Archive for the Heavy Metal and the 1980s Category

Great Rock Albums of 1985: ZZ Top- Afterburner

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on January 6, 2019 by 80smetalman

It’s back to the grindstone for the new year so in my case, it’s back to the tour of the golden decade of heavy metal. While, it wasn’t planned, I realized that it might be cool to start the new year off with a post from an album from one of the all time greats, ZZ Top.

Thinking back to 1985, when I heard the first single from the “Afterburner” album, “Sleeping Bag,” I have to admit that I wasn’t too impressed. For me, that song was too synth pop and was too quick to accuse ZZ Top of selling out and abandoning their Texas boogie blues sound and wanting to sound like Duran Duran. Many other people I knew were of the same opinion. Fortunately, like I’ve said so many times throughout the history of the blog, one song doesn’t make an album. Slowly but surely, reports came in that the rest of the album wasn’t all synth pop and that Top hadn’t completely forgotten where they had came from. What convinced me that this was the case was the second single, “Rough Boy.” Even though some of Billy Gibbons’s great guitar work was shortened for the sake of radio friendliness, I realized that the reports from others were indeed correct.

Thinking about “Rough Boy,” the full length version on the album is even better from what radio had to offer. True, the song is a bit of a ballad but if ballads had guitar solos like this one, then what’s the problem? I will also not debate that there might be some synth pop sounds on “Afterburner” but for the most part, there is plenty of what ZZ Top had been famous for before hand. “Stages,” which was also released as a single and “Woke Up With Wood” bear testimony to that. If these tracks don’t convince you then “Can’t Stop Rocking” certainly will. This is a straight forward hard rocker that comes close to being a metal tune. Dusty Hill does the vocal duties here and he sounds fantastic and that leaves Billy to work more of his guitar magic and the result is pure magic.

The second half of the album carries on where the first half left off. “Planet of Women,” (I would have loved to have gone there in 1985), gets my vote for hidden gem. It’s as hard rocking as “Can’t Stop Rocking” but what carries past the line for me is Billy Gibbons. His solos are just a little bit better on this track. Things continue in this vein for the rest of the album with “I Got the Message” but “Velcro Fly” does mark a slight return to synth pop, except Billy’s guitar solo is first rate. Then we get to the last two tracks where the links with the previous mega successful “Eliminator” album come through loud and clear. Penultimate track, “Dipping Low (In the Lap of Luxury) reminds me very much of “Give Me All Your Loving,” not a bad thing. The closer, “Delirious,” reminds me of “Bad Girls,” which was the closer from the “Eliminator” album. Maybe the band planned it that way because when the album closes, you are convinced that ZZ Top haven’t sold out and remain the band that they have always been.

Track Listing:

  1. Sleeping Bag
  2. Stages
  3. Woke Up With the Wood
  4. Rough Boy
  5. Can’t Stop Rockin’
  6. Planet of Women
  7. I Got the Message
  8. Velcro Fly
  9. Dipping Low (In the Lap of Luxury)
  10. Delirious
zztop

ZZ Top

Billy Gibbons- guitar, lead vocals, backing vocals

Dusty Hill- bass, keyboards, backing vocals, lead vocal on tracks 5 and 10

Frank Beard- drums

In conclusion, ZZ Top did not sell out with the “Afterburner” album. In fact, though I wasn’t impressed when I first heard it, “Sleeping Bag” has been growing on me more. It just proves how great this band has always been.

Next post: Joe Lynn Turner- Rescue You

To download Rock and Roll Children, go to: https://c-newfreepdf.cf/olddocs/free-download-online-rock-and-roll-children-pdf-1609763556-by-michael-d-lefevre.html

 

 

 

 

 

 

 

 

 

 

 

 

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Cardiff Slayed!

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on November 6, 2018 by 80smetalman

Nearly 24 hours later, I am home and nearly recovered from the events of the previous night. Last night, I, along with my two sons, one of my future daughters in law and my stepson amassed in Cardiff to see Slayer at the Motorpoint Arena. This is supposed to be Slayer’s farewell tour and they brought a few friends with them to celebrate what might be the final time they play in Cardiff. However, first I’m going to show you boring family photos to show that I’m passing the metal tradition onto future generations.

My grandson Alex. Note the onesy he’s wearing.

Grandfather and grandson

Starting left and going clockwise: Me, my stepson Teal, my younger son Will, his fiancee Ela and my eldest Jake. A true metal family!

There was confusion on the day, my tickets said doors opened at 6, so we thought there was time to get a bite to eat before the show. One can’t headbang on an empty stomach! We went for a meal at a restaurant across the road called the Smoke Haus and with bellies full, returned to the arena. It turns out that my tickets were wrong, though it didn’t prevent us from getting in. The arena opened at 5:30 and the first band went on at six and as a result, we missed the first band. If the first band had been Testament, like I thought it would be, I wouldn’t have been a happy camper. While not fortunate, the first band was Obituary and while I would have liked to have seen them, I’m not as upset at missing them as I would have been if it had been Testament.

It did seem strange to me that Anthrax would have opened the festivities on the evening. Not long after, I knew it wasn’t the case. Anyhow, this being the sixth time seeing Anthrax, I must report that this wasn’t their best. Technically, they were all right. They played many of their best known songs, opening with “Caught in a Mosh” plus “Anti-Social” and Indians,” although like Bloodstock 2013, didn’t play anything from the “Spreading the Disease” album. Joey Belladonna was the good front man he usually is and Ela wanted to have his hair. Likewise, Scott Ian got the crowd going as well. Unfortunately, their set was marred by poor sound quality. Charlie’s drums seemed to overshadow everything else and this was the way all through the forty-five minutes they were on stage. Will was disappointed because he was really looking forward to them. My verdict: While I still headbanged away to Anthrax and enjoyed them, I would also agree that the sound engineer should be fired.

Anthrax on stage

This was the best pic of them

Under the red lights

I have very little experience, practically none, of the next band up, Lamb of God. Views on them have been contradictory. Will doesn’t think much of them while Teal loves them. Observing Lamb of God from a neutral stance, they won me over by the time they had left the stage. I will be listening to more of them in the future. The only songs I remember were “Ghost Walking” and “Curse of the Blackened Sun.” While I won’t say that Randy Blythe is the best vocalist in the world, he’s not, he is brilliant at working the crowd and getting them going. Something he did with great effect in Cardiff. Furthermore, I was also impressed with lead guitarist Mark Morton. Lamb of God had better sound than Anthrax so I retracted my personal complaint that they should have been out first. Besides, they did a great job of getting the crowd worked up for the main event.

Lamb of God

This picture told me I needed to get closer to the stage

See what I mean?

Might be the best shot of them

A good shot of bassist John Campbell with Mark Morton emerging from behind the amp to belt out a solo.

Lamb of God nearing the end

Everyone in the Motorpoint Arena knew that whatever else happened, this night belonged to Slayer. They were the band everyone was there to see and they let everyone know it. From their opening with the wall of flames to their hour and forty minutes of non stop thrash as only they can do to their grand finale, Slayer was on top form. I have to admit, their performance is still whirling around in my head. Maybe I should have waited a couple of days before posting but nah, I had to write about it now.

Some interesting highlights, some guy next to me shouted for them to play something they all knew right after they had played “Mandatory Suicide.” I thought all Slayer fans and even non ones knew that song. My eldest, Jake, risked his life going into a mosh pit. A Slayer mosh pit is not one for beginners! And this was the first time he had ever gone into one. I’m afraid Jake learned the hard way, coming away a little dazed after taking an elbow to the temple. Besides, he made the mistake of removing his shirt and hoodie before going in and ended up losing both of them.

In the mean time, Slayer continued to threaten to blow the roof of the arena as they manically went about the stage creating mayhem and history at the same time. Tom Araya’s vocals were spot on while Kerry King and Gary Holt traded solos back and forth all evening long. When asked after, Will put Holt on the same level as the late Jeff Hanneman. So between the showmanship, the thrash and the flames shooting through the air at the back of the stage, as well as the backdrop changing to a different Slayer album cover every few songs, there was a great deal of unpredictability on the evening and that evening ended way too soon. I did love them coming out to the encore with “South of Heaven.” The only disappointment was at the end. While they thoroughly and deservedly basked in the adulation of the audience, there was no mention of this being their farewell tour. Yes, they did praise the audience throughout but I thought they would have said something at the end. Just a minor point though, the rest was a great night of metal history.

Wall of flames to commence Slayer’s appearance

Slayer appear!

King made his way over to my side of the stage

A shot of the stage with Tom with his back to the audience

Gary plays the solo

Watch out for the flames

Kerry playing at centre stage

Coming down to the finale

Next post: Stevie Ray Vaughan- Soul to Soul

To download Rock and Roll Children, go to: https://c-newfreepdf.cf/olddocs/free-download-online-rock-and-roll-children-pdf-1609763556-by-michael-d-lefevre.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Great Metal Albums of 1985: Slayer- Hell Awaits

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on November 2, 2018 by 80smetalman

As 1985 progressed, I found myself moving away from mainstream music and delving into heavy metal bands who weren’t likely to be played on the radio. It was here where I cut my teeth on bands such as Venom and Slayer. In the case of the latter, it was their second album, “Hell Awaits” which gave me an eye opening experience into more hardcore and thrash metal. Once my eyes were opened, I have never looked back.

The first thing I remember when a friend first spun “Hell Awaits” for me was that it took a while for the album to get started it. The opening title track has a rather long intro, I mean it takes about three minutes before the song truly gets going and on my first listen, I thought it was going to be one of those instrumental intros many albums have before the rest of the album kicks in. However, that is the trick because all of a sudden, Slayer take the tempo way up and the shattering vocals of Tom Araya come through. The title track sets the tone for the rest of the album.

One thing I have found difficult over the years is to pick a favourite track. Every time I think I might have found one, some aspect from another track washes it out. All seven tracks have the in your face vocals from Tom while at the same time, he and Dave Lombardo combine to make a crunching rhythm section further aided by whichever guitarist is not playing the solo at the time. Each track features the guitar solo trade off of Hanneman and King although their best effort is probably on the track, “At Dawn They Sleep.” Saying that, next time I listen to this album, I’ll find that one of the other tracks might have them doing it better. “Hell Awaits” is that kind of album. Seven songs that concuss your brain into jelly but at the same time, feature quality musicianship. If I had to pick a favourite track, it would have to be “Necrophiliac.” Not because of any differential in the music but simply it was one that the religious right in America loved to attack and got all hot and bothered about.  One thing I’ve wondered about was, is “Hardening of the Arteries” a song telling people not to eat too much pork?”

Track Listing:

  1. Hell Awaits
  2. Kill Again
  3. At Dawn They Sleep
  4. Praise of Death
  5. Necrophiliac
  6. Crypts of Eternity
  7. Hardening of the Arteries

Slayer

Tom Araya- lead vocals, bass

Kerry King- guitar

Jeff Hanneman- guitar

Dave Lombardo- drums

It’s common knowledge that Slayer are in the midst of their farewell tour. This coming Monday, it will be my turn to see them as they are coming to Cardiff. I’m going with Teal, my two actual sons and my younger son’s fiance. It’s going to be a great family affair and listening to “Hell Awaits” has definitely got me psyched for it.

Next post: Report from Slayer, Anthrax, Lamb of God and Testament in Cardiff

To download Rock and Roll Children, go to: https://e-pdfwebinar.ml/share/free-ebooks-in-english-rock-and-roll-children-epub-by-michael-d-lefevre.html

 

 

 

 

 

 

 

 

Great Metal Albums of 1985: AC/DC- Fly On the Wall

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on October 28, 2018 by 80smetalman

Most of you have probably guessed that the reason why I am writing about AC/DC’s 1985 “Fly on the Wall” album is because tribute band Hell’s Bells came to town. I know I’m being predictable but who cares? Seeing Hell’s Bells gives me great motivation when writing about AC/DC albums, especially when the band didn’t play any songs off this album. Saying that, they may do so next time they come because this time, they played a song from the “74 Jailbreak” album which I posted about last time. They played “Jailbreak” as well as many other great songs. The great thing is that Hell’s Bells always mix up their selection of songs so you don’t get the same ones all the time. Yes, they played many of the classics, “Back in Black,” “You Shook Me All Night Long,” “Highway to Hell,” “TNT” and “Whole Lotta Rosie” but they played others as well. “Thunderstruck,” “Shoot to Thrill” “Let There Be Rock” and “Hell Ain’t a Bad Place to Be” were played to the crowd in Stroud. The only unfortunate moment was that the band had brought two canons in order to play “For Those About to Rock, We Salute You” but the venue wouldn’t allow it. Anyway, this was probably Hell’s Bells’ best performance and I have to say I was quite impressed with support act, Foo Fighters tribute band, Fighters Foo. If you remember, last time they played under the name Pity the Foo but the lead singer announced that they had to change the name for political reasons. It was a great evening and what I found most amusing was that the venue was packed while the trendy pub nearby having their Halloween party was dead. I guess Hell’s Bells were the bigger draw.

Fighters Foo

A better shot of them. BTW, I have come into modern times with an up to date mobile phone.

Obviously, I got closer to the stage for Hell’s Bells

Hell’s Bells in action

AC/DC will go on forever. I thought it was great that the band brought this boy up on stage.

It has been said in many circles that “Fly On the Wall” was probably AC/DC’s worst album. For many years, I thought it true about “Flick of the Switch” but recently, after listening to both, I have come to the conclusion that someone must have put acid in my drink back in 1983 because I don’t find that the case any more. Still, I don’t know if I would now call “Fly on the Wall” their worst album because I thought it was okay, just okay back then and even today, it has its moments. Sure, there are tracks on the album which I would agree sound a bit of a dirge, a term I’ve heard other bloggers use to describe the album but there are still some good tracks on the album and those are the ones I’ll focus on.

The title track starts things off on the album and the sound of the fly buzzing around in the background during it makes no difference to the song for me. It doesn’t make it sound amusing nor does it detract from it. It’s just a decent song. The next track is the best one on the album. “Shake Your Foundations” takes me back to the glory days of the “Back in Black” era. AC/DC put everything that made them who they are into this song and it shows. “Danger” comes a real close second and although lead singer Brian Johnson has been criticized for mumbling on “Fly on the Wall,” his vocals come through quite clear and well on this track. “Sink the Pink” is also a very good track and I have to include “Stand Up” among the best tracks here. What you get with “Fly on the Wall” is half a great album and half filler tracks but even the filler tracks aren’t that bad so overall, it’s a good album.

When Johnson settles down and enunciates, he sounds really good. However, it is Angus Young who shines the most on the album with some blistering guitar solos. His best one is on “Stand Up.” Back then, all eyes were on new drummer Simon Wright who replaced Phil Rudd. I have always thought that he did a credible job here and when I saw them live on this tour. They were phenomenal that night and I probably didn’t do their concert full justice when I wrote about it in “Rock and Roll Children.”

Track Listing:

  1. Fly On the Wall
  2. Shake Your Foundations
  3. First Blood
  4. Danger
  5. Sink the Pink
  6. Playing With Girls
  7. Stand Up
  8. Hell or High Water
  9. Back in Business
  10. Send for the Man

Brian Johnson- lead vocals

Angus Young- lead guitar

Malcolm Young- rhythm guitar and backing vocals

Cliff Williams- bass, backing vocals

Simon Wright- drums

Not only did “Fly on the Wall” receive mixed reviews at best from the critics and fans, they would also run into difficulties in another way in 1985 when a mass murderer claims he was influenced by their song “Night Prowler” to commit his crimes. This led the religious zealots in America to go after the band and call them Satanic. In spite of that, AC/DC continue to remain in the hearts of many millions of fans to this day.

Next post: Slayer- Hell Awaits

To download Rock and Roll Children, go to: https://fkidshelves.ml/print/free-download-rock-and-roll-children-by-michael-d-lefevre-pdf.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Book Review: Bruce Dickinson An Autobiography

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on October 12, 2018 by 80smetalman

Welcome to my second ever book review. The first one was three years ago so I figured it was time I do another. Okay, it’s because I write more than I read but this particular book definitely needs a comment or three on. My total reaction to “Bruce Dickinson, An Autobiography” was, “I wish I could write like that.” Bruce has a distinct writing style that definitely entertains as well as it informs. When recounting his life, he doesn’t do the normal David Copperfield crap with dates and list of his life’s events. Instead he gives those accounts through his own eyes in a very amusing way which at times while reading it made me wonder if I should pack up writing.

Iron Maiden

Naturally, I read the book to hear about his life with the great Iron Maiden and yes, there are some wild accounts there. However, his life before and outside of Maiden was just as intense. Reading about his childhood, his father was a bit of a Delboy Trotter, (a character from the famous British sit-com “Only Fools and Horses), in the sense that he was always acquiring and running different businesses, often at the same time. At one point, he owned a hotel but sold used cars from the front of it. I point this out because I think Bruce’s childhood experiences contributed to his eccentricity.

Bruce Dickinson

How he became a pilot was also a very good and interesting read. He started on a twin engine plane and by the end, he was piloting huge passenger jets. Then there is how he started his brand of beer, “The Trooper.” However, the part that I found most interesting was during his solo career. His account of his concert in war torn Sarajevo and all what he and his band had to go through, the check points, the fear of getting fired on, to be able to perform was absolutely mind blowing. Talk about guts but then it was those guts that helped him beat cancer very recently. How he describes what he went through while battling this disease is harrowing and it’s only right that he gets full marks for overcoming it.

Bruce Dickinson’s autobiography is a cracking read from start to finish. He keeps the reader entertained while at the same time giving them insight into his wild and wonderful life. Plus there are a few surprises along the way as long as events that I didn’t know about but not surprised about. I bow to the superior writer here.

Reading the autobiography has further convinced me that Bruce Dickinson deserves a knighthood. Therefore, I call on all British readers to clink the link and sign the petition.

https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson

On a different note, though I have retired from festivals, I will still go for single days. This year, it looks as if I must go to Bloodstock on the Sunday because Queensryche are headlining and Twisted Sister’s Dee Snider is also on the bill for that day.

Next post: Starship- Knee Deep in the Hoopla

I don’t feel worth to post a link to Rock and Roll Children for this post.

Great Rock Albums of 1985: Night Ranger- Seven Wishes

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on October 8, 2018 by 80smetalman

The release of Night Ranger’s third album, “Seven Wishes” confirmed to me what I already knew, Night Ranger were not heavy metal. This didn’t stop the unknowing from continuing to label them as such and it made me grind my teeth at times. The first single, “Sentimental Street” was all the proof one needed. That song is supposed to be a power ballad, I use that term loosely because it is heavily over synthed. All that did was take me back to their more superior power ballad, “Sister Christian” which wasn’t so. Just a fine use of the piano. On the other hand, while I have always believed that Night Ranger was never heavy metal, they definitely weren’t a top 40 band either, in spite of having several songs in the top 40. The best label to give Night Ranger would be melodic hard rock.

I thought that now I’m back from my client holiday, I’d treat you to at least one photo from it. This is the fog lifting off Lynmouth Harbour.

Back to the “Seven Wishes” album. While many metalheads dissed this album back in 1985 and I admit, the first single nearly put me off. Fortunately, I had known for years never to judge an album on one single, so I took the plunge. In spite of what was said about Night Ranger at the time, this album still rocks in many places. Additionally, unlike singles from their first two albums, none of the songs remind me of Rick Springfield. Unlike, “Sentimental Street,” the guitars dominate more than the keyboards, the only exception might be the title track. Even then, there is a fab guitar solo on it as with all the songs, the talents of the guitar duo of Brad Gillis and Jeff Watson are put to maximum use. More proof that I’m mellowing a little with age, I like “Sentimental Street” more now than I did in 1985.

Actually, “Seven Wishes” is an album of two halves for the most part. Part one is the more keyboard oriented songs and singles. “Four in the Morning” was the second single and though not as keyboard oriented, the whole song screams “Single for radio!” Saying that, “I Need a Woman” really cooks and if you only listened to the first five songs, might seem slightly out of place. However, the album goes total rock on the second half of the album. “This Boy Needs to Rock” starts things off perfectly and the rest of the album follows through. “Interstate Love Affair” is my vote for hidden gem on the album. I just love that intro and the way it rocks to the mind blowing guitar solo. Yep, it gets my vote. The closer, “Goodbye” is, in my not so humble opinion, a better power ballad than “Sentimental Street.” Better still, it’s the best song to end the album on a high.

Track Listing:

  1. Seven Wishes
  2. Faces
  3. Four in the Morning
  4. I Need a Woman
  5. Sentimental Street
  6. This Boy Needs to Rock
  7. I’ll Follow You
  8. Interstate Love Affair
  9. Night Machine
  10. Goodbye

Night Ranger

Jack Blades- bass, lead vocals

Jeff Watson- guitar

Brad Gillis- guitar

Alan ‘Fitz’ Fitzgerald- keyboards

Kelly Keagy- drums, lead vocals

While Night Ranger aren’t heavy metal, they can’t be simply dismissed. Their brand of melodic hard rock is played very well as this album shows.

Next post: My Second Book Review

To download Rock and Roll Children, go to: https://c-newfreepdf.cf/olddocs/free-download-online-rock-and-roll-children-pdf-1609763556-by-michael-d-lefevre.html

 

 

 

 

 

 

 

 

 

 

 

 

Great? Rock Albums of 1985: The Power Station

Posted in 1980s, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on September 30, 2018 by 80smetalman

If I had been writing this blog thirty years ago, as the albums were coming out, this one off album from The Power Station would not have been included. Thinking back to then, when I heard the first single, “Some Like It Hot,” I thought, “No thanks.” To me it was just another synth pop song, only this one had a cool guitar solo. What also didn’t help was that the band featured two members of Duran Duran. In 1985, metalheads and Duranies were at odds with one another, so this was another reason not to like this band. However, throughout the many years, The Power Station have slowly grown enough on me that I was willing to include them.

On the subject of Duran Duran, I didn’t want to admit it back then but they were all talented musicians, John and Andy Taylor especially. It was only very recently I learned that they weren’t actually brothers. I will not take the fact they are so talented away from them but that doesn’t change the fact that they music that didn’t appeal to me. Anyway, what the Taylors did here was to get with drummer Tony Thompson from the band Chic and a lead singer named Robert Palmer and together, they put out an album that wasn’t too bad.

Another criticism aimed at The Power Station by metalheads back in 1985 was to do with the second single, the cover of T-Rex’s “Get It On (Bang a Gong).” Metalheads argued that they had totally butchered a classic T-Rex song but was that assessment fair? In my view, there are portions of this version of said classic that would have Marc Bolan spinning in his grave. Especially that woo-hoo-hoo part at the beginning. However, they do remain true to the basics of the song. The guitar comes through very clear and while not as good as the original, it still has me bobbing away to it when it’s played. Furthermore, it does have me wanting to include John Taylor in that ever expanding list of underrated guitarists.

Most of the remainder of the album is still too synth pop for me, even after all these many years. There are a good number of keyboard and brass players who contribute which makes it possible. It does have some flashes of more heavier rock. I like the intro and the guitar solo on “Communication” and their cover of “Harvest for the World” is nicely done. I could call that track more soft rock. However, going against the grain of the rest of the album is the track “Murderess.” This is a hard rocker, well it is in terms of this band but it does make the hidden gem the best song on the album. In spite of the fact that I still am not a huge Power Station fan but I can’t fault their musicianship either. These guys, especially John, were serious about music and the playing on it was top notch, credit where it’s due there.

Track Listing:

  1. Some Like It Hot
  2. Murderess
  3. Lonely Tonight
  4. Communication
  5. Get It On (Bang a Gong)
  6. Go to Zero
  7. Harvest For the World
  8. Still In Your Heart

The Power Station

Robert Palmer- vocals

John Taylor- guitar

Andy Taylor- bass

Tony Thompson- drums

At first, I thought it was a case of me mellowing with age but while I am more open and accepting of the Power Station these days, this album still doesn’t quite do it for me. Saying that, there are some good moments and the musicianship on the album is first rate.

Next post: I’m away on a client holiday with work so the next post won’t be until next week. When it is, it will be: Night Ranger- Seven Wishes

To buy Rock and Roll Children, go to: https://www.amazon.co.uk/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_1?s=books&ie=UTF8&qid=1538295806&sr=1-1&keywords=michael+d+lefevre