Archive for Ozzy Osbourne

Happy Metal New Year 2018! Some Big Decisions

Posted in 1980s, Concerts, Death, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , on December 31, 2017 by 80smetalman

Another year has come and gone and as we enter into 2018 tomorrow, I am faced with some choices for the coming year. Don’t panic, 80smetalman’s Blog will continue on until the very last relevant album of 1989 is posted about and as I’m only in 1984 at the moment, it’s safe to say that there are a few more years left in this engine. However, reflecting upon all the great musicians that have departed this world in the last two years and the passing of my mother in law three days ago, I have come to realize that I’m not exactly a spring chicken myself. Therefore, it’s time to slow down a little.

What I am really talking about is the physical side. Four of the past five years, I have gone to one of the major metal festivals in the UK and hopefully, have entertained you with my accounts of those. The fact that I’m turning 57 this year and family history isn’t on my side with health of the heart, I know that frolicking in the mud and living out of a tent for a few days isn’t something I should be doing much more down the line. That is why and enough of the morbid crap, I have decided to go out in a huge blaze of glory in 2018! I intend to go to both Download and Bloodstock this year and end my festival days on the ultimate high.

The lineups for both are ideal for my departure from the festival scene. Like me, Ozzy says he will be calling it a day after this tour. He will be headlining Download on the Sunday. He won’t be like when I saw him in 1986 when he had come out of his first spell in rehab but seeing him again will be brilliant! Plus, I’ve never seen Guns N Roses or Marilyn Manson before so that will also be brilliant. I only hope that Manson isn’t headlining the Zippo Stage on the Saturday evening when Guns N Roses are doing the same on the main stage. That would be a tough choice. Other bands playing include Black Veil Brides and Bullet for My Valentine, so there’s a lot to look forward to.

Bloodstock is just as good, especially on the Friday. I’ll get to see Suicidal Tendencies again although the stage layout will prevent me getting another high five from Mike Muir. Headlining that night is none other than Judas Priest! Also, I have been told that the festival will be keeping with the precedent set down in 2016 where the headliner of the Sophie Lancaster Stage goes on after the headliner of the Dio stage is finished. So, on the Friday, after getting blown away by Priest, I’ll hop over to the Sophie Stage and get rocked by Doro! On the other two days, Gojira is headlining on Saturday and Fozzy, Devil Driver and Mr Big all playing the Dio Stage on the Sunday. The lineups for both festivals aren’t complete so there may be more surprises in store. Whatever happens, I’ll be ending my festival days with a massive triumph!

Welcome Suicidal Tendencies

 

Fozzy begin

 

Gojira are welcomed by their fans

Like me, I hope that all of you have great things to look forward to in 2018. Thank you all for taking the time to read and comment over the past seven years and I assure, there will more great things to come.

Happy New Year!

Next post: I’ll start 2018 out with one of my favourite 1984 albums, Dio: The Last in Line

 

 

 

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Twelve Days of Christmas

Posted in Heavy Metal, Heavy Metal and the 1980s, Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , on December 23, 2017 by 80smetalman

My provisions for Christmas

Christmas is nearly upon us and as you can see from above, I’m ready for the festivities with my barrel of The Trooper and my bottles of Motorhead pale ale. I’ll be having a heavy metal Christmas! Reading other posts about Christmas, I have to agree with the premise that there are a lot of versions of the classic carol, “The Twelve Days of Christmas. So, I thought it would be cool to share some of those versions I like the most with all of you. After all, Christmas is the time for giving.

Starting with my favourite, I have to agree with my Canadian friends that the version by The McKenzie Brothers has to be the best in my humble opinion.

Being a big Twisted Sister fan, it would be an act of sacrilege not to include their version from their “Twisted Christmas” album. It’s my second favourite. I do like the way all the band contribute to the gifts mentioned.

If “Twisted Christmas” is my favourite Christmas album, my second fave is “I am Santa Claus” by Bob Rivers and Twisted Radio. This version, “The Twelve Pains of Christmas” doesn’t appear on the album but it’s a fun song nonetheless.

I came across this one by Jerry Pate back in the days I had Limewire. I liked it so I downloaded it onto my MP3 and I’m now going to share it with you.

This last one isn’t for the easily offended. This is a dirty version of the carol but it’s done by one of my all time favourite Country singers, David Allen Coe.

So there you have it, my favourite versions of “The Twelve Days of Christmas.” I hope you enjoy them and before I go, there is another petition for a knighthood for Ozzy. I didn’t start it but you can sign by clicking the link below.

https://www.change.org/p/knight-mr-john-michael-ozzy-osbourne-for-services-to-music

 

Great Metal Albums of 1984: Gary Moore- Victims of the Future

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on November 19, 2017 by 80smetalman

 

UK Album Cover

North American Album Cover

Gary Moore as a solo artist didn’t enter my radar until 1986 when I went over to England. Before that and I am ashamed of my naivety at the time, I only knew Gary as the guitarist who used to be in Thin Lizzy. Fortunately, I got a full course in the music of Gary Moore when I did get there thanks to a friend who was a big fan. As a result I got to hear lots of his albums including this one, “Victims of the Future” and I can say that my education in this subject has been top notch. Thirty years on, I have to say a special thanks to Kieran Devlin for being my teacher.

My first impressions of “Victims of the Future” as with many Gary Moore albums, now as it was then, was “He can really play a guitar.” His trademark solos permeate this album and now I am tempted to go into a rant as to how underrated he has been.  That might be true in North American terms but he has always been considered one of the greats here in Britain and of course his native Ireland. Just listen to “Shapes of Things” because that is in my opinion, his best guitar work on the album.

Many of the songs here are straight forward rock anthems. My personal favourite is “Teenage Idol” because that one comes out and hits me in the face the most. “Murder in the Skies” has a very cool guitar intro where he rips up the chords before the meat of the song comes pounding through. A look at history reveals that Gary wrote the song in protest of the Soviets shooting down Korean airline 007 in 1983. The same can be said for “The Devil in Her Heart” which is only on the US release. This is a good rocking song so I don’t know why it’s omitted from the UK version. “Law of the Jungle” is another exemplary rocker and the way it fades out makes it a great closer but he does go a little mellow with “Empty Rooms.” You can call it a ballad but he lays down some good guitar work on it.

Not only does Gary shine on “Victims of the Future,” he enlists some great musicians. Ian Paice of Deep Purple fame plays drums on half the tracks and Bob Daisley who played with Ozzy provides the bass work on two. Noddy Holder of Slade steps in to provide backing vocals on one song. The others who support may not be as recognized but they still do a magnificent job. Therefore, the album has all one needs to be great, good vocals, a steady rhythm section and of course, Gary’s guitar solos.

Track Listing (UK)

  1. Victims of the Future
  2. Teenage Idol
  3. Shapes of Things
  4. Empty Rooms
  5. Murder in the Skies
  6. Hold Onto Love
  7. All I Want
  8. Law of the Jungle

Track Listing (US)

  1. Victims of the Future
  2. Teenage Idol
  3. Devil in Her Heart
  4. Empty Rooms
  5. All I Want (cassette only)
  6.  Shapes of Things
  7. Murder in the Skies
  8. Hold Onto Love
  9. Law of the Jungle

Gary Moore

Gary Moore- guitars, vocals

Neil Murray- bass on tracks 1,3,7 & 8

Mo Foster- bass on tracks 4 & 6

Bob Daisley- bas on tracks 2 & 5

Ian Paice- drums on tracks 1,3,4 & 8

Bobby ‘Prime Time’ Chouinard- drums on tracks 2,5,6 & 7

Neil Carter- keyboards

Noddy Holder- backing vocals on “Shapes of Things”

So thirty-one years on, I have to say “thank you Kieran” for introducing me to Gary Moore and playing his albums for me, “Victims of the Future” included among them.

Other news: A band I have been promoting on 80smetalman, Black Emerald, has invited me to their album launch party in Reading, UK on February 10. Needless to say, I am excited and you will get a full report of the night’s festivities.

Next Post: Since I’m in a Gary Moore mood, it will be his 1984 live album, “We Want Moore.”

To buy Rock And Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_3?ie=UTF8&qid=1511084083&sr=8-3&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

Triumphs and Other Happenings in 1984

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , on September 10, 2017 by 80smetalman

 

Evidence that heavy metal had truly established itself in 1984 can be sited with the 1984 Monsters of Rock Festival at Donington Park, in England. This was the first and probably only Donington to feature seven artists and you can only look at the poster here, see which bands played on draw your own conclusions as to whether or not it was a kick ass day. I wasn’t there but I know people who were and they can confirm it. The only negative comment I heard about the day was that Motley Crue had bottles thrown at them for making too many comments about sex, drugs and rock and roll. Something an opening band should probably not do. Anyway, to see Ozzy, Van Halen and AD/DC all on one stage must have been mind blowing.

I must apologize for Youtube not having any individual songs recorded from this memorable day.

Cyndi Lauper

You are probably asking yourself, “What is she doing here on an 80smetalman’s post?” Well, some misguided individuals thought that Cyndi Lauper had replaced Joan Jett or Pat Benatar as the Queen of Rock in 1984. Nonsense, I say. I will never recognize Cyndi Lauper as such and will go to my grave stating that fact. Yes, I liked “Girls Just Want to Have Fun” the very first time I heard it but afterwards, I wanted to take an Uzi to the television every time the video came on MTV. The only song from of hers I nearly liked since was “Money Changes Everything” and a few years later, grew to like “I Drove All Night” a little.

So, why is she here you ask. Back when I posted about my weekend at Download, where I went to see wrestling, I mentioned that the Rock and Wrestling Connection began in 1984 and it began with Cyndi. At the time, wrestling manager, Captain Lou Albano, claimed she managed Cyndi Lauper on wrestling shows. Cyndi refuted that claim and without going into great details, she made a challenge to Captain Lou that she could manage a wrestler better than him. So, while Lou took Women’s World Champion The Fabulous Moolah under his wing, Cyndi managed challenger Wendi Richter. I’ll leave  you to watch the video to see who won but the Rock and Wrestling Connection started here.

There was a tragedy too in 1984 but that happened at the very end of the year, so I’m saving it for the end of the 1984 tour. So here, let us reflect on the happy times with all the great heavy metal and some wrestling too.

Next post: My Underrated Band

To Buy Rock and Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_3?ie=UTF8&qid=1505042182&sr=8-3&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

An 80smetalman Poll: Which Metal Artist Would Best Cover the Song Yummy, Yummy, Yummy?

Posted in Heavy Metal, Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on April 2, 2017 by 80smetalman

In a post featured by Danica who writes the blog, “Living a Beautiful Life,” I have been inspired and encouraged by her to make up a poll. Danica featured the only hit from 1960s band, Ohio Express, “Yummy, Yummy, Yummy.” That song took me way back as I remember listening to it on the radio when I was seven and would sing along with the words. After all, they weren’t that difficult. What I picked up on when I listened to it a couple of days ago after oh so many years was there was a bit of a crunching beat to it. This led me to conclude that the song would sound pretty good if metalized. When I brought the subject up to Danica, she put forward two acts she thought would do a good job with it and I countered with three.

Danica’s Choices:

Rammstein

Now For My Choices:

Krokus

Anthrax

Ozzy Osbourne

Obviously, the choices aren’t limited to these. I’m sure there are many of you out there who have their own opinion as to who could best give “Yummy, Yummy, Yummy” a metal spin. If so, Danica and I would love to hear your thoughts.

Next post: Weird Al Yankovic- In 3D

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

Great Metal Albums of 1983: Ozzy Osbourne- Bark at the Moon

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , on February 27, 2017 by 80smetalman

220px-bark_at_the_moon

Way back in the beginning, when I first began posting about 1983, I stated that it was the year that the dam well and truly burst and that heavy metal flooded the valleys. With all the great albums from metal artists in this year, one would be forgiven if they believed that an album from one of the legends of metal, Ozzy Osbourne, wouldn’t have made much difference. Besides, he did put out a live album in the form of “Speak of the Devil” earlier in the year. However, Ozzy did come out with an album anyway, and while I wouldn’t debate anyone who said that it wasn’t quite as good as his first two solo albums, I still think it’s a fine album nonetheless.

The title track of “Bark at the Moon” just happens to be one of my all time favourite Ozzy singles. It’s definitely in the top five. When I saw him live, he opened the show with it and that set the tone for what was going to be an historic night. I do commit it to pen in “Rock and Roll Children.” There are other tracks on the album that are pure blinders as well. “Now You See It (Now You Don’t) and “Rock and Roll Rebel” are two perfect examples and “Center of Eternity” is a real cool song. I do like the keyboard intro. In fact, “Bark at the Moon” seems to use more keyboards than the previous Ozzy albums. This is especially the case in the closer, “Waiting for the Darkness” and on “Slow Down.” Another feature with the album is that there are two ballads on it, “You’re No Different” and “So Tired” which was released as a single and I remember it getting a fair amount of radio play back then.

The big question that was asked when “Bark at the Moon” came out was if Ozzy’s new guitarist Jake E Lee would fill the void left behind by the death of Randy Rhoads. The short answer is that nobody can replace Randy, he had a style all to his own. However, Jake E Lee’s talents with the six string can never be ignored, especially on this album and when he played live. His playing goes a long way in making the album as good as it is.

Jake E Lee

Jake E Lee

Track Listing:

  1. Bark at the Moon
  2. You’re No Different
  3. Now You See It (Now You Don’t)
  4. Rock And Roll Rebel
  5. Center of Eternit
  6. So Tired
  7. Slow Down
  8. Waiting for the Darkness
Ozzy Osbourne

Ozzy Osbourne

Ozzy Osbourne- lead vocals

Jake E Lee- guitar, backing vocals

Bob Daisley- bass, backing vocals

Don Airey- keyboards

Tommy Aldridge- drums

Ozzy Osbourne joined the flood of heavy metal in 1983 with the album “Bark at the Moon.” Ozzy’s drinking problems would manifest themselves in the months following and he would eventually have to go and dry out. He wouldn’t release a studio album for nearly three years after but he did leave us a good one to bide the time.

Next post: Billy Idol- Rebel Yell

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

 

 

 

Great Metal Albums of 1983: Vandenberg- Heading For a Storm

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on December 28, 2016 by 80smetalman

220px-vandenberg_heading_for_a_storm

I hope everyone out there had a great holiday break and that Santa brought them everything they wanted. I did even though I had to work the Christmas Night/Boxing Day shift. Boxing Day isn’t celebrated in the US, they have Wrestling Day instead. Sorry, it’s a tradition I make that joke at least once during the festive season. However, on the advice of keepsmealive, I did get to sample some of The Trooper- Red and Black, very nice I tell you.

Thinking back in the annals of history, one might be inclined to believe that 1983 might have been a pivotal year for Dutch bands. First Golden Earring proved they weren’t one hit wonders with their “Cut” album which featured the hit, “Twilight Zone.” Then later on that year, I stumbled into my local bar just in time to see this band called Vandenberg on MTV. I can’t say that I was totally blown away by them but I did very much like what I saw and heard and it compelled me to investigate more. A friend of my sister ranted about their album “Heading For a Storm” and I would later learn that Vandenberg supported Ozzy Osbourne on tour. What further incentive was needed?

“Heading For a Storm” is yet further proof that in 1983, the dam had truly burst and heavy metal was flooding the world whether it liked it or not. The album starts out with three straight ahead rockers. “Friday Night” might sound cliche these days but it’s still a good opener and the next two tracks get progressively better. “Different Worlds” is a typical power ballad but you can’t fault it one bit. Besides after that comes my pick for the album, This is War.” On this song, lead singer Bert Heerink is at his best on the vocals backed up with some great harmonizing from his band mates. But what makes this song and the album as a whole is the guitar work from Adrian Vandenberg. If anyone has any questions as to why he was picked to join Whitesnake four years after this, then have a listen to the album and the track, “This is War,” in particular.

AV’s guitar work doesn’t end with that song. Afterwards, the album holds that level my favourite track takes it to. I really love the opening metal riffs on the title track and after some more good harmonizing, Adrian nails another great guitar solo. “Rock On” sounds a bit new wave with its opening chords but it goes more metal with AV putting in some cool guitar breaks during the verses and the song has a cool chorus. All of that takes the album out fine with the closing track.

Track Listing:

  1. Friday Night
  2. Welcome to the Club
  3. Time Will Tell
  4. Different Worlds
  5. This is War
  6. I’m on Fire
  7. Heading For a Storm
  8. Rock On
  9. Waiting For the Night
Vandenberg

Vandenberg

Adrian Vandenberg- guitar, backing vocals, also designed the album cover

Bert Heernik- lead vocals

Dick Kemper- bass, pedals, backing vocals

Jos Zoomer- drums, backing vocals

 Let me say one thing here! While I might gush over the guitar greatness of Adrian Vandenberg, the unsung hero of the album is Bert Heernik. I have always had tons of respect for any singer who sings in English when it’s not their first language. On “Heading For a Storm,” he does a grand job and credit should be given where due. After all, “Heading For a Storm” is an album that definitely deserves accolades.

Next post: My 2016 Compilation Album

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London