Archive for Heavy Metal

Great Rock Albums of 1984: Molly Hatchet- The Deed is Done

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on August 20, 2017 by 80smetalman

In the mid and late 1980s, there was a belief that whenever a hard rock or heavy metal band incorporated keyboards into their sound, they had sold out and were trying to sound more commercial friendly. Yes, this was the case for a good number of bands back then and Molly Hatchet were accused of the same when guitarist Steve Holland was replaced with keyboards player John Galvin, who had played with Danny Joe Brown when he had his own band. Sure, the band moved away from their Southern Rock stylings to a more commercial friendly arena rock sound but their 1984 album, “The Deed is Done” is by no means in any shape or form a sell out.

While there are notable differences with this album and their very famous hard smashing album “Flirtin’ With Disaster,” the hard rock sound is there for all to hear. Even with two guitars, Molly Hatchet really rock out on the album, the keyboards only give it a more melodic back ground. The most prominent examples are the two tracks released as singles, “Satisfied Man” and the one I prefer slightly more, “Stone in Your Heart.” These are both rockers with John’s keyboards providing excellent melodic back up. Unlike so many bands who tried using keyboards, Molly Hatchet does it right here and unfortunately, this is why the album didn’t sell as well as the fore mentioned biggie. Some metalheads scoffed at the use of keyboards while mainstream trendies were put off by the hard guitars and labelled them heavy metal. That’s another issue about the 1980s, but I’ll save that for another time.

As for the rest of the tracks, they cook as well and the now guitar duo of Duane Rolands and Dave Hlubeck show that even with two guitars, they can still kick ass. There is many a good hard rock song on “The Deed is Done” to be heard. However, if someone moaned about them using keyboards, then that person might have really been freaked out by the use of a saxophone on the track, “She Does She Does.” What younger metalheads didn’t understand in the 80s was that saxophones were employed very well in many a good rock song throughout the ages and it is done very well on this track. And while Molly Hatchet may have moved a little away from their Southern Boogie Rock sound, it is still there in the tracks, “Heartbreak Radio” and “I Ain’t Got You”. In fact, the second half of the album really rocks. “Good Smoke and Whiskey” wasn’t only a great track, it was my theme song for a while. However, my personal favourite on this album has to be “Man on the Run.” The old style of Molly Hatchet is stamped on it from the very beginning and the keyboards, like on the hits, provide the necessary support. This song is probably the best example of how you can incorporate the old Hatchet with the new. So what you do get with “The Deed is Done” is a more melodic hard rock sound in places but with the traditional southern sound not completely forgotten. It does make an excellent combination to the open minded.

Going on a little more about the keyboards, John Galvin is definitely underrated in this position. Some have compared him to Lynyrd Skynyrd’s Billy Powell, probably because their both from Southern Rock bands. Like Southern Rock bands, the piano is given that honky tonk sound which only works with bands like these two giants. However, John’s work with organs and synthesizers can’t be ignored because he plays them well. Oh yes, with all the talk about keyboards, I forgot to mention that the album also marked the return of Bruce Crump on drums. It was good to hear him return on the album.

Track Listing:

  1. Satisfied Man
  2. Backstabber
  3. She Does She Does
  4. Intro Piece
  5. Stone In Your Heart
  6. Man on the Run
  7. Good Smoke and Whiskey
  8. Heartbreak Radio
  9. I Ain’t Got You
  10. Straight Shooter
  11. Song For the Children

Molly Hatchet

Danny Joe Brown- vocals

Duane Rolands- guitar

Dave Hlubeck- guitar

John Galvin- keyboards

Riff West- bass

Bruce Crump- drums

Additional Musicians

Jim Horn- saxophone

Jimi Jamison, Tom DeLuca, Steve Bassett, Terry Manning- background vocals

I think that I’ve established before the metal court that “The Deed is Done” album was in no way a sell out for Molly Hatchet. While the album marks a departure from their traditional Southern sound, it still rocks and rocks hard. It’s just a shame there were too many musically narrow minded people around in the mid 1980s who didn’t give the album a chance.

Next post: Blackfoot- Vertical Smiles

To buy Rock and Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_7?ie=UTF8&qid=1503214910&sr=8-7&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

 

 

 

Great Rock Albums of 1984: The Bangles- All Over the Place

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on July 16, 2017 by 80smetalman

Before Prince and other more commercial types got their claws into them, The Bangles debut album, “All Over the Place” was a solid new wave sounding album. When the video for the single, “The Hero Takes a Fall” appeared on MTV one day, I thought to myself, I like this song. It wasn’t heavy but there was just enough guitar in there for me.

“The Hero Takes a Fall” never broke the top forty charts in 1984, most likely because I liked it. What it did do was to further my intrigue into this band and I liked what I discovered. Like, I said above, “All Over the Place” is a decent album. There is a strong new wave sound but it stops a just short of being a hard rocker and in no way did it knock Girlschool off top spot as my favourite all female band.

The funny thing is that the album could have been a cool metal album if they had let loose with the guitars a bit more. One song that typifies this is “All About You.” There is a guitar bit that sounds okay but it would have sounded amazing if they had put a fuzz box in there. The same thing could have been said about “Restless” and “Tell Me.” However, there is another song that stands above even those. “Dover Beach” is where lead guitarist Vicki Peterson really gets to shred a little. I’m not going to say she’s a hidden guitar great because of one solo but it would have been nice to hear her shred a little more. She does shred a little bit on “Going Down to Liverpool” but because the song is in the early Beatles form, her guitar solo sounds like something from “A Hard Day’s Night.” Not a bad thing and the song is okay, it just doesn’t make it any real rocker.

“He’s Got a Secret” is another decent song. It’s about a man whose cheating on his partner and there is some good guitar work in it. However, it is the vocals of Susanna Hoffs which punctuate the song for me. Actually, the hardest rock song is, “Silent Treatment” and it’s good to hear the band really let loose. I think that song should have been the closer as I was never very impressed with the one that actually is.

Track Listing:

  1. The Hero Takes a Fall
  2. Live
  3. James
  4. All About You
  5. Dover Beach
  6. Tell Me
  7. Restless
  8. Going Down to Liverpool
  9. He’s Got a Secret
  10. Silent Treatment
  11. More Than Meets the Eye

The Bangles

Susannah Hoffs- rhythm guitar, vocals

Vicki Peterson- lead guitar, vocals

Michael Steele- bass

Debbi Peterson- drums, vocals

While I wasn’t the only one who took notice of the Bangles in 1984, they pretty much came and went through the year unnoticed. Unfortunately, the wrong people, as far as this metalhead is concerned, did take notice of them and would turn them into a top forty band. That is why “All Over the Place” would be the only Bangles album I would ever listen to.

Next Post: Billy Satellite

To buy Rock and Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_8?ie=UTF8&qid=1500195556&sr=8-8&keywords=michael+d+lefevre

 

 

 

A New Great Metal Album: Greywind- Afterthoughts

Posted in Concerts, Heavy Metal, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on July 5, 2017 by 80smetalman

Apologies for all of those who were expecting to be reading my thoughts on the “Fugazi” album from Marillion. Trust me, that will be coming very soon. What has thrown a metal spanner in the works was my getting and listening to the debut album, “Afterthoughts” by Greywind after seeing them dominate the Avalanche Stage on the Saturday and Download. Now, that I’ve had a couple of listens to it, I am even more impressed and now want to spread the word about this band.

Greywind making their mark at Download

At first listen, one might be tempted to compare Greywind to Paramore and there are similarities in the sound beyond the fact that both are fronted by female lead singers. Only similarities though, as I find Greywind to be much more in your face than what Paramore ever was, no disrespect to that band. There is some powerful forces at work on “Afterthoughts” in between some flashes of prog metal. The best example of this is on the tracks “Circle” and “The Lake.” The latter uses a piano in a very seductive way that lures you into a possible mellow out before belting you ear drums with more guitars. However, those aren’t my favourite tracks on the album. The title track is a definite candidate as well as being a great opener for the album. I also like the track “Desolate” for its start like a ballad before ripping your head off power chords and then going back and forth between the two and “Car Spins” is a very interesting track to say indeed.

One thing I learned after purchasing the album was that Greywind are actually a brother and sister act fronted by guitarist Paul O’Sullivan and singer Stephanie O’Sullivan. The rhythm section get a mention in the Special Thanks part on the label as they should. Mark Chapman and Adam Perry make a very good one here. Guitarist Paul is a very good guitarist which is paradoxical for me. I usually like ones who do blistering solos ala Van Halen, Nugent, Blackmore, Iommi, Page etc. I had to stop there before I got carried away naming all the great axemen. He does play some intricate little riffs throughout the songs that don’t escape your attention.

For me though, it’s the dominating voice of Steph that makes this album for me. In comparison to Paramore, Hayley Williams’ vocals don’t even come close! Steph O’Sullivan can do it all. She can sing soft or belt you with her raw power vocal chords. She did that at Download and she does it here on the album.

Track Listing:

  1. Afterthoughts
  2. Forest Ablaze
  3. Circle
  4. Safe Haven
  5. The Lake
  6. Car Spin
  7. Stitch On My Wings
  8. Desolate
  9. In Autumn
  10. Wander

Stephanie O’Sullivan giving it her all.

Stephanie O’Sullivan- vocals

Paul O’Sullivan- guitars

Mark Chapman- bass

Adam Perry- drums

The whole point of my writing “Rock and Roll Children” and starting 80sMetalman was to get everyone to get out their old albums and listen to them again. I know a lot of you never stopped listening to them. In this case, I’m hoping that you will give a new band a chance and listen to their debut album because I think it’s worth it.

To buy Rock And Roll Children go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_8?ie=UTF8&qid=1499276423&sr=8-8&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

 

 

 

Download 2017: Sunday

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , on June 22, 2017 by 80smetalman

I wonder if anyone obliged them.

Sunday, the final day of Download., we all thought we better make the best of it. Most of the bands I wanted to see this day were playing on the main stage so I didn’t have to travel very far, especially with the headache of packing and loading the car. Everyone in my group all wanted to catch the day’s opener on the main stage, Fozzy. I had seen them at Bloodstock in 2013 and was very eager to see them again and when they came out on stage, they were determined to impress. Lead singer Chris Jerico, now with darker hair, still was the main attraction to this band. Like when I saw him at Bloodstock, he has a stage presence that singers with greater vocal talent don’t. However, he did give his band a little more of the limelight this time around. After all, he does have a good band behind him and I have to say that they seemed to have better material this time around. Check out the new song, “Judas.” A great start to the final day.

Fozzy begin

Jerico goes to the front

With the rest of the band behind him

Chris came my way

The rest of my group returned to camp but I stayed because I very much wanted to see the second band of the day, Orange Goblin. I have some of you bloggers to thank for that, I’m looking at Stone and HMO specifically, because what I have read about them made that decision for me. I have been told that while their music was good, they lacked stage presence, however, I saw no evidence of that when they hit the stage. True, singer Ben Ward is not the showman that Chris Jerico is but he sings well and can get the audience motivated behind the band. I thought they had some good stuff with their combination of doom metal and stoner rock. Will definitely be listening to these guys more and I’m serious about that.

Orange Goblin do have the presence

Ben Ward serenading the Sunday morning crowd

After being wowed by Fozzy and Orange Goblin, it was time to head back to camp, finish packing and load up the car. We managed to do this but because one of the assistants sent us to the wrong car park, we were late in getting back so when only caught the last twenty minutes of Devil Driver on the Zippo Stage. Still, twenty minutes of hard core thrash from Devil Driver is miles better than none at all.

The closest I could get to Devil Driver

After Devil Driver, I headed back to the main stage to see the remaining four bands on the night. The first of these were Australian hard rock band, Airbourne. Remember what I said about Northlane are evidence that not all Australian bands are influenced by AC/DC?  Well, forget about that in this case because the AC/DC influence came through the minute Airbourne was out on stage. The other thing I noticed straight away was that lead singer/lead guitarist, Joel O’Keeffe was the main attraction in the band. Like, Devin Townsend and another artist I would see later on in the day, O’Keeffe was good at both. However, he wouldn’t be so great without the rest of the band behind him. Most of the songs they played were from the “Breaking Out of Hell” album but that’s not a bad thing. I did like the song “It’s All For Rock and Roll, so it’s another album on my to get list. Airbourne warmed things up nicely in preparation for the rest of the evening.

Joel O’Keeffe going straight to the front

O’Keeffe belts out a guitar solo with rhythm section in support

The album cover alone is worth getting the album.

O’Keeffe leading the finish

After Airbourne, I was totally pumped for the next band, Steel Panther, and my feelings were justified. Steel Panther were the unsung heroes on the day. I loved them start to finish and let me put to rest any doubts about their ability, these guys can play, they proved that the second they stepped out on stage with “Eyes of the Panther.” Sure, there is a lot of humour in their songs and I was quite surprised they played, “Thar She Blows” live but whoever said that there can’t be humour in metal? I laughed and rocked out at the same time to the Tiger Woods song. In addition to the great metal, there was some great banter with the crowd and between the band themselves. Bassist Lexxi was the butt of most of the jokes, with constant insinuations he was gay but it was also said that lead singer Mike Starr was 72 years old. If that’s true, then all the power to him I say. Besides I believe them when they say the reason all the other bands hate them was because they sleep with all their girlfriends. I only had to wait halfway through the set to hear the famous “Death to All But Metal” and they played “Fuck All Night, Party All Day” straight after. The biggest surprise was when they played “17 Girls in a Row.” While playing it, they invited ladies up from the crowd on stage and before you knew it, there was a wall of young women across the entire stage and four deep. Most of the ladies seemed content with taking selfies with the band and giving them kisses, not that they minded. Once the girls were back off stage, they ended with what’s for me, the best song possible, “Community Property.” You bet people sang along to that one. So, after seeing them, anyone who insists Steel Panther are a joke band can come see me and I’ll show them my US Marine Corps training.

Feel the Steel

Michael Starr sings while Satchel hammers a solo

Starr and Lexxi come my way

The ladies answer the invite to come on stage

Ladies on stage

I only became familiar with Alter Bridge a week before I went to Download but after hearing their mix on Youtube, I made up my mind to go and see them. Myles Kennedy was already known to me on account of his work with Slash so that made me more determined to see them. He is a great singer but what I never knew was that he can play a guitar a bit as well. He really wailed away on quite a few of the songs so I was doubly impressed. While I can remember specific song titles, I can say that the songs I heard were absolutely brilliant. I think that after seeing them onstage, they are quickly becoming a favourite with me.

Welcome Alter Bridge

Myles came my way to play a solo

Don’t forget, there are three other great musicians in Alter Bridge

We all know Myles is a great singer too

More great guitar work

They played on til the end

Now common sense says that I should have stayed put after Alter Bridge so I would have a spot for headliners, Aerosmith. However, who says I have any sense? What did I do? I went over to the Zippo Stage to catch twenty minutes of headliners Slayer. Sure, I have seen them twice recently but who in their right mind would pass up any chance to see Slayer? I didn’t and don’t regret it.

Slaaaayyyeeeerrrrrr!

I did manage to get back well before the main event and managed to jockey into the best place possible to see the band that helped me through high school. Aerosmith came out to all the royal fanfare a band of their magnitude deserved. While I knew that their set would be a ‘greatest hits’ one, neither I or any of the tens of thousands there to see them cared. The hits came straight away, their was “Crying,” “Love in an Elevator,” “Living on the Edge” and “Jaime’s Got a Gun” for starters. It was common knowledge that the last song was about domestic abuse but I was a little surprised at Steve’s revelation that he got the idea for it while he was in rehab. Sometime in the middle of the set, guitarist Joe Perry was allowed to sing lead on a couple of songs, the first one was a blues number and the second one, Brad Whitford played a guitar solo. I always suspected Brad was capable of such things. After all, he’s been a brilliant rhythm guitarist for over forty years! After Joe’s spot, Aerosmith went back to the hits starting with the film classic, “I Don’t Want to Miss a Thing.” It was here that Steve Tyler introduced guest keyboards player Buck Johnson. Believe me, he went well with the band. Tom Hamilton played a bass solo but there was no surprise which song was to come after when Steve introduced him as Mr Sweet Emotion. This was the icebreaker for more of their 70s and 80s stuff. There was “Dude Looks Like a Lady” and of course “Dream On,” which the band left the stage. No fooling they would come out for encores and the audience was treated to a song I can’t remember before “Walk This Way.” The night ended with confetti and great fanfare. Now, there are rumours that this would be Aerosmith’s last tour. If so, they went out on an absolute high.

Aerosmith ended a night and a weekend of great metal! I went home feeling very satisfied and fulfilled. Download was great but I will not enter into any debate as to which is better between Download and Bloodstock. Both offer me everything I look for in metal. One thing, I must do in the future is to save my pennies so I can go to both festivals in the same year.

Steve and Joe in the front

Aerosmith rocks!

They rock some more

Cool lights

Tom’s bass solo

More Steve and Joe

A great end to the night!

Rock and Roll Children is still available on Amazon.

Next post: Honeymoon Suite

Download 2017: Saturday

Posted in Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , on June 18, 2017 by 80smetalman

I forgot I took this picture of System of a Down the previous night.

Saturday mornings at festivals for me are always a time of moving in slow motion for me. I slept in and took my time getting going. When, I finally got going, I discovered there were no bands playing on the main stage at the time of my entry. However, my ears caught hold of some cool sounds coming out of the Avalanche Stage, so I thought I’d better go and check it out. I discovered what was making those wonderful sounds, it was the band, Greywind.

On all four of my trips to Bloodstock, I came across a band who I never heard of but impressed holy hell out of me. I thought it would be nice to keep up that tradition at Download. Greywind kept that tradition going for me. The band was tight but their best asset is their fiery red haired lead singer, Steph O’Sullivan. Let me just say that this band was awesome and the lead singer has an amazing voice along with a good stage presence. Their debut album “Afterthoughts” was released in the beginning of the year and let me tell you, I’m going to get it.

Greywind making their mark

After Greywind, I did something controversial on the afternoon. Some people might think it was that but I don’t. I didn’t go see any bands! Instead, I attended an NXT Wrestling event. For those who aren’t familiar with it, NXT is the farm team, reserves, second division (put in which term applies best to your sporting interests) of the WWE.  There were two events on each of the three days at Download. The one I went to had six matches on the card including tag team champions, Authors of Pain. I enjoyed it immensely but the best part was before the wrestling started, some chap got down on one knee in front of the crowd and proposed to his girlfriend. I thought it was sweet.

No Way Jose beat Wolfgang in the opening bout.

Ember Moon defeated Billie Bey in the first women’s match.

Although you wouldn’t have though so in this photo

Another misleading photo. Lars Sullivan ( I wonder if his parents were Metallica fans,) would defeat Trent Seven.

Ruby Riot and Aaliyah square off in the second women’s match.

Ruby Riot would eventually get the win.

Moores and Sabitelli battle Authors of Pain for the Tag Team Title

Authors of Pain did hold onto their belts.

Cien Andamadama and Alleister Black meet in the Main Event. Alleister Black would win this one.

Nice flying move though

I had a great time watching the wrestling. After all, now that I’m in 1984, that year began the origins of the rock and wrestling connection. More on that at a later time.

Heading back to the main stage, I was fortunate enough to catch the end of Pierce the Veil, I liked what I heard and lead singer, Vic Fuentes, tried to get two mosh pits going simultaneously. The ended things with their best known song, “Kings of Pain.”

Fuentes out in front

And here’s the rest of the band.

After feeding my face, I ventured back to the Avalanche Stage in the hopes of discovering another band. Every Time I Die was on stage and I am convinced that their loud, angry tones scared their record producer into signing them. They made two bands, who I never heard of who impressed me. Actually, Northlane and Motionless in White from the previous day makes it four.

Every Time I Die frightening children

When ETID finished, I went back to the main stage to catch some of A Day to Remember. I happened to stand among some true ADTR fans who sang along to every song they played. I have heard of this band before but have only heard snippets previously. I liked what I heard on this day.

They are under there somewhere

And they appear

Some A Day to Remember fans singing along

Lead singer Jeremy McKinnon goes out in front.

When A Day to Remember left, I immediately beat feet over to the Zippo Stage for the rest of the night. The first band out was the Devin Townsend Project. I had seen Devin at Bloodstock in 2010 and he was good but he was even better this time around. For one, he didn’t have any equipment malfunctions so there was no delay in starting the show. He just completely wailed on his guitar the entire time. Two songs that really stood out for me were “Sugar Crush” and “Dead Head,” the latter of which could sum up his entire performance. It had a melodic start before going more power metal along with some great guitar soloing and his interaction with the audience was superb. I also like how he can change his voice during a song, from traditional to almost thrash metal to fit the song. Before he left, he said he was amazed at the fact that he was 45 and could still make a living out of playing metal.

DTP takes the stage

Devin plays a guitar solo

Belting out another guitar solo.

Devin Townsend paved the way for the final act of the night, Rob Zombie. Before he made his entrance, there were test screens on the stage. This led me to wonder where all this might lead. That was answered when he came out in his silver suit with cowboy hat and fringes. Those screens showed old films and TV shows while his band played. At one time, the screens displayed large red letters, “Get High” when he sang that song. When he saw someone with a blow up doll, he told them they must be desperate. Rob joined in when he threw two blow up aliens into the crowd and instructed the audience to let them crowd surf to the back. He also expressed ‘concern’ over the fact that alien abductions aren’t talked about by politicians. It was an amazing show, attended by many because I was near the front and packed in like a sardine. Had great effects and light show as well. When the show ended, I wasn’t the only one who thought Rob should have headlined the main stage instead of Biffy Clyro.

What would these screens reveal?

Cool colour display

And there was fire

Best shot of Rob I could get.

Biffy had already finished so I couldn’t have watched them if I wanted to. I’m sure the eight people who did see them enjoyed the show. I went back to my campsite fully drained and in need of refreshment.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Download 2016: Thursday

Posted in Concerts, Heavy Metal, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on June 13, 2017 by 80smetalman

The Campsite village

The most difficult thing for me not to do with these next four, possibly five posts is to make constant comparisons and contrasts between Download and Bloodstock. In the hopes of avoiding this, I will sum the two festivals using a quote from my stepson’s girlfriend, Gemma. She states that the two festivals are siblings. I can see that, some of the bands I would see at Download over the weekend I had seen previously at Bloodstock. However, Gemma reckons that Download is the calmer elder sibling while Bloodstock is the angry younger one. She certainly has a point.

We left Stroud just before one in the afternoon and our journey wasn’t too bad as far as traffic goes. The Disturbed and the tribute to Twisted Sister album provided the in flight entertainment. What we did realize shortly into our journey was that I had forgotten to pack a pan to cook all our wonderful gourmet meals in over the weekend. There were a few other things as well. So, we had to make an unplanned stop a few exits before the one we needed. That added forty-five minutes to our journey. Still, we managed to get Donington Park by quarter to four.

Learning our lesson from Bloodstock, we packed our gear into to small carts and followed the procession to the main gate. Once we got there, we had to wait in a large queue as all bags were searched. I was expecting this after the recent attacks here in the UK. With security not able to find drugs or explosives on us, we began the long walk to the campsite village. This seemed to be a trek and there was a second gate where some of our stuff was searched again and we exchanged our tickets for the weekend wristbands. After more walking, we finally got to the campsite village where we met our friend Joe. Only instead of heading into the campsite, after some queries with the stewards, ended up taking us back the other way to the caravan site. It turned out that Joe had some friends who let us pitch our tents by their camper van. That would prove to be a distinct advantage over the weekend.

Once all the campsite necessities were completed, including drinking a couple of cans, which I sorely needed to do, we headed back to the campsite village. Lots to do and see and there was a band playing at one of the tents when we arrived, though they finished shortly after. So, we headed for the Comedy Tent to catch the last three comedians of the night.

The first comedian was an American lady called Abdiliah, I didn’t catch her last name. She was quite funny and like so many American comedians in the UK, make funny comparisons between the two countries. As normal, this put a tiny number of people off who left but for the most part, she was very funny.

Next up was a British man named Andrew O’Neil. What I remembered most about him was his ripping on Saturday’s main stage headliner, Biffy Clyro and his impression of System of a Down, which he got the audience to assist him with. One side of the tent did the bass bit while the other side impersonated the lead guitar. Obviously, I can’t show it here but it was pretty hilarious. All his material was very funny.

The final comedian of the night was a Canadian by the name of Greg Campbell. He talked about his trip to Russia and how the Russians, unlike Americans or Brits, don’t have a word for getting people to hurry up. Americans use ‘pronto’ and Brits use ‘stat.’ He did an impression of a Russian who stated that when they want something done, they expect it to be straight away and don’t need buzz words. I know it doesn’t sound funny here but the way Greg Campbell told it, had me rolling on the floor.

When the comedians finished, I ventured back to the tent the band had been playing. The band had left but there were two young ladies on stage dancing with flaming batons. Unfortunately, with all the lights, I couldn’t get a decent photo. However, most of the action in the late night was in the cinema tent. No films being shown but many people were gathered around the screen as the news of the General Election began to come in. Let’s just say that if the election had been decided by metalheads, Jeremy Corbyn’s Labour Party would have been elected by a landslide. I didn’t stay to long into the night knowing that I needed my beauty sleep for the day’s metal which lay ahead.

 

 

 

 

 

 

 

Your Opinion: Would It Have Been Cool if HSAS Continued After One Album?

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , on June 6, 2017 by 80smetalman

HSAS

Thinking more about my previous post on the only album from HSAS, I continue to speculate what would it have been like if they didn’t stop at one album. In the last post, I put forward the historical evidence that Journey went completely downhill and that Sammy went onto join Van Halen and received a lot of unfair criticism for it. My feelings are that they would have gone on to make at least two more killer albums before any super group egos began to get in the way. Hopefully, I might be wrong there. So, what I’m doing is putting the question out there to the cosmos. Would any of you liked to have heard more albums from HSAS and gone to see them live? Let me know your opinions and don’t be shy! I will look at both sides of the argument with equal eyes.

Now, in two days I’ll be off to Download and have come to an interesting situation. It was my intention that on the Sunday, I was going to see the top four bands on the main stage so I can get a good position for Aerosmith. Having not seen them since 1990, I was prepared to give Slayer who are headlining on the second stage a miss. Particularly because I have seen them at Bloodstock twice in the past three years. However, Slayer will be on before Aerosmith so I do have the chance to see them. To throw a further spanner in the works, I really want to see Airbourne and Steel Panther who are on the main stage before Slayer but had not heard of the band between Steel Panther and Aerosmith, Alter Bridge, who are on when Slayer goes on. I know that I can easily move stages but I fear I won’t get a good place for Aerosmith if I do. Furthermore, I have familiarized myself with Alter Bridge and am very impressed with what I heard. So, I’m tempted to stay and see them. What would you do?