Not a bad haul. I must have been a good boy this year.
I hope everyone had a good Christmas! As you can see, Santa was good to me this year. Not only did I get the new AC/DC album, I got a few albums I wasn’t expecting. The Metallica, Ozzy and Thin Lizzy, which for some reason isn’t in the photo, were upgrades as I had all of these on either cassette or vinyl. FTR, the Thin Lizzy was “Live and Dangerous.” Anyway, I hope all of you had good hauls as well.
Repeating what many other people have said, 2020 was a bust. Fortunately, I had my music and a lot of music which many of you have shared on your blogs. We all seemed to pull together and help each other get through, which was good to see and although there is still more shit ahead, the end might be insight. This past year was the first year since 2014 where I didn’t go to any live gigs. The lockdown meant that Hells Bells couldn’t come to town and my plan to go to Bloodstock for the Sunday was also put on hiatus. However, the good news about Bloodstock is that most of the line up planned for 2020 will be there for 2021. That means Judas Priest will still headline on the Sunday with Saxon on right before them! Additionally, and this has me considering coming out of retirement and going to Bloodstock for the full three days, Mercyful Fate is now headlining on the Saturday. Devin Townsend headlining the Friday makes it even more tempting.
Since, I will be working over the New Year’s period, I would like now to wish all of you an Happy New Year and may your 2021 be a joyous one.
Next post: Vyper- Afraid of the Dark
To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com
Touring with Motorhead on their “Orgasmatron” tour in 1986, in the UK, was a little known band from Canada called “Sword.” Unfortunately, I didn’t see this great gig, but I wish I had. No use crying over spilt milk, I suppose. However, Sword’s support of Motorhead did get them some notice, enough that their single from their debut “Metalized” album got played at metal clubs in London. That song was “Stoned Again.”
I can see why it was released as a single. The catchy chorus with lyrics which probably caught the attention of the PMRC in the US definitely got my attention. In the late Autumn of 86, I found myself singing to myself, “God damn stoned again,” quite a lot. But it just wasn’t the amusing chorus, the guitar riff is one that has you banging your head away to it and there is a cool bass line at the intro and of course a cool guitar solo.
Insert tired cliche: one song doesn’t make an album and I can say that the rest of “Metalized” pulls its weight in support of the single. It starts with the opener, “F.T.W.” These days, some might say that the opening riffs to it are typical but back then, I loved those riffs. In fact, I still do!
Whoever wrote about this album on Wikipedia stated that the album explores the many subgenres of metal. Of course, back in 86, those subgenres were starting to emerge, so I didn’t really notice it. I still don’t really notice them now. True, the track, “Outta Control,” is a very fast speed metal song but I don’t think it’s enough to say that Sword were experimenting with thrash metal on it. While it makes me want to bang my head faster while I’m listening to it, it doesn’t have me searching for a mosh pit either. Besides, the following track, “The End of the Night,” is almost as fast. It does have some heavier chords and a great bass line.
What is good but a little frustrating about “Metalized” is the fact that the nine tracks apart from “Stoned Again,” are so good, that I find it nigh impossible to find the hidden gem. Many of the songs have something that makes them stand out, like the strong bass line or in the case of “Runaway,” a ear catching lead guitar intro and cool guitar solo in the middle. Listening to that track, that is nearly thrash as well, which makes me wonder why the writer on Wikipedia singled out “Outta Control” as the thrash song.
Apart from the small differences between the songs, they all have several things which in common which unite them. All songs have great power chords, cool guitar solos and great vocals. However, what stands out for me here is the bass playing Mike Larock. It really impresses me and while I wonder why Sword weren’t a more household name in the metal world outside The Great White North, I also wonder why Mike isn’t mentioned more among great bassists like Sheehan, Anthony, Burton, Lemmy and so on. (Feel free to add to this list.)
Track Listing:
F.T.W.
Children of Heaven
Stoned Again
Dare to Spit
Outta Control
The End of the Night
Runaway
Where to Hide
Stuck in Rock
Evil Spell
Sword
Rick Hughes- vocals, keyboards
Mike Plant- guitar, keyboards
Mike Larock- bass
Dan Hughes- drums
Listening to the debut album from Sword reinforces my belief that Canadian bands don’t get the respect they deserve. “Metalized” is a great album and I think that Sword should have been a household name beyond just 1986.
Next post: Saxon- Rock the Nations
To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com
For some reason, when Motorhead albums get mentioned, I never hear anyone mention their 1986 album, “Orgasmatron.” Do people think this album is bad? Having seen them play at Donington to officially release the album, I naturally had to listen to it and though there are some differences to what I had known about Motorhead, the album is okay.
The change is noticeable from the opening song, “Deaf Forever.” One would think that with such a title, it would come in at 800 mph but it’s more like 250, giving the impression that Motorhead were slowing down to a more mainstream metal pace. Saying that, the opener is a decent song, you could say it’s rather melodic for Motorhead.
There is an attempt in the next two tracks to get things back into more familiar territory. You can hear that the band want to just thrash out but unfortunately, the production lets it down. Again, both “Nothing Up My Sleeve” and “Ain’t My Crime” are very palletable but I can get why Lemmy was not impressed with the production on this album, listening to these two tracks alone. He states that producer Bill Laswell took the album to New York and brought it back worse than before it left England.
Not all is gloom with “Orgasmatron.” “The Claw” is the best track on the album because it does mark a return to what we all love about Motorhead. “Mean Machine” carries it on and has the best guitar solo on the album as well as some great power chords. When you hear these two tracks, you definitely say, “That’s more like it!”
Ditto for “Built for Speed” which begins with a cool drum intro. It’s not as speedy as the two previous tracks but the power is there for sure. Lemmy’s vocals are probably the best on this song and there are a couple of great guitar solos. In fact, I might change my mind and say that this is the best track on the album.
Motorhead as we know it returns for definite on “Ridin’ With the Driver.” This is the fastest song on the album. If played live, it would cause mosh pits to open up. It’s just one of those feel good songs. Although slower, “Doctor Rock” does not lack intensity. Some great power chords and guitar hooks cement for me that “Orgamsatron” is definitely a good album.
The title track closes the album and it is what it is, a good closer. Putting it anywhere else on the album would just make it out of place. What I can say about the closer is that it’s what Suicidal Tendencies would sound like if Lemmy was the lead singer. There are some amusing lyrics in between the guitar hooks, like: “I am the God of war and I will cut you down.” It’s a good way to end the album.
Track Listing:
Deaf Forever
Nothing Up My Sleeve
Ain’t My Crime
The Claw
Mean Machine
Built for Speed
Ridin’ With the Driver
Doctor Rock
Orgasmatron
Motorhead
Lemmy- bass, vocals
Michael ‘Wurzel’ Burston- lead guitar
Phil Campbell- rhythm guitar
Pete Gill- drums
“Orgasmatron” was Motorhead’s first studio album in nearly three years. It did reach number 21 in the UK album charts and broke the top one hundred in other countries but that doesn’t really matter to me, I just like it.
Next post: Sword- Metalized
To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com
Normally, when I hear a band’s second album before their first one, I appreciate what a great album the debut was, even if I prefer the second one. That was the case with Twisted Sister, Van Halen and Molly Hatchet for sure. However, there’s always an exception and that comes in the form of Anthrax. My first experience with this band was the second album, “Spreading the Disease,” and you will hear me sing its praises to the heavens. Now, I in no way, shape or form, dislike Anthrax’s debut album, “Fistful of Metal,” it has some great songs which I will elaborate on in a minute. What I do think is that “Spreading the Disease” was a major improvement from this one.
The big improvement comes in the form of the lead singer. While I have nothing against the vocal ability of Neil Turbin, he does some great things on “Fistful of Metal,” it’s just I think Joey Belladonna is a far superior singer. That’s just my opinion. Therefore, I will cease the negative and go for the positive because I have always thought this was a brilliant, in your face, thrash album. In fact, I’ll change my personal history and pretend that I first heard “Fistful of Metal” when it first came out in 1984.
Power chords of Scott Ian and Dan Spitz, combined the shrieks of Neil begin the album in a totally mad metal mayhem. Even though I hadn’t yet heard the term ‘thrash,’ I would have thought that the opening song “Deathrider” comes out and grabs your attention. With the exception of Motorhead, I would have thought it was the most aggressive sound I ever heard back then. Following on immediately after is my favourite song on the album, “Metal Thrashing Mad.” It’s just as thrashy as its predecessor but there is a slight melody to the chorus and I do mean slight. Of all the tracks on the album, this one highlights Neil Turbin’s voice the best.
What I have always liked about the cover of the Alice Cooper classic, “I’m Eighteen,” is the fact that they don’t thrash it up and they pretty much stick to Alice’s formula. Hell, if it ain’t broke, don’t fix it. The next three tracks go back to more mad thrash. It is on the tracks, “Panic” and especially “Subjugator” that I fully hear the brilliant guitar work from Dan Spitz. Also on “Subjugator,” rhythm guitarist Scott Ian has a cool guitar bit on it. It’s certainly the best song of the three and I’ve always questioned why “Soldiers of Metal” was released as a single as there are better tracks to choose from. It still gives you a good mosh. Oops, that word didn’t come out til 1985.
Scott Ian- Anthrax
“Death From Above” is my second favourite song on here. I can’t explain the semantics as to why but I really love this song. Maybe it’s how the song starts with a cool guitar solo from Dan but it just does it for me. The album concludes with “Anthrax,” followed by a very cool instrumental, “Across the River” and probably the best song for the closer, “Howling Furies.” Now there’s a song that lets you know you’ve just had year ears bashed by a cool album.
Track Listing:
Deathrider
Metal Thrashing Mad
I’m Eighteen
Panic
Subjugator
Soldiers of Metal
Death From Above
Anthrax
Across the River
Howling Furies
Anthrax
Neil Turbin- vocals
Scott Ian- rhythm guitar
Dan Spitz- lead guitar
Dan Lilker- bass
Charlie Benante- drums
Looking back at history, I now realize how important “Fistful of Metal” was in establishing Anthrax in the metal world and laying down a foundation for them to go onto to better things. The band is certainly hungry on this album, no doubt. The weird thing is that shortly after the album’s released, Dan Lilker would be forced out of the band by the same two band members whom he’d join up with a year later to make my all time favourite album. Still, that’s something to worry about in the future but if you want a thrashing good mosh, then “Fistful of Metal” is one to have.
Next post: Lee Aaron- Metal Queen
To get Rock and Roll Children, go to: https://book-fm.cf/print/free-download-rock-and-roll-children-by-michael-d-lefevre-pdf.html
Originally, the 1984 compilation album, “No Remorse” from Motorhead was on the list to be visited a little further down the line. However, with the recent passing of Fast Eddie Clarke, it would only be right and a proper tribute to not only Eddie but all three of the original members of Motorhead who are blowing the eardrums of the angels in that better place, to visit it now.
With all of the heavy metal floating around in 1984, I was certainly motivated into listening to as many heavy metal bands as humanly possible. Motorhead was one of them. I had heard a lot about them by then and wanted to listen for myself. Cue, the compilation album, “No Remorse,” which came out in that year. What an album for anyone unfamiliar with to cut their teeth on! If someone who knew absolutely nothing about Motorhead asked which album they should experience first, I would definitely recommend this one.
“No Remorse” is much much more than some greatest hits album. Sure all the great Motorhead songs up til then are on the album. Hell, it wouldn’t have been right if “Ace of Spades” wasn’t the opener on it. In fact, it would be sacrilege! Then, there all the other great ditties like “Iron Fist,” “Motorhead,” “Jailbait,” “Bomber” and “Overkill.” Most would be content with thrilling the fans with all of those great songs and a few more. No, not Motorhead, with “No Remorse,” there’s twenty four songs. Some are great Motorhead songs, others are recorded live and there’s the bonus of four previously unreleased tracks! So what you get here is a Motorhead party!
It was one of these new songs that would become my all time favourite Motorhead song. That song just happens to be “Killed By Death.” Man, I just love that song. Probably because of the way that guitarists Michael Burston and Phil Campbell just solo all over the song and of course Lemmy’s unmistakable vocals. While some may think it’s a bit more melodic than traditional Motorhead songs, there’s enough raw power in the song to let you know that it is indeed Motorhead playing it. Another great new song from the album is “Snaggletooth.” That was is definitely worth a listen as well.
Track Listing:
Disc One
Ace of Spades
Motorhead
Jailbait
Stay Clean
Too Late, Too Late
Killed By Death
Bomber
Iron Fist
Shrine
Dancing On Your Grave
Metropolis
Snaggletooth
Disc Two
Overkill
Please Don’t Touch
Stone Dead Forever
Like a Nightmare
Emergency
Steal Your Face
Louie Louie
No Class
Iron Horse/Born to Lose
(We Are) The Road Crew
Leaving Here
Locomotive
Motorhead (original line up)
Lemmy- bass, lead vocals except on “Emergency”
Phil ‘Philthy Animal’ Taylor- drums on Disc 1 tracks 1-5 and 7-11; Disc 2 1-5 and 7-11
Fast Eddie Clarke- guitar on Disc 1 tracks 1-5 and 7, 8 and 11; Disc 2 tracks 1-5 and 7-11, lead vocal on “Emergency”
Brian ‘Robbo’ Robertson- guitar on Disc 1 tracks 9 & 10
Michel ‘Wurzel’ Burston- guitar on Disc 1 tracks 6 & 12; Disc 2 tracks 6 & 12
Phil Campbell- guitar on Disc 1 tracks 6 & 12; Disc 2 tracks 6 & 12
Pete Gill- drums on Disc 1 tracks 6 & 12; Disc 2 tracks 6 & 12
Motorhead was going through a lineup overhaul when “No Remorse” was released. Phil Taylor and Brian Robertson had left the band and guitarists Phil Campbell and Michael Burston and drummer Pete Gill would eventually join. Whatever the trouble that was going on in the Motorhead camp at the time, the sheer greatness of “No Remorse” cannot be denied.
Next post: Metal Church
To buy Rock and Roll Children, go to: https://book-fm.cf/print/free-download-rock-and-roll-children-by-michael-d-lefevre-pdf.html
I was hoping, I was nearly praying that in 2018, we would get a reprieve on rockers great and small departing this Earth. It seems it’s not going to be the case this year either. First, there was legendary record producer Rick Hall and I’ve just found out that Baby Metal guitarist Mikio Fujioka died on Jan 5 by falling off a balcony while stargazing. Now we lose Motorhead’s great guitarist Fast Eddie Clarke who died of pneumonia.
It would only be repeating others if I went on about what a great guitarist Fast Eddie was. He made up one third of the great Motorhead and contributed greatly to their early success. Eddie’s death now means that we have an entire band passing on in the last two and a half years. Phil ‘Philthy Animal’ Taylor and the great Lemmy himself both died in 2015.
Motorhead- all now wreaking pandemonium in a better place
All that there is left to say is R.I.P. Fast Eddie Clarke and put on a song in his memory.
Christmas is nearly upon us and as you can see from above, I’m ready for the festivities with my barrel of The Trooper and my bottles of Motorhead pale ale. I’ll be having a heavy metal Christmas! Reading other posts about Christmas, I have to agree with the premise that there are a lot of versions of the classic carol, “The Twelve Days of Christmas. So, I thought it would be cool to share some of those versions I like the most with all of you. After all, Christmas is the time for giving.
Starting with my favourite, I have to agree with my Canadian friends that the version by The McKenzie Brothers has to be the best in my humble opinion.
Being a big Twisted Sister fan, it would be an act of sacrilege not to include their version from their “Twisted Christmas” album. It’s my second favourite. I do like the way all the band contribute to the gifts mentioned.
If “Twisted Christmas” is my favourite Christmas album, my second fave is “I am Santa Claus” by Bob Rivers and Twisted Radio. This version, “The Twelve Pains of Christmas” doesn’t appear on the album but it’s a fun song nonetheless.
I came across this one by Jerry Pate back in the days I had Limewire. I liked it so I downloaded it onto my MP3 and I’m now going to share it with you.
This last one isn’t for the easily offended. This is a dirty version of the carol but it’s done by one of my all time favourite Country singers, David Allen Coe.
So there you have it, my favourite versions of “The Twelve Days of Christmas.” I hope you enjoy them and before I go, there is another petition for a knighthood for Ozzy. I didn’t start it but you can sign by clicking the link below.
Well, I’m back from my three days in Newcastle Upon Tyne and before I left, I did promise that if I saw any great bands at Newcastle’s premier rock club, Trillian’s, I would share the experience here. However, the American tourist in me has briefly taken over so before you get to read what great bands Planet Smashers and Faintest Idea were, you’re going to have to view my holiday snaps. Don’t worry, there aren’t many.
The view from my hotel room, It rained a lot on the first day
Great weather on Thursday. Here’s a view from the Gateshead Millennium Bridge
The bridge opens to let a boat go through
At first, it seemed the rain on the first night was too heavy and I wouldn’t make it past the pub across the road from my hotel room. The Blonde Barrel does do great food though. Thankfully, the Gods of Rock smiled on me and the rain slowed do to a fine spray so I was able to go into the city centre and get to Trillians. I discovered that the two named bands would be playing on the Thursday evening so I went down to the bar where I made another amazing discovery. Motorhead has a beer called Road Crew. Naturally, I had to try some and I can say that it’s very nice.
The next day, I made inquiries about Road Crew being available in shops. I was directed to one place that sold eccentric beers but the owner told me that the beer was massed produced and available in major supermarkets, not where I live. I made a further inquiry at the small supermarket but they didn’t sell it. However, one of the staff advised me to try a small shop in the train station grounds. So I went to a place called CentrAle and yes they did sell Road Crew. Then another surprise, right next to it was another beer called Anthrax War Vance and yes, it’s endorsed by Anthrax. Apparently some cases were left behind after their last UK tour and Bruce, the manager of CentrAle, got them. CentrAle is the only place in the UK where you can get Anthrax War Vance. So, I got lucky there.
Bruce with a can of Anthrax
Eventually, the big night came and I went off to Trillians to see Planet Smashers and Faintest Idea, two bands I knew absolutely nothing about. With nothing to expect, I had a very open mind to them when they came on stage. Faintest Idea took the stage first and that would begin my education. Before this particular evening, I had practically zero experience with ska. I offer no reason for this except it was something I never explored. That will change for sure. Getting back to Faintest Idea, listening to them, I have concluded that the Ramones will never have to go in the ska direction because that’s what this band sounded like. The Ramones playing ska. Every song was done in the ‘one, two, three go’ style that the Ramones made so famous during their career. However, Faintest Idea did it with horns. To that point, I’ve never heard such a tight brass section, fair dues to them. Of course, I can’t take anything away from the guitar, bass (also lead singer) and drums either and together they fused ska and punk very well. Songs I remember the most were “Bull in a China Shop” and “Youth” but all of the songs were played well and I was very much impressed.
Faintest Idea on stage
After a brief intermission where the keg of Road Crew ran dry, headliners Planet Smashers from Quebec, Canada took the stage. My first impression was that there was a Madness influence here. Not a surprise because many put forward the argument that Madness were one of the originators of ska. Madness or not, Planet Smashers stood well enough on their own. Plus, this band has a great sense of humour while on stage. Guitarist/lead singer Matt Collyer knew how to engage the crowd with his banter. However, it was definitely the music that was the main attraction. Not often does one get to see bands with two very tight brass sections on the same night but that’s what I saw. Songs that I remember most were “Life of the Party” and my personal favourite, “Super Orgy Porno Party.” You got to believe that anyone who comes out with a song with a title like that has to be very good and they were.
Planet Smashers
And from the other side
I left Trillians with a much better knowledge of ska music then I had two and a half hours earlier and I’m a much better person for it. But the night didn’t end there. Not feeling tired and knowing the Mrs 80sMetalman and our two granddaughters were asleep, I decided to hit another pub I knew was open later. I can’t remember the exact name, I had too many pints by then. While I was inside, both bands turned up and so I ended up drinking with them. That’s something that doesn’t happen to me every day. The members of both bands were great people and that rounded off a fantastic night.
Meeting up after hours
Next post: Toto- Isolation
To buy Rock and Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_7?ie=UTF8&qid=1502488199&sr=8-7&keywords=michael+d+lefevre
Fastway first came to my attention in 1983, when I discovered they were supporting AC/DC on their “Flick of the Switch” tour. Unfortunately, I wasn’t able to go to that concert, I was in between jobs at the time and had been to see the mighty Black Sabbath with Quiet Riot the week before, so I couldn’t afford to go. Shame because I would have to wait another two years before I saw AC/DC live and although, they had a great support act then, (Yngwie Malmsteen), it would have been nice to see Fastway as well. Besides, it’s not greedy wanting to see AC/DC twice in your lifetime.
Their debut album is one reason I wished I could have seen Fastway live. In a past post, I used the phrase rockabilly. No, Fastway aren’t that, instead I would upgrade their sound from this to metalabilly. There, I just invented a new word, I think. Their is a catchy country type vibe with some of the songs but that vibe is enhanced by some great hard crunching guitars. Then again, the guitarist is none other than Fast Eddie Clarke from Motorhead fame. The best example of this is on the track, “All I Need is Your Love.” It is definitely metalabilly, (I’m going to try to use that word as much as possible in this post), but Clarke does hammer out a good guitar solo.
For the most part, there isn’t much I can say about the debut album from Fastway that hasn’t probably been said before or I’ve said about other albums from other bands. All the elements of a good album are present here. “Easy Livin'” is a good attention grabbing opener, especially with the metalabilly sound coming through almost straight away. There are some more harder metal sounding tracks on the album in the form of “Another Day” but even on that one, Fastway put their mark on it. One track that is certainly different is “Heft.” That song is what some would call “way out there.” There is the hard bluesier hippy feel to the song. One that you would listen to in the same vein as you would listen to a Pink Floyd album, but Clarke’s hard crashing guitars on it remind you who is actually playing the song.
With “We Become One,” since it was released as a single, one might be inclined to think it would be some sort of metal anthem. That song doesn’t quite come up to anthem status but it’s still a cool song. There is a little left over from “Heft” in it and while it’s still a cool metal song, I can see why commercial radio would have ignored it. More fools them I say. If any song comes anywhere to being an anthem, it’s got to be the next track, “Give it All You Got.” I think that one would have fared better on radio and I like how the song ends. It leads perfectly to my favourite track on the album, “Say What You Will.” The best was to describe it is even more metal metalabilly, (there I used it again). I like the little lead guitar bits during the verses, which lead to another killer solo before all coming together for a great metal climax. The penultimate track is okay but nothing to get over excited about. It keeps things ticking over nicely for the more memorable closer, “Give it Some Action.” That is unless you own the original vinyl or later CD pressings which include the bonus track, “Far Far From Home.” Having it on cassette, I didn’t get the bonus track but no matter, I enjoyed the album.
Track Listing:
Easy Livin’
Feel Me, Touch Me (Do Anything You Want)
All I Need is Your Love
Another Day
Heft!
We Become One
Give it All You Got
Say What You Will
You Got Me Runnin’
Give it Some Action
Bonus track, not available on all releases: Far Far From Home
Fastway
Dave King- vocals, harmonica
Fast Eddie Clarke- guitars
Jerry Shirley- drums
Mickey Feat- bass (uncredited)
While I’ve been singing the praises of Fast Eddie Clarke on the album and it’s deserved, I have been ignoring the other two members of Fastway and that’s unfair because both of them deserve their share of the credit on why their debut album is so good. King’s vocals are impressive, especially as I finally got around to listening to the missing bonus track. Had it been included on all copies of the album, it might have done better in the sales department. Jerry Shirley proves he’s a tidy drummer and deserves as much praise as well. With all three coming together, Fastway created a very cool first album.
Whenever a group of bands are identified with a certain area and style of music, there are those who stamp their names as standard bearers of that music but if you look down the list, there are many other bands in that group who typify that style but don’t get the recognition they probably deserve. For example, when Southern Rock was at its commercial hey day in the very early 1980s, bands like Molly Hatchet, The Outlaws, 38 Special and Blackfoot were the bands people identified with that form of rock. Not many would be able to identify Doc Holliday, Johnny Van Zant Band or Mother’s Finest to name just a few and they were just as good as the ones previously mentioned.
The same applies to the new wave of British Heavy Metal, (NWOBHM), which came out right after. Living in the US at the time, I knew and adored Iron Maiden, Judas Priest, Saxon, Motorhead, Def Leppard but bands like Diamond Head, I only knew because I had seen them live. As for Tank, they came to my attention because I just happened to see one of their albums in the import section of my local record store. It wasn’t the one I’m posting about now.
To be honest, I didn’t listen to “This Means War” until I actually came to Britain and that was late 1986. A new friend who we nicknamed ‘Trendy Bastard’ because he dressed a little too much like Bon Jovi, had an extensive collection of music and one night, treated us to the album. It definitely made an impression on me because although I never bought this album, it has stuck in my mind for all these years.
All of the elements of NWOBHM are present on “This Means War.” When I listen to it, I hear influences from Motorhead and Judas Priest. The songs are fast paced but not at a real break neck speed. Still, the power and rhythm combine to make them catchy. Algy Ward’s vocals sound closer to that of Rob Halford and done competently. Guitars are also done well, prime example being “I Won’t Ever Let You Down,” though I’m not quite ready to add Peter Brabbs and Mick Tucker to my guitar list. The best examples of what I’m talking about are the tracks, “This Means War,” “If We Go, We Go Down Fighting,” “Just Like Something From Hell” and “Echoes of a Distant Battlefield.”
Track Listing:
Just Like Something From Hell
Hot Lead, Cold Steel
This Means War
Laughing in the Face of Death
(If We Go) We Go Down Fighting]
I Won’t Ever Let You Down
Echoes of a Distant Battlefied
Tank
Algy Ward- bass, vocals
Peter Brabbs- guitar
Mick Tucker- guitar
Mark Brabbs- drums
Was it because so many British metal bands were gaining status in the US the reason why Tank got left out? While they might not have been as spectacular as the greats who did achieve, they were still a cool band and as “This Means War” proved to me, they deserve some recognition.
