Great Metal Albums of 1987: Helix- Wild in the Streets

In 1987, Helix came out with “Wild in the Streets,” which, judging from what I’ve read, didn’t do too well for the band. It did go Gold in Canada but barely charted in the US. Being in England, I didn’t know this album even existed until recently and only heard of it thanks to my Canadian readers. Still, whatever the history or so-called critics say, I think the album was pretty good.

An AC/DC vibe opens the album with the title cut. The guitars remind me of “For Those About to Rock, We Salute” and the opening vocal salvo from Brian Volmer does sound a little like Brian Johnson. Still the track gives the album a promising start. This is quickly followed by the boogie woogie sounding “Never Gonna Stop the Rock.” The song has an unmissable swagger to it which makes you want to bob along to it and some good guitar solos as well.

Oh what a great power ballad “Dream On” could have been! Not to be confused with the Aerosmith classic, this song was originally recorded by 1970s Scottish legends, Nazareth. Being a sucker for a great power ballad, Helix’s “Dream On” had great potential but unfortunately, the production doesn’t seem to be up to scratch as compared to the rest of the album. Shame, because everything needed to be a great power ballad is there. Acoustic guitars backed up by piano chops before the power chords kick in. Brian’s vocals sound extremely passionate and there’s a killer guitar solo. It’s just too bad the production is off putting.

Don’t worry, Helix get back to rocking out with “What Ya Bringing to the Party.” My answer is a couple of six packs and a bottle of Jack but this is a great party tune. One for sticking into the car stereo and going for a cruise on a Saturday night. But the party doesn’t end because right after comes my favourite track on the album, “High Voltage Kicks.” I’m not quite sure what high voltage kicks are but what I do know is that this track totally kicks ass. It starts out as a Southern blues number with some cool intricate guitar licks before the song goes total rock out. Even with the faster pace of the song, the backing vocals stay melodic. It’s the fastest song on the album.

Things continue to rock on “Give ‘Em Hell,” another great rocking song with some cool guitar riffs and brilliant solo. It’s proof of how good Helix are when they just let loose and go for it. “Shot Full of Love” is also a fast paced song and though it sounds like it’s all over the place at times, it comes together and makes a good song. It definitely has the best guitar solo on the album.

Now you would think a song called “Love Hungry Eyes” would be another power ballad but comes nowhere close to that! It’s a mid-paced song while not spectacular, keeps the album ticking over nicely. Then we come to the penultimate track, “She’s Too Tough.” This song was written by Def Leppard’s Joe Elliot and was meant to be on their “Hysteria” album but instead, it went to Helix and they do a good job on it. I do love the guitar riffs on the intro. However, with the benefit of historical hindsight, if Def Leppard’s intended version of the song was anything like what Helix do here, then it would have been too hard rock for “Hysteria.” Helix close out the album with a song which seems to incorporate everything they’ve done on the rest of the album. It has a progressive intro and there’s that blues party swagger to it and some great guitar work and drum fills. It’s a great way to end the album, even without the cheesy explosion at the very end.

Track Listing:

1. Wild in the Streets
2. Never Gonna Stop the Rock
3. Dream On
4. What Ya Bringing to the Party
5. High Voltage Kicks
6. Give ‘Em Hell
7. Shot Full of Love
8. Love Hungry Eyes
9. She’s Too Tough
10. Kiss It Goodbye

Helix and their friends

Brian Volmer- lead vocals

Brent ‘Doctor’ Doener- guitar, backing vocals

Paul Hackman- guitar, backing vocal

Daryl Gray- bass, keyboards, piano, backing vocals

Greg ‘Fritz’ Hinz- drums, backing vocals

Additional musicians:

Don Airey, Sam Reid- additional keyboards

Mickey Curry, Brian Doener, Matthew Fernette- additional drums

My theory is that on “Wild in the Streets,” Helix tried to be all things to all people and while the album sounds great, it didn’t work out for them commercially. Capitol Records would drop them from the label after this, which was a shame but the sign of the times of how one commercially unsuccessful album could be the death knell for a band.

Next post: Great White- Once Bitten

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Great Metal Albums of 1987: Envy- Ain’t It a Sin

Before I launch into the album, I thought I’d share another photo of my metalhead granddaughter Juliana.

Ain’t she cute?

Once again, I have to thank my sister for sending me a track on a cassette from a band which would have totally passed me by in 1987. In fact, this post reminds me of two things which was wrong with music back in the 1980s and the first one is probably true today. My last post was about the phenomenal “Hysteria” album from Def Leppard, which received accolades worldwide. Like the album or not, it was a huge success. However, for every Def Leppard there must be at least 100 bands like Envy, who in 1987, had an album just as good but didn’t get the commercial break. This is why I feel it’s even more important to post about their only album, “Ain’t It a Sin.”

The only track from the album that made my sister’s tape was the opening title cut and it’s good. After all, it has stuck in my memory for more than thirty years. However and this is no criticism of my sister, there are better tracks on the album. If there was any track which screams, commercial single, it’s the second one, “I Believe in You.” It has that catchy melody after opening with a keyboard intro that lures you into thinking it’s going to be a ballad but the guitars kick in right after obliterating any such thoughts. If I had seen Envy live, I would have been at the front banging my head and flashing the horns along to it. Oops, it was the 80s, so at the song’s conclusion, I would have held my cigarette lighter aloft. This is the track of the album.

Right after, things get serious with the much harder song, “Heartache.” That sets the tone for practically the remainder of the album as the next few tracks really rock, which brings me to the other thing wrong with music and particularly metal back in the day. Envy is led by the sister combo of Rhonni and Gina Stile. Rhonni handles the vocal duties and does a brilliant job. However, it is Gina on guitar that really steals the show on the album and that was the black eye for heavy metal back then. With the exception of Lita Ford, female shredders were overlooked. Even Kelly Johnson of Girlschool fame didn’t get the recognition she deserved. This was a damn shame because Gina Stile can totally shred and does so on each and every song. Some of her best efforts are on “Lie Here Waiting.” Even her rhythm guitar riffs are exceptional as highlighted on the track, “Wait On You.” She shreds on that track as well.

Gina Stile

I keep asking myself, why didn’t “Ain’t It a Sin” make a bigger impact and Envy become a household name in the metal world? This is the big question, especially since the album was produced by none other than Dee Snider, yes, that Dee Snider. One clue could lie in the record label. The name ATCO rings a bell but I never heard of ATCO/Wounded Bird Records. So maybe the band wasn’t marketed properly or simply it could be down to the fact of an over saturated metal market. In either case, it’s a shame because this is one hell of a fine album.

Another great thing about this album is that it doesn’t tail off at the end. The finish is just as strong as the start. One track which could have been a second single is “I See the Light (Let Me Rock and Roll).” This has a catchy vibe that would have been good for commercial radio but not losing it’s hard rock edge. Once again, Gina shreds magnificently.

Yet another plus is that unlike on many albums, the penultimate track isn’t the least strongest track. In fact, it’s hard to discern which track should get that dishonour because the tracks are that good! “I’m Not Your Lover” is a brilliant track and though they shine on every track, the rhythm section is brilliant here. And the closer, “Hurt Me,” might start out like it’s going to be a ballad but it changes into a rocker, though I do like the acoustic guitar accompaniment.

Track Listing:

1. Ain’t It a Sin
2. I Believe in You
3. Heartache
4. Lie in Waiting
5. Wait On You
6. You’re So Hot
7. All the Reasons
8. I See the Light (Let Me Rock and Roll)
9. I’m Not Your Lover
10. Hurt Me

Envy

Rhonni Stile- lead vocals

Gina Stile- guitar, backing vocals

Bill Spencer- bass

Danny Kapps- drums

Additional Musicians

Alan St. John- keyboards

Arthur Stead- keyboards

Taylor Dane- backing vocals

I put the title track in for Dawn. May I ask a favour of all of you out there? Could you all go on Youtube and have a listen to the great, forgotten album which is “Ain’t It a Sin” by Envy? I am sure you’ll like it and even if you don’t feel free to comment either way. However, I am confident you will because the big sin is the fact that the album didn’t make the headway it should have.

Next post: Testament- The Legacy

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Great Metal Albums of 1987: Def Leppard- Hysteria

The challenge for me writing about Def Leppard’s 1987 “Hysteria” album is what I can I say or write about it which hasn’t been said before? I mean this album spawned seven singles, went platinum in many countries and gold in a few more as well as going to number one in the charts. Furthermore, the album was finally recorded four years after their previous sensational album, “Pyromania,” in which the band had to overcome the tragic accident which cost drummer Rick Allen his arm and Steve Clark’s battle with alcohol. There was also the problem with producers. Mutt Lange started producing but walked out and Jim Steinman didn’t last. The band tried to produce it themselves but Mutt came back and helped the band make history. So, in many ways, this album was a remarkable triumph for the band.

As soon as I heard the opening riffs to “Women,” I knew this album was going to be a good one. True, many heavy metal purists said that it was a slide away from metal to more power pop but the songs are so good, I don’t care. There is a lot of good metal bits on the album for me to enjoy. The entire first side of the album, (I first got it on cassette), was nothing but the hits. Most of you know them already so I don’t feel the need to go through each one individually. Besides, some of you have written a lot about the album that I fear that I would simply be repeating.

On the subject of metal vs power pop, the one track and it’s my favourite on the album and second favourite Def Leppard song of all time, “Pour Some Sugar on Me” is definitely a heavy metal song. Those power chords just blow me away and yes the way they sing the title in the chorus may sound cheesy to some but this song just knocks it out of the park. A grand slam because the previous tracks load the bases. (For my non North American readers, I’m using baseball terms). In addition, it sets up very nicely for the next track, “Armageddon It.” Love those opening riffs.

With all of the singles, you might be asking which track do I put for hidden gem. Okay, you’re probably not asking that but I’m going to answer anyway. The hidden gem is “Gods of War.” True, nowadays some might think the exploding bombs and machine gun noises in the background are a bit silly but at the time I thought they were cool. I thought the same when they used excerpts from Ronald Reagan’s and Margaret Thatcher’s speeches about the 1986 US bombing of Libya and the Falklands War. On top of that, I really love Rick Savage’s bass line and the guitars on it, great song.

With the exception of the title track, the rest of the second side weren’t singles, even the hidden gem. However, it would be wrong to call any of these tracks filler. They are certainly not in my book. “Run Riot” comes pretty close to being another hidden gem.

Track Listing:

1. Women
2. Rocket
3. Animal
4. Love Bites
5. Pour Some Sugar on Me
6. Armageddon It
7. Gods of War
8. Don’t Shoot Shotgun
9. Run Riot
10. Hysteria
11. Excitable
12. Love and Affection

Joe Elliot- lead and backing vocals

Steve Clark- guitar, backing vocals

Phil Collen- guitar, backing vocals

Rick Savage- bass, backing vocals

Rick Allen- drums, backing vocals

While I don’t agree with those who say that Def Leppard sold out with “Hysteria,” they’re laughing all the way to the bank, I wouldn’t debate those who say that it was the start of the slippery slope away from metal and more into commercial rock. But in 1987, I didn’t give two and a half shits about that, I just really liked the album.

Next post: Envy- Ain’t It a Sin

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80sMetalman’s Top 30 Power Ballads: 11-20

It figures that once I embarked on this massive project, there would be power ballads from my past which really liked but forgot about because of time. Since my last post two have come to light in my mind. Now I know how Sam Beckett must have felt like in Quantum Leap with the Swiss cheese brain. One of them, “I Believe In You” by Y&T, was one but would have only made the lower twenties. The other I have put it jointly with another on the upcoming list. Thing about this one is that this band has already had an entry and though the one from the previous list was commercially more popular, I prefer the the ballad on today’s post to that one. Anyway, here’s 11-20!

20. Def Leppard- Bringing On the Heartbreak

19. Pretty Boy Floyd- I Want to Be With You

18. Danger Danger- One Step From Paradise

17. Von Groove- Arianne

16. Warrant- Glimmer

15. Poison- Every Rose Has Its Thorn

I know I take the piss out of this song a lot but I secretly really kind of like it.

(Joint) 14. The Scorpions- Still Loving You

Yep, you guessed it! This was the other one I had forgotten about. Call me weird but I prefer this one to “Winds of Change.”

(Joint) 14. Metallica- Nothing Else Matters

13. Asphalt Ballet- Wasted Time

12. Steelheart- I’ll Never Let You Go

11. Little Angels- I Ain’t Gonna Cry

There are probably other great power ballads I had forgotten about and you can feel free to put them forward but I must tell you, my top ten is set in stone. In the meantime, you got 11 great power ballads to rock out to.

Next post: 1-10

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1984 Ends in Metal Tragedy

Hanoi Rocks

Motley Crue

History can never debate that 1984 was the golden year of heavy metal. So many great albums from so many great bands and they even played metal on the radio and MTV. Never again would the genre get so much commercial exposure. However, even with all the great metal, the year would end in a very tragic anti- climax and mean the death of a drummer and his band and another similar tragedy would nearly claim the life of another drummer.

On December 8, members of the bands Hanoi Rocks and Motley Crue had been engaged in a massive drinking binge that had been going on, according to reports, for four days. More booze was being called for so Motley Crue’s Vince Neil, eager to show off his new 1972 Ford Pantera, volunteered to make the run even though he was well over the legal drink drive limit and took Hanoi Rocks drummer, Razzle, with him. At 6:38, Neil lost control of his car, (driving 65 in a 25mph zone might have had something to do with it) while swerving around a stationary fire truck and careered into oncoming traffic hitting two other cars. The driver and a passenger in one of the cars was seriously injured and taken to hospital while the driver of the second was miraculously uninjured. Vince himself only suffered cracked ribs and cuts to his face. Things weren’t so fortunate for Razzle, he was taken to hospital where he was pronounced dead on arrival.

The loss of Razzle would spell the end for Hanoi Rocks, the band would break up shortly after. Vince Neil’s troubles were only beginning as he would have to pay $2.6 million in compensation to the victims, do 200 hours of community service and serve time in prison, albeit a mere 30 days! People are still talking about the leniency of that sentence still. Like I said when I posted about Hanoi Rock’s last studio album, I got the chance to see this band about three weeks before the tragedy happened at a small New Jersey night club. That’s why this tragedy continues to weigh heavy on me.

If the loss of Razzle compliments of Vince Neil wasn’t bad enough, further tragedy would happen on the final day of the year. Def Leppard drummer Rick Allen would lose his arm in car accident. While trying to overtake another car at high speed, Rick lost control of his car, hit a dry stone wall and entered a field where he was thrown from his car because he didn’t have his seat belt properly fastened. His left arm was severed and though doctors reattached it, had to re-amputate it on account of infection. Rick’s girlfriend also suffered head and neck injuries as well as a concussion. Although this was a tragedy at the time, Rick would be one of the greatest ‘overcoming of adversity’ stories in all of music.

When 1984 proceeded to 85, a few misguided individuals used these tragedies as some sort of symbol that heavy metal was on its way out. Fools! Yes, heavy metal would never again enjoy the commercial airplay it had in that year, but it would never go away. The lack of radio and MTV play would do nothing to halt record sales and sold out concert attendances.

Next post: My 20 Favourite Power Ballads- 11-20

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Great Metal Albums of 1984: Tank- Honour and Blood

A term that has been batted around quite a lot here on 80smetalman is ‘hidden gem.’ In most cases, I use it to describe a song I really like on an album that has a well known single or two on it. On occasion, I have also used the term to describe albums from bands who have more well known albums than the one I am posting about at the time. Now, I’m going to use it to describe a band or two. Whenever the new wave of British heavy metal, (NWOBHM), is mentioned, the first bands that come to mind, even mine, are Iron Maiden, Judas Priest, Def Leppard and maybe Saxon. All of them great bands who have given us more than three and a half decades of great music. However as I tour through the years, I have discovered two hidden gems from the NWOBHM age. One I posted about a couple of months ago, Grimm Reaper. The other is brought to you now, Tank. I knew of both bands back in the day and loved them and often wonder why neither of them were as big as the others.

Back in those days, I had become quite diligent in scouring the heavy metal import section at my local record store and that’s where I came across what I think is their best album, “Honour & Blood.” The problem is that I didn’t appreciate it enough back then, so I’m making up for it now. What you get with this album is seven songs of pure metal magic. The shortest song is a mere four minutes and thirty-seven seconds long and there is only one other song less than five. Tank go off on crazy long metal jams which are just superb. There is not one song, even the two that are eight minutes long, where I am thinking that the song has gone on for too long. BTW, those eight minuters are the opening and closing tracks on the album and a good way to do it. Especially so on the closer because it features the very amusing lyrics, “Kill, the poor bastard’s dying.” What a fun way to the close the album, of course the cool guitar solo kind of punctuates it too.

As for the songs in between, they are all great! “When All Hell Freezes Over” is a typical but well done pure metal jam and I’m hooked by the way they sing the chorus. Blistering guitars adorn the title track. “W.M.L.A. (Wasting My Life Away)” and “Too Tired to Wait For Love” are also great metal anthems and more than just amusing titles. However, my favourite track is the cover of the Aretha Franklin hit, “Chain of Fools.” I admit, the rhythm reminds me a little of the Rolling Stones classic, “Satisfaction,” but the song just kicks it.

Track Listing:

1. The War Drags Ever On
2. When All Hell Freezes Over
3. Honour and Blood
4. Chain of Fools
5. W.M.L.A. (Wasting My Life Away)
6. Too Tired To Wait For Love
7. Kill

Tank

Algy Ward- bass, vocals

Cliff Evans- guitar

Mick Tucker- guitar

Graeme Crallan- drums

The more I reflect back to those years, the more convinced I am that Tank were a hidden gem in the new wave of British heavy metal. They may not have hit it as big as the others, constant personnel changes didn’t help them there, but they left behind several albums, including “Honour and Blood” for us to enjoy.

Next Post: TNT- Knights of New Thunder

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Great Metal Albums of 1984: Grim Reaper- See You In Hell

Whenever the new wave of British heavy metal or NWOBHM is mentioned, it is usually Judas Priest, Iron Maiden, Def Leppard and Saxon who spring to mind first. These great bands blazed a trail for metal bands from both sides of the Atlantic to follow. Leading the chase out of Great Britain was the heavy metal outfit, Grim Reaper. For me, the name alone made them worth giving them a listen and that turned out to be a very wise choice.

Coming from Droitwich which is in Worcestershire, England and only about 20 miles from Birmingham, there is no surprise in the Judas Priest influence with the band. However, lead singer Steve Grimmett has a vocal style that is somewhat like Iron Maiden although I can at times hear a little of Halford as well. Okay, I’m a wishy-washy bastard. Anyway, with this mighty infusion, it is little wonder that Grim Reaper sounds as good as they do and why I think their debut album, “See You in Hell” is cool.

The title track, which is the band’s best known song leads the charge. Listening to it, it is no wonder why it’s number 38 on VHS Most Awesome Bad Metal Songs Ever. It’s definitely my all time favourite Grim Reaper song. However, the seven other songs on the album aren’t far behind and make sure that it’s not a one song album. All throughout the album are the bashing power chords and way out soloing of guitarist Nick Bowcott and the fore-mentioned vocals of Grimmett. All of which are supported by a more than capable rhythm section of Dave Wanklin and Lee Harris. This makes it difficult for me to pick out a standout song beyond the title track. They are all stomp on your face metal tunes that rock. The only possible exception is the slower, at times ballad like “The Show Must Go On.” While quality wise, its as good but no better  than the other tracks, it does depart from the hammering chords of those songs and shows that Grim Reaper are versatile. Bowcott’s guitar work is quite eerily outstanding on it. However, that only changes things up slightly before the closer blasts your ears to pieces.

Track Listing:

1. See You in Hell
2. Dead On Arrival
3. Liar
4. Wrath of the Ripper
5. Now or Never
6. Run For Your Life
7. The Show Must Go On
8. All Hell Let Loose

Grim Reaper

Steve Grimmett- vocals

Nick Bowcott- guitars

Dave Wanklin- bass

Lee Harris- drums

Grim Reaper’s debut “See You in Hell” album led the charge for what many thought would be a second new wave of British heavy metal. Especially with Maiden and Priest coming out with albums the same year. In 1984, that was true and though things would go sour for this band a few years later, this is still an album to be proud of.

Next post: Gary Moore- Victims of the Future

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Great Metal Albums of 1983: Raven- All For One

In 1983, not only the likes of NWOBHM bands like, Def Leppard, Iron Maiden and Judas Priest were gaining headway in the US but other bands like Raven were establishing themselves as well. It is true that Raven never came close to the commercial success the bands mentioned would go on to achieve, many metalheads would know of them nonetheless. One reason might be albums like their 1983 “All For One” album, which some people say was the last of their golden age albums.

“All For One” has everything any metalhead needs to like in a metal album. It has a straight ahead power chords augmented by some cool guitar solos from Mark Gallagher. Meanwhile, his brother John proves he is a decent vocalist and like Lemmy can play bass at the same time, thus fulfilling the second half of the rhythm section with drummer, Rob Hunter. I know I have said this many times about many bands but Raven were a good band that didn’t have the breaks of some of their NWOBHM contemporaries.

What I like about this album is that all of the tracks can be seen to be pure metal, if such a thing exists now a days. That starts right away with the first two tracks but it’s the third track, “Sledgehammer Rock” that really grabs my attention. The power of that song takes the album that much higher. In the 80s, many bands would use the technique of an a cappella harmonizing followed by a killer guitar riff but not done so much in 1983. Raven do it very well with the title track. Then they follow it up with some cool opening guitar riffs on “Run Silent, Run Deep.”

Only knowing this album on vinyl gives me the advantage of dividing “All For One” in two because Side 2 definitely outshines Side 1. It helps that the second side starts with my favourite track, “Hung, Drawn and Quartered.” This track is in the Judas Priest vein but Raven put their own mark on it, especially with Mark’s guitar solo on it. The next track, “Breaking the Chains” is the second best track so we get a one-two punch here that knocks you out. Again, we hear more impressive guitar work from Mark at the beginning of “Breaking the Chains.” It has a cool chorus and it’s well sung. The three remaining tracks, while not as dynamic as the two that lead the Side 2 charge, are very good songs in their own right. When they’re finished, you know that you’ve listened to a true metal album.

Track Listing:

1. Take Control
2. Mind Over Metal
3. Sledgehammer Rock
4. All For One
5. Run Silent, Run Deep
6. Hung, Drawn and Quartered
7. Breaking the Chains
8. Take it Away
9. Seek and Destroy
10. Athletic Rock

John Gallagher- bass, lead and backing vocals

Mark Gallagher- guitars

Rob Hunter- drums, backing vocals

While “All For One” is probably my favourite Raven album, I don’t quite agree with the last of their golden age theory. I thought they put out some fine material after, which I will cover in the appropriate year. Still, if you’re a metalhead, you can’t go wrong with this album.

Next post: ~Girlschool- Play Dirty

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Great Metal Albums of 1983: Quiet Riot- Mental Health

Here’s one reason why I was so excited about music in the Autumn of 1983. In the months leading up to when my household finally acquired MTV, we were still relying on the late night, half hour programme called “Video Rock” for our television musical feed. One video got a lot of play on that show, though I liked it and the song from the very first viewing. Sorry, no 80smetalman points for guessing it because I think you all know that it was “Cum On Feel the Noize” by Quiet Riot. Seeing this video and hearing the song, sometimes on radio, it was no wonder I was so pumped up when I went to see them open for Black Sabbath in the November. Black Sabbath/Quiet Riot is definitely in my top ten of concerts I’ve seen in my life. However, I didn’t have to buy the album, “Mental Health” back then because my sister did. Of course, I borrowed it quite a lot.

Some misguided rock officianadoes, at least they think they are, have marked Quiet Riot as one hit wonders because later albums weren’t as commercially successful as “Mental Health” and the follow up single, “Mental Health,” only reached 31 in the charts. Hey, who gives a stuff about that? Obviously, these so-called experts never sat down and listened to the album because if they had, they would have been completely blown away. I know I was.

While the two singles lead the album, there are so many great metal tunes on it and a couple I wouldn’t call metal but are good nonetheless. Take “Don’t Wanna Let You Go” for example. There is definitely a funk infusion on this song that is definitely not metal but is good anyway. Plus there’s the tribute song to the late Randy Rhoads, “Thunderbird.” It is slow and there is a piano in it but I think Randy would have still approved of it. Another observation is that lead singer Kevin DuBrow’s singing style is the same on those two songs as well as the more metal ones on the album. In fact, I think he would sound the same if he sang country/western.

What raises “Mental Health” to the precipice it stands upon is the great metal tunes on here. Everyone I know agrees that “Slick Black Cadillac” is a great metal tune and the harmonizing is done so well. I can hear a Black Sabbath vibe in “Life’s a Bitch” at the beginning of the song while “Breathless” is a straight forward in your face metal tune as is “Run For Cover.” “Let’s Get Crazy” goes more on the anthem side of things but trust me, when they played it live, it had me ready to jump out of my seat. Guitarist Carlos Carvazo is more than sufficient throughout the album but he does get his time to shine on “Battleaxe.” As far as I can remember, this was the second time I heard a track where the guitarist was just given the chance to show his stuff and Carlos rises to the occasion. “Eruption” was the first.

Track Listing:

1. Mental Health (Bang Your Head)
2.    Cum On Feel the Noize
3. Don’t Wanna Let You Go
4. Slick Black Cadillac
5. Life’s a Bitch
6. Breathless
7. Run For Cover
8. Battleaxe
9. Let’s Get Crazy
10. Thunderbird

Quiet Riot

Kevin Dubrow- lead vocals

Carlos Carvazo- guitar, backing vocals

Rudy Sarzo- bass, synthesizer

Frankie Banali- drums, backing vocals

Not only was did “Mental Health” propel Quiet Riot onto the metal and commercial world stage, it gave a  famous British band from the 1970s its big break in the US. Once people learned that “Cum On Feel the Noize” was originally recorded by Slade, many people like myself investigated said band further. That would mean big things for Slade with their next album, which I’ll get to in time. Besides, Mrs 80smetalman met Slade back in 1979. Like, “Pyromania” by Def Leppard, “Mental Health would be considered on of THE albums of 1983. In fact, here’s a piece of useless information my strange brain managed to retain: “Cum on Feel the Noize” squared off against “Photograph” on the MTV Friday night video fights. From what I remember, “Photograph” won by a landslide.

Next Post: Krokus- Headhunter

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

 

 

Great Metal Albums of 1983: Def Leppard- Pyromania

Here’s the album that was said to have gone multi-platinum in the US while only selling 17 copies in the UK, “Pyromaina” by Def Leppard. At first, I might have been inclined to believe that. When I went to the UK for four weeks in the summer of 1983, many English people I spoke to could only say they had heard of the band and some couldn’t even say that. Furthermore, none of their singles made the Top 40 in the UK charts so wouldn’t have gotten a mention on Top of the Pops. However, thanks to a tiny bit of research, I do know that “Pyromania” did get to 18 in the UK album charts.

Lots of exposure on MTV helped get Def Leppard the notice they deserved from American audiences. The videos to the first two singles “Rock of Ages” and “Photograph” were really cool. In fact, the latter retained the all time MTV Friday Night Video Fight Championship for well over a year. Does anyone remember the Friday Night Video Fights? That’s for another time I guess. Video aside, “Photograph” is my all time second Def Leppard song, (number one hadn’t appeared by this time.) It’s just a great song in so many ways: the power chords, the harmonizing at the chorus and the guitar solo making a great concoction of a killer tune.

While released as singles, “Foolin'” and “Too Late For Love” didn’t achieve the chart status as the other two but they are also brilliant songs. I was gutted when I saw Def Leppard in 1986 and they didn’t play “Foolin.'” Like the Iron Maiden album I reviewed in the last post, the rest of “Pyromania” isn’t filler. “Rock, Rock til You Drop” is as good an opener as any. I also have a very warm spot for “Die Hard the Hunter” and think it could have been released as a fifth single. Love the guitar solo on it. With all this, it is no wonder why many people on both sides of the Atlantic considered “Pyromania” the album of 1983.

In spite of all the success the album has enjoyed, Def Leppard did have some challenges while recording it. During the recording, the rest of the band decided they had enough of guitarist Pete Willis’s alcohol problems and fired him. While Willis recorded all the rhythm guitar tracks on the album, Phil Collen was brought in to replace him and he recorded all the solos on the songs Willis was supposed to. Listening to the efforts on this album, I have to ask if we should include the guitar duo of Clark and Collen along with the greats of Tipton and Downing, Hanneman and King, Watson and Gillis to name a few.

Track Listing:

1. Rock Rock Til You Drop
2. Photograph
3. Stagefright
4. Too Late for Love
5. Die Hard the Hunter
6. Foolin’
7. Rock of Ages
8. Comin’ Under Fire
9. Action! Not Words
10. Billy’s Got a Gun

Joe Elliot- lead vocals

Steve Clark- guitar

Phil Collen- guitar

Rick Savage- bass

Rick Allen- drums

Pete Willis- rhythm guitar

On amusing story I heard that when Def Leppard supported Billy Squier on tour in the States in 1983, many people left after Def Leppard’s set, leaving Billy Squier to play to a half empty arena. I’m not sure if this is true or not.  My sister saw them both, maybe she can shed some light on it. What I do know that “Pyromania” put Def Leppard on the world music stage in this year and rightly so.

Next post: Rainbow- Bent Out of Shape

To buy Rock and Roll Children, go to http://www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London