Archive for Deep Purple

Great Metal Albums of 1984: Metal Church

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on January 27, 2018 by 80smetalman

Constant vigilance in perusing the heavy metal and imports sections at the local record shops as well as word of mouth from like minded friends played a major role in severing my reliance on commercial radio and MTV for all of my musical needs. Besides, by my calculations, it was in the Autumn of 1984 that both started down that slippery slope into totally sucking. If I had totally relied on that, I might not have ever discovered the debut album from Metal Church. Fortunately, I had a friend, the late ‘Wild Swinging’ Stacy Kroger, (may she rest in peace), who introduced me to the album.

For a young metalhead in the 1980s, Metal Church is a brilliant album to listen to. This is a pure metal album to say the least. In fact, I think there are some features that would influence other metal artists, some of whom would be more successful than Metal Church. King Diamond, you’re one of the ones I’m looking at here. Take the opening track, “Beyond the Black.” It starts with a soft intro where a hoarse whispering introduces things. You know, after all these times, I still can’t fully grasp what the voice is saying. However, you can’t contemplate it more because before you know it, some great guitar work comes in and the song then proceeds to pulverize the crap out of you. Just when you think, you’ve got it under control, there comes a tempo change or two. The fact that the song is over six minutes long has one wondering if it’s the same song, but it is.

Things evolve nicely into the title track which is another metalhead’s dream song. Then comes an instrumental where guitarist Kurdt Vanderhoof gets to show off what he can do with a guitar and it’s quite good. However, he’s even more impressive on “Gods of Wrath,” which is in similar style to the opener. A slow start before going into a mad frenzy.  Only this time, he shares the spotlight with the versatile vocals of David Wayne. On this album, Wayne can do it all. Sing almost ballad like and then screams the house down without straining his voice.

The second half of the album carries things over very well while at the same time, surprising you a little. All of the next four songs are why some future fans would call Metal Church thrash or speed metal. They are all very fast songs but the band shows they’re truly up to the task. Then, keeping with unpredictability, the albums ends with a cover of the Deep Purple classic, “Highway Star,” which is done very well at a blistering speed metal pace, or so I thought back in 1984.

Track Listing:

  1. Beyond the Black
  2. Metal Church
  3. Merciless Onslaught
  4. Gods of Wrath
  5. Hitman
  6. In the Blood
  7. (My Favourite) Nightmare
  8. Battalions
  9. Highway Star

Metal Church

David Wayne- vocals

Kurdt Vanderhoof- guitar

Craig Wells- guitar

Duke Erickson- bass

Kirk Arrington- drums

With the success of this debut album from Metal Church, they would be signed by the larger Electra Records and the rest would be history. Still, if you want to hear a band when they were at there lean, mean and hungriest, then I recommend this one.

Next post: Billy Squier- Signs of Life

To buy Rock and Roll Children, go to: https://book-fm.cf/print/free-download-rock-and-roll-children-by-michael-d-lefevre-pdf.html

 

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Great Metal Albums of 1984: Gary Moore- Victims of the Future

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on November 19, 2017 by 80smetalman

 

UK Album Cover

North American Album Cover

Gary Moore as a solo artist didn’t enter my radar until 1986 when I went over to England. Before that and I am ashamed of my naivety at the time, I only knew Gary as the guitarist who used to be in Thin Lizzy. Fortunately, I got a full course in the music of Gary Moore when I did get there thanks to a friend who was a big fan. As a result I got to hear lots of his albums including this one, “Victims of the Future” and I can say that my education in this subject has been top notch. Thirty years on, I have to say a special thanks to Kieran Devlin for being my teacher.

My first impressions of “Victims of the Future” as with many Gary Moore albums, now as it was then, was “He can really play a guitar.” His trademark solos permeate this album and now I am tempted to go into a rant as to how underrated he has been.  That might be true in North American terms but he has always been considered one of the greats here in Britain and of course his native Ireland. Just listen to “Shapes of Things” because that is in my opinion, his best guitar work on the album.

Many of the songs here are straight forward rock anthems. My personal favourite is “Teenage Idol” because that one comes out and hits me in the face the most. “Murder in the Skies” has a very cool guitar intro where he rips up the chords before the meat of the song comes pounding through. A look at history reveals that Gary wrote the song in protest of the Soviets shooting down Korean airline 007 in 1983. The same can be said for “The Devil in Her Heart” which is only on the US release. This is a good rocking song so I don’t know why it’s omitted from the UK version. “Law of the Jungle” is another exemplary rocker and the way it fades out makes it a great closer but he does go a little mellow with “Empty Rooms.” You can call it a ballad but he lays down some good guitar work on it.

Not only does Gary shine on “Victims of the Future,” he enlists some great musicians. Ian Paice of Deep Purple fame plays drums on half the tracks and Bob Daisley who played with Ozzy provides the bass work on two. Noddy Holder of Slade steps in to provide backing vocals on one song. The others who support may not be as recognized but they still do a magnificent job. Therefore, the album has all one needs to be great, good vocals, a steady rhythm section and of course, Gary’s guitar solos.

Track Listing (UK)

  1. Victims of the Future
  2. Teenage Idol
  3. Shapes of Things
  4. Empty Rooms
  5. Murder in the Skies
  6. Hold Onto Love
  7. All I Want
  8. Law of the Jungle

Track Listing (US)

  1. Victims of the Future
  2. Teenage Idol
  3. Devil in Her Heart
  4. Empty Rooms
  5. All I Want (cassette only)
  6.  Shapes of Things
  7. Murder in the Skies
  8. Hold Onto Love
  9. Law of the Jungle

Gary Moore

Gary Moore- guitars, vocals

Neil Murray- bass on tracks 1,3,7 & 8

Mo Foster- bass on tracks 4 & 6

Bob Daisley- bas on tracks 2 & 5

Ian Paice- drums on tracks 1,3,4 & 8

Bobby ‘Prime Time’ Chouinard- drums on tracks 2,5,6 & 7

Neil Carter- keyboards

Noddy Holder- backing vocals on “Shapes of Things”

So thirty-one years on, I have to say “thank you Kieran” for introducing me to Gary Moore and playing his albums for me, “Victims of the Future” included among them.

Other news: A band I have been promoting on 80smetalman, Black Emerald, has invited me to their album launch party in Reading, UK on February 10. Needless to say, I am excited and you will get a full report of the night’s festivities.

Next Post: Since I’m in a Gary Moore mood, it will be his 1984 live album, “We Want Moore.”

To buy Rock And Roll Children, go to: https://www.amazon.com/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_3?ie=UTF8&qid=1511084083&sr=8-3&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

Great Metal Albums of 1983: Black Sabbath- Born Again

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on October 12, 2016 by 80smetalman

220px-sabbathborn

The first concert I saw at the Philadelphia Spectrum after getting out of the marines was Black Sabbath. Having heard the album they were promoting on the tour, “Born Again,” I already knew that former Deep Purple lead singer, Ian Gillan, would be fronting them. However, I still thought it was a bit strange that when they came out for the second encore, they played “Smoke on the Water.” Actually, that strange feeling lasted only for a few seconds because the song worked as did Gillan singing some of the more classic Sabbath songs. I thought he did a particularly good job on “Heaven and Hell.”

This begs the question, if Ian Gillan sounded so good for Sabbath, then why did so many of the so-called rock critics slate it and why isn’t this album considered one of their best? Let me address the second point. When I hear “Born Again,” I don’t immediately start pining for the more classic Sabbath albums like “Paranoid” or “Heaven and Hell” but I won’t put it on the same level as those more memorable albums either. It’s a great album but not a classic. As for the critics, well, what do they know?

Ian Gillan’s Deep Purple influence comes out immediately on the album. “Trashed” could have been a Purple song. At least until Tony Iommi goes into one of his trademark guitar solos in the middle of the song. Plus, I can say the same thing for “Disturbing the Priest,” although the instrumental track in between those two, “Stonehenge” tries too hard to copy “E5150.” My hypothesis here is that Tony and Geezer let Ian sing according to his style and bent their guitar and bass playing styles around the vocals. Personally, I think they do a damned fine job of it as well. This really shows through on the track “Zero the Hero.” Unlike some critic, I don’t find the song embarrassing, I quite like it, especially how Tony Iommi nails the guitar solo on it.

My favourite track on the album has to be “Digital Bitch.” I love the way, they take Gillan’s shrieks and Tony’s guitar and fuse them together. The title track is a more slower bluesier number. Black Sabbath have been doing these for years except in the past, they did it with a much heavier guitar. They don’t do that so much with this one except for the chorus. At the time, it was believed that this would be the closest Black Sabbath would come to a power ballad. Ian Gillan’s voice suits the song well but then he is definitely if not the best, one of the best vocalists in rock or metal.

Now I haven’t forgotten to mention the interesting album cover. After all, I had it on a t-shirt. I always thought it very amusing even if the American religious community didn’t. Now, I wish I still had that shirt.

Track Listing:

  1. Trashed
  2. Stonehenge
  3. Disturbing the Priest
  4. The Dark
  5. Zero the Hero
  6. Digital Bitch
  7. Born Again
  8. Hot Line
  9. Keep it Warm
Black Sabbath

Black Sabbath

Tony Iommi- guitar

Ian Gillan- vocals

Geezer Butler- bass

Bill Ward- drums

Note: Bill Ward would not tour with the band for this album. Replacing him for the tour was former ELO drummer Bev Bevan

I wonder what would have happened if Ian Gillan had stuck around with Sabbath for a few more albums. Would musical history as we know it been changed? Hard to say. As we know, Ian would leave Sabbath after this and rejoin his mates Ritchie Blackmore and Roger Glover from Rainbow and reform that band they were in together during the early 1970s. Ian Gillan might have only recorded one album with Black Sabbath but it is definitely one to remember.

Next post: Because they supported Black Sabbath when I saw them, I thought it right that it be Quiet Riot- Mental Health

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

Great Metal Albums of 1982: Whitesnake- Saints and Sinners

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on September 24, 2015 by 80smetalman

Whitesnake-saints

Funny old world isn’t it? Even though I was in their native country in late 1982, I never heard anything of Loudness. On the other hand, the rock bar I frequented quite a bit on Okinawa introduced me to an English heavy metal band called Whitesnake. For the life of me, I can’t remember which Whitesnake songs got played but I do know that I liked them. Hell, I can’t even say if any of the songs were from the album I’m about to post on here.

As much as I like what I heard from Whitesnake, I never got around to exploring them more, silly me. I even had the chance to see them live in the summer of 83 but that’s another story. It wouldn’t be until another year after that I would finally listen to them in earnest. Furthermore, it was only when I got to England two years after that, that I made any attempt to listen to their earlier stuff, was I a fool? Judging from the album, “Saints and Sinners,” most definitely so.

“Saints and Sinners” is a much harder offering than the more commercial oriented material from later on in the 80s, which many people are more familiar with. What I found amusing about this album was the early recordings of songs that would be stripped down to sound more commercial in the years on. There is an innocence with the version of “Here I Go Again” on the album, that while I won’t go onto say it’s better than the commercialized version, (it’s certainly not worse), it does sound more genuine. Sort of the same can be said of “Crying in the Rain.” The version I have on the “Greatest Hits” album doesn’t sound like this one. I don’t remember hearing such a killer guitar solo on the hits album nor does it make me rock along to it as much.

Many of the other songs are cool rockers as well. “Youngblood,” “Victim of Love,” “Rock and Roll Angels” and the closing title track all fit the bill in my book. Then again, should I have expected anything less with former Deep Purple members Jon Lord and Ian Paice in the band. Furthermore, I have finally come to appreciate the guitar talents of Moody and Marsden. Of course, I won’t take anything away from David Coverdale as I have always rated him an extremely talented vocalist and should have put him in the same club with the other names I suggested Minoru Nihara join.

Track Listing:

  1. Youngblood
  2. Rough and Ready
  3. Bloody Luxury
  4. Victim of Love
  5. Crying in the Rain
  6. Here I Go Again
  7. Love and Affection
  8. Rock and Roll Angels
  9. Dancing Girls
  10. Saints and Sinners
Whitesnake (line up for Saints and Sinners)

Whitesnake (line up for Saints and Sinners)

David Coverdale- vocals

Mick Moody- guitar, vocals

Bernie Marsden- guitar

Jon Lord- keyboards

Neil Murray- bass

Ian Paice- drums

Maybe when I began posting about the year 1982, I should have called it “The Year So Many Albums Passed Me By.” Yes, I can blame it on being overseas in the military but I had no excuse with this one. As a result, I missed what turns out to be a Whitesnake album from the days they really rocked.

Next post: Twisted Sister- Rough Cuts

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

Great Rock/Metal Albums of 1982: Uriah Heep- Abominog

Posted in 1980s, Heavy Metal, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on April 26, 2015 by 80smetalman

Abominog(album)

It’s another shame on me moment here on 80’smetalman. Uriah Heep were a band that I always wanted to check out but never got around to. I can’t even blame it on them being unknown in the US because they weren’t. Back in the late 1970s, when I belonged to one of those RCA record clubs, their albums were always listed for sale. Therefore, the fault totally lies with me.

I knew they were a hard rock band but that’s all I knew about them. The one song of theirs I have on a compilation, “The Wizard” is a brilliant song but I wouldn’t call it heavy metal. It took the 1982 album “Abominog” for me to discover that Uriah Heep should have been listed as one of my “Other Great Metal Influences.” At the very least, they should have gone into the “Honourable Mention” post because this album totally resonates heavy metal. In fact, I will go out on a limb and state that Uriah Heep belongs with Rush and Deep Purple as key players in the creation of progressive metal.

“Abominog” is a totally kick ass progressive metal album. It reminds me of everything I have always loved about heavy metal. There are some fantastic guitar riffs, complimentary keyboards, strong vocals and I can’t take anything away from their rhythm section either. Furthermore, I hear traces of bands like Dio, Autograph, Whitesnake, for sure in the track “Prisoner” and Hammerfall and I think there have been many a lesser known metal band who learned a trick or two from Uriah Heep who have been doing it since the early 1970s. So, I think I can say that many a band can trace their influences back to this band.

Track Listing:

1. Too Scared to Run

2. Chasing Shadows

3. On the Rebound

4. Hot Night in a Cold Town

5. Running All Night (With the Lion)

6. That’s the Way It Is

7. Prisoner

8. Persuasion

9. Sell Your Soul

10. Think It Over

Uriah Heep

Uriah Heep

Peter Goalby- lead vocals

Mick Box- guitar, vocals

John Sinclair- keyboards, vocals

Bob Daisley- bass, vocals

Lee Kerslake- drums

It has already come to my attention that Uriah Heep’s 70s material is even better than what’s on this album. I don’t doubt this but I am looking forward to my journey of discovery of a great band which almost passed me by.

Next post: Hawkwind- Church of Hawkwind

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

1982: Triumphs and Tragedy

Posted in 1980s, Concerts, Death, Heavy Metal, Heavy Metal and the 1980s, Humour, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , on April 12, 2015 by 80smetalman

You may remember that when I first entered 1982, I spent eight of the twelve months of that year deployed with the marines. The first six months were especially difficult because I was floating about the Mediterranean Sea and Indian Ocean on a ship. So I didn’t get that much news especially news pertaining to music. However, one piece of tragic news that did reach my ears whilst on the ship was the death of comic actor and Blues Brothers singer John Belushi.

Bluesbrothersmovieposter

Unlike the assassination of JFK, Belushi’s death may not have been a where were you moment when you first learned about it to most people. While I can say for sure that I was on board the ship when I learned about his tragic passing, I can’t say where exactly the ship was at the time. I do know that it was somewhere in the Indian Ocean.

His career may have been short but John Belushi packed a load of things to remember him by during those few years. For us music fans, the biggest contribution to music was most certainly The Blues Brothers. His collaboration with Dan Ackroyd  gave us a brilliant album and in 1980, a hilarious movie with one hell of a great soundtrack. For those new to 80smetalman, I have visited both on here if you want to take a look. Older statesmen like me, however, will always love Belushi for his antics on the old Saturday Night Live show. I will always love his Samurai character. In 1982, a true musical and comical genius was tragically taken from us. R.I.P. John Belushi.

John Belushi as Samurai in my all time favourite one: Samurai Night Fever

John Belushi as Samurai in my all time favourite one: Samurai Night Fever

Now on to the triumph. This year saw the third Monsters of Rock Festival at Donnington Park. Attendance was up from the previous two years and evidence that slowly but surely, heavy metal was taking over the UK. A small piece of festival history was made that year when Saxon became the first band to play at there for the second time. Headlining was another British band who failed to make it very far in the US, Status Quo. I have to admit, that I haven’t listened to them much over the years over the years. Guess I should rectify that. Other players that year included Gillan, Uriah Heep, space rockers Hawkwind and Canadian metal band Anvil. While it would be another year before I would hear about this great festival, I believe that this varied line up would have been a great thing to see and hear.

HW 1982-08-21 Castle Donnington.Monsters of Rock.1.front

Like I said at the beginning, my knowledge of musical events is limited due to the circumstances. So if there is some other event from 1982, triumph or tragedy, let me know and I will post about it because it is part of our history. Call this an urgent appeal.

Next post: Status Quo- 1+9+8+2

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available at Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

Great Rock Albums of 1982: Gillan- Magic

Posted in 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , on March 30, 2015 by 80smetalman

220px-Magic_-_Gillan

The 1982 “Magic” album would be the last studio album from Gillan and this probably is why they are the best British rock/metal act not to have made it big in the US. The band would disband after this album with Ian Gillan going onto to front Black Sabbath before reforming with Deep Purple. So the million dollar question is, did they go out with a bang?

One advantage for me in answering that question is that I’m still pretty much a new comer to Gillan because they didn’t make a huge impact in America. While, I have heard many of their previous albums and posted about them on here, I haven’t listened to them enough to arrange them in any sort of order to preferences. Furthermore, I try not to pay attention to chart positions and don’t give a crap if “Magic” didn’t chart as high as “Glory Road.” That makes it easier for me to judge this album on its own. I have also heard plenty of final albums from bands who disbanded after and I can say that since this is a last album from Gillan, they definitely go out on a high.

With “Magic,” Gillan try to walk a fine tightrope between hard and more synthesizer rock, which they do quite well. There are some great rockers like the opener, “What’s the Matter” and credit where due, Janick Gers lays down a mean guitar solo on “Bluesy Blue Sea.” I didn’t realise he was so capable of playing in the blues like style. Another great rocker is “Driving Me Wild.” On the synthesizer side is “Caught in a Trap” and “Devil Driver” which goes way out there on a very progressive yet creative streak. That one is definitely one to have playing while contemplating the universe. Of all the tracks, the one that brings both the guitar and synthesizer sides together to make a great song is “Living for the City.” It starts with the keyboard making one think that this is going to be in that vein when the guitar just steps in and takes over. Once again, Gers plays a great guitar solo and the keyboards don’t disappear but continue to add to the flavour. What stops it from being a fantastic song, unfortunately, is the vocals of Ian Gillan. He tries to hard to be a screaming rock singer when he doesn’t have to be. His voice is good enough without having to do that. Still, “Magic” is a great album.

Track Listing:

1. What’s the Matter

2. Bluesy Blue Sea

3. Caught in a Trap

4. Long Gone

5. Driving Me Wild

6. Demon Driver

7. Living a Lie

8. You’re So Right

9. Living For the City

10. Demon Driver (reprise)

Gillan (from this album)

Gillan 

Ian Gillan- vocals, harmonica

Janick Gers- guitar

Colin Towns- keyboards

John McCoy- bass

Mick Underwood- drums

After “Magic,” the members of Gillan would go their separate ways and move onto other things. With the person whom the band is named after, that would be left to history. It’s good that unlike so many other bands whose final album isn’t up to much, Gillan at least goes out with a bang with theirs.

To buy Rock And Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London