Archive for the Concerts Category

Rest in Peace DH Peligro

Posted in 1980s, Concerts, Music, Rock, Uncategorized with tags , , , , , , , , on October 31, 2022 by 80smetalman

DH Peligro

I have just learned of the passing of Dead Kennedys drummer DH Peligro. Reports say that he died from a head trauma caused by a fall at home. He was 63, My thoughts go out to his family and the band, which he was a member of from 1981-6 and then 2001-8 and from 2009 to the present day. For me, the Dead Kennedys defined punk in America and put out some great albums in the 1980s which I have covered here. Join me in saying Rest in Peace DH.

FFI: https://www.metalsucks.net/2022/10/30/dead-kennedys-drummer-d-h-peligro-passes-away-at-63/

Great Rock/Metal Albums of 1988: Van Halen- OU812

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , on October 4, 2022 by 80smetalman

When I heard Van Halen’s eighth studio album, “OU812,” the second album with Sammy Hagar on the vocals, I was greatly relieved that they were heading away from the keyboard influenced “5150.” Okay, I’ll be the first one to admit that it’s nowhere near as heavy as their first four albums but at least it was a step back in the right direction. My speculations as to why is that possibly Eddie realized he was much more proficient with the guitar and possibly he wasn’t so whipped by Valerie. Anyway, I enjoyed the album.

With that said, the first two tracks on the album had me wondering otherwise. Both are keyboards infused but the big difference is that on the second track, “When It’s Love,” Eddie does rip a guitar solo, something he didn’t do enough of on the previous album. Guitar solo aside, the rest of that song has a really catchy melody and Sammy’s vocals bring extra meat to the table. I can see why it was a top selling single, number 5 in the US and 28 in the UK. Another song which follows this format is “Feels So Good.” It has a 1980s synth pop intro but when it gets going it’s pretty good and a great guitar solo, ala Eddie, definitely helps.

Unlike “5150’s” half and half split between hard rocking and synth songs, “OU812” goes seven to three in favour of the hard rock. That starts right away with a blinder of a rock song, “A.F.U. (Naturally Wired.)” When I heard this one, I simply shouted out, “That’s more like it!” Then you get the slower but powerful, “Cabo Wabo.” The chords just pound away and the backing vocals, rhythm section and guitar licks are just superb. That’s when we come to the hidden gem of the album, “Source of Infection.” The reason why I like this track so much is that it reminds me quite a lot of my all time second favourite Van Halen song, “Hot For Teacher.” It has that vibe on it and even Eddie’s guitar solo is quite similar, so for me, what’s there not to like?

Maybe “Feels So Good” was placed where it was on the album as some sort of break in the action. It does allow the listener to catch their breath before being blown away by the remainder of the album. Leading off the bombardment is “Finish What You Started.” This song is different in a good way. The guitars have more of a Southern vibe to it. The next two tracks, however, are totally blow your eardrums type metal tunes. Now, the vinyl and cassette versions of “OU812” end with “Sucker in a Three Piece Suit,” and while that’s a great track, (I like how it takes a dig at the 80s yuppie culture), I think it was a mistake. Because on the CD and streaming version, it ends with the very bluesy “Apolitical Blues” and for me, that is the best song to close out this album! It just kicks ass, I love the backing piano and it does what any good album closing song should do, make you want to come back to the album again and again.

Track Listing:

  1. Mine All Mine
  2. When It’s Love
  3. A.F.U. (Naturally Wired)
  4. Cabo Wabo
  5. Source of Infection
  6. Feels So Good
  7. Finish What You Started
  8. Black and Blue
  9. Sucker in a Three Piece Suit
  10. Apolitical Blues
Van Halen

Sammy Hagar- lead vocals, rhythm guitar

Eddie Van Halen- lead guitar, keyboards, backing vocals

Michael Anthony- bass, backing vocals

Alex Van Halen- drums, percussion

Like I said, “OU812” was a step in the right direction for Van Halen. The album offers less synth pop and definitely some more of the hard rock which made them famous in the first place. And for those who want to rubbish Sammy, I think his vocals are spot on here!

Next post: Next post: Aerosmith- Gems

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition for a knighthood for Bruce Dickinson, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson?redirect=false

Donington 1988: Triumph and Tragedy

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock with tags , , , , , , , , , , , , , , on September 1, 2022 by 80smetalman

As per normal, through each year of the golden decade of heavy metal, (which is closer to the end than the beginning), I reflect on the triumphs and tragedies which occurred during that year. There have been great concert memories and artists whose lives were tragically shortened. In 1988, the triumph and tragedy occurred on the same day, at the Donington Festival.

You only need to look at the poster above as see that with the lineup, the day was going to be a complete triumph. Iron Maiden, KISS, David Lee Roth, Megadeth, Guns N Roses and Helloween made for what history will recall a great day for metal. Personally, I can’t speak for Helloween and Guns N Roses but I will get to that in a moment but the other four bands totally kicked ass!

Tragedy struck on the day during Guns N Roses’ set. A crowd collapse involving fifty people fifteen yards from the stage happened causing Guns N Roses to stop playing while concert security went in to attend to the injured. By the time they were fished out, two people, Alan Dick aged 18 and Landon Siggers, 20 were found laying down in four inches of mud. They were taken to hospital and pronounced dead. It was a tragic event which put a dark shadow on what was a glorious day for metal.

Of course, the metal hating newspaper, The Sun, spent more time focusing on the so called rowdy behaviour of the concert goers, making it out that somehow heavy metal caused the tragedy. Yes, it’s a load of BS.

On personal reflection, the reason I missed Helloween and Guns N Roses and half of Megadeth was because of a three hour plus traffic cue to get into the venue. It caused a lot of tension within the car although I can now see why my then wife would get a bit annoyed at me constantly saying, “I bet if it was a Madonna Festival, the roads wouldn’t have been so backed up.” The thing was the way metalheads were sometimes treated back in the 80s, it wouldn’t have been too far from the truth. Anyway, here are performances and a pre festival interview with Dave for you all to enjoy.

Next post: Scandals of 1988

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition for a knighthood for Bruce Dickinson, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson

Great Rock Albums of 1988: Tina Turner- Tina Live in Europe

Posted in 1980s, Concerts, Music, Rock, Uncategorized with tags , , , , , , , , , , on July 4, 2022 by 80smetalman

I apologize in advance for my poor planning. It is clear to me that I shouldn’t have posted a 28 song, two hour long double live album at a time when I had so many other things going on. Full time work and supply teaching has eaten up a lot of time, plus some of the other side projects I’ve been working on. I’ve been writing my chapter for Mikeladano’s continuing adventures of Tee-Bone Man and Superdekes. In fact, I may miss a post so I can complete it. Besides that, if any of you follow me on Facebook or read my Peaceful Rampage blog, then you will know that I have been writing scripts for women’s wrestling matches. The one I wrote fully and one I part wrote should be available on their website soon. When it is, I will post a link if any of you want to purchase and view.

As a result of all of this, Tina Turner’s “Tina Live in Europe” album didn’t get the full attention it truly deserves but rest assured, I have listened to it. After listening to it the one time, Tina Turner is yet another artists I regret not seeing live. Even listening to it sitting at the computer, the energy just bounces off and I can surely feel it. One must consider that Tina was 47 at the time she performed the album and she produces an energy that persons half that age couldn’t replicate.

Being 1988, many of the songs come from her two albums “Private Dancer” and “Break Every Rule.” On her performance of “What’s Love Got to Do With It,” she gets the ladies and gentlemen in the audience to sing different parts. She also includes her big hit from the “Mad Max 3” soundtrack, “We Don’t Need Another Hero” and it sounds cool too as the other songs from those albums she performs live on this record.

What makes this album for me is the covers and guest collaborations. I have always loved Tina’s version of the CCR classic “Proud Mary” and she just knocks this one out of the park. However, the most intriguing cover is that of the Beatles classic, “Help.” It starts out as a ballad and then it rocks a little in the middle before coming to an gospel choir like end. Yes, it all sounds very contradictory but it really works! There is also her big song with Ike, “Nutbush City Limits” and the energy she puts into that song is similar to when she first sang it in 1973.

Guest collaborations are with such as Eric Clapton, David Bowie and Bryan Adams. Yes, the Bryan one is the duet they had a big hit form, “It’s Only Love” but they still rock. Eric cranks a cool solo, especially as the song begins like it’s going to be “Cocaine.” With David, she sings “Tonight” and “Let’s Dance” and again, I wish I was there.

Track Listing:

Disc One:

  1. What You Get is What You See
  2. Break Every Rule
  3. I Can’t Stand the Rain
  4. Two People
  5. Girls
  6. Typical Male
  7. Back Where You Started
  8. Better Be Good to Me
  9. Addicted to Love
  10. Private Dancer
  11. We Don’t Need Another Hero (Thunderdome)
  12. What’s Love Got to Do With It?
  13. Let’s Stay Together
  14. Show Some Respect

Disc Two:

  1. Land of 1000 Dances
  2. In the Midnight Hour
  3. 634-5789- with Robert Cray
  4. A Change is Gonna Come
  5. River Deep
  6. Tearing Us Apart- with Eric Clapton
  7. Proud Mary
  8. Help
  9. Tonight- with David Bowie
  10. Let’s Dance- with David Bowie
  11. Overnight Sensation
  12. It’s Only Love- with Bryan Adams
  13. Nutbush City Limits
  14. Paradise Is Here
Tina Turner

Tina Turner- vocals

Jamie Ralston- guitar, vocals

Laurie Wisefield- guitar

Bob Feit- bass, vocals

Jack Bruno- drums

Stevie Scales- percussion

John Miles- keyboards, vocals

Ollie Marland- keyboards, vocals

Deric Dyer- saxophone, keyboards

Additional Musicians:

Jamie West-Oram- guitar, backing vocals

Don Snow- keyboards, vocals

Tim Cappello- keyboards, saxophone

Alan Clarke- keyboards

Kenny Moore- keyboards

Gary Barnacle- saxophone

I’m a little surprised Steve Lukather didn’t play on the album.

The disadvantage of being so heavy metal focused back in the 1980s was that great live albums like “Tina Live in Europe” didn’t get the full appreciation from me it should have. I’m making up for it now. She could have been a great metal singer the way she rocks on this album.

Next post: Bonnie Tyler- Hide Your Heart

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition for a knighthood for Bruce Dickinson, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson

Great Metal Albums of 1988: Bonfire- Fireworks

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Illness, Music, Uncategorized with tags , , , , , , , , , , , on June 1, 2022 by 80smetalman

I nearly forgot, blame old age, that I begin any given year with albums which came out the previous year but didn’t come to my attention until the year I’m posting on. One of these was the second album by German metal band, Bonfire and my discovery of them came in a rather amusing way. My friends’ band, Torque Show was playing their first gig at London’s famous club, The Marquee. They were the opening band for, you’ve already guessed it, Bonfire.

Torque Show

The photo above is misleading, only two members of the band were left by the time Torque Show played the Marquee and they were on their second drummer. Anyway, they played well as an opening band and paved the way for Bonfire who impressed me as well. At least to the point that I gave their second album “Fireworks,” a go. It was a good night.

The best way to describe “Fireworks” is a straight forward glam metal album. The album does nothing I would call groundbreaking but it is consistent all the way through. For me, it doesn’t really fully kick into gear until the third track, “Sleeping All Alone.” There’s nothing wrong with the first two tracks, they both provide a good listen but it’s this particular track that turned my head. It could be the cool guitar solos from Hans Ziller which do it. That level is maintained with the following track, “Champion.” It’s a good straight ahead metal tune, one which would be radio friendly and the rhythm section, including the rhythm guitar, lay down a good foundation for the song.

Bonfire gets down and dirty with “Don’t Get Me Wrong” as this is a sleazy sounding, guitar crunching number. This is one to pump your fist in the air and flash the horns to. I can’t remember which songs they played that night so I can say if I did or not. I know I did stage dive. However, things dip a little after as “Sweet Obsession” doesn’t quite measure up to the previous three tracks. It has a good bassline though. The same can be said for “Rock Me Now.” Its intro sounds similar to the Great White classic, “Rock Me,” but then picks up speed but in spite of the increased speed, it lacks a little punch.

Fortunately, my pick for track of the album comes in and the last two tracks become distant memories. “American Nights” comes in with some cool drumming and definitely has some swagger. Lead singer, Claus Lessman, who sings well on all tracks, gives it a bit more oomph with the vocals and the rest of the band respond accordingly. Cool guitar riffs and lead guitar hooks bring in “Fantasy.” The changes in tempo keep it interesting, One minute it sounds like a ballad but then goes total metal the next with some great guitar work.

Penultimate track, “Give It a Try,” is a decent power ballad and you can feel the passion in Claus’s vocals and some good power ballad soloing from Hans. Listening to it and then to the actual closer, “Cold Days,” I think that these two songs should have been switched around. “Cold Days” would have been a better penultimate track and the passion behind “Give It a Try” would be better for a closer.

Track Listing:

  1. Ready 4 Action
  2. Never Mind
  3. Sleeping Alone
  4. Champion
  5. Don’t Get Me Wrong
  6. Sweet Obsession
  7. Rock Me Now
  8. American Nights
  9. Fantasy
  10. Give It a Try
  11. Cold Days
Alternative Cover

Claus Lessman- lead and backing vocals

Hans Ziller- lead and acoustic guitars, backing vocals

Horst Maier- rhythm guitar, backing vocals

Jorg Deisinger- bass, backing vocals

Additional Musicians

Ken Mary- drums

Martin Ernst- keyboards

Maybe I should thank Torque Show, for opening for a great band. Torque Show broke up a couple of years later but Bonfire still burns on. With albums like “Fireworks,” it’s plain to see why.

Next post: Cheap Trick- Lap of Luxury

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition to have Bruce Dickinson knighted, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson

Great Metal Albums of 1987: WASP- Live in the Raw

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , on May 5, 2022 by 80smetalman

My initial reaction to WASP’s first live album was one of disappointment when I saw the track listing. How could there be a live album by WASP and it not have the classic “Animal (Fuck Like a Beast)” on it? I saw them live in 1986 and 87 and they played the track each time. Therefore, I thought putting it on a live album would be a no brainer but it’s not on it. So, I just had to enjoy the tracks that are on “Live in the Raw.”

Since the album was recorded during the “Inside the Electric Circus” Tour, the recordings were from shows in Long Beach and San Diego California, it is no surprise that four songs from the album are on this live one. While I wouldn’t call the song “Inside the Electric Circus” an attention grabbing opener, I can see why they opened with it. It’s still a good song.

What is good about “Live in the Raw” is that it includes a good balance of their first three albums. “Animal” might not be on it but they do include “I Want to Be Somebody” and “L.O.V.E. Machine,” from the first album, both of which are good songs anyway. Furthermore, I never paid much attention to “Sleeping in the Fire” but this live version has got my attention. As for “The Last Command” album, the two best songs from that album, “Wild Child” and my all time second favourite WASP song, “Blind in Texas” get included. In addition, they add two new songs, “Harder, Faster” and “Manimal,” the former is introduced with Blackie ripping on the PMRC, always fun to hear. Oh yes, they close out the album, with “Scream Until You Like It” which is the theme to the “Ghoulies II” movie, though that song was recorded in the studio. So all around, the tracks for the live album are well chosen.

What I like most is that there isn’t much difference between the live recordings and the studio albums. They do prolong some of the songs but they are being played live so there is always scope for extra guitar solos and repeated vocals and audience participation, so it’s all good. All of the songs are played well and I will now officially eat my words on the guitar playing of Chris Holmes. He does shred well, I only wished he did more of that when I saw them at Donnington that year.

Track Listing:

  1. Inside the Electric Circus
  2. I Don’t Need No Doctor
  3. L.O.V.E. Machine
  4. 95 Nasty
  5. Wild Child
  6. Sleeping in the Fire
  7. The Manimal
  8. I Want to Be Somebody
  9. Harder Faster
  10. Blind in Texas
  11. Scream Until You Like It
WASP

Blackie Lawless- guitar, lead vocals

Chris Holmes- lead guitar

Johnny Rod- bass, backing vocals

Steve Riley- drums, backing vocals

It has been said that “Live in the Raw” marked the division the band would take the band from the ‘old WASP’ to a more mature sound. I never really thought about that as WASP would continue to sound pretty much the same to me. However, this would be the last album to feature drummer Steve Riley. Still, it’s a decent live album.

Next post: White Lion- Pride

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition to give Bruce Dickinson a knighthood, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson

Sending the Love to Crawling Through Tartarus

Posted in Concerts, Death, Heavy Metal, Music, Rock, Uncategorized with tags , , , , , , on April 28, 2022 by 80smetalman

I was very saddened to learn of this:


One Dead, Four Injured In Shooting at Death Metal Show

According to NBC Los Angeles, a shooting at a death metal show in San Bernadino this Saturday left one dead and four injured.

The shooting took place around 9:30pm at the Marquis Lounge at 1036 W. Highland Avenue in San Bernardino. When police arrived at the scene, they found one person already dead, and three other people suffering from gunshot-related injuries. A fourth victim with a gunshot wound drove to the hospital on his own (damn, hardcore), making for a total of five shooting victims overall.

As reported by Blabbermouth, the show at which the senseless act took place was that of Los Angeles death metallers Crawling Through Tartarus, whose vocalist Matt Holzboog was hit by two bullets and eventually had to undergo surgery. Meanwhile, CBS Los Angeles identified the deceased victim as 32-year-old James Vincent Dickson.

It has also been reported that as of Monday, all victims of the shooting are in stable condition.

The investigation of the shooting is underway, with no suspects of possible motives currently available.

Matt Berg, a friend of the band, posted the below images to Facebook, including as picture of Holzboog in the hospital, writing:

“Prayers for my boys in Crawling Through Tartarus after a violent shooting during their set last night in San Bernardino. Zander Dixon was a brother to Jack Berg and me growing up and it’s terrifying to see the video of somebody opening fire. Their vocalist Matt was hit by two rounds and is dealing with surgeries now. Make sure you send lots of love their way. Share their music with your friends, buy some merch, wish them well etc.”

That’s super fucking scary for all involved, and we wish Matt and his bandmates all the best. Check out the band below — while it doesn’t necessarily matter that their shit is cool as hell, it’s certainly nice to find out.

It now seems that you can’t even go to a metal gig in the US without the prospect of being shot. My genuine thoughts go out to the band, their families and those who were at the concert.

Let me add this song by Will Hoge.

Great Metal Albums of 1987: Warlock- Triumph and Agony

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , on March 20, 2022 by 80smetalman

There are two ways I can speak about three or four of the songs from Warlock’s 1987 album, “Triumph and Agony.” The first was when my sister sent me one of the many heavy metal compilation tapes she would send me in the late 80s and early 90s. Four of the songs from the album made it onto her tape and those four songs gave me an indication of how good an album this was. Those tracks were “All We Are,” which is the best known song from the album, “I Rule the Ruins,” “Kiss of Death” and “East Meets West.” The second way came about the two times I saw Doro at Bloodstock. In 2010, she sang “All We Are” and “I Rule the Ruins.” At Bloodstock 2018, Doro sang those two songs again plus “East Meets West.”

“All We Are” not only received limited airplay on US radio but got on the rotation at MTV’s Headbanger’s Ball. It also opens the album well. “I Rule the Ruins” is a classic melodic metal song. I love how smoothly she sings the title at the chorus. While “Kiss of Death” didn’t get played either time at Bloodstock, it is in no way a lesser song. The song opens with a wolf howling followed by light strumming of the guitar before it goes into full metal swing with some crunching guitars and Doro showing her vocal range. It also has an interesting bass line when it goes back to the slower second verse only for the power to return at the chorus and then a blistering guitar solo. However, the song of the album for me and is “East Meets West.” There’s not much to the lyrics but then the line, “When east meets west, there’s gonna be one hell of a mess” kind of sums up what the song is about. The very frightening thing is that with what is going on in the Ukraine, these lyrics could prove prophetic. Lyrics or not, what makes the song for me is that newly added guitarists Niko Arvantis and Tommy Bolan solo their way all through the song, great stuff.

Doro on the Sophie Stage, Bloodstock 2018

Now let’s talk about the other tracks on “Triumph and Agony.” The actual length of “Three Minute Warning” is less than what the title suggests but it is a good bridge between “All We Are” and “I Rule the Ruins.” But the hidden gem for me is the haunting power ballad that is “Make Time for Love.” Shoot me for not remembering this track when I posted my top 30 power ballads a few years back. “Make Time for Love” is a true power ballad in every sense.

It would be a major mistake to assume that the final four songs from the album are filler. “Touch of Evil” opens with some foreboding sounds with drumming by guest drummer Cozy Powell. The song accelerates to being the closest Warlock comes to speed metal on the album, though that doesn’t stop the guitar solo fills from keeping up. After the audience cheers giving it a recorded live effect, Doro’s vocals make “Metal Tango” live up to its name. Again, some good guitar work here and the rhythm section makes themselves known on this one. “Cold, Cold, Cold” is a true power metal track, definitely one to bang along to. That brings us nicely to the closer, “Fur Immer,” which is German for forever and it’s sung in the band’s native tongue at the beginning but sung in English at the chorus. Very interesting and it works. It is more a ballad with the piano and the clever drumming in the background but a cool guitar solo rips in the middle.

Track Listing:

  1. All We Are
  2. Three Minute Warning
  3. I Rule the Ruins
  4. Kiss of Death
  5. Make Time for Love
  6. East Meets West
  7. Touch of Evil
  8. Metal Tango
  9. Cold, Cold, Cold
  10. Fur Immer
Warlock

Doro Pesch- vocals

Niko Arvantis- guitar

Tommy Bolan- guitar

Tommy Henriksen- bass

Michael Eurich- drums

Additional Musicians:

Cozy Powell- guest drummer on “Touch of Evil”

Rudy Richman- guest drummer

Sterling Campbell- guest drummer

Unfortunately, “Triumph and Agony” would be the last album made under the name Warlock. By 1988, Doro was the only original member of the band and the band’s ex-manager would sue for the rights to the name. Thus the name Doro was born but that’s another story. Still, this was a great album for them to go out on.

Next post: Shok Paris- Steel and Starlight

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition for Bruce Dickinson to receive his justly deserved knighthood, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson

Great Metal Albums of 1987: Testament- Live at Eindhoven

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Uncategorized with tags , , , , , , , , , , , , on March 16, 2022 by 80smetalman

Having conquered America with their debut album, “The Legacy,” Testament took their campaign to Europe. While playing the Dynamo Open Air Festival in Eindhoven, Holland, they recorded this live EP. From a historical standpoint, this was a great idea because in World War 2, Eindhoven was the first major Dutch city to be liberated by the combined force of British XXX Corps and the US 101st Airborne. From what I hear on the EP, the audience were ready for some great metal and Testament delivered.

Before the thrash gets underway, the album begins with Chuck Billy asking the audience why they don’t have any beers in their hands. “Let’s see some fuckin’ beers!” he shouts to the crowd and only when they oblige, does the true fireworks begin. Boy do the fireworks begin! They come out firing on all cylinders with “Over the Wall.” If this song doesn’t get the crowd going, then nothing was going to. I get the impression that it did, at least it got me going.

Alex Skolnick begins the second song with a guitar solo bringing in the King Diamond-ish “Burnt Offerings.” Like it does on the studio album, it lures you in as if it’s going to be a slower song before exploding into space at 900 mph. Alex delivers another great guitar solo. Then in the middle of the order comes the best known song, “Do or Die.” Chuck introduces the song by saying “You got to do what you got to do to survive. You got to do or die.” Listening to the song, I regret they didn’t play it when I saw them live in 2009 because they kill it here. It’s just one big thrash party where the crowd is chanting “Testament” at the end .

Following “Do or Die” is my choice for hidden gem, “Apocalyptic City.” It closed out “The Legacy” perfectly but here it does just as well as the penultimate track. While I was prepared for it coming in like a ballad before going full nuts, it still sounds fresh with some great guitars. Alex and rhythm guitarist Eric Peterson just nail it here. It shows what an underrated combo these two are and as far as lead/rhythm guitar combos go, I will put Alex and Eric right up there with Hammet/Hetfield, Jabs/Schenker and the Brothers Young.

“Reign of Terror” is the closer and it comes in with a pounding drum and more guitar work from the above mentioned combo. I love how the speed of the intro just keeps accelerating before Chuck’s vocals come in and take over. I can’t help thinking that there must have been a mosh pit going when this song was being played. Unfortunately, it’s over too soon. Five tracks, no matter how amazing, isn’t enough and when it’s over, I find myself wishing it was a proper LP.

Track Listing:

  1. Over the Wall
  2. Burnt Offering
  3. Do or Die
  4. Apocalyptic City
  5. Reign of Terror
Testament

Chuck Billy- vocals

Alex Skolnick- lead guitar

Eric Petersen- rhythm guitar

Greg Christian- bass

Louie Clemente- drums

What “Live at Eindhoven” demonstrated was that Testament were a kick ass live band and this album helped them make their mark in Europe. It’s also another reason why they should be considered making the Big Four into the Big Five.

Next post: Warlock- Triumph and Agony

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition for a knighthood for Bruce Dickinson, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson

Great Metal Albums of 1987: Twisted Sister- Love is for Suckers

Posted in 1980s, Concerts, Heavy Metal, Heavy Metal and the 1980s, Music, Rock, Uncategorized with tags , , , , , , , , , , , , , on March 3, 2022 by 80smetalman

As a big Twisted Sister fan, it saddens me to write that “Love is for Suckers” was an album which was doomed from the start. Following the disappointing (I didn’t think it was that bad) “Come Out and Play” album, Twisted Sister was seen as a band in decline. In the summer of 1986, all of their albums were selling at half price or less. Therefore, not many people cared when they released this album a year later.

Cracks were already beginning to emerge in the band even before the album was made. Drummer A.J. Pero left and was replaced by Joey Franco. Furthermore, Dee Snider originally intended it to be a solo album, however, the record label insisted that all the band be brought in and record it as a Twisted Sister album. With all this seeming to go against it, it is little wonder why the album is virtually unheard of outside Twisted Sister circles and even the band doesn’t like to talk about it. But, is the album that bad?

Let me get right to the point, “Love is for Suckers” is a notably better album than their previous album. While many critics slammed the album for giving us nothing new, I think that they were just trying to recapture the magic which brought them to superstardom just a few years earlier. The album starts off with a great TS anthem in “Wake Up the Sleeping Giant.” Dee wrote this song as a big ‘FU’ to the likes of Tipper Gore and the PMRC. While it’s a true metal song, it is the only song to appear on the Twisted Sister tribute album, “Twisted Forever,” covered by the rap artist Chuck D and his version is also really good.

“Hot Love,” while lyrically, it is a song about lusting after and wanting someone, it’s backed up be some really heavy power chords and a cool guitar solo. It was the only single from the album and didn’t do too bad, reaching 31 in the Billboard charts. Then we get to the title track, which is speedier track where Joey Franco earns his stripes with the band. True, it’s an anti-love song, but its done with a sense of humour. Franco’s drumming leads in “I’m So Hot for You,” I’m getting a vibe where this album is going lyrically where Dee seems to be focusing on the love theme. But there is the catchy guitar vibe to it which has you banging away to it nevertheless. Closing out the first side is “Tonight,” which is a departure from the love song lyrics of the previous three songs and more of a motivational song, intended to get you up and raise your fist. I sometimes think this song should have come right after the opener but the energy behind it is such that when the song ends, you need that breather to change the record or tape over. It has a great guitar solo and ends with “Did you come to see the bad boys?”

Side two opens with some great riffs on “Me and the Boys.” This track definitely reminds me of the Twisted Sister I came to know and love. It’s a definite wake up call taking you back to the good old days. This brings me to my big question about this album. Why wasn’t “One Bad Habit” released as a single? I remember having this on in my car and my friend who was in the car with me and unknown to things Twisted Sister began singing along to it. The lyrics, “I have one bad habit, I love to rock and roll” may have sounded cliche but would have worked. The guitars would have let metalheads know that it wasn’t a sell out song but the use of the horn section was vey nicely done.

“I Want This Night (To Last Forever)” comes in as if it’s going to be a power ballad but as it progresses, you get more power and less ballad. It’s just gets down and dirty and highlights the fact that Eddie Ojeda and Jay-Jay French haven’t lost their touch with the six strings. The penultimate track, “You’re All That I Need” is the true power ballad and brings back fond memories of their other great power ballad, “The Price” off the “Stay Hungry” album. This one comes pretty close to equalling that classic one. Keeping with the “Stay Hungry” theme, “Yeah, Right” is a short, to the point power track which closes this album the way “SMF” closes their most iconic album.

Track Listing:

  1. Wake Up the Sleeping Giant
  2. Hot Love
  3. Love is for Suckers
  4. I’m So Hot for You
  5. Tonight
  6. Me and the Boys
  7. One Bad Habit
  8. I Want This Night (To Last Forever)
  9. You’re All That I Need
  10. Yeah, Right
Twisted Sister

Dee Snider- lead vocals

Eddie Ojeda- guitars, backing vocals

Jay-Jay French- guitars, backing vocals

Mark ‘The Animal’ Mendoza- bass, backing vocals

Joey ‘Seven’ Franco- drums, percussion

Twisted Sister come out and play, taken at Bloodstock 2016

Due to the lack of recognition “Love is for Suckers” received, Twisted Sister would break up shortly after. Dee rarely speaks of the album and I now know why they didn’t play any songs off it when I saw them at Bloodstock 2010 and 16. He stated that it brings back too many bad memories for the band. It’s a big shame how one seemingly bad album, “Come Out and Play,” can wreck a band because I like the album a lot more than I did their previous one.

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To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

To sign the petition for Bruce Dickinson to receive a knighthood, click the link: https://www.change.org/p/special-honours-committees-for-knighthoods-a-knighthood-for-bruce-dickinson