Archive for Bon Jovi

Great Metal Albums of 1982: Hanoi Rocks- Self Destruction Blues

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , on October 14, 2015 by 80smetalman

HANOI1

First of all, no one spotted the mistake in my last post. Boppinsblog came close as he pointed out that “Live At Budokan” was a Cheap Trick album, so one 80smetalman gold star awarded there. But that wasn’t the mistake I was referring to. Boppinsblog was close though because the mistake had to do with the quote from Wayne’s World. See, the quote I used on the last post was from Wayne’s World 1 while the photo below it was from Wayne’s World 2. I’m afraid that no one gets the grand prize this time.

Now onto the second album in 1982 from Finnish glam metallers, Hanoi Rocks. When I visited the predecessor, “Oriental Beat,” I commented on what a great feel good, party album it was and I stick by that. I won’t be so flowery about the second album, “Self Destruction Blues.” The album just simply bloody rocks!

Just about every track on this album is an absolute corker and one thing that it has in common with its predecessor is that each songs seems to improve as the album progresses. Except for maybe “Whispers in the Dark,” that’s not quite as good as the others. However, putting it first wouldn’t be a good idea because “Love’s an Injection” is such a great opener. If you think that “Problem Child” was a cover of the AC/DC classic, it is nothing of the sort. It’s still a cool song.

What I find about most of the songs on this album is that the titles of the songs hardly appear in their song. “Desperado,” my favourite track, is only sung once. If I didn’t have the title in front of me, I would have thought it was called “Ten Thousand Heartaches.” Nevertheless, the song is just brilliant so full marks to the band for that little twist. The same can be said for such other cool tracks like “Beer and a Cigarette” and “Kill City Kills.” Again both are great tracks. The title track is actually done in a blues fashion and it’s good to hear Michael Monroe’s voice stretching out a bit. Full marks to the band again. The closer, “Dead by Xmas,” in my mind is a case of Bon Jovi meets The Clash. I mean the piano sounds very similar to that on the first Bon Jovi single “Runaway.” Then when the song kicks in, it sounds very much like The Clash but it’s well done. In fact, I think the humour that went into the album, along with some fine songs, make “Self Destruction Blues” a fantastic album.

Track Listing:

  1. Love’s an Injection
  2. I Want You
  3. Cafe Avenue
  4. Nothing New
  5. Kill City Kills
  6. Self Destruction Blues
  7. Beer and a Cigarette
  8. Whispers in the Dark
  9. Taxi Driver
  10. Desperado
  11. Problem Child
  12. Dead by Xmas
Hanoi Rocks

Hanoi Rocks

Michael Monroe- lead vocals

Andy McCoy- guitar

Nasty Suicide- guitar

Sam Yaffa- bass

Gyp Casino- drums

After the recording of the album, Gyp Casino would leave the band and be replaced by Razzle

Another fun hard rocking album from Hanoi Rocks in 1982. Had I been more aware of this band in the year, I would have concluded that Finland must be a place to rock because albums like this one certainly give that impression.

Next Post: Saxon- The Eagle Has Landed

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

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Great Rock Albums of 1981: The Go Go’s- Beauty and the Beat

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , on July 6, 2014 by 80smetalman

220px-The_Go-Go'sBeautyandtheBeatalbumcover

There were many all girl bands that came and went before 1981. I’m even going to pay tribute to one of them in my between the years post once the tour of 1981 is over. Don’t worry, that’s still quite a long way away. However, there was something a little different about The Go Go’s when I first heard them in 1981. They weren’t ┬áheavy rock but they were hard enough in a new wave sort of way that was popular around this time. There was another reason I got into them. I once stated that in the mid 80s, many male metalheads, myself included, listened to Bon Jovi on account of the sole fact that our girl friends did. While, I wasn’t dating any particular lady at the time, I noted while at a party one evening that many of the ladies there were getting into them. It could be said that The Go Go’s were the first band that both genders could listen to without any worry girls being branded a rock slut and boys being branded a p*ssy.

Back in this time, there were some prehistoric notions that women couldn’t play instruments and that all female bands were there more to be looked at than listened to. I never thought that even before I heard this album. Still, this album shows that these girls are capable of playing although I will admit I liked looking at them too. True, the video to their first single “Our Lips Are Sealed” betrays this fact but even though it has been heralded as one of the greats of the 80s, there are some other good rock tunes here as well. Besides, I always preferred the other single, “We Got the Beat” anyway. If I had too much to drink and this song came on, I would start pogo dancing to it. However, the album doesn’t end with that song either. For me, “Lust to Love” is a hidden gem of a rocker and after its slow start, “This Town” shapes up pretty well. “Fading Fast” is another decent one as it “How Much More” and “Tonite” isn’t bad either. I thought the only track that didn’t quite measure up to the others was “Skidmarks On My Heart,” not that it was a bad song, I just couldn’t get into it. As one good song doesn’t make a great album, one song not up with the others, doesn’t in any way detract from the rest of the album.

Track Listing:

1. Our Lips Are Sealed

2. How Much More

3. Tonite

4. Lust to Love

5. This Town

6. We Got The Beat

7. Fading Fast

8. Automatic

9. You Can’t Walk in Your Sleep (If You Can’t Sleep)

10. Skidmarks On My Heart

11. Can’t Stop the World

The Go Go's

The Go Go’s

Belinda Carlisle- lead vocals

Charlotte Caffey- lead guitar, keyboards, backing vocals

Jane Wiedlin- rhythm guitar, vocals

Kathy Valentine- bass, backing vocals

Gina Schock- drums, percussion

Back on the subject of musicianship, I have always thought that Charlotte Caffey doesn’t get the respect she deserved then or now. I’m not saying she’s a Clapton or a Van Halen etc but she does play well enough to be respected. Listen to the album and judge for yourself as this is definitely one album from an all girl band that should be taken seriously. Did they open the way for others? Well, we can answer that as we journey through history.

Next post: Another band that should be taken seriously.

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London