Archive for glam rock

Great Metal Albums of 1987: Black N Blue- Nasty Nasty

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on November 10, 2021 by 80smetalman

Another example of the reverse effect of being in Britain as opposed to the US. While officially, Black N Blue’s album, “Nasty Nasty,” came out in America in 1986, it didn’t come to my attention in the UK until May 1987. Unlike Helloween, however, Black N Blue were much easier to categorize if you were into things like that. They were total glam metal. Being under the wing of Gene Simmons had a lot to do with that.

Any album which starts with someone hocking a loogey is okay with me. Saying that, it’s not just a gimmick for the title track which opens the album, the song “Nasty Nasty” is good on its own. A real good sleaze rock song before the term was officially coined in the music world. The heavy KISS influence comes with the next track, “I Want It All, I Want It Now.” As the song begins, the beat has me expecting Gene Simmons to start bellowing “Oh Oh Oh Oh Yeah!” like he does on my all time favourite KISS song, “I Love It Loud.” However, the song stands on its own very well and KISS influence or not, it’s a good fist bumping anthem. Only the second song on the album but it gets my vote for hidden gem.

According to metal history, Black N Blue went back to a more harder sound with “Nasty Nasty” after “Without Love” failed to get the commercial success it was hoped for. The first two tracks bear testimony to the harder rock edge although the third track, “Does She or Doesn’t She,” resembles the more melodic metal of the previous album. Still, it’s an okay song. They do go back on heavy metal track on “Kiss of Death.” This is a real rocker and I love Tommy Thayer’s guitar solo on it, though I am not to sure about the bit at the end where the tempo changes and fades out that way.

“Twelve O’ Clock High” goes almost to speed metal sound with it’s fast and furious guitar riffs but the jury is still out on Jamie St James’s vocals on it. He’s a good singer but it sounds like his voice isn’t made for high falsetto parts. It’s much better on the next track, “Do What You Wanna Do” where he keeps his vocals to the normal level and the song is much better for it. It’s just as ferocious as the previous track but Tommy rips a blinder of a guitar solo on it, his best on the album. Repeating myself from when I posted about their last album, it is no wonder KISS eventually scooped him up.

Next we come to the power ballad “I’ll Be There For You,” which was originally intended to be called, “Promise the Moon.” The record company forced the title change as they needed a single from the album. Well, everything about “I’ll Be There For You” has all the components of a great radio-MTV song but it didn’t get anywhere. Damn shame as it’s not a bad song and I do like the keyboard intro. The album closes out with two more straight rockers. “Rules” is a cool song, it would have been the hidden gem if it hadn’t been for “I Want It All, I Want It Now.” “Best in the West” is recorded live, which seems to be the thing back then but it is a cool rocker to end things with.

Track Listing:

  1. Nasty Nasty
  2. I Want It All, I Want It Now
  3. Does She or Doesn’t She
  4. Kiss of Death
  5. Twelve O’ Clock High
  6. Do What You Wanna Do
  7. I’ll Be There For You
  8. Rules
  9. Best in the West
Black’n Blue

Jamie St. James- lead and backing vocals

Tommy Thayer- lead guitar, backing vocals

Jeff Warner- rhythm guitar

Patrick Young- bass

Pete Holmes- drums

Additional Musicians

John Purdell- keyboards

Peter Criss and Ron Keel- backing vocals on “Best of the West”

Mark Ferrari- guitar on “Best of the West”

Black n Blue went harder for their album “Nasty Nasty” and they got a good hard rocking album. It’s still a shame that they didn’t go further.

Next post: Exodus- Pleasure of the Flesh

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

Great Metal Albums of 1987: Briar- Take On the World

Posted in Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on October 9, 2021 by 80smetalman

Sometimes it’s a case of being in the right place at the right time when it comes about discovering a new band. I’m sure that was the case with some bands with many of you. In this particular instance, my discovery of British metal band, Briar, came when I saw them support legends Stryper at the Hammersmith Odeon in May of 1987. Stryper were absolutely phenomenal that night and I was sure that my one friend Dave was going to convert right there and then. Furthermore, another friend, Tim, was hit by a flying bible but someone else grabbed it before he realised what happened. Oh yes, I’m posting about Briar. Actually, I don’t remember anything spectacular about them and the song I remember most, “One Foot Back in the Door,” appears on their next album. However, there was something about the band or I wouldn’t have remembered them after all these years.

Their 1987 album, “Take on the World,” opens with the title track and what you get sets the tone for the rest of the album. It’s a straightforward metal tune with some decent guitar and vocal work. It’s a good track to lead off the album but the next track, “Closing In,” is better. The intro is straight to the point but very catchy. It’s a song to bob your head along to while you are driving or sitting down and listening to. However, it does tail off a little in the middle and there could be a little more oomph to the chorus but the guitar solo makes those issues very minor.

“Odd One Out” is a faster paced song which keeps going right to the chorus and that’s my minor complaint about it. The chorus sounds a little lazy but again, this is more me nitpicking because the rest of the song, guitar solo included is very good. The chorus issue goes away on the next track, “Everybody,” in spite of the fact that the lyrics are one of those ‘I’ve heard this before’ type. It’s sung with more passion and there are some good heavy guitar riffs and a cool solo trade off between guitarists Dave Fletcher and Darren Underwood. The two D’s carry that on to the next track, “Always Gonna Love You” with a great lead guitar intro. This is the fastest song on the album, though it’s not near Exodus speed but it’s a good headbanger nonetheless. Especially with another guitar solo trade off.

With expectation building as the album goes on, one might think “Lorraine” would be an extra super track. It’s not bad, there is some good strong riffs on it but it’s more of a plateau than an ascension in metal build up. I don’t know if a single was ever released from the album but I wouldn’t be surprised if it was this track. I think my problem with the track is that there is no guitar solo and I think the inclusion of such would have given it the boost it needed.

Now, as you know, I am a sucker for a great power ballad and “Without You” had the potential to be such. Unfortunately, the track is let down from what I feel is lousy production. The guitar work is very good and maybe it’s time to comment on Kevin Griffiths vocals because while he sounds good on the rest of the album, his vocals are the only thing not adversely effected by the production on this track. Fortunately, all is well because Briar go out on a total high with the closer, “Keep On Running.” It has that 80s, ‘let’s make them think it’s recorded live’ effect on it but in this case, that only makes it sound that much better! There is definitely some oomph to this track and it’s my favourite on the album right down to the fantastic guitar solo. Oh yes, message to Blackie Lawless, Kevin Griffiths plays bass as well as sings lead and proves you can do both effectively.

Track Listing:

  1. Take On the World
  2. Closing In
  3. Odd One Out
  4. Everybody
  5. Always Gonna Love You
  6. Lorraine
  7. Without You
  8. Keep On Running
Briar

Kevin Griffiths- lead vocals, bass

Dave Fletcher- guitar, backing vocals

Darren Underwood- guitar, backing vocals

Dean Cook- drums, backing vocals

Briar came and went unnoticed by most of the metal world but not by me. I urge you to take a second and have a listen to the “Take On the World” album, I can assure you it won’t be time wasted.

Next post: I am taking a bit of a hiatus for the next two weeks or so. Next week, I have a 72 hour shift at work, (I get paid to sleep in) and then I will visit my daughter. Next Sunday, I am going to do something which one would have thought I would have done growing up in America. Unfortunately, it was always one of those things I was meaning to do but never got around to it. I will be going with my two sons to London to watch an NFL game. When I get back from that, Mrs 80smetalman and I are going away for a couple of days. When I do return, I will be taking a leaf out of 2loud’s book and writing my own Cover vs. Original post. Stay safe until then.

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

Great Metal Albums of 1987: WASP- Inside the Electric Circus

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on September 22, 2021 by 80smetalman

Let me start with a debate I unintentionally started on Mike Ledano’s blog a few years back. He posted about a new album from former WASP guitarist Randy Piper. After reading the review and listening to the sample track and then remembering when I saw WASP perform at Donningtion 1987, I was of the mindset that Blackie Lawless fired the wrong guitarist. Believe me, that comment created lots of debate with one person in particular stating that Blackie indeed fired the right guitarist because Randy Piper was a screw up.

The whole debate actually started before the recording of the album, “Inside the Electric Circus.” Prior to recording, Blackie Lawless made the transition from bass to rhythm guitar and consequently fired Piper and in came Johnny Rod on bass. So the big question was for this album, did the transition pay off?

Thinking back to their previous album, “The Last Command,” which I found to be a bit average except for three very kick ass songs, I find “Inside the Electric Circus” to be a big improvement except for the fact that there aren’t any songs which transcend the ionosphere. However, the bulk of this album holds up and there is very little I would call filler. In fact, I have been finding rather difficult to find a standout track. There just seems to be a bit more oomph to the album.

There are a few throwbacks to the better tracks on “The Last Command.” I do get a “Wild Child” vibe on “Restless Gypsy” and though it’s not as phenomenal as its predecessor, “Restless Gypsy” is still a brilliant track. It is on this track where I have to conceded that Blackie didn’t fire the wrong guitarist because Chris Holmes delivers a killer solo on the track. My question is why don’t I remember him playing any solos like that at Donnington? Likewise, I can feel a “Blind in Texas” vibe to “Shoot From the Hip.” Going back to the debut album, I can hear a “I Wanna Be Somebody” vibe on “Easy Living.” On the other hand, the intro on “95-Nasty” has a opening riff that reminds me a little of AC/DC’s “For Those About to Rock, We Salute You.” And now I can say that I have a favourite track, It’s “I’m Alive” due to its Heart’s “Barracuda” vibe with a couple of killer guitar solos. I think I need to apologize to Chris Holmes.

Track Listing:

  1. The Big Welcome
  2. Inside the Electric Circus
  3. I Don’t Need No Doctor
  4. 95-Nasty
  5. Restless Gypsy
  6. Shoot From the Hip
  7. I’m Alive
  8. Easy Living
  9. Sweet Cheetah
  10. Mantronic
  11. King of Sodom and Gomorrah
  12. The Rock Rolls On
WASP

Blackie Lawless- lead vocals, rhythm guitar

Chris Holmes- lead guitar

Johnny Rod- bass, backing vocals

Steve Riley- drums, backing vocals

To answer the original question, I think that the transition of Blackie to rhythm guitar and the adding of Johnny on bass did pay off on “Inside the Electric Circus.” While they stuck to the formula of their previous album, they did it better on this album. I saw the results at Donnington as I was surprised as to how much better they were than when I had seen them the year before. Even though I can’t remember any great solos from Chris Holmes, he definitely plays them on the album.

Next post: The Smiths- Strangeways, Here We Come

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

Great Metal Albums of 1986: Wrathchild- Trash Queens

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , on November 22, 2020 by 80smetalman

One very interesting British band which came my way in London in 1986 was Wrathchild. First, I am fairly sure they didn’t get their name from an Iron Maiden song, at least it seems to be the case according to the band’s history. However, they were one of the ever growing list of glam metal bands who wore more make up than a lot of ladies I know.

Wrathchild’s 1986 album, (for me it’s 86 because I never heard of them before I got to England in that year), “Trash Queens” was my introduction to them. According to history, the album is a compilation of the single and opening song, “Do You Want My Love,” their EP “Stackheel Strutt” and three live tracks which appear at the end.

The said single, I can see why Wrathchild would have released it as one, it’s got a radio friendly catchy vibe to it. Still, it never got in the charts nor do I remember it being played at any metal club I went to back then. Still, it’s an all right track. Saying that, maybe they should have released the B-side second track, “Rock the City Down.” This is a more upbeat song with some good power chords and harmonizing and a catchy riff in the middle. My choice for song of the album.

It took me a couple of listens to get into “Lipstick Killers” before I decided it was a cool track and not just an amusing title. Following that, the next two tracks are two good rockers. Not anything I would go nuts about but they are okay. The title track has some good guitar work from Lance Rocket and “Teenage Revolution” has some cool chords at the intro. Then we get to the three live tracks. Once again, they’re okay although “It’s a Party” does end the album on a good note.

Track Listing:

  1. Do You Want My Love?
  2. Rock the City Down
  3. Lipstick Killers
  4. Trash Queen
  5. Teenage Revolution
  6. Twist the Knife
  7. Cock, Rock, Shock
  8. It’s a Party
Wratchild

Rocky Shades- vocals

Lance Rocket- guitar

Marc Angel- bass

Eddie Starr- drums

After being introduced to so many great bands when I got to the UK, it was only a matter of time before I came across a band that was good but not great. That was Wrathchild. Although, “Trash Queen” is an okay album but not one I will go back to again and again.

Next post: Samson- Joint Forces

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

Great Metal Albums of 1986: Vinnie Vincent Invasion

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , on October 19, 2020 by 80smetalman

Alice Cooper was making his big comeback with his “The Nightmare Returns” tour in 1986. Supporting him was a band whose guitarist had a stint with the legends, KISS. No prizes here, the man was Vinnie Vincent and his band was called Vinnie Vincent Invasion who were making their debut with this self titled album.

Vinnie Vincent

Here’s where some might question my sanity but I have always liked this album. I know of some who don’t. Admittedly, it’s not quite up there with some of the more classic album which came out in that year but it’s still a good album in its own right. My introduction to it came when I was in London where a local heavy metal club played the first two tracks quite a bit. The guitar riffs on “Boyz Are Gonna Rock” blew me away at the time, actually, they’re still quite good. Although now, with a more informed ear, I suspect that Vinnie was trying to copy some of the other guitar greats around at the time like Malmsteen.

It’s probably because the first two tracks introduced me to the album is why I consider them the two best tracks on it. “Shoot U Full of Love,” with the innuendo in the title is a straight up metal song and Vinnie does lay down a cool solo on that one. On the other hand, the attempt at a power ballad in “No Substitute” fails to connect with me but that shortfall is compensated by the next track, “Animal.” This is a good power rocker, though I think that Vinnie overdoes it a little with the Yngwie type shredding.

If they had cut out the silly harmonizing at the beginning of “Twisted,” the song would have stood on it’s own. The song drifts towards the territory of speed metal here and I’m impressed with the backing vocals here. Even Vinnie’s guitar solo sounds more like a speed metal solo. Then it’s on to “Do You Wanna Make Love,” which has a strong resemblance to a song from Vinnie’s former band. If you close your eyes and listen to the first few notes of this one, you might think it’s “Lick It Up.” I will go out on a limb and say that Vinnie’s guitar solo is better on this one.

“Invasion” takes an interesting turn on “Back on the Streets.” It goes for a more blues feel and credit where due, I think the band pulls it off. It was the second single from the album but since “Boyz Are Gonna Rock” is the best known track, “Back on the Streets” is my pick for hidden gem. Then, they go back to more traditional metal with “I Wanna Be Your Victim.”

Here’s where I go controversial. I think the album would have been great with nine tracks. Nothing wrong with “Baby-O” but it’s more filler than thriller. As for the closer, “Invasion,” it fulfills it’s role as closer very well as it would sound out of place anywhere else on the album. However, that annoying three minute loop at the end does my head in. I’m glad I heard this album on cassette as it doesn’t end on vinyl until you pick the needle up.

Track Listing:

  1. Boyz Are Gonna Rock
  2. Shoot U Full of Love
  3. No Substitute
  4. Animal
  5. Twisted
  6. Do You Wanna Make Love
  7. Back On the Streets
  8. I Wanna be Your Victim
  9. Baby- O
  10. Invasion
Vinnie Vincent Invasion

Vinnie Vincent- guitar, vocals

Robert Fleishman- vocals

Dana Strum- bass, backing vocals

Bobby Rock- drums

Note: Mark Slaughter appears as singer in the video for “Boyz Are Gonna Rock.”

Vinnie Vincent proved that he could survive without KISS, even if he did look more like a lady. There will be a future post on those lines. Anyway, I think this was a good album for 1986, although some might not agree. In any case, I’m sad that I missed Vinnie with Alice. That must have been a wild show.

Next post: Torme- Back to Babylon

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

Great Rock Albums of 1985: Giuffira

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on July 12, 2018 by 80smetalman

A band that caught mine and many other people’s attention was Giuffria with their self titled debut album. The band was originally formed as a side project by keyboards player Greg Giuffria after he left his former band Angel. A band I had heard great things about back in the day but never got around to listening to. Back to Giuffria, their first single, “Call to the Heart” did get a lot of airplay and according to recorded history, number fifteen in the charts. It was one of those ballads that the ladies seemed to really like but it had some good progressive rock hooks as well as a guitar solo to grab the attention of men. If I’m honest, I liked the song but it really wasn’t heavy enough for me.

Everything that Giuffria was capable of doing can be found in the opening track of the album, “Do Me Right.” It starts with some classic 1970s sounding progressive rock via a great keyboard intro. Then the song carries on with some great vocals backed up by a more than capable rhythm section before guitarist Craig Goldy hammers out his best solo on the album. It’s definitely my favourite track.

The two hardest tracks on the album are “Don’t Tear Me Down” and “Dance” and it is probably a good thing that those two songs were back to back after the forementioned ballad. It proved to doubters that they could rock as much as anyone. Things go slightly softer and more melodic, bordering on commercial after that with the remainder of the songs, “Turn Me On” being the harder rocking exception. Goldy and Giuffria really cook with guitar and keyboard on that one. “The Awakening” is rather amusing, with the children’s choir and keyboards giving it that Saturday horror film feel. Saying that, the talent of this band pulls up the quality  of each song making them more enjoyable.

No matter what you think of the songs, you can’t deny that this was one talented band. David Glen Eisley had a voice that was as good as many lead singers in that day. The keyboard skills of Greg Giuffria show themselves in every song. Chuck Wright and Alan Krigger are very good rhythm section and as for the guitarist, Craig Goldy, his playing on the album leaves me to conclude that it was no wonder why he was head hunted to join Dio a year later.

Track Listing:

  1. Do Me Right
  2. Call to the Heart
  3. Don’t Tear Me Down
  4. Dance
  5. Lonely in Love
  6. Trouble Again
  7. Turn Me On
  8. Line of Fire
  9. The Awakening
  10. Out of the Blue

Giuffira

David Glen Eisley- lead vocals, keyboards, harmonica

Greg Giuffria- keyboards, backing vocals

Craig Goldy- guitar

Chuck Wright- bass, backing vocals

Alan Krigger- drums, percussion

While doing a bit of research for the post, I had one rumour from 1985 quashed. In said year, Giuffria went on tour supporting legends Deep Purple. The rumour was that Purple kicked them off the tour because Giuffria was blowing them away every night. I have always found that hard to believe, especially as I saw Deep Purple in this year and they were superb. From what I’ve read, Ritchie Blackmore was a bit of an a””hole towards the band. He cut their stage time from 45 minutes nearly in half to 25, forbade them to play any guitar solos and they had to play with the arena lights on. Therefore, they left the tour on their own accord and I don’t blame them. While I missed my chance to see them live, this album is a good fall back.

Next post: Don Henley- Building the Perfect Beast

To download Rock and Roll Children for free, go to: … .cf/olddocs/freedownloadonlinerock-and-rollchildren-pdf-1609763556-by-michaeldlefevre.html

 

 

 

 

 

 

 

 

 

 

 

 

 

Great Metal Albums of 1985: Dokken- Tooth and Nail

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on June 21, 2018 by 80smetalman

Although released in 1984, it took a long time before Dokken’s “Tooth and Nail” album finally got some notice. For me, it couldn’t have come at a more opportune time. By March of 1985, heavy metal got little or no airplay on commercial radio of MTV save for two singles from this album. The first one, “Alone Again,” is number ten on my all time favourite power ballads list. I can’t describe it but the song just kicks ass.

It’s not just the power ballad that makes “Tooth and Nail” my all time favourite Dokken album. Just so happens that it also contains my all time favourite Dokken song, “You Just Got Lucky.” While they were being accused of becoming another glam metal band, this song proved to the world they could still play. I just love how George Lynch works his guitar magic on the song and Don Dokken does a straight forward clean vocal performance. While rumours of these two men totally hating each other were rife even then, this song shows how well they put their differences aside when it mattered.

“Tooth and Nail” has some other great metal tunes on it as well. The title cut is the closest thing to thrash the band will ever come to, a very powerful song. “Heartless Heart” doesn’t shy away from being a great metal tune although the harmonizing vocals begin to remind me of what they would do on future albums but fortunately, this time, I’m able to go back in my mind to 1985 and forget all that. “Don’t Close Your Eyes” offers up more of the same. Great power chords and vocals with some fine, fancy guitar work and that guitar work continues many-fold on “When Heaven Comes Down.” That’s a hard, grindy type of song with a cool guitar solo.

“Into the Fire” was the first single released from the album and thinking back to late 1984, I don’t remember hearing it on any commercial media. Maybe it was too heavy amid the backlash against heavy metal that was starting. What I know is that I like it and as much as I sing the praises of George’s guitar capabilities, I never fully appreciated how great he really was. After another great rocker, “Bullets to Spare,” comes the forementioned power ballad. The thing is that on my first few listens, I thought that maybe “Alone Again” should have been the closer but the way the actual closer, “Turn on the Action,” ends, there is no need to swap things around. The album is good as it is.

Track Listing:

  1. Without Warning
  2. Tooth and Nail
  3. You Just Got Lucky
  4. Heartless Heart
  5. Don’t Close Your Eyes
  6. When Heaven Comes Down
  7. Into the Fire
  8. Bullets to Spare
  9. Alone Again
  10. Turn on the Action

Dokken

Don Dokken- lead vocals

George Lynch- guitars

Jeff Pilson- bass, backing vocals

Mick Brown- drums

The “Tooth and Nail” album from Dokken brought a little sunshine to what was a dour early 1985, musically. While it’s always been my favourite Dokken album, I think I like it even more these days.

Next Music Post: Yngwie Malmsteen- Rising Force

There will be another excerpt from my story before that. Oh yes, I would love to read people’s thoughts on Puppy from the last post.

To download Rock and Roll Children for free, go to: http://allkindlecloud.com/register/14510967-Rock-and-Roll-Children_pdf_free.html

 

 

 

 

 

 

 

Great Metal Albums of 1984: Hanoi Rocks- Two Steps From the Move

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on May 10, 2018 by 80smetalman

Coming to the final month in 1984, just when I thought that the year of metal might be coming to end, I get news of a band shown on MTV coming to a local club. That band just happend to be, yes you guessed it, Hanoi Rocks. Previous to their appearance, I did happen to catch the video to their single, a cover of the CCR classic, “Up Around the Bend.” The video impressed me enough to go to the club and to make a long story short, I was rather impressed. In fact, I sometimes wonder if I should have included that gig in “Rock and Roll Children.” My reason for not doing so was because KISS came to Philadelphia that evening and I concluded that the main characters would have gone to see KISS instead. However, I do mention in the story that Bob’s older brother Mitch goes to see Hanoi Rocks.

Hanoi Rocks’s performance on that memorable evening further motivated me to get their then latest release, “Two Steps From the Move.” Another decision I have never regretted because this album is very good. I would be lying if I didn’t say that “Up Around the Bend” is my favourite track on it. I had always liked the original version and what Hanoi Rocks did was take a great classic and totally metalize it. However, the album is full of great metal jams. The ones which stick out especially are: “I Can’t Get It,” “Underwater World, which has a good guitar solo and “Million Miles Away” is as good a power ballad as any. The hidden gem on the album has to be “Boulevard of Broken Dreams.” The energy on that song is simply phenomenal! Definitely one to blast driving with the window down and “Boiler” is quite amusing. On the other hand and as cliche as this sounds, all the songs really kick ass. If I were to nit pick, it would be that “Don’t You Ever Leave Me” should have been the closer of the album but that’s a tiny technicality.

Track Listing:

  1. Up Around the Bend
  2. High School
  3. I Can’t Get It
  4. Underwater World
  5. Don’t You Ever Leave Me
  6. Million Miles Away
  7. Boulevard of Broken Dreams
  8. Boiler (Me Boiler ‘n’ Me)
  9. Futurama
  10. Cutting Corners

Hanoi Rocks

Michael Monroe- lead vocals and saxophone

Andy McCoy- lead guitar, vocals

Nasty Suicide- guitar, vocals

Sam Yaffa- bass, vocals

Razzle- drums, vocals

In 1984, Hanoi Rocks were on the threshold of international stardom. Unfortunately, just a few short weeks after I saw them obliterate a small club in New Jersey, tragedy would strike the band which would lead to their eventual break up. While it’s no secret what that tragedy was, I thought it would be better to go into more detail next post. Right now, focus on the band’s happier times with this great album.

Next post: 1984 Ends in Metal Tragedy

To get Rock and Roll Children for free, go to: https://crreadac.cf/current/ebooks-free-download-rock-and-roll-children-fb2-by-michael-d-lefevre.html

 

 

 

 

 

 

 

Great Rock Albums of 1984: TNT- Knights of New Thunder

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on April 21, 2018 by 80smetalman

You’ve probably guessed that I’ve been off from my main job the past several days or why else would I be able to post three days in a row? That all changes as I’m back in work tonight so before I go, I thought I’d leave it with a post about an album from whom I call my favourite Norwegian band, TNT. Leaves Eyes does come a close second though. I didn’t hear their second album, “Knights of New Thunder” until 1986 and I have to say that I was quite impressed when I did.

“Knights of New Thunder” was the first album to feature American born Tony Harnell, though for some reason, he is credited on the first few TNT albums as Hansen. Anyway, Tony’s fantastic vocal range completed what is essentially a great band. I can totally understand why my sister put him into her band of underrated musicians. Speaking of underrated, guitarist Ronni Le Tekro doesn’t get the true recognition he deserves either. He does hammer out some really amazing guitar solos on this album.

Things open on the album with probably the best known track on it, “Seven Seas.” It seems to be the one most people remember whenever it is mentioned. The reason for this is a no-brainer. Harnell’s vocals shine through straight away supported by Le Tekro’s guitar work. We must not forget the rhythm section of Morty Black and Diesel Dahl who are as tight as any on this album. While “Seven Seas” is the most well known track on “Knights of New Thunder,” the rest of the album is just as good. In fact, the only tracks that might be called filler are “USA” and “Deadly Metal” though I like both of these tracks too. On a personal note, the lyrics to “Break the Ice” were very important to me in late 1986. The title track ranks right up there with the best album closers.

There is one difference in the tracks on the US version and the European version of the album. Having the US one, I was treated to my favourite track on the album, “Eddie,” while Europeans had the track “Tor With the Hammer” which itself is a pretty good track. “Eddie” is a very good power ballad whose lyrics I found very amusing. I think the song is about a deranged dog but I have known humans who fit in quite nicely with the lyrics of the chorus.

“Eddie likes torture and pain;

And Eddie’s crying in the rain;

Eddie’s got a twisted brain;

And neighours think that he’s insane;

Eddie strikes again.” 

Track listing:

  1. Seven Seas
  2. Ready to Leave
  3. Klassik Romance
  4. Last Summer’s Evil
  5. Lost Without Your Love
  6. Break the Ice
  7. Tor With the Hammer
  8. USA
  9. Deadly Metal
  10. Knights of New Thunder
  11. Eddie (Track 6 on the US version)

TNT

Tony Harnell (Hansen in the credits)- lead vocals

Ronni Le Tekro- guitars, backing vocals

Morty Black- bass, backing vocals, synthesizer

Diesel Dahl- drums

Because of “Eddie,” there are two power ballads on the US version of “Knights of New Thunder.” While I prefer “Eddie” to “Lost Without Your Love,” I do think Le Tekro’s guitar solo on the song is amazing. It has been said that “Knights of New Thunder” would be TNT’s last pure metal album as they would go more glam after. My sister was always jealous of the band’s hair. While, I will explore that theory down the line, I will say for now to just kick back on enjoy the delights of this one.

Next post: Deep Purple- Perfect Strangers

To buy Rock and Roll Children, go to: https://crreadac.cf/current/ebooks-free-download-rock-and-roll-children-fb2-by-michael-d-lefevre.html

 

 

 

 

Great Metal Albums of 1984: KISS- Animalize

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on April 8, 2018 by 80smetalman

Since Queensryche supported KISS in late 1984, I thought it only appropriate for the next post to be KISS’s “Animalize” album. Unlike Queensryche, I was able to put more details of their performance on this tour in “Rock and Roll Children.” Although I didn’t actually see the concert, I did get the video of KISS concert for “Animalize,” so that helped me a lot. This was in spite of the fact that the concert on the video didn’t take place in Philadelphia, which was where I went to see all the concerts at the time.

“Animalize” was the second album by KISS without their make up, following on from their previous album, “Lick It Up.” Now, I know KISS themselves along with many others like to downplay this era of Kisstory. True, they were looking more and more like a glam band but then again, so were many bands. However, I don’t think this album was particularly bad, it has its good moments.

The opener, “I’ve Had Enough (Into the Fire)” opens with some metal sounding riffs, which I’ve always liked. The riffs alone make this song the best choice to open the album. Next comes the big single, “Heaven’s On Fire.” No arguments from me that this song was made for commercial radio and MTV. It is too similar to “Lick It Up” but then again, I don’t dislike it either. I just find myself amused at the similarities between the two singles.

“Burn Bitch Burn” is nothing more than a catchy title and a cool guitar solo. It does give weight to the belief that Gene was too sidetracked with other projects and not putting his full attention to KISS. Paul does succeed in making up for it with “Get All That You Can Take.” With all the “ooohs,” one could probably say it was Paul’s best vocal effort. It too has a cool guitar solo and throughout the years, I’ve wondered if Mark St John hasn’t been given the respect he deserves. Saying that, then future band member Bruce Kullick nails the guitar solo on the next track, “Lonely Is the Hunter” and makes me wonder if KISS should have had him play on the whole album. God, thinking about it can give a person a headache, almost. I will say that the track in question is a better effort from Gene, possibly his best on this album.

It seems that KISS tried to be more speed metal with “Under the Gun.” It is definitely the fastest song on the album and the best part is that Paul’s vocals fit the song. Maybe I’ve underestimated his vocal ability these many years. The song does open side two, if you have vinyl or cassette, very nicely and leads to my choice for hidden gem. I know that “Thrills in the Night” was released as the second single on the album but from what I’ve read, it failed to chart. That makes it a hidden gem in my opinion. It’s hard enough to please metalheads but with some good melody and Gene and Eric give great backing to Paul on the vocals and it has a cool guitar solo. Personally, I think the idea for the big single on their next album was taken from it. While I won’t call the remaining two songs, penned by Gene, filler, I won’t say they’re standout tracks. Just two good songs to end the album in the best way.

Track Listing:

  1. I’ve Had Enough (Into the Fire)
  2. Heaven’s On Fire
  3. Burn Bitch Burn
  4. Get All you Can Take
  5. Lonely is the Hunter
  6. Under the Gun
  7. Thrills in the Night
  8. While the City Sleeps
  9. Murder in High Heels

Paul Stanley- rhythm guitar, lead and backing vocals

Gene Simmons- bass, lead and backing vocals

Eric Carr- drums, backing vocals

Mark St John- lead guitar

Additional musicians

Bruce Kullick- lead guitar on “Lonely is the Night” and “Murder in High Heels”

Jean Beauvour (ex Plasmatics): bass on “Get All You Can Take,” “Thrills in the Night” and “Under the Gun”

Say what you want about KISS during their unmasked 1980s period, but I think that “Animalize” isn’t all that bad. It does have it’s good and amusing points but on the other hand, it never made me want to stop listening to “Destroyer.”

Next post: Whitesnake- Slide It In

To get Rock and Roll Children, go to: https://crreadac.cf/current/ebooks-free-download-rock-and-roll-children-fb2-by-michael-d-lefevre.html