Archive for Van Halen

Satan’s Plan to Take Over Rock Heaven

Posted in Death, Heavy Metal, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on April 10, 2024 by 80smetalman

In case you missed it over at Mike Ladano’s blog, I am putting on my latest story. Satan plans to take over Rock Heaven and sets his plan in motion. Will he succeed? Read on and find out.

Takeover of Rock Heaven

Part 1- The Plan

Somewhere in Hell:

Satan walked into the room waiting to address the assembled gathering, when he was distracted by a commotion. His security was holding back Adolph Hitler and Saddam Hussein, who were demanding to be let into the meeting. Calmly, he walked over to where the commotion was coming from. “Look,” he said sternly, “I said clearly that you two aren’t coming in here.”

“You need us,” Hitler argued.

“No we don’t ,” Satan returned. “This isn’t a military operation, otherwise Julius Caesar would be here. Even it if it was I still wouldn’t have you two in here. You both demonstrated your military incompetence while you were on Earth.”

“But you have Vlad the Impaler here,” Hitler protested.

“He’s here for a different reason,” Satan explained. “Besides, if we have to kill any prisoners, we have your man Werner Poetsche. Now go before I go back to shoving pineapples up both your asses. “

With that, Hitler and Saddam were marched away and the door was closed. Satan let out an exasperated sigh before sitting at the head of the long table. As he sat down, Vlad questioned, “Why is he here?” pointing to Dave Holland.

“Because I should be in Rock Heaven,” Dave snarled back. “I’m only in Hell because of a bollocks conviction. Fucking Elvis used that to not allow me in, damn him.”

“Enough!” Satan boomed, his thunderous voice shaking the room. It achieved its goal in silencing all. “Mr. Holland is here at my request. He will help us in rounding up all the key members of Rock Heaven and he can get some revenge.”

That’s right,” Dave affirmed. “They’re all a bunch of assholes. They wouldn’t let me in but I bet when that woman beater Tony Iommi dies , they’ll let him in.”

Satan sighed again. “They probably will. Some religions look favourably on men hitting women. That’s another reason why I plan to take over and have summoned all of you here. There should be no Rock Heaven, most of those rock stars should be with us here in Hell. You are all going to help plan my takeover. I have had a mole there since 2003 and he’s been feeding me information whenever he can.”

“A mole, that’s a brilliant idea!” Al Capone complented. “Who is he?”

“You’d be very surprised,” was Satan’s reply. “My mole did get me into Rock Heaven when some mortal went back in time to try to wipe out heavy metal. So, now it’s the perfect time to act.”

“Couldn’t we take our legions and just storm the place?” Vlad suggested.

“It’s not that simple,” Satan explained. “The other side has a fail safe. If we simply invade, we risk all out war with Heaven, I mean the real Heaven. We don’t need that, so we have to be more cunning.”

“Is that why Julius isn’t here?” Caligula inquired.

“Exacty why!” Satan affirmed. “And why we can’t risk an all out war with Heaven. The last time that happened, Heaven’s forces were commanded by George S. Patton who studied Caesar’s strategies and thwarted him at every turn. We got our asses kicked.”

“So tell me exactly how we are going to take over Rock Heaven?” Charles Manson probed.

“Yeah, you know once we act, those two Canadian super-heroes and their companions will try to stop you,” Dave Holland pointed out.

“I know,” Satan conceded. “But I have a plan. Those two super-heroes will be on a wild goose chase and while they’re distracted elsewhere, we will make our move. Besides, once we take over Rock Heaven, I think the town of Thunder Bay will thank us. They’re not happy with those super-heroes or the musicians in Rock Heaven for putting on that concert which nearly destroyed their town.”

Somewhere in Rock Heaven:

Martin Suplee’s head was pounding once again. He hoped he might have had a reprieve this time around. After all, Rory Gallagher and Jeff Beck were more blues guitarists, likewise with Dusty Hill on bass. Even with Razzle on drums, he thought it might not have been the metal he was constantly being bombared with. However, he couldn’t have been more wrong. They turned up the amp and bombarded him with power chords and blistering guitar solos. His head was throbbing by the time the session finished.

The throbbing began to ease as he was escorted back to his cell. In one way, he was lucky. Most of the time, he was subjected to sessions involving Lemmy, Jeff Hannemann and Cliff Burton. Those sessions left him with the feeling his head was going to explode in scanners fashion. “I guess I should be grateful,” he thought to himself as he entered his cell.

He needed no force to go into the cell, it gave him respite from the constant jamming of decesased musicians from the genre he tried to erase from history. Had it not been for this time alone, he would have gone mad ages ago. Several of his hench-persons who had travelled back in time with him urged him to admit that he was wrong in trying to erase metal from history. He stubbornly refused. If anything, constantly being bombarded with heavy metal from dead metal musicians only strenghtened his belief that his cause was right.

Suplee was still thinking this over, at least when he could because even in his cell, he was still able to hear those musicans playing. At that moment, it was Warrell Dane, Eddie Van Halen, Lorne Black and A.J. Pero who were assaulting his eardrums. Suddenly, he was distracted by shuffling at his cell door. Suplee turned and saw a singer, who didn’t sing heavy metal and he admired somewhat, standing at his cell’s entrance.

Before he could say anything, the singer put his finger to his lips and whispered, “I’ve come to get you out.” With that, the singer beckoned and Martin Suplee followed. Stealthily, the pair tiptoed through Rock Heaven and somehow, nobody noticed them. They carried on until they came to a huge door.

“This is the way out,” the singer directed.

“Where will I go?” asked a rather perplexed Mr. Suplee.

“Why, to Hell of course,” the singer responded, trying to keep down the volume of his voice. “Why, if anyone leaves Rock Heaven, the only place they can go is Hell. My boss is expecting you. He will assist you in ridding the world of heavy metal.”

Suplee opened his mouth to ask for more details but the singer had mysteriously vanished from sight, leaving him on his own. Not knowing what else to do, he thought to himself, “It’s worth a try” and pushed the door open and stepped through. As he entered a strange void, all he could think was “Maybe there was still a chance that he could wipe heavy metal from ever existing.”

Back in Hell

Satan waited along with those he assembled as the figure materialised before them. “When it did, he addressed the confused new arrival, “Welcome to Hell, Mr. Suplee.”

Bewildered, Mr. Suplee looked around the room. Why he actually was in Hell! He recognized Satan as he was responsible for him being in Rock Heaven. If that wasn’t enough, he recognized some of those with him, chiefly Al Capone and Charles Manson. Plus the were two other men and a woman, who he assumed was Lizzy Borden, due to her clothing. One man was in medieval dress, the other in a Roman toga. However, the remaining man bothered him. He was dressed in heavy metal attire. Therefore, he sensed a trap.

“Who’s he?” Suplee asked pointing to the metal clad Dave Holland.

“Why, he’s part of my plan to take over Rock Heaven!” Satan laughed louldy sending vibrations around the room. “All those metal musicians should be suffering here in Hell. Don’t you agree?”

Mr. Suplee nodded, “What do you want me to do?”

Satan explained, “What you didn’t know when you went back in time to destroy heavy metal from existence is that when those in Rock Heaven created heavy metal, one of the blueprints they used was Nazereth’s “Hair of the Dog” album. What you need to do is go to this Metalman’s house and steal his copy. You can get your revenge on him as well for his assistance in Tee-Bone Man and Superdekes defeating you. When you steal that album, Metalman will call for the super-heroes and they will come to stop you and you can defeat them.

“How can I defeat them? Last time, I had a special device but they neutralized it. Now I’m just an ordinary human.”

“That’s where I come in!” Satan boomed. “I can give you powers that will help you defeat them.

“Then give me those powers,” Suplee demanded. “And I shall defeat those meddlesome super-heroes and wipe heavy metal from history!” His laughed resembled those from cartoon villians.

“Very well,” Satan chortled. He pointed his trident at Mr. Suplee and the transformation began taking place. Suplee let out a long blood-curtling scream as large black wings began growing from the middle of his back. However, he took the pain as a new aura overcame him. When the wings had fully grown out, his clothing mysteriously changed to black robes. A few seconds later, the transformation was complete and Suplee felt different.

“Arise,” Satan commanded.

Mr. Suplee stood tall. He spread out his new wings fully, nearly knocking into Al Capone.

“Your transformation is now complete,” Satan informed. “You can know go and destroy Tee-Bone Man and Superdekes.

“Yes, I will have my vengeance on those two,” Suplee snarled before he mysteriously vanished.

Once Suplee had gone, Caligula asked, “Do you think he’ll succeed?”

Satan mischievously replied, “He doesn’t need to. All we need is for him to keep the super-heroes busy long enough so we can make our move on Rock Heaven.”

I hope you enjoyed. Once again, I’ve been covering a lot of colleague sickness at work so I haven’t been able to post as usual. Hopefully, that will change soon.

Extreme: Mutha (Don’t Want to Go to School Today)- The Full Song

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on February 25, 2024 by 80smetalman

I just realized that when I posted about Extreme’s debut album, the version of the hidden gem, “Mutha (Don’t Want to Go to School Today),” I put on the post was the shortened version of the song. As a result, you didn’t get to listen to Nuno’s minute and a half Eddie Van Halen riffs. Everyone should listen this version as it’s much better.

Another thing I forgot to mention that today is Mrs 80smetalman’s birthday so I hope you will join me in wishing her a happy one.

Great Metal Albums of 1989: Extreme

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on February 25, 2024 by 80smetalman

For those of us in the UK and probably some in the US, Extreme didn’t come to light until their biggest known hit, “More Than Words,” which comes on the following album. As a result, a lot of people missed out on their debut album and this is a big regret for me as I like the album.

Some critics described Extreme on this album as a band who was trying to shed their influences. Maybe so, but I tend to think that they might be wearing their influences as a badge of honour. Sure the tracks, “Wind Me Up” and the single “Kid Ego,” sound like 80s KISS but there’s nothing wrong with this. Especially as they are in no way KISS clones, they prove they are their own band, it’s just the KISS influence comes through on these tracks.

Backing up the argument that they are their own band Is the opening track, “Little Girls.” This is done with serious funk and it’s the type of opener which grabs you by the balls and says, “You’re going to listen to this album.” The other influence comes via Van Halen where guitarist, Nuno Bettencourt, does his best Eddie Van Halen licks. The beginning on the hidden gem, “Mutha (Don’t Want To Go To School Today),” sounds like Nuno’s trying to play his own version of “Eruption,” at least to a degree. His guitar work goes on for the first minute and a half of the song before the rest of the band join. Another reason why it’s the hidden gem is because it’s about something we all felt as kids. How often did any of us not want to school? Then again, it’s a cool straight up metal tune and Nuno lays down another great guitar solo near the end.

One of his other attempts at being Eddie comes on “Smoke Signals” and the power ballad, “Rock a Bye Bye.” He just shreds away at the end of the song and it’s what makes the song for me. Jeez, another underrated guitarist to add to that ever-growing list of mine. On every issue except for Australia and New Zealand, “Rock a Bye Bye” is the closer and it makes a good one for the album. On the versions down under, you get “Play With Me” which would also feature on the “Bill and Ted” soundtrack and as closers go, it’s an okay one to end the album.

Track Listing:

  1. Little Girls
  2. Wind Me Up
  3. Kid Ego
  4. Watching, Waiting
  5. Mutha (Don’t Want to Go to School Today)
  6. Teacher’s Pet
  7. Big Boy’s Don’t Cry
  8. Smoke Signals
  9. Flesh ‘n’ Blood
  10. Rock a Bye Bye
  11. Play With Me
Extreme

Gary Cherone- lead and backing vocals

Nuno Bettencourt- guitar, synthesizer, piano, backing vocals, percussion

Pat Badger- bass, backing vocals

Paul Geary- drums, percussion, backing vocals

Additional musicians:

The Lollipop Kids- backing vocals

Rapheal May- harmonica

What no Steve Lukather or Claude Schnell?

I have come to the same conclusion on Extreme’s debut album I have on the debuts of some of the other bands I’ve posted about, it’s a promising start. Yes, with the benefit of history, Extreme will make an amazing second album and I guaranf*ckintee it that I will write about that one in 1990. In the meantime, let’s all enjoy this cool debut.

Next post: Candlemass- Tales of Creation

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition to give Bruce Dickinson a knighthood, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson

Great Metal Albums of 1988: Bullet Boys

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on April 2, 2023 by 80smetalman

Yet another album which I missed back in the day but was made aware of it by one of you out there. As far as I know, Bullet Boys might have been a sensation in the US but they never made an impact in the UK. That’s my excuse for missing them back in the day and I’m sticking with it. Still, they say it’s better late than never and after listening to this debut album, I’m glad that I finally got to experience them.

Bullet Boys come out firing on all cylinders with “Hard As a Rock.” It’s a throat grabbing opener and lets you know that these guys are out to rock you. This is immediately followed by the single, “Smooth Up In Ya.” My initial thought was that this tune was too high energised to be a single given the music environment at the time. This song just rocks, pure and simple. With that title, I’m surprised that this song wasn’t on some sort of PMRC hit list. So, two songs in and I’m enjoying the album very much.

A “Working for the Weekend” percussion intro brings in “Owed to Joe.” This track is a little slower and more 80s metal sounding, not that that’s ever a bad thing. Returning to the musical climate of the time, one would have thought this one might have been the single because of said vibe. Nevertheless, the song still kicks ass, the guitar solo especially. Afterwards, we move on to the very Van Halen sounding “Shoot the Preacher Down,” which gets my vote for hidden gem. I can definitely imagine Van Halen playing this. The singer does his best DLR and the guitars are Eddie inspired. Then the rhythm section is definitely Michael and Alex cloned. Maybe because the song sounds like one of my favourite VH songs, “Hot For Teacher,” is the reason I like it so much.

However the band doesn’t rest on their laurels. Midway through the album, we get a metalized cover of the O’Jays classic, “For the Love of Money.” I don’t know how the O’Jays might have felt about the cover but I sure like it. The guitar work of Mick Sweda and bass of Lonnie Vincent reigns supreme here. As we head to the second half of the album, we get my least favourite track, “Kissin’ Kitty.” It’s in no way a bad song, it just doesn’t reach the heights the other songs on the album do. It has this ‘all been done before’ vibe to it even though the Bullet Boys play it very well.

If the mentioned hidden gem wasn’t on the album, then the track “Hell On My Heels” would have been bestowed the honour. While a slower neo-blues song where the rhythm section shines, the song still is able to knock your socks off. It has a cool guitar solo but I think what kept it from being the gem is down to my belief that singer Marc Torien tries too hard to be Joe Cool metal singer. Quarterback signals begin the fastest track, “Crank Me Up,” which they do. This song is what Van Halen might sound like if they went speed metal. Furthermore, I’m really beginning to like Mick as a guitarist.

Some very interesting guitar riffs, bass notes and drum fills bring in penultimate track, “Badlands.” It’s short and to the point but catchy nonetheless. Closer “F#9” begins as if it’s not going to be a closer. However, that changes as the song progresses. The tempo changes to more of a wind down vibe as the song and the album is heading for its natural conclusion. Still, we get one last cool guitar solo from Mick. Overall, I’m impressed.

Track Listing:

  1. Hard As a Rock
  2. Smooth Up In Ya
  3. Owed to Joe
  4. Shoot the Preacher Down
  5. For the Love of Money
  6. Kissin’ Kitty
  7. Hell on My Heels
  8. Crank Me Up
  9. Badlands
  10. F#9

Marc Torien- lead vocals

Mick Sweda- lead guitar, backing vocals

Lonnie Vincent- bass, backing vocals

Jimmy D’Anda- drums

Yes, I regret missing the Bullet Boys self titled debut album back in 1988. I got to hear it now and while, in spite of Tee-Bone Man and Superdekes’ adventures, I can’t go back in time. Still, I think it’s a great album.

Next post: Winger

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

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Great Metal Albums of 1988: David Lee Roth- Skyscraper

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on November 17, 2022 by 80smetalman

My first thought when I heard David Lee Roth’s album, “Skyscraper,” was whether or not it was simply going to be a rehash of his successful debut solo album, “Eat ‘Em and Smile.” I do hear similarities between the opening track, “Knucklebones” and the previous album’s opener, “Yankee Rose,” although that was Dave’s first big single. Also there is the fact that there is no pre-song banter which Dave is famous for. So, I won’t say that “Skyscraper” is a carbon copy of the previous album, Dave does pretty much stick to the formula.

Dave’s big hit for this album comes with the second track, “Just Like Paradise.” This was a huge hit for him and even charted in the UK, so Dave did something right with this song. It’ is very catchy and the backing vocals are a throwback to the Van Halen days and another point, guitarist Steve Vai is let off the lead more and allowed to play a few more solos. I really like his guitar work on “The Bottom Line.” While the lead guitar on the intro gives me the impression that the song would be a good closer, it goes into that swagger style which suits Dave to a tee. However, it’s Steve’s guitar work and Billy Sheehan’s bass line which does it for me.

Further reassurance that this album is not a carbon copy of the previous is that Dave sings a ballad. I always knew that Dave was capable of one but he does do a damn good job on “Damn Good.” Yeah, pun intended, so what? I can imagine many a young lady and a few men as well went all doughy eyed when they heard this one. It’s a total acoustic ballad and again, Steve gets an assist for his acoustic guitar playing. However between the two songs come what might be a misstep on the album. The title cut is just a little too synth pop for me. Dave sings well and there is some great guitar work from Steve and a cool bass line from Billy but the song doesn’t do it for me.

“Hot Dog and a Shake” is a fun rock tune which keeps things ticking along nicely. It’s the heaviest song on the album and it’s good that Dave shows he still has a sense of humour. Definitely, the hidden gem on the album with Steven’s best guitar solo. The remaining tracks all are similar to the funky, rock sound from the first album, but not carbon copies. Though I won’t call it a misstep, “Hina” is one song that just doesn’t totally click for me. However, the other three songs are good so that it doesn’t matter. Billy’s bass is king on “Stand Up.” “Two Fools a Minute” is an excellent closer, it reminds me of the closer on “Van Halen II,” “Beautiful Girls.” Not quite the same, “Beautiful Girls” is more heavy rock while “Two Fools a Minute” is more funky jazz but it has that same cool album closing vibe.

Track Listing:

  1. Knucklebones
  2. Just Like Paradise
  3. The Bottom Line
  4. Skyscraper
  5. Damn Good
  6. Hot Dog and a Shake
  7. Stand Up
  8. Hina
  9. Perfect Timing
  10. Two Fools a Minute
David Lee Roth

Dave’s band

David Lee Roth- vocals

Steve Vai- guitar, horn

Billy Sheehan- bass, backing vocals

Greg Bissonette- drums, percussion, backing vocals

Brett Tuggle- keyboards, backing vocals

Additional Backing Vocals:

Gary Falcone- tracks 1 and 9

Joe Pizzulo- track 1

Tommy Funderburk, Tom Kelly- track 2

John Batdorf- track 5

Magic Moreno- track 10

In 1988, Dave was riding high on a wave of two killer albums. While there is evidence of interfering producers trying to make him sound more of the time, Dave still did what Dave did best with “Skyscraper.” Having a great band behind him helped a lot as well.

Next post: Saxon- Destiny

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition giving Bruce Dickinson a well deserved knighthood, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson?redirect=false

Great Rock/Metal Albums of 1988: Van Halen- OU812

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on October 4, 2022 by 80smetalman

When I heard Van Halen’s eighth studio album, “OU812,” the second album with Sammy Hagar on the vocals, I was greatly relieved that they were heading away from the keyboard influenced “5150.” Okay, I’ll be the first one to admit that it’s nowhere near as heavy as their first four albums but at least it was a step back in the right direction. My speculations as to why is that possibly Eddie realized he was much more proficient with the guitar and possibly he wasn’t so whipped by Valerie. Anyway, I enjoyed the album.

With that said, the first two tracks on the album had me wondering otherwise. Both are keyboards infused but the big difference is that on the second track, “When It’s Love,” Eddie does rip a guitar solo, something he didn’t do enough of on the previous album. Guitar solo aside, the rest of that song has a really catchy melody and Sammy’s vocals bring extra meat to the table. I can see why it was a top selling single, number 5 in the US and 28 in the UK. Another song which follows this format is “Feels So Good.” It has a 1980s synth pop intro but when it gets going it’s pretty good and a great guitar solo, ala Eddie, definitely helps.

Unlike “5150’s” half and half split between hard rocking and synth songs, “OU812” goes seven to three in favour of the hard rock. That starts right away with a blinder of a rock song, “A.F.U. (Naturally Wired.)” When I heard this one, I simply shouted out, “That’s more like it!” Then you get the slower but powerful, “Cabo Wabo.” The chords just pound away and the backing vocals, rhythm section and guitar licks are just superb. That’s when we come to the hidden gem of the album, “Source of Infection.” The reason why I like this track so much is that it reminds me quite a lot of my all time second favourite Van Halen song, “Hot For Teacher.” It has that vibe on it and even Eddie’s guitar solo is quite similar, so for me, what’s there not to like?

Maybe “Feels So Good” was placed where it was on the album as some sort of break in the action. It does allow the listener to catch their breath before being blown away by the remainder of the album. Leading off the bombardment is “Finish What You Started.” This song is different in a good way. The guitars have more of a Southern vibe to it. The next two tracks, however, are totally blow your eardrums type metal tunes. Now, the vinyl and cassette versions of “OU812” end with “Sucker in a Three Piece Suit,” and while that’s a great track, (I like how it takes a dig at the 80s yuppie culture), I think it was a mistake. Because on the CD and streaming version, it ends with the very bluesy “Apolitical Blues” and for me, that is the best song to close out this album! It just kicks ass, I love the backing piano and it does what any good album closing song should do, make you want to come back to the album again and again.

Track Listing:

  1. Mine All Mine
  2. When It’s Love
  3. A.F.U. (Naturally Wired)
  4. Cabo Wabo
  5. Source of Infection
  6. Feels So Good
  7. Finish What You Started
  8. Black and Blue
  9. Sucker in a Three Piece Suit
  10. Apolitical Blues
Van Halen

Sammy Hagar- lead vocals, rhythm guitar

Eddie Van Halen- lead guitar, keyboards, backing vocals

Michael Anthony- bass, backing vocals

Alex Van Halen- drums, percussion

Like I said, “OU812” was a step in the right direction for Van Halen. The album offers less synth pop and definitely some more of the hard rock which made them famous in the first place. And for those who want to rubbish Sammy, I think his vocals are spot on here!

Next post: Next post: Aerosmith- Gems

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition for a knighthood for Bruce Dickinson, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson?redirect=false

Great Rock Albums of 1985: David Lee Roth- Crazy From the Heat

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , on June 29, 2018 by 80smetalman

Here’s a thought, I wonder if David Lee Roth had some sort of deal with MTV back in 1984 and 85. The first video shown on the channel in 1984 was  the debut video for Van Halen’s “Jump.” One year later, the first video shown in the new year for 1985 was from the video from David’s solo album, “Crazy From the Heat,” the Beach Boys’ classic, “California Girls.” This seems too much of a coincidence for me and I wonder if David did have some sort of deal with MTV.

The first noticeable thing about “California Girls” is that it sounds nothing like the Beach Boys nor Van Halen. David puts his own spin on the song and I think he does a very good job on it. That is if you cast aside the predictable girls in bikinis video for the song. He sings very well on not just this but all songs even if sometimes one can’t take him seriously. On the other three songs on this four song EP, he departs even further from what he did with Van Halen and heavy metal in general.

With two of the remaining three songs, David tries to be a 1940s era type big band singer. Always being more the showman as opposed to the singer, his personality does burst through more than his vocal ability but he does sing very well on it. Full credit, he’s a more versatile singer than what he was often given credit for back then or even today. As for the final song, “Coconut Grove” I have always had trouble getting into that one but the reason is not down to David. Three of the four songs are good for me and it doesn’t matter that the entire EP is less than fourteen minutes.

Track Listing:

  1. Easy Street
  2. Medley: Just a Gigolo/I Ain’t Got Nobody
  3. California Girls
  4. Coconut Grove

David Lee Roth

David Lee Roth- vocals

Dean Parks- guitar on “Coconut Grove”

Eddie Martinez, Sid McGinnis- guitars

Willie Weeks- bass

John Robinson- drums

Sammy Figueroa- percussion

James Newton Howard- keyboards on “Coconut Grove”

Edgar Winter- keyboards, saxophone, backing vocals on tracks 1&2

Brian Mann- keyboards

Carl Wilson, Christopher Cross- backing vocals on “California Girls”

David Lee Roth’s debut solo album sparked a lot of rumours in regards to his relationship with Van Halen. It has been said that the success of “Crazy From the Heat” inspired him to go solo. Maybe it did. All I know that this is a cool little album.

Next post: The Firm

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Great Metal Albums of 1984: Sammy Hagar- VOA

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on March 7, 2018 by 80smetalman

Sammy Hagar was most definitely a busy boy in 1984. In the early part of the year, he made the one album with HSAS along with Neil Schon from Journey. When I reviewed that album, I wrote a follow up post of what music life would have been like if HSAS had stayed together and released more albums. On the plus side, there would have been a couple more great albums from that quartet and we would have have been spared from Van Hagar, whether that’s a good or bad thing is up to the individual conscience to determine. Furthermore, Neil Schon’s career would have been still going strong because Journey was fading from view by then. On the minus side, had that band remained in tact, we might have not been able to feast upon Sammy’s solo album from later on in 1984, “VOA.”

As a result of the big single from the album, Sammy would be described as the “red haired rocker who couldn’t drive fifty-five.” “I Can’t Drive 55” received constant airplay on radio and MTV, not that I ever complained about that. It is my favourite Sammy song of all time, a great tune about driving really fast. Funny thing was that I have no recollection of anyone calling for the song to be banned because it encouraged people to break speed limits. All I know is that I love that song.

Seven other songs also adorn the “VOA” album and all of them are really good. “Rock is In My Blood” is a good power song where Sammy declares that rock is in his blood and his soul. It also demonstrates that Sammy can play a guitar a little bit as well. Two songs come closest to being a power ballad here. One of them is “Two Sides of Love.” It’s not slow enough in my opinion to be a ballad but it is a song about a failing relationship. The guitars are good and the keyboards punctuate the song very effectively. Sammy’s solo is pretty good too.

Now let’s talk about the hidden gem on the album and man, do I love this song. I’m talking about “Dick in the Dirt.” The song is about a man named Richard to is a bit of a ladies’ man. The innuendo behind the lyrics is comical and remains so throughout the song. I always laugh my ass off whenever I listen to the song, even after more than thirty years! Apart from that, it is a good power song and comes with another cool guitar solo. So, I guess you could say that the song hits you from both sides.

For me, the least strongest song, (I call it such as none of the songs are weak), is the title track. Maybe it because it was used so much for patriotic purposes in the days of 80s Reagan America. Actually, it’s because the keyboards take over too much of the song. It’s good but not as much as the other seven songs. Fortunately, the last two songs are much stronger and end the album on a high. “Don’t Make Me Wait” is another song that comes near to being a power ballad but not near enough. It starts as if it’s going to be one but it just rocks. There is some great  guitar work from Sammy and the closer, “Burning Down the City,” all I can say is “Wow! What a great song to end the album with.”

Track Listing:

  1. I Can’t Drive 55
  2. Swept Away
  3. Rock is in My Blood
  4. Two Sides of Love
  5. Dick in the Dirt
  6. VOA
  7. Don’t Make Me Wait
  8. Burning Down the City

Sammy Hagar

Sammy Hagar- lead vocals, lead guitar

Gary Pihl- rhythm guitar, backing vocals

Jesse Harms- keyboards, backing vocals

Bill Church- bass, backing vocals

David Lauser- drums, backing vocals

Whatever your thoughts might be on the path Sammy Hagar took in 1984 and after, you can’t fault that “VOA” is a great solo album. Things have moved on in the past three decades and in most American states, the speed limit is above 55. Maybe the big single influenced government to raise the speed limits.

Next post: Waysted

To get Rock and Roll Children, go to: https://book-fm.cf/print/free-download-rock-and-roll-children-by-michael-d-lefevre-pdf.html

 

 

 

 

 

 

 

 

Great Metal Albums of 1984: Anthrax- Fistful of Metal

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on February 24, 2018 by 80smetalman

Normally, when I hear a band’s second album before their first one, I appreciate what a great album the debut was, even if I prefer the second one. That was the case with Twisted Sister, Van Halen and Molly Hatchet for sure. However, there’s always an exception and that comes in the form of Anthrax. My first experience with this band was the second album, “Spreading the Disease,” and you will hear me sing its praises to the heavens. Now, I in no way, shape or form, dislike Anthrax’s debut album, “Fistful of Metal,” it has some great songs which I will elaborate on in a minute. What I do think is that “Spreading the Disease” was a major improvement from this one.

The big improvement comes in the form of the lead singer. While I have nothing against the vocal ability of Neil Turbin, he does some great things on “Fistful of Metal,” it’s just I think Joey Belladonna is a far superior singer. That’s just my opinion. Therefore, I will cease the negative and go for the positive because I have always thought this was a brilliant, in your face, thrash album. In fact, I’ll change my personal history and pretend that I first heard “Fistful of Metal” when it first came out in 1984.

Power chords of Scott Ian and Dan Spitz, combined the shrieks of Neil begin the album in a totally mad metal mayhem. Even though I hadn’t yet heard the term ‘thrash,’ I would have thought that the opening song “Deathrider” comes out and grabs your attention. With the exception of Motorhead, I would have thought it was the most aggressive sound I ever heard back then. Following on immediately after is my favourite song on the album, “Metal Thrashing Mad.” It’s just as thrashy as its predecessor but there is a slight melody to the chorus and I do mean slight. Of all the tracks on the album, this one highlights Neil Turbin’s voice the best.

What I have always liked about the cover of the Alice Cooper classic, “I’m Eighteen,” is the fact that they don’t thrash it up and they pretty much stick to Alice’s formula. Hell, if it ain’t broke, don’t fix it. The next three tracks go back to more mad thrash. It is on the tracks, “Panic” and especially “Subjugator” that I fully hear the brilliant guitar work from Dan Spitz. Also on “Subjugator,” rhythm guitarist Scott Ian has a cool guitar bit on it. It’s certainly the best song of the three and I’ve always questioned why “Soldiers of Metal” was released as a single as there are better tracks to choose from. It still gives you a good mosh. Oops, that word didn’t come out til 1985.

Scott Ian- Anthrax

“Death From Above” is my second favourite song on here. I can’t explain the semantics as to why but I really love this song. Maybe it’s how the song starts with a cool guitar solo from Dan but it just does it for me. The album concludes with “Anthrax,” followed by a very cool instrumental, “Across the River” and probably the best song for the closer, “Howling Furies.” Now there’s a song that lets you know you’ve just had year ears bashed by a cool album.

Track Listing:

  1. Deathrider
  2. Metal Thrashing Mad
  3. I’m Eighteen
  4. Panic
  5. Subjugator
  6. Soldiers of Metal
  7. Death From Above
  8. Anthrax
  9. Across the River
  10. Howling Furies

Anthrax

Neil Turbin- vocals

Scott Ian- rhythm guitar

Dan Spitz- lead guitar

Dan Lilker- bass

Charlie Benante- drums

Looking back at history, I now realize how important “Fistful of Metal” was in establishing Anthrax in the metal world and laying down a foundation for them to go onto to better things. The band is certainly hungry on this album, no doubt. The weird thing is that shortly after the album’s released, Dan Lilker would be forced out of the band by the same two band members whom he’d join up with a year later to make my all time favourite album. Still, that’s something to worry about in the future but if you want a thrashing good mosh, then “Fistful of Metal” is one to have.

Next post: Lee Aaron- Metal Queen

To get Rock and Roll Children, go to: https://book-fm.cf/print/free-download-rock-and-roll-children-by-michael-d-lefevre-pdf.html