Archive for Ozzy Osbourne

Great Metal Albums of 1989: Protect the Innocent- Part 1, The First Chapter

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , on April 23, 2024 by 80smetalman

Like I said, I’ve been snowed under with everyone wanting me to do Continuing Professional Development courses, (CPD), that I’m not able to give albums my full attention. In some of my most recent posts, I have made reference to a compilation album which came out in 1989. The album is called, “Protect the Innocent” and you will see what a magnificent album this really is. Because there are 30 blockbuster metal tunes on it, I’m going break it down like it’s done on the record. Therefore, you get side 1 called, “The First Chapter.”

Steppenwolf- Born to Be Wild
Black Sabbath- Paranoid
Deep Purple- Fireball
Motorhead- Ace of Spades
Judas Priest- Breaking the Law
Ted Nugent- Scream Dream
Ozzy Osbourne- The Ultimate Sin
Blue Oyster Cult- Don’t Fear the Reaper

There you have it, enjoy!

Next post: Part 2- The Second Reign

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition giving Bruce Dickinson a knighthood, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson

Spoiler- Unfortunately there are no Iron Maiden songs on the album.

Breaking News: Well Done Birmingham, UK

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on March 16, 2024 by 80smetalman
Black Sabbath

When this article popped up on my Google Alerts, I felt I had to share it with my faithful readers. The city of Birmingham in the UK has given the pub where Black Sabbath played their first ever gig and has been dubbed “the birthplace of heavy metal,” The Crown, listed historical status, Grade II. For the full story, click the link: https://www.birminghamworld.uk/news/birmingham-pub-heavy-metal-born-crown-station-street-black-sabbath-ozzy-osbourne-4557445

I think this is great news, especially as heavy metal music and its followers are often snubbed by the so-called mainstream of society. So, I take my hat off to Birmingham City Council for this wise decision.

1989: Metal Comes to Moscow

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on December 3, 2023 by 80smetalman

Oh damn my memory! I nearly left out a very important event in the metal history of 1989. Under the Glasnost era of Mikhail Gorbachev in what was then the U.S.S.R., the country became more open to Western influences. One example of that was they held a huge metal festival in Moscow calling it the Moscow Peace Festival. I was lent a video recording of the show and I remember it being really good.

The lineup was as follows, at least on my video:

Bon Jovi
The Scorpions
Ozzy Osbourne
Motley Crue
Cinderella
Gorky Park
Skid Row

My memories of the concert are very limited. Things I do remember is my ex wife having a go (not literally) at Sebastian Bach for telling the audience not to take shit off anyone. She pointed out that a few years earlier, Skid Row wouldn’t have been allowed to play there. I remember Motley Crue singing “Girls, Girls, Girls” and being rather impressed with Russian band, Gorky Park as well as The Scorpions kicking ass, especially because five years earlier, I saw Bon Jovi supporting The Scorpions and now it was the other way around. It was my first time seeing Zak Wylde playing with Ozzy and of course the end of the show where Bon Jovi invited everyone back to the stage, along with Jason Bonham for one big jam session. So, instead of me trying to rack my brain for more memories, I will defer to the Tubes of You and show you some live performances from that historic day.

There’s also a nice little guitar intro from Jeff LaBar

Thank God my memory came back and I remembered this amazing show. Metal final broke through to Russia and was graciously accepted. Proof that heavy metal could rule the world.

Next post: Steve Stevens- Atomic Playboy

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition giving Bruce Dickinson his knighthood, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson

Great Metal Albums of 1988: Ozzy Osbourne- No Rest for the Wicked

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on July 31, 2023 by 80smetalman

My mind is in debate as to whether or not “No Rest for the Wicked” is the most underrated album in Ozzy’s discography. Although there is a strong argument for “Osmosis” but we’re not here to talk about that album today. As for “No Rest for the Wicked,” it’s an album that I had taken little notice of over the years, so I forgot how good this one is.

One reason why the album is good as it’s the first album to feature guitarist Zak Wylde, who got the job after sending Ozzy a demo tape and then passing the audition. He shows his guitar talent throughout the album, I’m particularly impressed with his riffs and solo on “Devil’s Daughter (Holy Wars).” Saying that, the song also has an impressive bassline from Bob Daisley, who rejoined for the recording of the album, although Bob would be out again after recording was completed. Ozzy took Black Sabbath bandmate, Geezer Butler, for the subsequent tour.

It could be said that another reason why the album is so good as that Ozzy continues the path away from the horror, death related themes of the earlier albums. He started down the road with his previous album, “The Ultimate Sin.” One song which amuses me in particular is “Miracle Man.” Like so many other metal artists in 1988, the song takes a rip at television evangelists, Jimmy Swaggart in particular. Jimmy had always been a fierce critic of Ozzy, so this song was for him. It must have amused Ozzy to high heaven when Jimmy met his downfall in 1988. He addresses his demons on the hidden gem on the album, “Demon Alcohol,” so full marks should be given to him there. Besides, he does it to a good metal backing.

While “No Rest for the Wicked,” might have had Ozzy heading in a new direction in some ways, there are definite reminders of the traditional Ozzy. “Breakin’ All the Rules” is a straight forward metal jam which Ozzy was famous for and on “Bloodbath in Paradise” he proves that he was still able to do the theatrics with some great music. This is another notable guitar effort from Zak. “Fire in the Sky” is another good example with noteworthy drumming from Randy Castillo.

Track Listing:

  1. Miracle Man
  2. Devil’s Daughter (Holy War)
  3. Crazy Babies
  4. Breakin’ All the Rules
  5. Bloodbath in Paradise
  6. Fire in the Sky
  7. Tattooed Dancer
  8. Demon Alcohol
  9. Hero
Ozzy Osbourne

Ozzy Osbourne- vocals

Zak Wylde- guitar

Bob Daisley- bass

Randy Castillo- drums

John Sinclair- keyboards

Now it’s time to say what I’ve been holding back, I think “No Rest for the Wicked” was an improvement from the previous album, “The Ultimate Sin” and I’m not as critical of that album as some others are. However, listening to “No Rest for the Wicked,” I’m rather mad at myself for ignoring it for so long.

Next post: Sanctuary- Refuge Denied

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition to have Bruce Dickinson knighted, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson

Great Metal Albums of 1988: Lita Ford- Lita

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , on March 22, 2023 by 80smetalman

If there was anything wrong with heavy metal in the 1980s, it was that it still had sexist attitudes in some areas. In the case of some bands, female singers and musicians were there to wear short skirts and look good. Female singers were often given some leeway in this regard but I never liked the term ‘female fronted bands.’ In fact, I find it insulting and no band should allow themselves to be branded as such. A good band is a good band no matter the gender of the person in front. Now, to the point and then I promise to get off my soapbox. In the 1980s, female shredders had next to no respect from their male counterparts and sadly, this trickled into the metal fanzone. I’m sure Kelly Johnson of Girlschool fame would back me up on this. Fortunately, that began to change in 1988 when Lita Ford wowed the metal world with her most successful album, simply titled, “Lita.”

From the opening track, Lita shows the world that a lady can shred along with the best of men. While some might grumble at the keyboards in the opener, “Back to the Cave,” her guitar solos obliterate any thoughts on that. The same can be said for the track, “Blueberry.” Actually, I’m surprised this was never released as a single because thinking of the 80s singles charts, this song would have done well. There is a strong keyboard accompaniment but in no ways synth pop and a strong bass line. It helped that her rhythm section on the album was Pat Benatar’s. Still, the riffs on the song make it a cool rock song.

Now onto the first of the big singles which made this album so successful. “Kiss Me Deadly” has a vibe which most people, metal or non-metal can dig. You can’t help but to bob your head along to it. Lyrically, we can all identify with having bad days and going to parties on a Saturday night where you didn’t get laid but got in a fight. Actually, neither really happened to me, although a few years earlier, my then girlfriend who would become my first wife nearly broke up with me at a Saturday night party. Still, Lita rocks this song.

In the middle of the album comes one song which was a released as a single and the other the hidden gem, which are the two best songs on the album in my view. The single, “Falling In and Out of Love,” is a great metal tune plain and simple. Again, Lita proves her shredding credentials quite well on this one. A great bassline starts the hidden gem, “Fatal Passion,” before Lita’s guitar kicks in full pelt an of course, another cool guitar solo. Lita is at her best with this one and if anyone back in the 1980s grumbled about keyboards, this song removes any doubt that Lita can’t rock.

On “Under the Gun,” Lita almost goes space rock here. This brings me to another point. While I’ve been rightfully gushing over Lita’s guitar skills and she shreds a plenty on this one, I nearly forgot what a great singer she is and that she’s not afraid to venture into new territories and come out better for it. The album ends with two ballads, the last of which, was the biggest single for Lita. She teams up with Ozzy on the closer, “Close My Eyes Forever” and that was a great move. While Lita takes the lead, Ozzy puts forward his two cents and together make this song a great one. Totally the right way to close the album.

Track Listing:

  1. Back to the Cave
  2. Can’t Catch Me
  3. Blueberry
  4. Kiss Me Deadly
  5. Falling In and Out of Love
  6. Fatal Passion
  7. Under the Gun
  8. Broken Dreams
  9. Close My Eyes Forever

Lita Ford- guitar, vocals

David Ezrin- keyboards

Don Nossov- bass

Myron Grombacher- drums

Additional Musicians:

Ozzy Osbourne- accompanying vocal on “Close My Eyes Forever”

Craig Krampf- additional drums and percussion

Llory McDonald, Mike Chapman- backing vocals

Lita Ford broke through gender stereotypes and proved that a woman can shred. If any Neanderthals out there still think otherwise, then I suggest you have a good listen to the “Lita” album.

Next post: Scorpions- Savage Amusement

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition for a knighthood for Bruce Dickinson, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson?redirect=false

An Early Happy New Year

Posted in Heavy Metal, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , on December 30, 2020 by 80smetalman
Not a bad haul. I must have been a good boy this year.

I hope everyone had a good Christmas! As you can see, Santa was good to me this year. Not only did I get the new AC/DC album, I got a few albums I wasn’t expecting. The Metallica, Ozzy and Thin Lizzy, which for some reason isn’t in the photo, were upgrades as I had all of these on either cassette or vinyl. FTR, the Thin Lizzy was “Live and Dangerous.” Anyway, I hope all of you had good hauls as well.

Repeating what many other people have said, 2020 was a bust. Fortunately, I had my music and a lot of music which many of you have shared on your blogs. We all seemed to pull together and help each other get through, which was good to see and although there is still more shit ahead, the end might be insight. This past year was the first year since 2014 where I didn’t go to any live gigs. The lockdown meant that Hells Bells couldn’t come to town and my plan to go to Bloodstock for the Sunday was also put on hiatus. However, the good news about Bloodstock is that most of the line up planned for 2020 will be there for 2021. That means Judas Priest will still headline on the Sunday with Saxon on right before them! Additionally, and this has me considering coming out of retirement and going to Bloodstock for the full three days, Mercyful Fate is now headlining on the Saturday. Devin Townsend headlining the Friday makes it even more tempting.

Since, I will be working over the New Year’s period, I would like now to wish all of you an Happy New Year and may your 2021 be a joyous one.

Next post: Vyper- Afraid of the Dark

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

Merry Christmas to All!

Posted in Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , on December 24, 2018 by 80smetalman

A few years ago, I posted my top ten favourite Christmas songs. Now that I can paste them on here from Youtube, I thought I’d share them again while giving you a chance to listen to them and get in the festive mood. Besides, since that post, my top ten has shuffled a little. Listen and enjoy.

10. Slade- Merry Christmas Everybody

9. Joe Diffie- Leroy the Redneck Reindeer

8. The Darkness- Christmas Time

7. ACDC- Jingle Hell’s Bells

6. Bob Rivers and Twisted Radio- Walking Around In Women’s Underwear

5. Bob Rivers and Twisted Radio- Frosty the Pervert

(Author’s Advisory) This song is not for the young or those who are easily offended

4. The McKenzie Brothers- 12 Days of Christmas

3. Stryper- Winter Wonderland

2. Weird Al Yankovic- The Night Santa Went Crazy

  1. In the original post, I put the entire Twisted Christmas album but for time’s sake, I chose what is my favourite song from said album

Twisted Sister- Let It Snow

I hope you all have a Merry Christmas and get lots of good music in your stockings and party away the festive season. Here’s some of my provisions, yes, it’s the same as last year.

My provisions for Christmas

 

 

 

 

 

 

 

 

 

 

 

Bloodstock 2018- The Thursday

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on August 14, 2018 by 80smetalman

Thursday August 9, 2018 and I’m off to Bloodstock with my stepson Teal and his friend Joe. The ride up their went very smooth, especially when you have Axl Rudi Pell and Ozzy providing the in flight entertainment. However, as I got closer to the festival ground, I began looking for the huge yellow sign that had been there for my past trips to Bloodstock, it wasn’t there. I only noticed it when we got to the junction of the A38 and that meant I went too far. So, I turned around and fortunately, there were signs a plenty in the opposite direction. So we arrived at the festival.

Second hitch, actually two here: the first was when I grabbed the bag of canned foods, I could not find my little stove with heat tabs pack. The second was after we loaded all of our stuff onto our little wagon, we discovered it had a dodgy wheel. That made the walk to the main gate a bit more fraught. We did get there with little problem but then we had to wait two hours before we finally got up to the gate. This was because it was the largest Bloodstock crowd ever and searches were supposed to be more thorough. At least mine was because the security thoroughly searched my bag and then asked about cooking when I saw the cans. His logic was that I wasn’t going to eat my food cold. I told him about the heat tabs and he let me through after that. Meanwhile, Teal and Joe, despite having most of the kit on the wagon was waved through without fuss. Figures I get the anal security guard.

Our adventure wasn’t over, before we got to our chosen campsite, the second front wheel on the wagon fell off making it useless. Joe and I took some stuff and went to find a spot to pitch the tent while Teal guarded the rest. We found a spot, which I stayed with the stuff to stake my claim while Joe went back to get Teal and the rest of our stuff. When they got to me, it was decided the space I had chosen wasn’t big enough for our tent, so I went on another scouting mission. It took three minutes for me to find a nice large spot and we collected all the stuff and set up camp.

Having been in the military, I can pitch a two-person tent with ease. A six person tent is a different story, especially with only three people. Fortunately, a kind lady named Emma lent a hand and we got the tent up in no time. She had been going to all the festivals since 2003 and was a dob hand at putting up tents. We thanked her with a couple of cans of cider. The irony is that we never saw her for the rest of the weekend so I can only conclude that Emma was an angel sent by the heavy metal gods in our time of need.

Once settled, I discovered that I had forgotten a load of stuff. Paper plates, plastic cutlery, a tin opener  and I did leave the little stove at home. That meant I had to buy that stuff and with festival prices, that was one expense I didn’t need. Plus on top of that, we missed Fire Red Empress who played the Sophie Lancaster Stage early that evening. Still, even with the bad start, we were determined it wasn’t going to spoil the weekend.

A place to get your air mattresses inflated. I didn’t have one.

Camp having been set up, I went looking for the metal. I found it in the Sophie Lancaster Stage in the form of Bloodshot Dawn. For me, this was a great way to start things, a loud aggressive thrash metal band with a great rhythm section and a lead guitarist who could really shred. The lead singer had a voice suited for thrash although not quite suited to the band’s more melodic parts in songs but there were very few of those. One song that really stood out was “The Quantum Apocalypse.” They had me quickly forgetting about all the little hassles earlier.

My first shot of Bloodshot Dawn

Bloodshot Dawn under the lights

Some would call this a contrast but following Bloodshot Dawn was the Russian folk-metal band, Arkona. They were very theatrical in their approach and lead singer Maria ‘Masha Scream’ Arkhipova has a voice that can do it all. Her voice carries very beautifully in the more folk parts but when the band thrashes out more, it is as good as any male thrash metal vocalist. Further proof, not that it’s needed, that heavy metal sounds great in whatever language it’s sung in. Saying that, Arkova had one more unique attraction in the form of Vladimir ‘Volk’ Reshetnikov who plays the flute and bagpipes. I’ve never seen anyone who could shred those instruments but he certainly can. They deserved their headlining slot.

Maria under the lights

Arkova is there somewhere

Vlad on the flute

Full of adrenaline from both Bloodshot Dawn and Arkova, I decided to head to the Lemmy Bar and have a lemmy. They only raised the price by £1 from two years ago but full marks to the bar staff. It was the best JD and coke I ever tasted. Upon my return to the campsite, I finally got to witness the Bloodstock sport of bin jousting. I couldn’t see much because of the crowd but I got the general gist of it. Unfortunately, security stepped in and stopped it, bloody health and safety again. However, I did hear some Bloodstock veterans saying that bin jousting had become too serious with younger participants really wanting violence so maybe stopping it wasn’t such a bad thing. I returned to the camp site ready for a brilliant weekend.

Next post: Friday

To buy Rock and Roll Children, go to: https://www.amazon.co.uk/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_1?s=books&ie=UTF8&qid=1534274553&sr=1-1&keywords=rock+and+roll+children

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Great Metal Albums of 1985: Metal For Breakfast

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , on June 18, 2018 by 80smetalman

Welcome to the first heavy metal compilation album I bought. It was early February 1985 when I saw “Metal For Breakfast” at my local record store. Since I often used to feel like the way the dude on the cover looks, I thought it was worth a look. When I flipped to the back cover of the album and saw who was actually on it and their songs, I knew I had to buy it straight away. Who couldn’t resist an album with Ted Nugent, Saxon, Y&T, Quiet Riot, Ozzy and Judas Priest on it. Furthermore, the songs from these artists with the exception of Judas Priest’s hidden gem, (I had never heard “The Ripper” until this album), was more incentive to get it. But that’s only half the story!

Attic Records, being based in Toronto, seemed very eager to unveil much of its local talent and they chose a good group to do so. I had heard of Anvil but never listened to them. “Forged in Fire” changed all that. Any band called The Killer Dwarfs had to be granted a listen and “Heavy Mental Breakdown” did not disappoint. This was the first step on their way to them becoming my all time favourite Canadian band. I know Mercyful Fate are from Denmark but the fact that “Black Funeral” comes right out and sings “Hail Satan” sticks one in the ear for the American religious zealots. On the second side is the lovely Lee Aaron and “Metal Queen” is mind blowing. Of course, there’s always a hidden gem and on “Metal For Breakfast” it’s the track “Metalhead” by Blotto. It takes a dig at metalheads but it’s done in a really funny way plus, it’s a good song. So what you have is a great combination of well known metal tunes and ones that weren’t so well known coming together to make a fantastic album.

Track Listing:

1. Anvil- Forged in Fire

2. Ted Nugent- Cat Scratch Fever

3. Killer Dwarfs- Heavy Mental Breakdown

4. Accept- Balls to the Wall

5. Mercyful Fate- Black Funeral

6. Blotto- Metalhead

7. Lee Aaron- Metal Queen

8. Saxon- Princess of the Night

9. Judas Priest- The Ripper

10. Quiet Riot- Metal Health

11. Y&T- Mean Streak

12. Ozzy Osbourne- Crazy Train

And I think you should listen to the hidden gem:

Back in 1985, “Metal for Breakfast” was the classic metal combination of what was known and not so known in the heavy metal world. Nowadays, it’s just a classic 80s album but it still kicks ass!

I probably looked more like this back then.

Next post: Dokken- Tooth ‘N’ Nail

To download Rock and Roll Children for free, go to: http://allkindlecloud.com/register/14510967-Rock-and-Roll-Children_pdf_free.html

 

 

 

 

 

 

 

 

 

 

 

 

 

Download 2018- The Sunday

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , on June 12, 2018 by 80smetalman

I’m surprised nobody pulled me up on my little error about the next post. Here I am saying I’m going to post about a Bryan Adams album when I’m going to the Download Festival on Sunday. Well, I went and returned and am ready to share all my experiences of this historical day with all of you. Before I do, I’d like to mention something that happened as I was walking into the festival. I happened to ask one of the security staff if there had been any fatalities or drunken brawls. The security person stated, “No, that doesn’t happen at Download, it’s a friendly festival.” That makes my point which some of you mentioned in my post about the backlash. Everyone thinks awful things happen at metal concerts when indeed, it’s the non-metal festivals these things happen at. Anyway, enough of that, here’s Sunday Download.

First band up on the day was British hard rock band, Inglorious. They would have been my choice for band whom I never heard of who really impressed me had I not listened to them on Youtube mix. I was really impressed with what I had heard on Youtube and therefore had high hopes for them when they hit the stage. I wasn’t disappointed, they won me over straight away. Lead singer  Nathan James really connected with the crowd and has a great range with his voice. I loved it when he got the crowd to chant “Fuck Gene Simmons” before the second song. I don’t know what issue the band has with Gene but it must make an interesting story. The guitar work of Swedish born Andreas Eriksson was also very impressive. When they left the stage after a half hour of great hard rock, my thought was that if Inglorious don’t make it to the summit of the rock and roll mountain, then there is no justice in the world. I urge all of you to have a listen to them.

Inglorious open the day

Drew Lowe, Colin Parkinson and Phil Beaver make a great rhythm section

Nathan James singing his heart out to the crowd

While I heard of the second band on the day, Cradle of Filth, I must I never really listened to them. My most noted experience is their excellent rendition of the Twisted Sister classic, “The Fire Still Burns” on the “Twisted Forever” album. I have also heard several versions of how they were booed off the stage at Bloodstock in 2009. The reason for that, I’ve been told, was that the Bloodstock crowd considered them too popular for Bloodstock although alternative reasons had been put forward. Therefore, I had no impressions or expectations of them beforehand.

They hit the Download stage in full frenzy. They had the hunger that many support bands I have seen over the years possess. It seems they were out to assault the ear drums from the first moment and they succeeded. I also liked their make up, it did remind me of something out of a zombie B-movie but it worked well. While I can’t say that I’ve been converted to the Cradle cause and intend to buy their entire discography, I won’t, I did think they were pretty good and kept things going quite well.

Cradle of Filth- out to frighten young children

I thought this was a good shot of them

Guitars and bass do that 80s rocking back and forth close together thing.

Inglorious wasn’t the only band I listened to on Youtube in the days before Download. I also listened to some Hatebreed. They didn’t impress me as much as the first band did so they weren’t on my ‘must see’ list. After Cradle of Filth, I decided to take a walk and ended up heading over to the Avalanche Stage. It was here that I discovered the band I truly had never heard of before but really impressed me, Puppy. They’re a three piece band with the guitarist taking on the vocal responsibilities. His vocals are good and he has a good on stage rapport with the bassist but really impressed me was their power. While not thrash, they could collectively hit the right power chords and they really did impress me. Furthermore, they must have impressed a lot more people because at the end of their set, the guitarist remarked that he didn’t expect that many people there to see them. I think that’s a sign of things to come for this band. One I urge you to check out as well.

Puppy- Sorry, this was the best shot I could get of the band under all of those lights.

Puppy proved a good warm up to one of the bands I was dying to see. After eating an overpriced burger and watching the first bout of the NXT Wrestling, I headed over to the Zippo Stage to see the band I’ve been wanting to see for 32 years, Kreator. I managed to get almost to the front so I was in a great position to see them when they came out. Kreator hit the stage running at about 250 mph with “Phantom Antichrist” and didn’t look back. They might have only been on stage 30 minutes but they didn’t stop from start to finish treating the audience to “Hail to the Hordes,” Hordes of Chaos,” which Mille referred to the crowd as and “Suicide Terrorist” and ended with my all time favourite “Pleasure to Kill.” Two things surprised me on what I saw. One was that most of the shredding was done by Sami Yli Sirnio. Don’t get me wrong, Sami can smoke the six string but I’ve always thought that Mille Petrozza was just as capable. Saying that, it worked for them. The other thing was that Mille does know how to work a crowd and get them participating, he’s a much better front man than I expected. Like I said, the band gave their all because when they left, Mille looked like he needed to use a different underarm deodorant and drummer Ventor was drenched in sweat. Thirty-two years and it was well worth the wait.

Mille leads Kreator onto the stage

Mille supports while Sami shreds.

Still buzzing by Kreator’s performance, I returned to the main stage in time to catch the final couple of songs of In This Moment. Lead by lead singer Maria Brink, the band backed up what looked to be an interesting theatrical stage show. Because I got there at the end, I couldn’t get what the story was about but it looked like a woman who looked like Maria was acting like Maria’s slave while she sang but while it would have been interesting to see the entire show, I don’t regret giving it up for Kreator.

In This Moment performing their theatrics.

Rejoining my stepson Teal who had remained at the main stage, he did say that In This Moment’s show was quite good and he thought Hatebreed were pretty good as well and they paid tribute to Kreator. That was cool but we both awaited the appearance of Black Veil Brides. These were on my “I have to check out” list so I made it a point to see them. I wanted to see if they were really Motley Crue for the twenty-teens. They weren’t they were better and I must say that I was very impressed with their often melodic, sometimes power metal. Of course, they played the song they’re known best for, “Fallen Angels” and I sang the chorus along with everyone else in the crowd. “Faithless” was played very brilliantly too and I found myself harmonizing the “Whoa-oh” along with the crowd. When they left the stage, they had definitely made a believer out of me and Teal because he wasn’t too keen to see them at first, he said he didn’t regret it after.

Black Veil Brides make their appearance

Bassist Ashley Purdy comes to my side of the stage

Andy , Jinx and Jake in action

Andy comes our way.

Guitarists rocking out on centre stage.

Shinedown was another band I had only heard on Youtube just a few days before Download and as a result, which was also down to my not wanting to lose my place for Marilyn and Ozzy, I remained in place to see them. A wise decision this turned out to be. Shinedown were another band I had no familiarity with but really impressed me on the day. I’m probably way out of the ball park on this but they reminded me of classic 1970s hard rock. Their hour on stage went by too fast, playing a combination of old material and some from their latest album. Brent Smith is a good vocalist and showman as any of them and the band behind him played very well. I was quite impressed when bassist Eric Bass (no that’s not a pun) played acoustic guitar. For some reason, it’s what I remember most about them, probably because the song played to it was good.

Shinedown begin

Playing in the smoke

A good shot of Eric Bass

As the evening progressed, the excitement mounted for the top two acts on the card. Marilyn Manson came out first, stating that he hates the daylight but that couldn’t be helped. He had the crowd eating out of his hand from the outset and all the things I heard about his kick ass live shows were true. I was personally pleased when he performed my personal favourite of his, “This is the New Hit” but the day had been going like that. He sang many other of his best hits as well and what surprised me a little was that while he performed his version of 80s synth pop song, “Sweet Dreams,” he didn’t do “Tainted Love,” not that it bothered me. He did have several background and costume changes as well. Starting with the upside down black and white flag with the crosses, then a picture of himself and following that, the upside down cathedral. His final costume choice was bold because it was a large frilly black coat and it was still quite hot outside. While his show was top rate, I was a little disappointed about the end because he exited the stage without any thank you or acknowledgement of the crowd.

Marilyn commands the stage

Manson comes to the centre of the stage but too many hands got in the way.

Cool lights and Marilyn’s guitarist and drummer

Marilyn singing without a shirt on

I used the large screen to get this shot of him.

Finally, the main event: Ozzy Osbourne came to the stage. Before he came out, however, he called out from backstage, “I can’t fucking hear you!” two times before he came out and only when the audience was good and loud. Once he did, it was Ozzy mayhem from beginning to end. While he wasn’t doing acrobatics on stage, he still moved around fairly well for someone approaching 70. It was no surprise he began the show with “Bark at the Moon,” he did that when I saw him 32 years earlier. It was the second song that got me going, probably my all time Ozzy favourite, “Mr Crowley.” If that wasn’t enough of a surprise, instead of “Iron Man” he sang my all time favourite Black Sabbath song, “War Pigs.” So, you can imagine my euphoria after that. It was after that classic that Zak Wylde dazzled with his guitar skills. The funny thing was that during his solo, he started playing the opening riffs to “Perry Mason” and I thought that would be the next song. Unfortunately not, but it wasn’t a disappointment. Instead, Tommy Clufetos went into a massive drum solo, thus further wowing the crowd. When Ozzy returned, there were more of the classics, “Road to Nowhere,” “Dreamer” and I was a little surprised when he played “Shot in the Dark,” It was overdubbed with keyboards but it still sounded okay. In all cases, he got the crowd fully involved and there was plenty of shouting and hand waving along to his songs to be had. When he left the first time, no one was surprised to see him come back quickly and when he did, he treated the crowd to “Mama I’m Coming Home” and of course, “Paranoid.” However, when he left for good after all the good byes and fanfare, I realized his show was twenty minutes shorter than what it was billed for. Yes, he could have done a few more classics, but he went out on a major high.

Ozzy’s stage

Ozzy’s kick ass show

I regret that there’s only two photos of Ozzy’s piece of history. That was because my memory card was full. Nevertheless, he ended what was a glorious Sunday at Download.

I did take videos of Kreator and Ozzy but stupid WordPress won’t let me upload them here. They won’t even let me paste a link to it on Facebook.

Next post: Bryan Adams- Reckless

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