Archive for Judas Priest

2018: Tragedies and Triumphs

Posted in Concerts, Heavy Metal, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 30, 2018 by 80smetalman

We are all reflecting on 2018 as the year comes to a close. For me, the year has been a roller coaster of triumphs and tragedies. The tragedies being losses in my own personal life as well as some in the music and entertainment world. Although it happened in 2017, the effects of the passing of my mother in law were felt for several weeks into the new year. Then, when I thought Mrs 80smetalman and I had gotten over it, my mother died in early March. Losing both mothers barely two months apart is something I would not wish on any couple. After putting that behind us, my wife’s aunt suddenly died. No one was really expecting it but it was not the way anyone wanted to see the year end.

Like 2016 and 17, 2018 has had its share of people we love from the music world departing this world, including two I only just found out about. Those were Matt ‘Guitar’ Murphy from The Blues Brothers and former Jefferson Airplane/Starship lead singer Marty Balin. Saying that, the list I found them on did not include Huntress lead singer, Jill Janus, which I’m a little peeved about. Here’s a list of some of the others who passed on.

Vinnie Paul

Bruno Sammartino

Blues Brothers with Aretha Franklin

It’s rather ironic that Aretha Franklin and Matt Murphy, they played husband and wife in the Blues Brothers film, both died in 2018.

Marty Balin

The only decent shot I got of Jill Janus and she has her back to me

Ed King

Fortunately, there were many triumphs in 2018 as well. The best of those was becoming a grandfather, thus ensuring a third generation of metalheads in the LeFevre family. In addition, two weeks ago, I got to see my daughter receive her master’s degree, a proud moment.

Grandfather and grandson

Needless to say, there were a lot of musical highs in 2018 as well. In February, I was invited to the album launch party for the band Black Emerald. A band I had seen at Bloodstock in 2013 and impressed me so much, I wrote a post as to why they should be signed. Someone must have read it because this year saw the release of Black Emerald’s debut album, “Hell Can’t Handle All of Us. I have listened to the album several times now and it’s brilliant. I hope this is the dawning of great things to come for this band.

Although my trip to the US, was due to tragic circumstances in March, I still got to experience what I called “America’s best kept secret” in the form of blues guitarist and singer Hannah Wicklund and her band the Steppin’ Stones. This was another album from this year that I enjoy more with each listen.

Hannah Wicklund

Hannah wasn’t the only lady in rock to turn my head in 2018. Not long after, I got to experience Lebanese metal maidens Slave to Sirens. Last report I heard, they are working on a full length album and I will definitely be picking it up when it comes out.

Slave to Sirens

No year would be complete without going to a music festival or two. In June, I went to the Sunday at Download where I was awed by the likes of Iglorious, Shinedown, Black Veil Brides, Marilyn Manson and Ozzy himself. I was also introduced to up and coming new band, Puppy but the best part for me was after a more than thirty year wait, I got to see German thrashers, Kreator. It was definitely a day to remember.

Mille leads Kreator onto the stage

Ozzy’s kick ass show

One festival wasn’t enough so in August, I went to Bloodstock for the full three days. Each day brought both the expected and unexpected. On the Friday, Suicidal Tendencies, Judas Priest and Doro all performed as well as I thought but I was further impressed by Kamelot and Feed the Rhino. Likewise on Saturday, Gojira proved they earned the headlining slot but I was also wowed by Orden Organ, the pirate metal of Alestorm and Sophie Lancaster Stage headliners Orphaned Land. I am currently listening to Orphaned Land’s new album, “Unsung Prophets and Dead Messiahs” and so far, I’m very much liking what I am hearing. However, you can’t forget Sunday, which could have been called Scandinavian Day as most of the bands were from Sweden or Finland. Still, Fozzy was brilliant as always and Mr Big showed they could play Bloodstock and Devil Driver was one big mosh pit. On the other hand, I was very grateful for my introductions to Amaranthe and Nepalese metalers Underside. This was a great way to end my festival career.

Feed The Rhino welcome everybody to Bloodstock

ST comes on stage

Doro on the Sophie Stage

Levermann and Kersting leading from the front.

Alestorm on stage with a lot of flying inflatable objects.

Orphaned Land

A shot of the entire band

Amaranthe won me over

Underside show that you can rock in Nepal.

Late in the year, AC/DC tribute band Hell’s Bells made their annual trip to Stroud and were as good as always but the year ended with seeing Slayer, Anthrax and Lamb of God in Cardiff. This is supposed to be Slayer’s farewell tour and it was a great night for them to go out on.

Obviously, I got closer to the stage for Hell’s Bells

Anthrax in Cardiff

Lamb of God

Slayer appear!

Yes, 2018 was a year of triumphs and tragedies for me. The important thing is that I got through it with many great memories. Likewise, 2019 is also looking very promising. On the personal side, both of my sons are getting married this year. My younger one in February and my eldest is getting married in December. While I have retired from going to three day festivals, I think I will go to Bloodstock on the Sunday with the Scorpions headlining that day and Dee Snider playing as well. However, the band I want to see most that day is Queensryche. I’m already looking forward.

So, I wish all of you a very happy 2019! I look forward to continuing my tour through the golden decade of heavy metal as well as talking about relevant events and I look forward to reading what you all have to say in 2019.

Next post: I think I’ll put on some of the music from the bands I mentioned here.

To download Rock and Roll Children, go to: https://c-newfreepdf.cf/olddocs/free-download-online-rock-and-roll-children-pdf-1609763556-by-michael-d-lefevre.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Bloodstock: Farewell

Posted in Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 27, 2018 by 80smetalman

A place to get your air mattresses inflated. I didn’t have one.

At previous Bloodstock Festivals, I always had to leave on the Sunday night due to work commitments. Because I wanted to see so many bands on the Sunday, I made sure I sorted things out so I could sleep Sunday night and leave Monday morning. Monday mornings seem to be an anti-climax at Bloodstock and probably most other weekend festivals. Although, I could hear people partying away on the Sunday night, the campsite seemed deathly quiet when I woke up at 7:15 on Monday morning. Most of the tents were still up although I could see that some had packed up and left in the middle of the night. Therefore, I got Teal and Joe up with no problem, my offer of a MacDonald’s breakfast was good incentive, and we took down the tent, packed and joined the slow but steady procession of people leaving the grounds. There was no conversation, it seemed everyone, like us, was focused on leaving. The whole process only took an hour.

I was totally serious when I said Bloodstock 2018 would be my last ever three day festival unless of course I win the lottery and then I’ll rent a mobile home and go glamping at Bloodstock and Download. The thing is that I’m getting too old to be laying on a piece of ground for an entire weekend. I also felt my age in other ways. After standing to see a couple of bands, I definitely needed to sit down as I felt the aches and pains. While you’re never too old to rock, I have to admit that I’m getting too old for all the other bits that go with it. However, it’s not just me getting old, many of the bands I grew up with and rocked out to are calling it a day as well. Twisted Sister has retired and supposedly so has Ozzy and though Judas Priest claim they will be back, will they be the same without Tipton and Downing bending the six strings? That remains to be seen.

One thing I can say that if this was my last festival, I’m going out on an absolute high. Bloodstock 2018 was fantastic, don’t ask me if it was the best because all of them were that good. At 2018, I got to see personal favourites Suicidal Tendencies, Judas Priest and Doro, all of which put on a magnificent show. On top of that, I got to see Mr Big, a band whose material I have plenty of but never saw live. They proved to doubters that they did belong at Bloodstock. Also, after seeing Gojira twice as a non- headliner, I saw them take their rightful place at the top of Saturday’s lineup and they made the most of it. What I can say what was great about this year’s Bloodstock was that I got to see many bands I had heard little or nothing about and get totally blown away by them! Feed The Rhino and Orden Ogan definitely come to mind here and now that I know more of them, I am delving more into Amaranthe and Nightwitch.

Feed The Rhino welcome everybody to Bloodstock

Levermann and Kersting leading from the front.

Amaranthe won me over

Of all the bands, there are two which I have a special place with me on account of where they’re from, Orphaned Land and Underside. Orphaned Land, from Israel, explained that with all the hatred in the Middle East at the moment, there seems to be a unified hatred for heavy metal there. I have touched on this in past posts, especially with the band Confess who faced long term prison time in Iran for playing the music they loved so much. On the other hand, not all Middle Eastern nations are like Iran as the lovely Lilas Mayassi from Slave to Sirens pointed out to me. Lebanon is a liberal and tolerant country. Furthermore, Underside are from Nepal and they thanked me on Facebook for the kind words I wrote about them. It fills my heart to see that heavy metal is even making its way into small mountain countries. What we as metalheads need to do is to embrace these metal artists coming out of such regions and give them the ear they so desperately seek. Only this way can metal establish world dominance.

Orphaned Land come out under the lights.

Underside finally emerge

Some final observations from the historic weekend was that I noticed and forgive me if I’m not being politically correct here, that there were more persons of colour attending the festival. The New Yorker who was into At The Gates was African American.  I’m not just talking about those of Afro-Caribbean origin, there were also people of other races there too. This is good because it has been a concern of mine ever since I read Laina Dawes book, “What Are You Doing Here?” In order for metal to progress, we must kick racism and sexism out of it. That reminds me, it turns out that Underside’s  great female bassist whose playing totally rocked, isn’t officially a part of the band. It would be great for them to take her on full time.

Thank you for letting an old man rant but I hope the wisdom of my years shows through here. I will take memories of Bloodstock to my grave with me because it is a great metal festival and I enjoyed each and every one I’ve been to.

I finally got a song from Underside for you, enjoy!

Next post: Los Lobos- How Will the Wolf Survive

To buy Rock and Roll Children, go to: https://www.amazon.co.uk/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_3?s=books&ie=UTF8&qid=1535371510&sr=1-3&keywords=michael+d+lefevre

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bloodstock 2018: The Friday

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 17, 2018 by 80smetalman

Even having a crap night’s sleep the previous evening didn’t dent my enthusiasm for the first full day at Bloodstock. We started with a hardy bbq breakfast because we couldn’t have one the evening before on account of the waiting to get in and the brief rain. Therefore, we had it in the morning. After a breakfast of champions like that, which was washed down with beer, we decided to head for the arena.

Keeping with my established tradition, I made it a point to be present for the very first band out on the Ronnie James Dio Stage. That band happened be British punk band Feed The Rhino. If there is a textbook on how the opening band of a festival should act, then Feed The Rhino followed it to the letter. They exploded on stage at 300 mph with a song that grabs you by the throat and makes you listen to it nor did any of that energy dissipate after the first song. However, some purists may argue that the band broke protocol by organizing a mosh pit and then a wall of death. Whoever said opening bands weren’t allowed to do that? Especially when the lead singer, Lee Tobin, did a little crowd surf towards the wall. It was amazing and when they left, which was too soon, Feed The Rhino had set the mood not just for the day but for the entire weekend!

Feed The Rhino welcome everybody to Bloodstock

Lee Tobin carried by the crowd

In spite of the fact that I had seen and heard three bands I had never heard of previously who totally blew me away, I still went to the New Blood Stage to seek out more. Playing at my arrival was the band Garshkott. While they weren’t bad, their sound was in the vein of Feed The Rhino and Bloodshot Dawn, and I wouldn’t be surprised if they were ever signed, in my mind, they didn’t measure up to the two bands I have just mentioned. Then again, those two bands set the bar astronomically high.

Garshkott giving it their all

Heading back to the RJD Stage, I thought I should see Onslaught. I had seen them at my first Bloodstock in 2010 but I didn’t remember anything about them. Seeing them again, I remember why I didn’t remember them, there’s really nothing about them to remember. While their music was okay and I have since discovered from Youtube that their recorded material sounds pretty good, they just didn’t do anything for me when I’ve seen them live.

Onslaught coming out to play

Another shot of them

The uneventfulness of Onslaught meant that when the rains came down in the final minutes of their set, I fled for cover. The closest was the New Blood Stage. Providing the entertainment in my new found refuge was Democratus. They weren’t thrash but good solid metal. The singer did a great job in getting those in the tent to sing along. He would sing out, “Is this what you call?” and the audience, me included, would shout back, “Democracy!” Very relevant at the moment and I thought they were pretty good. If I was a scout, I would have signed them before the previous unsigned band on the day.

Democratus

Still raining down in buckets outside, I decided to stay in the New Blood Tent to remain dry. It turned out to be the will of the metal gods because coming on stage next was Vulgore. Of the three unsigned bands I had seen so far, these guys were the best. Their music was loud and brash but the guitarist could shred a little too. Still, their music is not for the faint hearted. They announced they have an EP coming out titled “Bliss.” I might have to hunt this one down.

The guitarist from Vulgore

More Vulgore

Vulgore made the rain stop, so after their departure, I headed outside. On the Dio Stage at the time was Memoriam. I only caught the last two songs from their set but they sounded all right. Plus, I noticed that the lead singer’s hair probably made many ladies jealous.

Memoriam, but this photo doesn’t show the singer’s hair properly.

Still looking for the music, I headed for the Sophie Lancaster Stage where I was treated to the doom metal sounds of Godthrymm. This trio was doom metal in the true sense of the word, even more than Black Sabbath. Most of the songs were about death. I remember one lyric, “Oh God, you lost your only son,” I think that explains a lot. Guitarist hammered out some good solos and he shared the lead vocal duties with the bassist. Godthrymm proved a great change of pace on the day.

Godthrymm playing doom

I’m not sure what this picture was. I think it was this person dressed up going through the crowd during Godthrymm

After a brief but necessary break, I returned to the Ronnie James Dio Stage for the first band I truly wanted to see. Before that band came out, I caught the last few minutes of Swedish death metal band Bloodbath. They sounded okay and I was amused at the shirtless guitar player whose torso was covered in fake blood.

Bloodbath, not sure if you can see the guitarist covered in blood

Then came the big bombshell. It was announced that Suicidal Tendencies were running late and wouldn’t be up next. They were re-scheduled to play at the Sophie Lancaster Stage two hours later. I had caught up with Teal and Joe and we decided to get some dinner. I kind of regret this in hindsight because swapping places with ST was the all female death metal Japanese band Love Bites. I heard they were really good and I’m liking what I’m hearing thus far. Oh well, I’ll put a song of theirs in tribute.

Returning from our late afternoon bbq, I followed Teal’s suggestion that I go with him to check out prog metal band, Kamelot. Full marks to his wisdom here because I thoroughly enjoyed them. I was duly impressed with the guitar work of Thomas Youngblood but I won’t take anything away from the rest of this band, they’re that good. They brought a female singer on for a few songs as well which made them more diverse. Let’s say I was very impressed.

Kamelot

A better shot of them

Thomas Youngblood jamming

I tried to get the female singer in this one

Instead of Kamelot following Suicidal Tendencies, we had Suicidal Tendencies following Kamelot. Which way around didn’t matter as we joined the throng heading for the Sophie Lancaster Stage. There was talk that the sheer weight of numbers in ST fans would knock the Sophie Tent off its foundations. Suicidal Tendencies exploded onto the stage with “Don’t Bring Me Down.” Almost immediately, Mike Muir had the crowd in his hand with everyone singing the chorus. The band darted around stage and Mike did his little dance. It seemed that the opening song might go for the entire set because every time it sounded like it would end, the band would pick it up again. When the song did end, the audience was screaming their appreciation. Afterwards, they played songs “I Shot the Devil,” The War in My Head” and “Subliminal.” When they played the “Skater’s Song,” Mike announced that the band had been inducted into the Skater’s Hall of Fame. A young boy was brought up to play drums along side of Dave Lombardo for one song and they also let a man in a wheelchair onto the stage. ST are definitely a class act! In between songs, Mike talked about not letting things get you down. His advice was to “Get up, stand up for yourself and you will be the person you want to be.” Great words of wisdom. When they left, the crowd was on a major high and it was also announced that it had been the largest crowd the Sophie Lancaster Stage ever had. They were phenomenal and like Teal converting me to Kamelot, I converted him to ST. It didn’t even matter that they didn’t play my two favourite songs again nor the fact that they pretty much played the same set they had at Download last year.

The crowd heading to the Sophie Stage to see Suicidal Tendencies

ST comes on stage

Guitarist Dean Pleasants can still jam.

Another shot of Dean

Mike leading the charge

After feeding my face some more, we all headed back to the Ronnie James Dio Stage for the main even, Judas Priest. They had a massive stage set up with what looked like cacti which lit up on the wall behind. When the band came out, Rob Halford looked like a bent over old man but he quickly straightened up when they started playing. They opened with “Fire Power” and played two more songs from the album. It was the fourth song that was the big thrill for me when they revealed their all time hidden gem, “The Ripper.” I think I was the only one in the crowd who went absolutely nuts at it. Both Teal and some young lady in front of me both stated, “You’re excited about this song.” Next, they revealed that it was the 40th anniversary of their “Stained Glass” album where they played “Saints in Hell” as a tribute. Other Priest greats included “Turbo Lover” and “Freewheel Burning.” While Rob was the great show man he has always been for more than four decades, I was impressed with guitarists Richie Faulkner. He seems to have learned from his mentors and if the band was to continue, he is more than capable to carry them on. Scott Travis was pretty cool too and I loved how he and Richie traded solos. Things seemed to end with an extended version of “You Got Another Thing Comin'” and “Painkiller,” both drawing large cheers from the crowd. But Judas Priest weren’t done. Obviously, there would be an encore and that’s when they sprung a surprise. Glenn Tipton came out to play with them for the four encore songs. He did look a little frail and Rob kept coming over to him but he stayed the course. He even played a solo on the closing song, “Living After Midnight” which followed on from “Breaking the Law.” When the mighty Priest did leave, it was to much adulation and a brief but cool fireworks display.

Blasted light show kept me from getting decent pictures of Priest

See again!

A little better

Even taking a photo of the big screen didn’t work.

I kept trying though

Teal and Joe called it a night but I had one more act to watch. As soon as Judas Priest was finished, I high tailed it over to the Sophie Lancaster Stage to catch Doro. My timing was perfect because as I entered the tent, she was performing one of my favourites, “I Rule the Ruins.” That wasn’t the only one she treated me to, a few songs later, I got to hear “East Meets West,” where she brought out a former guitarist Tommy Bowen. Therefore, for the rest of her show, she had a three guitar attack behind her. Sounded real good when she played “Burning the Witches.” Doro engaged the audience really well throughout and while her light show was nothing like Priest, it was still pretty cool. “All We Are” got the crowd really going and it carried on until she left the stage. When she came back out, Doro asked the audience what song they would like. I was too far away so she couldn’t hear me calling out for “I’ll Make It On My Own,” so she said, since nobody came forth with a song, she’d pick one, which she did. A second song was asked for and she picked one from a young lady in the front and that’s how the night ended, with loads of bows and “thank yous” before leaving. It was a great way to end the first day!

Doro on the Sophie Stage

Better pics with Doro

Tommy Bowen on guitar

Doro mesmerizes the crowd

Note: You may have noticed that I haven’t posted songs from every band I saw. I thought to do it with the ones I had never heard of before and now you have.

Next post: Saturday

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Great Metal Albums of 1985: Metal For Breakfast

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , on June 18, 2018 by 80smetalman

Welcome to the first heavy metal compilation album I bought. It was early February 1985 when I saw “Metal For Breakfast” at my local record store. Since I often used to feel like the way the dude on the cover looks, I thought it was worth a look. When I flipped to the back cover of the album and saw who was actually on it and their songs, I knew I had to buy it straight away. Who couldn’t resist an album with Ted Nugent, Saxon, Y&T, Quiet Riot, Ozzy and Judas Priest on it. Furthermore, the songs from these artists with the exception of Judas Priest’s hidden gem, (I had never heard “The Ripper” until this album), was more incentive to get it. But that’s only half the story!

Attic Records, being based in Toronto, seemed very eager to unveil much of its local talent and they chose a good group to do so. I had heard of Anvil but never listened to them. “Forged in Fire” changed all that. Any band called The Killer Dwarfs had to be granted a listen and “Heavy Mental Breakdown” did not disappoint. This was the first step on their way to them becoming my all time favourite Canadian band. I know Mercyful Fate are from Denmark but the fact that “Black Funeral” comes right out and sings “Hail Satan” sticks one in the ear for the American religious zealots. On the second side is the lovely Lee Aaron and “Metal Queen” is mind blowing. Of course, there’s always a hidden gem and on “Metal For Breakfast” it’s the track “Metalhead” by Blotto. It takes a dig at metalheads but it’s done in a really funny way plus, it’s a good song. So what you have is a great combination of well known metal tunes and ones that weren’t so well known coming together to make a fantastic album.

Track Listing:

1. Anvil- Forged in Fire

2. Ted Nugent- Cat Scratch Fever

3. Killer Dwarfs- Heavy Mental Breakdown

4. Accept- Balls to the Wall

5. Mercyful Fate- Black Funeral

6. Blotto- Metalhead

7. Lee Aaron- Metal Queen

8. Saxon- Princess of the Night

9. Judas Priest- The Ripper

10. Quiet Riot- Metal Health

11. Y&T- Mean Streak

12. Ozzy Osbourne- Crazy Train

And I think you should listen to the hidden gem:

Back in 1985, “Metal for Breakfast” was the classic metal combination of what was known and not so known in the heavy metal world. Nowadays, it’s just a classic 80s album but it still kicks ass!

I probably looked more like this back then.

Next post: Dokken- Tooth ‘N’ Nail

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Great Metal Albums of 1984: Tank- Honour and Blood

Posted in 1980s, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , on April 19, 2018 by 80smetalman

A term that has been batted around quite a lot here on 80smetalman is ‘hidden gem.’ In most cases, I use it to describe a song I really like on an album that has a well known single or two on it. On occasion, I have also used the term to describe albums from bands who have more well known albums than the one I am posting about at the time. Now, I’m going to use it to describe a band or two. Whenever the new wave of British heavy metal, (NWOBHM), is mentioned, the first bands that come to mind, even mine, are Iron Maiden, Judas Priest, Def Leppard and maybe Saxon. All of them great bands who have given us more than three and a half decades of great music. However as I tour through the years, I have discovered two hidden gems from the NWOBHM age. One I posted about a couple of months ago, Grimm Reaper. The other is brought to you now, Tank. I knew of both bands back in the day and loved them and often wonder why neither of them were as big as the others.

Back in those days, I had become quite diligent in scouring the heavy metal import section at my local record store and that’s where I came across what I think is their best album, “Honour & Blood.” The problem is that I didn’t appreciate it enough back then, so I’m making up for it now. What you get with this album is seven songs of pure metal magic. The shortest song is a mere four minutes and thirty-seven seconds long and there is only one other song less than five. Tank go off on crazy long metal jams which are just superb. There is not one song, even the two that are eight minutes long, where I am thinking that the song has gone on for too long. BTW, those eight minuters are the opening and closing tracks on the album and a good way to do it. Especially so on the closer because it features the very amusing lyrics, “Kill, the poor bastard’s dying.” What a fun way to the close the album, of course the cool guitar solo kind of punctuates it too.

As for the songs in between, they are all great! “When All Hell Freezes Over” is a typical but well done pure metal jam and I’m hooked by the way they sing the chorus. Blistering guitars adorn the title track. “W.M.L.A. (Wasting My Life Away)” and “Too Tired to Wait For Love” are also great metal anthems and more than just amusing titles. However, my favourite track is the cover of the Aretha Franklin hit, “Chain of Fools.” I admit, the rhythm reminds me a little of the Rolling Stones classic, “Satisfaction,” but the song just kicks it.

Track Listing:

  1. The War Drags Ever On
  2. When All Hell Freezes Over
  3. Honour and Blood
  4. Chain of Fools
  5. W.M.L.A. (Wasting My Life Away)
  6. Too Tired To Wait For Love
  7. Kill

Tank

Algy Ward- bass, vocals

Cliff Evans- guitar

Mick Tucker- guitar

Graeme Crallan- drums

The more I reflect back to those years, the more convinced I am that Tank were a hidden gem in the new wave of British heavy metal. They may not have hit it as big as the others, constant personnel changes didn’t help them there, but they left behind several albums, including “Honour and Blood” for us to enjoy.

Next Post: TNT- Knights of New Thunder

To get Rock and Roll Children, go to: https://crreadac.cf/current/ebooks-free-download-rock-and-roll-children-fb2-by-michael-d-lefevre.html

 

 

 

 

 

 

Rest in Peace: Dave Holland

Posted in 1980s, Death, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , on January 24, 2018 by 80smetalman

Dave Holland

Well it seems that it’s going to be another sucky year where all the great musicians we all listened to and loved are departing this world. I’m sad to say that former Judas Priest drummer, Dave Holland, who was with the band from 1979- 89 passed away last week, cause of death is still to be revealed.  During his time with Priest, he played on some of their most classic albums like “British Steel,” “Screaming for Vengeance” and “Defenders of the Faith.” FFI go to: https://www.udiscovermusic.com/news/judas-priest-dave-holland-dies/

Rest in Peace Dave!

Happy Metal New Year 2018! Some Big Decisions

Posted in 1980s, Concerts, Death, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , , , , , , , on December 31, 2017 by 80smetalman

Another year has come and gone and as we enter into 2018 tomorrow, I am faced with some choices for the coming year. Don’t panic, 80smetalman’s Blog will continue on until the very last relevant album of 1989 is posted about and as I’m only in 1984 at the moment, it’s safe to say that there are a few more years left in this engine. However, reflecting upon all the great musicians that have departed this world in the last two years and the passing of my mother in law three days ago, I have come to realize that I’m not exactly a spring chicken myself. Therefore, it’s time to slow down a little.

What I am really talking about is the physical side. Four of the past five years, I have gone to one of the major metal festivals in the UK and hopefully, have entertained you with my accounts of those. The fact that I’m turning 57 this year and family history isn’t on my side with health of the heart, I know that frolicking in the mud and living out of a tent for a few days isn’t something I should be doing much more down the line. That is why and enough of the morbid crap, I have decided to go out in a huge blaze of glory in 2018! I intend to go to both Download and Bloodstock this year and end my festival days on the ultimate high.

The lineups for both are ideal for my departure from the festival scene. Like me, Ozzy says he will be calling it a day after this tour. He will be headlining Download on the Sunday. He won’t be like when I saw him in 1986 when he had come out of his first spell in rehab but seeing him again will be brilliant! Plus, I’ve never seen Guns N Roses or Marilyn Manson before so that will also be brilliant. I only hope that Manson isn’t headlining the Zippo Stage on the Saturday evening when Guns N Roses are doing the same on the main stage. That would be a tough choice. Other bands playing include Black Veil Brides and Bullet for My Valentine, so there’s a lot to look forward to.

Bloodstock is just as good, especially on the Friday. I’ll get to see Suicidal Tendencies again although the stage layout will prevent me getting another high five from Mike Muir. Headlining that night is none other than Judas Priest! Also, I have been told that the festival will be keeping with the precedent set down in 2016 where the headliner of the Sophie Lancaster Stage goes on after the headliner of the Dio stage is finished. So, on the Friday, after getting blown away by Priest, I’ll hop over to the Sophie Stage and get rocked by Doro! On the other two days, Gojira is headlining on Saturday and Fozzy, Devil Driver and Mr Big all playing the Dio Stage on the Sunday. The lineups for both festivals aren’t complete so there may be more surprises in store. Whatever happens, I’ll be ending my festival days with a massive triumph!

Welcome Suicidal Tendencies

 

Fozzy begin

 

Gojira are welcomed by their fans

Like me, I hope that all of you have great things to look forward to in 2018. Thank you all for taking the time to read and comment over the past seven years and I assure, there will more great things to come.

Happy New Year!

Next post: I’ll start 2018 out with one of my favourite 1984 albums, Dio: The Last in Line