Great Rock Albums of 1985: Don Henley- Building the Perfect Beast

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , on July 15, 2018 by 80smetalman

The more I think about it, the more convinced I am that I was not as musically open minded as I thought I was in the early part of 1985. While I make no justification for this, I do think the reason might have been that I was in longing after the wave of heavy metal that was played on commercial radio throughout 1984 became non existent in the early part of the following year. That was probably why I poo-pooed the “Building the Perfect Beast” album from Don Henley. Being honest, I was in Eagles mode (even though they had split up five years earlier) with not just Don but all former members of this iconic band. I expected all of their solo material to resemble the classic “Hotel California” and the singles from this album didn’t do that. So, I ignored it until a friend lent it to me and I had a listen. Then I realized what I fool I had been.

Sure, the big single “The Boys of Summer” doesn’t sound like “Hotel California” but the musicianship on the song is simply fabulous. There is some great guitar work from Tom Petty and the Heartbreakers guitarist Mike Campbell and Don’s voice is clean on this and all of the tracks. I have really come to like this track in my later years.

Upon further reflection back to 1985, I think that I put music into categories of heavy metal and synth pop. “Building the Perfect Beast” not being metal, I put it into the other category. Again I say “Fool!” at least to myself anyway. There is absolutely nothing synth pop about this album. If anything, there are tracks that take me back to The Eagles more country rock sound from the early 1970s. Tracks that bear evidence to this are the fast paced “Man With a Mission” and my vote for hidden gem, “You’re Not Drinking Enough.” For some reason, that track reminds me of the Eagles’ classic, “Take Me to the Limit.” But it does say “Early Eagles” all through the song. Thinking back to early 85, at the time I was dating a woman who had a drinking problem and now I’m linking this song with that. “Not Enough Love in the World” is another example of what I am trying to talk about. In fact this track would have fitted perfectly on the Eagles’ “Long Road From Eden” album.

One reason for why this album sounds as good as it does is that Don got a load of well known singers and musicians to guest on it. While you know it is definitely Don Henley on every track, these guests, have a look below to see who, add to the quality of the album for sure.

Track Listing:

  1. The Boys of Summer
  2. You Can’t Make Love
  3. Man With a Mission
  4. You’re Not Drinking Enough
  5. Not Enough Love in the World
  6. Building the Perfect Beast
  7. All She Wants to Do is Dance
  8. A Month of Sundays
  9. Sunset Grill
  10. Drivin’ With Your Eyes Closed
  11. Land of the Living

Don Henley

Don Henley- lead vocals, percussion (tracks 5,6,9), drums (tracks 2-4,7), keyboards (track 6)

Danny ‘Kootch’ Kortchmar- guitars, organ (4), synthesizers (tracks 1,3,6), percussion (tracks 6,9,10), keyboards (9), synthesizer guitar and horn solos (8), ormichard (4), horns (3)

Additional Musicians

Mike Campbell- guitar, synthesizer track 1

Lyndsey Buckingham- guitar, backing vocals track 2

Charlie Sexton- guitar track 3

Tim Drummond- bass (tracks 4&5)

Pino Pallindino- bass (tracks 2,9,10)

Larry Klein- bass track 1

Jim Keltner- drums track 8

Ian Wallace- drums track 5

Kevin McCormick- African drums track 6

Randy Newman- synthesizer track 8

David Paich- synthesizer (track 7) piano (track 4 & 8)

Steve Porcaro- synthesizer (track 1 &4)

Benmont Tench- synthesizer (track 8), keyboards (track 2&5)

Albhy Galuten- synthesizer, Synclavier track 6

Michael Boddicker- synthesizer track 8

Bill Cuomo- synthesizer, percussion track 10

Backing Vocals:

Belinda Carlisle- track 3

Michael O’Donahue, Waddy Watchel, JD Souther, Carla Olson- track 6

Patty Smyth- track 6, 8-10

Martha Davis- tracks 6&7

Marie Pascale Elfman, Dominique Manicelli- track 9

Sam Moore- track 4

Brian Dear, I owe you a thanks for giving me this classic Don Henley album to listen to. Otherwise, I would have been enslaved to my ignorance that “Building the Perfect Beast” was another 80s synth pop album. It is clearly not and full marks to Don for it.

Next post: The Wrestling Album

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Great Rock Albums of 1985: Giuffira

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on July 12, 2018 by 80smetalman

A band that caught mine and many other people’s attention was Giuffria with their self titled debut album. The band was originally formed as a side project by keyboards player Greg Giuffria after he left his former band Angel. A band I had heard great things about back in the day but never got around to listening to. Back to Giuffria, their first single, “Call to the Heart” did get a lot of airplay and according to recorded history, number fifteen in the charts. It was one of those ballads that the ladies seemed to really like but it had some good progressive rock hooks as well as a guitar solo to grab the attention of men. If I’m honest, I liked the song but it really wasn’t heavy enough for me.

Everything that Giuffria was capable of doing can be found in the opening track of the album, “Do Me Right.” It starts with some classic 1970s sounding progressive rock via a great keyboard intro. Then the song carries on with some great vocals backed up by a more than capable rhythm section before guitarist Craig Goldy hammers out his best solo on the album. It’s definitely my favourite track.

The two hardest tracks on the album are “Don’t Tear Me Down” and “Dance” and it is probably a good thing that those two songs were back to back after the forementioned ballad. It proved to doubters that they could rock as much as anyone. Things go slightly softer and more melodic, bordering on commercial after that with the remainder of the songs, “Turn Me On” being the harder rocking exception. Goldy and Giuffria really cook with guitar and keyboard on that one. “The Awakening” is rather amusing, with the children’s choir and keyboards giving it that Saturday horror film feel. Saying that, the talent of this band pulls up the quality  of each song making them more enjoyable.

No matter what you think of the songs, you can’t deny that this was one talented band. David Glen Eisley had a voice that was as good as many lead singers in that day. The keyboard skills of Greg Giuffria show themselves in every song. Chuck Wright and Alan Krigger are very good rhythm section and as for the guitarist, Craig Goldy, his playing on the album leaves me to conclude that it was no wonder why he was head hunted to join Dio a year later.

Track Listing:

  1. Do Me Right
  2. Call to the Heart
  3. Don’t Tear Me Down
  4. Dance
  5. Lonely in Love
  6. Trouble Again
  7. Turn Me On
  8. Line of Fire
  9. The Awakening
  10. Out of the Blue

Giuffira

David Glen Eisley- lead vocals, keyboards, harmonica

Greg Giuffria- keyboards, backing vocals

Craig Goldy- guitar

Chuck Wright- bass, backing vocals

Alan Krigger- drums, percussion

While doing a bit of research for the post, I had one rumour from 1985 quashed. In said year, Giuffria went on tour supporting legends Deep Purple. The rumour was that Purple kicked them off the tour because Giuffria was blowing them away every night. I have always found that hard to believe, especially as I saw Deep Purple in this year and they were superb. From what I’ve read, Ritchie Blackmore was a bit of an a””hole towards the band. He cut their stage time from 45 minutes nearly in half to 25, forbade them to play any guitar solos and they had to play with the arena lights on. Therefore, they left the tour on their own accord and I don’t blame them. While I missed my chance to see them live, this album is a good fall back.

Next post: Don Henley- Building the Perfect Beast

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Great Rock Albums of 1985: John Fogerty- Centerfield

Posted in 1980s, Heavy Metal, Music, Rock, Uncategorized with tags , , , , , , , , , on July 9, 2018 by 80smetalman

In March of 1985, I almost won a free copy of “Centerfield,” from former CCR lead singer and guitarist John Fogerty. The local radio station was giving away a free copy of the album to the second caller. I immediately rang the station and got through, unfortunately I was the first caller, damn! As a result, I had to cough up the money and buy the album but after hearing it, the expense was well worth it.

One big question on many people’s minds was how much would the album sound like Credence Clearwater Revival? The answer is rather complex. There is definitely the CCR influence on several of the songs, “Big Train (From Memphis) is a prime example. It reminds me of many of the songs on CCR’s album “Willy and the Poor Boys.” “I Saw it On TV” is another good example of the CCR influence. But and this is a big but, the lyrics of the song are about modern times and how we are supposed to take everything we see on television as the blind truth. I like to think it’s a dig at 80s Regan America, which is something I tried to do when writing “Rock and Roll Children.”

On the flip side, there are songs which I believe John put his own stamp on free from the influence of his former band, for the most part anyway. Two of those were released as singles, “Rock and Roll Girl” and my favourite track on the album which is also the title track. I’m not the biggest baseball fan in the world, though I do play softball, the lyrics still move me and make me want to put take the bat and ball out and hit a few. Another I guess you could call a Fogerty Special, is “Mr Greed,” where he shows he can play lead guitar a little.

Of all the songs which are or not CCR influences, the one that incorporates both very well is the album opener and first single, “The Old Man Down the Road.” This is probably why it did so well in the charts. It reminds us old CCR fans that he hasn’t gone too far away from his roots but offers something new to the then younger crowd who might have branded John as some sort of ageing hippy. After all, Ronald Regan’s greatest success as president in the 1980s was to demonize the 1960s. Sorry, I digress but what John did was take what he had done before and mix it with something new and make a good soft rock album.

Track Listing:

  1. The Old Man Down the Road
  2. Rock And Roll Girl
  3. Big Train (From Memphis)
  4. I Saw It On TV
  5. Mr Greed
  6. Searchlight
  7. Centerfield
  8. I Can’t Help Myself
  9. Zanz Kant Danz

John Fogerty

John Fogerty- lead vocals, lead guitar

Rockin’ Sydney Simien- accordion

Willy T- saxophone

Kip Basque- rhythm guitar

Mark Miller- bass

Warren Storm- drums

John Fogerty established himself as a true solo artist in 1985 with his album “Centerfield.” What he did was take the country rock sound of his former band and threw in some tricks of his own. The combination made a great album.

Next post: Giuffria

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Self Defense 2- You Provoked Him: The Final Part

Posted in Uncategorized with tags , , on July 8, 2018 by 80smetalman

Hopes were high in her mind that she had made the promenade along the seafront in Brighton safe for vulnerable people when Rochelle drove to Brighton the following week. That no gangs of youths would be there to harass anyone. As she parked her van outside of the chip shop, she had a glance across the road and seeing no menacing gangs, felt assured that she had made things safe for everybody. Therefore, she disembarked and began unloading the van.

Excuse me miss,” a female voice called out from behind Rochelle.

She turned around to see two female police officers standing in front of her. The shorter blonde officer had asked the question while her taller, about the same height as Rochelle and dark haired colleague stood looking serious. Even though Rochelle could guess why the two officers were there, she still asked them, “Can I help you?”

The taller officer then spoke, “Do you come to this area every “Wednesday?”

Yes, I make deliveries to this chip shop,” Rochelle confirmed pointing over her shoulder with her thumb.

The taller officer’s expression grew more serious, almost grim. “Were you involved in an incident involving some youths across the road?” She was pointing to the spot where Rochelle had confronted the gang.

Not wanting to trap herself, she carefully explained, “I did stop a gang of thugs from harassing and older couple and who had been also harassing a vulnerable young man.”

In that case, we are arresting you on suspicion of assault and causing grievous bodily harm.”

A sudden sense of the surreal swept over her as Rochelle got into the back of the police car. “Surely, they know that this is a mistake,” she thought to herself and clung tightly to the hope that the officers would see sense. This surreal sense continued while she was questioned at the station. The two officers seemed to be totally deaf to her insistence she was acting in self-defence. When Rochelle told her account of what she told the boy who had pulled a knife on her, the shorter, blonde officer seized the chance and retorted, “It sounds like you goaded him into attacking you.”

He had a knife on me! I was trying to get him to put the knife away and leave those old people alone,” Rochelle explained trying to hold back her anger at the apparent ignorance of the two officers. “What would you have done if they had pulled a knife on you?”

It doesn’t matter what we would have done,” the taller officer interjected. “We have twelve statements from witnesses saying that you were clearly goading that young man into going for you. That you did so by insulting his masculinity. You might not have thrown the first punch but you wanted him to do so in order that you could show off your martial arts skills. Besides, we know who you are now, Rochelle Dibley or should we say ‘Rocket’ Rochelle Dibley, undefeated professional MMA fighter. You wanted to show these kids how tough you were.”  

No! I just wanted to stop those yobs from harassing innocent and vulnerable people. I phoned you twice to report was going on. If you had done your job, I wouldn’t have had to!”

She regretted saying the last bit even before the taller officer came back with, “So, you decided to take the law into your own hands.”

I just wanted to help them,” was on the tip of Rochelle’s tongue but she drew it back, fearing that if she had said that, it would have landed her in more trouble. It would not have mattered much because right after, the two officers instructed her to wait while they left the room. After three quarters of an hour on her own, the two officers returned with a larger male officer, obviously a superior. With his rugby player like build and greying beard, cut very short, the officer stood across the table from Rochelle as if he was an animal displaying his dominance.

You’re not from around here,” he began. When Rochelle nodded, he continued, “You don’t know the boy you assaulted, he’s the son of one of Brighton’s leading city councillors. You don’t realise how much trouble you could really be in. Fortunately for you, the parents aren’t pressing charges. Besides, the boy thinks it cool that he got knocked out by a professional cage fighter. If we did prosecute you, we’re afraid you would be made out to be some sort of hero in the eyes of the media and your chosen profession. We would be made to look like the bad guys and the Brighton Police does not need that sort of negative publicity. However, us not charging you comes with one condition, you don’t ever come back to Brighton.”

What about my job?” was all she could think about.

Well, I’m afraid that it’s a case of your job or you facing prison time. If you are seen in Brighton, you will be arrested.”

Although she felt the whole thing was a cover up, Rochelle felt that she had no other choice than to agree to the terms. The trip home seemed even longer and she was just glad that her final delivery of the day accepted her explanation of being so late was down to traffic in Brighton. The entire time she was extremely worried over how the whole affair was going to affect her.

Things took a fortunate turn for Rochelle when she told her boss about what had happened in Brighton. The boss did not want to lose a good delivery driver and he liked the fact that he had a ‘celebrity’ working for him. Furthermore, he said he was getting a little stir crazy in the office so he thought a trip one day out along the coast would be a good break. Therefore, he happily took over Rochelle’s Wednesday delivery route while she stayed in the office to do administrative duties.

Upon his return from his first Wednesday deliveries, the boss informed Rochelle, “It’s good you didn’t go to Brighton, there was police car parked by that chip shop and they were watching me. They left after ten minutes. They were probably just making sure it wasn’t you.”

Rochelle shrugged, “It’s great the police can spare a car to watch in case I came back to Brighton but they couldn’t spare any to stop those yobs harassing people.”

Eventually, thoughts about her experience in Brighton began to dim although they would never completely vanish. One positive was those thoughts spurred her on at her next fight, she knocked her opponent out in ninety seconds.

Six weeks later, returning from his delivery to Brighton, the boss relayed an observation from his trip. “I saw a gang of kids on the sea front promenade, yobbos or what? They threw a disabled man off of his mobility scooter and took turns joyriding on it while the man lay there. It was disgusting, I should have called the police.”

They wouldn’t have come,” Rochelle consoled him.  “And if you tried to do anything yourself, it would have been you being arrested.”  

The boss nodded in agreement, nothing would have been done.

 

Great Rock Albums of 1985: John Cafferty and the Beaver Brown Band- Tough All Over

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on July 5, 2018 by 80smetalman

Jon Cafferty and the Beaver Brown Band was probably the biggest flash in the pan in 1985 but that didn’t stop their album, “Tough All Over,” from being good. Their first act of notoriety was to have a couple of songs, which they’re more known for on the soundtrack of the film “Eddie and the Cruisers.” Most of you who were living in the USA around this time might remember their two hits from that soundtrack, “On the Dark Side” and “The Warm Tender Years.” In fact, the band has been so identified with that film that many people thought that the title of the film was the actual name of the band. No, Eddie and the Cruisers has always been a fictitious band from the film. I’ve never seen the film but I have heard that there is a scene filmed along a road called Bay Avenue in Somers Point, NJ, where I lived for a year and was the next town over after I moved. Maybe I should watch it.

A shot of Bay Avenue in Somers Point

“Tough All Over” was the John Cafferty and the Beaver Brown’s attempt to break away from their association with the film and prove they could make good music on their own. In my most humble opinion, the album does prove that they are capable of making good music without the aid of a movie soundtrack. This is a good progressive, melodic rock album and I can definitely hear the comparisons made to Bruce Springsteen at the time. The best example of this is “Dixieland,” which starts with a cool sax solo but the entire song, the tempo, the vocals all permeate Bruce Springsteen. Many of the other tracks follow this vein but not quite as pronounced as “Dixieland.”

While Bruce might be an influence here, there is enough to say that the band aren’t just clones of the Boss. The title track and “Where the Action is” are catchy melodic rock vibes that can go on inside your head after the song finishes. “More Than Just One of the Boys” has a good opening riff and speaking of openers, “Voice of America’s Sons” does the job very well. The final two tracks are more bluesy mellower tunes but they do end the album okay. So, what you get here is a good melodic feel good rock album which doesn’t have me pining for any past soundtracks.

Track Listing:

  1. Voice of America’s Sons
  2. Tough All Over
  3. C-I-T-Y
  4. Where the Action Is
  5. Dixieland
  6. Strangers in Paradise
  7. Small Town Girl
  8. More Than Just One of the Boys
  9. Tex-Mex(Crystal Blue)

John Cafferty and The Beaver Brown Band

John Cafferty- lead vocals, guitar

Gary Gramolini- lead guitar

Patrick Lupo- bass

Kenny Jo Silva- drums

Bobby Catoia- piano, keyboards, synthesizers

Michael ‘Tunes’ Antunes- saxophone

And I thought I’d throw in a classic from Eddie and the Cruisers

Was it the association with the film? Was it because some thought they sounded too much like Bruce Springsteen? Or was it because that in 1985, the music world was divulging too much into synth pop and metal and there was no room for a straightforward melodic rock band? Whatever the reason, although I now know they had an album in 1988, I never heard from John Cafferty and the Beaver Brown Band again. However, this album “Tough All Over” was good enough for me to remember it after so many years.

Next post: John Fogerty- Centerfield

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Self Defense 2- You Provoked Him, The Big Climax

Posted in Uncategorized with tags , , , on July 3, 2018 by 80smetalman

Arriving in Brighton the following week, Rochelle wondered if history would continue to repeat itself. Like the weeks before, she made her delivery and began to eat her lunch from her usual vantage point to see if things would happen as before. At first, it looked quite possible. The gang of youths were still loitering about the area unchallenged. At times she could overhear some of the foul language coming from their direction. However, after twenty minutes of observing and finishing her lunch, there was no sign of the vulnerable young man. Satisfied nothing was going to happen, she got up to leave although a thought occurred to her that it was a shame that the young man was not able to come around on account of these hooligans.

With her lunch break nearly over and content that she might have stopped this gang from harassing the weak, she got up to go. As she was doing so, something suddenly caught her eye. She spied an elderly couple walking towards the gang. A few seconds later, while she watched, her instincts proved to be right. The alpha-male and several others with him approached them. From where she stood, it seemed from the way the alpha-male was jumping up and down, they were being as aggressive to this harmless old couple as they had been to the vulnerable young man. Her first thought was to ring the police again but by now, she knew that would be pointless. Therefore, she decided to take matters upon herself.

Even before she had reached that decision in her mind, she was halfway across the road and like a shot was over to confront the gang. Before she even got there, she could hear the alpha-male bellowing, “You might have fought in the war but you still have to pay our toll to go past!” The fact that the elderly man was trying to stand his ground impressed her. After all, seventy-five years earlier, he had done the same against the Germans. However, his wife was advising him to hand over some money and not create a fuss. This couple needed saving!

Full of anger and determination, Rochelle stepped in between the couple and the alpha-male, slightly surprised and relieved that no one in the gang tried to confront her. Concluding she had the element of surprise, she balked, “Why don’t you leave these people alone!”

What’s it to you? Bitch!” the alpha-male snapped. “You better walk away now or we’re going to fuck you up.”

Pushing aside her bemusement that this young man had seen too many films or television shows, she immediately squared up to him, sizing up her opponent in the process. She could now see that he was Five feet ten, three inches taller than she was and looked about seventeen or eighteen. His loose fitting clothes hid his true physique but that did not matter much to her. Rochelle had taken down larger opponents.

What, you need a gang? You can’t take one woman on your own?” she chided in retort.

Her question was answered with a chorus of “Ooooh’s” from the gang with one male in the crowd stating, “I think she wants to fight you.”

Shrugging off the last comment while reaching into his pocket, the alpha male suddenly produced a shiny silver object and growled, “I’ll fucking stanley you!”

What? Now you need to use a knife on me,” Rochelle answered back while taking a fighting stance in case he used the blade.

Oooh, she thinks she’s real hard,” another male voice added sarcastically.

A female voice then rang out, “Just thump her one, she won’t be so brave then.”

Emboldened by his cheering section, the alpha male put his blade back in his pocket, then suddenly lashed out with a wild right. Seeing it coming all the way, Rochelle easily blocked it. More ‘oooh’s’ from the crowd encouraged him to strike out with his left but his target side-stepped causing him to miss badly. Seizing her chance, just like she had done with Amazon Glenda, Rochelle stepped in and hit pay dirt with a right to the young man’s temple and like her previous opponent, he too fell to the ground not to get up again.

Seeing their champion flat on his back, unconscious, indecision now gripped the gang. One boy proclaimed, “Fucking hell, she knocked him out!” Some thought they should avenge their fallen comrade while others sought to flee. Seeing Rochelle in a fighting stance, bouncing on the balls of her feet and looking full of adrenaline, from her quick victory, the gang chose the latter option and hastily withdrew leaving their defeated friend behind. However, once at a safe distance, a girl from the group shouted to Rochelle, “We’ll get you, you fucking bitch!”

The elderly couple could not thank Rochelle enough for her heroic actions but they were just as serious in advising her to leave as soon as possible. She did so but only after she was fully assured the couple were now going to be safe.

Great Rock Albums of 1985: The Firm

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on July 1, 2018 by 80smetalman

For a good number of people in 1985, The Firm were considered a disappointment. This was because many people, including yours truly, thought that a band with both Paul Rodgers and Jimmy Page in it was going to be some sort of Led Zeppelin/Bad Company hybrid. The Firm’s debut album certainly wasn’t that. What Rodgers and Page did was make their own unique music with the help of a great rhythm section featuring Tony Franklin and Chris Slade.

The album’s first single, “Radioactive,” put many metalheads off exploring them more. This is a shame because I knew that there would be better things to come on the album and I was right. This is not to say that there isn’t anything wrong with “Radioactive,” it’s a good song in it’s own right. It was just the fact that many people were expecting the song to be the love child of “Stairway to Heaven” and “Bad Company” and “Radioactive” doesn’t come close. I still like the song.

Once one has thrown away their expectations of what they thought this album was going to sound like and listen to it with an open mind, one would find that it’s a damn good album. Okay, it’s definitely not heavy metal, more of a straight forward rock album and if you listen closely, you can still hear some Bad Company influence. Especially in the songs “Make or Break, which is the hidden gem and “Satisfaction Guaranteed.” Furthermore, while Jimmy Page doesn’t nail down the solos like in the old Zeppelin classics like “Stairway” or “Whole Lotta Love,” he still shows he can wail on the guitar. It’s just with The Firm, it’s not as pronounced like it was with his former band. “Money Can’t Buy” is a fine example.

Proof that Rodgers, Page, Franklin and Slade were determined to forge their own path in the rock world is their cover of the Righteous Brothers classic, “You Lost That Lovin’ Feeling.” The coolest part in the song is Jimmy’s guitar solo supported by Tony on the fretless bass, good stuff. Also, Paul’s vocals are as good as ever on every song on this album.

Track Listing:

  1. Closer
  2. Make or Break
  3. Someone to Love
  4. Together
  5. Radioactive
  6. You Lost That Lovin’ Feeling
  7. Money Can’t Buy
  8. Satisfaction Guaranteed
  9. Midnight Moonlight

Paul Rodgers- lead vocals, guitars

Jimmy Page- lead guitar

Tony Franklin- bass, keyboards, synthesizers, backing vocals

Chris Slade- drums, percussion

Does anyone have a time machine I could borrow? If so, I would like to go back in time and say to all of those people who rejected The Firm back in 1985 because they didn’t sound like former bands, “Look, they’re not like Bad Company or Led Zeppelin, get over it!” Because their first album shows what they can do on their own.

Next post: John Cafferty and the Beaver Brown Band- Tough All Over

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