Great Metal Albums of 1988: Virgin Steele- Age of Consent

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on February 2, 2023 by 80smetalman

Not sure if I said this in a previous Virgin Steele post but I was introduced to this band in 1983 by the ultimate metal sister, the late Stacy Kroger. While I got into their previous three albums, the fact that this 1988 album, “Age of Consent,” received little promotion and therefore fewer sales combined with the fact I was living in the UK, this album totally passed me by. To be honest, it’s a pretty good album but it does sound like they compromised their sound a little in order to gain more commercial success. Maybe they should have stuck with what they knew.

“Age of Consent” starts off well enough with a good opener in “On the Wings of the Night.” The theatric keyboard intro draws you in and then the power of the guitars comes in with a powerful but catchy vibe. Exactly what a good album opener is supposed to do. I won’t call the next few songs a let down as they keep the album ticking along satisfactorily but none of them really grab my attention either. I also get the feeling that “Tragedy” was meant to be the single from the album. It ticks all the boxes for a single but for me, there are better songs on the album.

Things change somewhat when you get to the fourth song, a cover of Uriah Heep’s “Stay on Top.” This is a rock song with a bit of 70s swagger and it does generate a renewed vigor to the album. Furthermore, it sparks life into the middle of the album. “Chains of Fire” remind you that Virgin Steele are still a metal band. Then we get to my favourite song of the album, “The Burning of Rome (Cry for Pompeii).” True, there is a bit of history in the lyrics but if more history was taught with music like this in the background, a lot of metalheads would have gotten A’s in history, especially with that guitar solo from Ed Pursino.

Two songs after comes the other standout track from the album, “Lion in the Winter.” While not as theatrical as “The Burning of Rome,” it’s a great straight ahead power metal tune with a catchy melodic chorus. It’s probably singer David De Feis’s best vocal effort. Then the album goes out, first with the power ballad, “Cry Forever,” which is decent but unmemorable and I can say the same about closing track, “We Are Eternal.”

Another reason behind the album’s lack of success was the turmoil going on behind the scenes. During the recording of the album, the band was besieged by financial and legal setbacks. On top of that, bassist Joe O’Reilly was ghosted by Pursion and lead singer David DeFeis. That explains why Pursino is listed in the credits for playing bass on the album.

Track Listing:

  1. On the Wings of the Night
  2. Seventeen
  3. Tragedy
  4. Stay on Top
  5. Chains of Fire
  6. The Burning of Rome (Cry for Pompeii)
  7. Let it Roar
  8. Lion in the Winter
  9. Cry Forever
  10. We Are Eternal
Virgin Steele

David DeFeis- lead vocals, keyboards

Ed Pursino- guitar, bass

Joe O’Reilly- bass

Joey Ayvazian- drums

The end result for “Age of Consent” is that it with all the issues surrounding the band, it would lead to its unofficial break up. Virgin Steele wouldn’t record another album for five years. The tragic aspect is that this album, while I’m not bowled over by it, it’s not bad either. In fact, it’s pretty good.

Next post: Wratchild- The Biz Suxx

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Gone and Done It!

Posted in Death, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on January 29, 2023 by 80smetalman

There’s another objective achieved, another scratched off my ‘to do’ list. I spent the weekend in Paris and had a really nice time. My main objective, if you haven’t already guessed from the photo above, was to visit Jim Morrison’s grave. Unlike what you see in the film, “The Doors,” there is no graffiti around the grave and it’s now behind a fence. Thank God for mobile phone cameras which let you zoom it. Ever since I got to Europe 36 years ago, it was something I always wanted to do. Covid prevented me from doing so on my 60th birthday but now I’ve done it, hooray!

I don’t know who this derelict is standing in front of Jim’s grave. Oh wait, that’s me.

My daughter Rowena and future daughter in law, Eline

After my objective was achieved, I let my daughter and her fiance pretty much decide the rest of the weekend. On the Saturday, we spent several hours at The Louvre doing all the touristy things. We saw the obvious attractions, The Mona Lisa and the statue of Venus DeMilo as well as many other objects of fine art. A few years ago, I posted about my trip to the Philadelphia Art Museum but The Louvre eats that one for breakfast and lunch. Unless everyone really wants to see it, I won’t post all the photos from there but there was one painting, I can’t remember the artist, which really caught my eye. The reason was that the painting reminded my so much of the video for the song “Mystery” by Dio.

It’s always a mystery.

There are two other interesting happenings over the weekend which are worth me sharing. In my hotel room on the Friday night, I caught a French album show on TV. Most of them weren’t to my musical tastes until the last two. First of these was a band called Indochine. Judging from the video performance where they played to a packed out arena, they’re very big in France. Having just read their biography, this band has been around since the 1980s! Why haven’t I heard of them? They’re considered soft rock/new wave and they sounded quite good. Closing out the album show was a band I introduced last year, Maneskin, from Italy who won last year’s Eurovision Song Contest. The video was of their latest song, a power ballad called “Loneliness” and it’s very good.


Måneskin during Rock am Ring at Nürburgring, Nürburg, Rheinland-Pfalz, Germany on 2022-06-03, Photo: Sven Mandel

As for the second happening, I feel that I would be letting everyone down if I hadn’t discovered a cool heavy metal bar while in Paris. Fortunately I did. It is called Le Black Dog and is located about five minutes walk from The Louvre. It’s not a very big place and unfortunately they were all booked up so we couldn’t sample the cuisine which is said to be very good. I did enjoy a new beer called Polar Dog and they played some great death metal. Another interesting note, there was one guy in the bar who could have been the result of a liaison between Lemmy and a female Motorhead fan. He did look a lot like him. So, if you’re in Paris, you know where to go for a good metal time. I just wished we could have stayed longer.

Patrons of Le Black Dog

My refreshing pint of Polar Dog

Some more cool decor, I took this photo from my stepson Teal

Overall, I had a great weekend in Paris and I hope you all enjoyed reading about it. At least, should you ever go there, you know of a great place to go to and yes, I didn’t have a bad meal the entire weekend.

Next post: Virgin Steele- Age of Consent

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Great Metal Albums of 1988: Helloween- Keeper of the Seven Keys: Part II

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , on January 22, 2023 by 80smetalman

When I posted about Helloween’s previous album, “Keeper of the Seven Keys: Part I,” Keepsmealive, I’m not sure if it was Aaron or James, asked me if it was worth checking out Part II. I told him I would let him know when I got to the album on the tour of 1988. Well, now I can answer that question and confidently say that he should check out this album. With “Part II,” Helloween pretty much stick to the formula from their previous albums. The only difference might be that this particular album may border more on melodic metal while “Part I” was my introduction to power metal.

In keeping with Helloween tradition, the album opens with a short, just over a minute long instrumental before going into a melodic/power metal foray. “Eagle Fly Free” is a brilliant opening of what’s to come. As with all the album, Michael Kiske’s vocals are superb, he is definitely an underrated singer but you get some great power chords and a cool guitar solo. There’s even a short bass solo from Markus Grosskopf.

Power metal isn’t lost on “You Always Walk Alone” as there are power chords galore to keep you entertained. There is a very interesting musical interlude in the middle of the song, between the two guitar solos where light guitar notes accompany a bass line with cymbal drumming. It’s all quite good and that brings us right to the hidden gem of the album, “Rise and Fall.” This is one of those uplifting anthem type songs where Ingo Schwichtenburg brings in on his drums. The chorus is quite amusing and I like the faster tempo changes and of course, a blistering guitar solo trade off between Kai Hansen and Michael Weikath.

After the hidden gem comes the first single released from the album, “Dr. Stein.” This is a straight forward metal tune and I can hear why it was released as a single. It had me bobbing my head along with the beat and the anthem style chorus followed by some great power chords. The addition of keyboards gives it an extra hook. However, it’s the song three tracks down the line which is the best known song from the album, “I Want Out.” It’s one where it can be said that if you haven’t heard of this song, then you don’t know Helloween. Most people in and out of metal identify the band with that iconic song.

In between those two singles are the tracks, “We Got the Right” and “March of Times.” Both are great power metal anthems and “We Got the Right” shows the versatility of Michael Kiske’s vocals while “March of Times” is another hidden gem, with that guitar solo tradeoff. Now, remember what I said about not straying too far from the formula. Well, like “Part I,” “Part II” ends with an ten minute plus blinder of a song in the form of the title track. Youtube must have read my post on “Part I” because I got the entire thirteen minutes and fifty two seconds of full Helloween inspired metal glory. It’s a great way to end the album.

The CD version of “Part II” has a tenth track called “Save Us.” There is nothing wrong with the song, but it shouldn’t have been stuck on at the end because of what a great closer the title track is. Now, it’s said that Americans are always getting it wrong but in the case of the CD version here, they got it right as “Save Us” is the seventh track on the US version. I think it was better placed there.

Track Listing:

  1. Invitation
  2. Fly Eagle Free
  3. You Always Walk Alone
  4. Rise and Fall
  5. Dr. Stein
  6. We Got the Right
  7. March of Times
  8. I Want Out
  9. Keeper of the Seven Keys
  10. CD bonus track: Save Us

Michael Kiske- lead vocals

Kai Hansen- guitar, backing vocals

Michael Weikath- guitar, keyboards, backing vocals

Markus Grosskopf- bass

Ingo Schwichtenburg- drums

Listening to “Keeper of the Seven Keys: Part II” I am wondering which of the two parts is the better album. Therefore, I am going to have to listen to them in conjunction in order to decide. Oh, the things I have to do.

Next post: After being in Europe for 36 plus years, I am finally going to Paris to visit Jim Morrison’s grave. I will tell you all about it when I get back.

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Thank You All!

Posted in Illness, Uncategorized with tags , on January 21, 2023 by 80smetalman

Today, Mrs 80smetalman along with her eldest son, youngest daughter and granddaughter and I made the 350 round trip to Sheffield Children’s Hospital to visit baby Paisley. I am happy to say that things are looking good. She’s on the mend and hopefully will be out of the hospital next week. From the bottom of our hearts, my wife and I would like to thank all of you for sending your prayers, thoughts and vibes.

Paisley today

Paisley with her step-grandfather

Great Metal Albums of 1988: Guns N’ Roses- Live From the Jungle

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on January 20, 2023 by 80smetalman

I now know why I hadn’t heard of this live album from Guns N’ Roses for a long time. In 1988, it was only released in Japan. There seems to be a lot of controversy over the tittle of the album, mainly down to the Japanese writing. It is on account of an interpretation of the large red text on the album’s obi strip people have called it “Live From the Jungle.” To be honest, I only write that because it’s part of history so let’s get down to the EP itself.

Three of the six tracks were recorded live at the famous London Marquee Club. Since the performance took place in 1987, I am sure that my old buddy Dave Williams and Co was in the crowd. The first of the live tracks is the opening live performance of “It’s So Easy,” from the “Appetite for Destruction” album. It starts off with the famous English chant, “Here We Go” before the band comes on and gets down to business. To be honest, there is no problem in telling that the song was recorded live on account of the production. Still, it gets things going.

Second track, “Shadow of Your Love” is said to be recorded live but according the notes on Wikipedia, it was a faux live recording with crowd noises dubbed in. The production on this one is definitely better than the opener and I will go out on a limb a bit and say that this could have been a forerunner to the classic, “You Could Be Mine,” as it sounds similar. Axl’s vocals are clear, the band is tight and Slash nails a cool guitar solo. All in all, a great tune, it’s the hidden gem for sure.

“Move to the City” comes in with a nice blues swagger to it. This is one to get the blood pumping and I could say that it’s the best track on the album. No mention of where it’s recorded but the notes state that it’s the same version as on “Live?!*Like a Suicide” album. Following on is an early live version of a song which would be a huge hit for them a few years down the line, a cover of the Bob Dylan blockbuster, “Knockin’ on Heaven’s Door.” Admittedly, the studio version is more polished than this live recording but I really dig this recording. At least on the live version, Axl’s singing “do-oh” isn’t so magnified. This was the second song recorded at the Marquee Club and this track alone makes me regret not being there that night.

Linking past with the present, when I listen to the final song recorded at the Marquee, Guns N’ Roses cover of AD/DC’s classic, “Whole Lotta Rosie,” I can see why Angus Young would choose Axl to sing for AC/DC on tour. Axl admits he’s no Bon Scott, (there is no other Bon Scott), but he does do the song justice. This is a very likeable cover of a cool song. The EP closes with the only studio recorded song, the famous “Sweet Child O’ Mine.” Is there any need to say more about this closer? It’s still my favourite Guns N’ Roses song and I would probably just repeat what I wrote when I reviewed the “Appetite for Destruction” album.

Track Listing:

  1. It’s So Easy
  2. Shadow of Your Love
  3. Move to the City
  4. Knockin’ On Heaven’s Door
  5. Whole Lotta Rosie
  6. Sweet Child O’ Mine

Gun N’ Roses

W. Axl Rose- lead vocals

Slash- lead guitar

Izzy Stradlin- rhythm guitar, backing vocals

Duff ‘Rose’ McKagan- bass, backing vocals

Steven Adler- drums, percussion

It’s a shame that “Live From the Jungle” or whatever you want to call it was only released in Japan. Yes, I know you can get it now these days but if I had known about it back in 1988, I would have snapped it up in a heartbeat.

Next post: Helloween- Keeper of the Seven Keys, Part 2

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Asking For Your Thoughts, Prayers and Vibes

Posted in Death, Illness, Uncategorized with tags , , on January 20, 2023 by 80smetalman

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Last week, my step granddaughter, Paisley Jorja Josephine was born. She has only been in the world a week but already, she has been through the wars. When she was two days old, it was discovered that she was neither peeing nor pooing. At first, they thought it might be a blockage and she was rushed to a children’s hospital 60 miles away. After an initial five hours of surgery, it was found that her bowels and intestines weren’t attached. As a result, her internal organs are now outside of her body, waiting for when it’s safe to attach everything.

Therefore, I am asking all of my readers to say a prayer and spare a thought for baby Paisley. Also remember her father, Kane, (my stepson), and mother, Steph. Hopefully, with all the positive energy, Paisley will pull through and be able to lead a normal life.

In Case You Missed Them

Posted in Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , on January 18, 2023 by 80smetalman

Admittedly, I was a little disappointed that no one commented on my Iron Maiden stamps. Then again, I can understand because Cinderella’s “Long Cold Winter” album is good enough to distract from anything else. Anyway, here’s a couple of strips I bought the other day and I will buy the presentation pack.

Great Metal Albums of 1988: Cinderella- Long Cold Winter

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on January 16, 2023 by 80smetalman

“Long Cold Winter” is Cinderella’s second album, following on from their noteworthy debut, “Night Songs.” With this album, they moved away from the glam metal and produced a more bluesy rock album. That comes through straight away on the opener, “Bad Seamstress Blues/Falling Apart at the Seems.” I really dig the bayou sounding intro to the track before it goes into more harder rock waters, although there’s a cool blues type riff in the middle. However, you can still tell it’s Cinderella.

With “Night Songs,” the band was constantly compared to Bon Jovi although it was Jon who helped Cinderella with that album, which led to their success. While I don’t think “Long Cold Winter” is like “New Jersey,” what it does have in common with that album is that it also produced four big singles. After the opener, you get three on the trot. The cool rocker which is “Gypsy Road,” the mega successful ballad, “Don’t Know What You Got, (Till It’s Gone)” and “The Last Mile.” Of the three, it’s the last one I was least familiar with, (I don’t have it on any compilation albums). But I do like the guitar intro before it goes into rock mode. Of the four singles, this is the one I like best. It’s a more straight up rocker, maybe except for the harmonizing at the chorus but the guitar riffs and Tom Keifer’s guitar solo make up for it.

After the singles, we get into lesser known songs territory. While “Second Wind” is not filler, it’s not the hidden gem on the album. It does it’s job in keeping the album ticking over and in this case, that’s not a bad thing because the title track is a real burner. This is a blues based cooker. The guitars are just awesome, starting with the very blues lead guitar intro. That alone makes it the hidden gem, although Tom’s fits his vocals to the song very well. See, on their first hit, “Shake Me,” from the debut album, Tom was accused by some of trying to sound too much like AC/DC. He definitely silences his critics here. However, I still enjoy the guitar work more.

In spite of my gushing over the title track, it did have some competition from the tracks, “If You Don’t Like It” and penultimate track, “Fire and Ice.” Need I say that the latter isn’t a cover of the Pat Benatar classic? Oh, I just did. It’s a great track in it’s own right and “If You Don’t Like It” shows that Cinderella are still a metal band. I can hear a bit of influence from the Aerosmith classic, “Walk This Way” in places and it sounds as if Tom and Jeff LaBar do a bit of a guitar solo trade off.

Sandwiched between the hidden gem contenders is the fourth single, “Coming Home.” It’s a ballad and a decent one. I like the melodic feel to the song, though Tom could have toned down his vocals a little. “Take Me Back” takes the album out very well as an upbeat rocker.

Track Listing:

  1. Bad Seamstress Blues/Fallin’ Apart at the Seems
  2. Gypsy Road
  3. You Don’t Know What You Got (Till It’s Gone)
  4. The Last Mile
  5. Second Wind
  6. Long Cold Winter
  7. If You Don’t Like It
  8. Coming Home
  9. Fire and Ice
  10. Take Me Back


Tom Keifer- vocals, guitars, steel guitar, harmonica

Jeff LaBar- guitar, lead guitar on tracks 1 and 8

Eric Brittingham- bass, backing vocals

Fred Coury- drums (credited but does not play on the album)

Additional Musicians:

Jay Levin- steel guitar

Cozy Powell- drums, except track 5

Denny Carmassi- drums on track 5

Rick Cirinti- piano, organ, synthesizer

Kurt Shore, John Webster- keyboards

Paulinho Da Costa- percussion

With this album, Cinderella proved they could succeed in their own right. It’s unfortunate that they would fall away a few years down the line while the other band would continue to achieve great glories. Still, this is a really good album.

Next post: Guns ‘N’ Roses- EP

To buy Rock and Roll Children, email me at:

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Last week in the UK, Iron Maiden postage stamps went on sale. Here’s some I bought and I won’t be posting any letters with them.

Rest in Peace Jeff Beck

Posted in 1980s, Death, Heavy Metal, Illness, Rock, Uncategorized with tags , , , , , , , , , , , , on January 12, 2023 by 80smetalman
Jeff Beck

It looks like 2023 is going to suck for sure. Last night, guitarist extraordinaire, Jeff Beck, passed away in hospital in Southern England from Meningitis. He was 78. Beck’s music spanned many decades and you can click the link below to read about his amazing life in music. While I have always known him to be a fantastic guitarist, his appearances on 80smetalman featured his 1985 album, “Flash” and his appearance on Rod Stewart’s 1984 album where in the video for the song, “Infatuation,” he pops up in a hotel room to play his guitar solo. Of course, according to the most famous roadie, Del Preston, in “Wayne’s World 2,” Jeff found a sweet shop so Ozzy could fill a brandy glass with brown M&Ms.

To read about Jeff Beck’s amazing career:

Rest in peace Jeff Beck.

Great Metal Albums of 1988: Queensryche- Operation Mindcrime

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on January 11, 2023 by 80smetalman

This was an actual Facebook conversation I had when I posted about King Diamond’s “Abigail” album.

Me: Read why King Diamond’s “Abigail” album is my joint favourite heavy metal concept album of all time.

Responder: I bet the other one’s “Operation Mindcrime.”

Me: It is, am I that predictable?

Responder: No, because “Operation Mindcrime” is such a good album.

Actually, the background as to how the concept album “Operation Mindcrime” from Queensryche came to be is quite an iteresting read. Singer Geoff Tate was living in Quebec at the time and he picked up on loose talk from friends there who were Quebec separatists who talked about terrorism and bombing. He also lamented over friends who became derelicts due to drink and drugs. Putting the two together, he came up with the concept for the album. His biggest challenge was selling the idea to the rest of the band, which he did one at a time, although guitarist Chris DeGarmo was on board almost from the beginning. Eventually, the rest of the band agreed and a great concept album was born.

Track Listing:

  1. I Remember Now- The short track takes place inside a hospital with the nurse asking a patient, “It’s fifteen minutes past curfew, why are you still up? Perhaps you need another shot.” After she gives the shot, she says, “Sweet dreams, you bastard.” The story’s protagonist, Nikki, suddenly realizes, “I remember now, I remember everything.”
  2. Anarchy X- It’s a cool sounding instrumental which paves the way for the next track.
  3. Revolution Calling- Heroin addict Nikki is frustrated by the hypocrisy and political corruption going on around him and is manipulated into joining a revolutionary group. The rhythm guitar on this track is phenomenal. I love the lyrics, “Who do you trust when the media’s the crook?”
  4. Operation Mindcrime- A great intro here and the is the first of several songs on the track where the bass talents of Eddie Jackson reveals itself. Dr X is the leader of the revolutionary group and he uses mind control techniques to get Nikki become his puppet and carry out assassinations.
  5. Speak- Nikki relishes his role as an assassin and it inflates his ego. He enjoys exterminating the Fascists as the rich control the media and law on this faster tempo track. The backing vocals on the chorus make the point.
  6. Spreading the Disease- My vote for hidden gem on the album. The story sidetracks to a girl named Mary who has run away from home and working as a prostitute. She is rescued from her life by a Father William but the priest isn’t as holy as you might think through the lyrics: “He takes her once a week on the altar like a sacrifice.” Father William is an associate of Dr X and through both of them, Mary’s services are offered to Nikki. This track just purely rocks, both lyrically and musically.
  7. The Mission- Through his relationship with Mary, “She washes my sins sway,” Nikki begins to question what he’s doing and Dr X’s nefarious agenda. The track opens with a cool acoustic intro and then builds up into a rocker. The drumming of Scott Rockenfield is noteworthy on this tune. Saying that, Chris DeGarmo hammers out a cool guitar solo.
  8. Suite Sister Mary- A ten minute plus long progressive metal extravaganza, with Scott adding keyboards and complete with choir, augments Dr X’s instruction to Nikki to kill Mary and Father Williamsas he senses the effect the nun is having on his assassin. He kills the priest but can’t bring himself to kill Mary. His agonizing over it is clearly reflecting in the song and is backed up by some great guitar work. I’m adding this track to my list of great songs over ten minutes long.
  9. The Needle Lies- Nikki goes to Dr. X and tells him he’s out but Dr X reminds him of his drug filled past and how he would still be in that life if it hadn’t been for the Doctor. Nikki leaves feeling conflicted. All of this is told in a very fast paced track.
  10. Electric Requiem- Nikki returns to find Mary dead and Geoff Tate speaks his lamentations very well backed up by some eerie sounding guitars.
  11. Breaking the Silence- Nikki can’t cope with Mary’s death and wonders if he killed her. His grief causes him to lose his sanity, running through the streets calling her name. The police arrive and attempt to subdue him. The rocking melody fits the lyrics extremely well and there is a great guitar solo tradeoff between Chris and Michael.
  12. I Don’t Believe in Love- My favourite Queensryche song of all time! As part of a story or not, this song is just simply fantastic. A gun is found on Nikki and he is arrested, suspected for Mary’s murder and those he committed on the orders of Dr X. He is put into a mental hospital as he in full mental breakdown. Eddie’s bass line is brilliant and the guitars are superb.
  13. Waiting for 22- A cool instrumental which sets the stage for the next track.
  14. My Empty Room- In the mental hospital, Nikki tries to retrace his final moments with Mary as he’s suffering from a complete memory loss. Tate’s vocals bring home Nikki’s mental torture.
  15. Eyes of Stranger- Back in the room in the first track, Nikki has regained his memory but he doesn’t recognize the image he sees in the mirror. He doesn’t know who he is or what he’s become. The music behind the lyrics make it and ideal closer for the album which ends with Nikki saying, “I remember now.”

Geoff Tate- lead vocals, keyboards, whistles and blurbs

Michael Wilton- guitars

Chris DeGarmo- guitars, steel guitar, guitar synthesizer

Eddie Jackson- bass

Scott Rockenfield- drums, percussion, keyboards Track 10

The Cast:

Pamela Moore- Sister Mary

Anthony Valentine- Dr X

Debbie Wheeler- The Nurse

Mike Snyder- The Anchorman

Scott Malteer- Father William

The Moronic Monks of Morin Heights- choir

What more can I say? “Operation Mindcrime” is considered Queensryche’s best album by critics and many fans alike. The only criticism I know of was one who said they were too intellectual for their own good. That should be a compliment because back in the 80s, it was metalheads and the bands they followed who were considered to be stupid. We know this was never the case, another rebuttal comes with this album.

Next post: Cinderella- Long Cold Winter

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Technically, with this post, I shouldn’t include the link to sign the petition to give Bruce Dickinson a knighthood because according to Bruce’s autobiography, he and Geoff Tate didn’t like each other. Anyway, if you want to rise about their squabble, click the link: