album and reminds me of the time when REO Speedwagon was good and not settling for being popular.
Next post: The Go Gos- Talk Show
To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London
When I returned from my second deployment in June of 1982, this debut album from Asia was there to greet me. It would be the first new album I would hear on my return. I did get a preview of what was to come when someone played the first single “Heat of the Moment” on the juke of a local bar (not the Driftwood) and that persuaded me to check out the rest of the album to which I was delighted to have done for this was a good album. On a totally unrelated note, this is the only album I know of that my sister and my ex wife both own, but don’t tell either of them.
For me, Asia gave the sign that the progressive rock which defined the 1970s, would carry on strong into the following decade. The opening song and previously mentioned big single signifies that Asia were a good tight band who joined together to make great music. It starts with a cool attention grabbing guitar riff before being overpowered by some sublime keyboard work. The guitars don’t totally go away but come back to begin each verse. The next couple of songs are keyboard lead but done very well and a guitar solo emerges on the track “One Step Closer” and goes on to take the song to its conclusion. A similar guitar riff starts “Time Again” but like some of the great progressive bands that went before such as Emerson, Lake and Palmer or Yes, there is some exciting intricate keyboard work laced throughout the song. However, the one song that certainly highlights the quality musicianship of the members of Asia is “Without You.” I got to hear a little of everything here with the keyboards, electric guitar and even an acoustic guitar bit, all very well done. My verdict: Asia’s self titled album reminds me of the day when musicians actually cared about the quality of the music they played.
Track Listing:
1. Heat of the Moment
2. Only Time Will Tell
3. Sole Survivor
4. One Step Closer
5. Time Again
6. Wildest Dreams
7. Without You
8. Cutting it Fine
9. Here Comes That Feeling
Geoff Downes- keyboards, vocals
Steve Howe- guitars, vocals
Carl Palmer- drums, percussion
John Wetton- bass, lead vocals
Very shortly after this album, what we know as progressive rock would disintegrate into what would become synth pop. For us who grew up with progressive rock, it would become sad times and I could remember seeing many a person from my era force feeding quarter into a juke box when they spotted a song from the olden times. Asia reminds me that in 1982, those sad times weren’t upon us yet and there were still some out there who wanted to play some serious rock.
Next post: REO Speedwagon- Good Trouble
To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London
Sometime halfway through my second deployment to the Mediterranean and Indian Ocean, while watching a backdated episode of America’s Top 40 with Casey Kasem, I was treated to the Loverboy hit “Working for the Weekend.” Admittedly, it didn’t quite have the knock out punch I liked about “Turn Me Loose” but it was good enough to have me make a mental note on buying it when I either got to the PX in Rota, Spain or back to the States. It also brought back memories of the previous summer and the Driftwood, even though Twinkles had left a few months before the end of 1981.
True to my word, “Get Lucky” was the first new album I listened to when I returned that summer and I wasn’t disappointed. It has just the right blend of progressive and hard rock to make it work. “When It’s Over” is more proggy but the hard rock of “Jump” takes over nicely. Other good hard rock tracks come and go after leaving their own stamp on the album. “Emotional” reminds me of classic REO Speedwagon back when they were good in the 70s. “Lucky Ones” brings back fond memories of the first album and there’s always has been something about “It’s Your Life” that I liked. The album goes out on more a progressive note with “Take Me to the Top” but it’s definitely the right closer for this album. Of all the songs on “Get Lucky,” the one that stands well above the rest for me is “Gangs in the Street.” I don’t know if it’s because it reminds me of my all time favourite film, “The Warriors” or because the video tries to make Loverboy look bad ass in an unconvincing way or probably just because I like the guitar solo. Whatever it is, the song works and is why this album is so good.
Track Listing:
1. Working for the Weekend
2. When It’s Over
3. Jump
4. Gangs in the Street
5. Emotional
6. Lucky Ones
7. It’s Your Life
8. Better Watch Out
9. Take Me To the Top
Loverboy
Mike Reno- vocals
Paul Dean- guitar, vocals
Doug Johnson- keyboards
Scott Smith- bass
Mike Frenette- drums
Loverboy seem to have been forgotten by many people now, not me, but back in the very early 80s, they staked their claim on the rock world with two very good albums. They were another reason why Canadian artists have never gotten the respect they deserved.
Next post: Asia
To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London
U2’s second album “October actually came to my attention at the tail end of 1981 when I saw it at a record store. However, I was still listening to their debut album “Boy,” so I wasn’t quite ready for their new album. That all changed while I was early into my second deployment to the Mediterranean and Indian Ocean when a fellow marine played the album opener “Gloria” that was on his self made cassette of punk tunes. Fact: believe it or not, back in 1981 and 2, U2 were considered punk by the mainstream. I’ve said this before and I know I’ll say it again, back then, anything new or that mainstream commercial radio just didn’t get was classed as punk.
Whether or not U2 were ever punk was not really an issue for me, all I know was that they were quickly growing on me. One reason why was that if I were to choose another name for “October,” I would call it “Boy II” because to me, the second album sounds very much like the first. That’s not a particularly bad thing by the way. Like “Boy,” “October” begins with the best know single from that particular album. I won’t make comparisons because “I Will Follow” will always be my favourite U2 song. Therefore I will not take anything away from the opener here. “I Fall Down” is a good follow on and I’m not sure what to make of “I Threw a Brick Through a Window” but it does stand out in the sense that I didn’t hear anything like it on “Boy.” For me, the album goes down the same road as its predecessor and you could argue “If it ain’t broke then don’t fix it.” Even the end of the album slows down in the same way the closer on “Boy,” “Shadows in Tall Trees” does. While I won’t go as far as saying the two albums are completely identical, they are quite similar.
Track Listing:
1. Gloria
2. I Fall Down
3. I Threw a Brick Through a Window
4. Rejoice
5. Fire
6. Tomorrow
7. October
8. With a Shout (Jerusalem)
9. Stranger in a Strange Land
10. Scarlet
11. Is That All
U2
Bono- lead vocals
The Edge- guitar, piano, backing vocals
Adam Clayton- bass
Larry Mullen Jr- drums
As I said earlier, if it’s not broke, don’t fix it. What U2 did with “October” is take their first album as a blueprint and made another album along the same vein. However, it is done in a way that doesn’t put the listener off. “October” would prove to be a small stepping stone towards the next album which would lead them to ultimate greatness in the golden decade. One thing I have always said about U2 was the fact that they were one band that metalheads and trendies both liked.
Next post: Loverboy- Get Lucky
To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London
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